<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3513">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1365]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3507">
    <dcterms:title><![CDATA[Sichuan Panda Sanctuaries]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Chinese, English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1363]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3502">
    <dcterms:title><![CDATA[(The Palace Museum / Forbidden City）]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420 and was the royal palace of the emperors of the Ming and Qing dynasties. It is also the largest and best-preserved wooden palace complex in the world.
Goal 11: Make cities and human settlements inclusive, safe, resilient and sustainable]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Chinese, English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1360]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[UNESCO World Heritage Centre]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3497">
    <dcterms:title><![CDATA[The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Palace Museum was built in 1420 as the imperial palace of the Ming and Qing dynasties. It is the largest and most complete imperial wooden structure complex in the world, housing more than 1.8 million precious cultural relics and an important symbol of Chinese culture.
Goal 11: Build inclusive, safe, resilient and sustainable cities and human settlements]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1356]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[State-owned (China)]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3485">
    <dcterms:title><![CDATA[Sichuan Giant Panda Sanctuaries]]></dcterms:title>
    <dcterms:description><![CDATA[The Sichuan Giant Panda Sanctuary is located in Sichuan Province, China, and includes the Wolong, Siguniang Mountain and Jiajin Mountain areas. This area is ecologically diverse and is one of the largest and most important giant panda habitats in the world. This area is of great significance to maintaining global biodiversity and environmental stability. Through digital monitoring, intelligent wildlife tracking and data analysis, we can more effectively protect endangered species and the ecological environment and enhance the public's ecological awareness.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:references><![CDATA[UNESCO World Heritage Centre]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[UNESCO World Heritage Centre]]></dcterms:medium>
    <dcterms:language><![CDATA[Chinese, English/]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1347]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,30.743458637542574,104.13292407989503;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[State-owned]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3469">
    <dcterms:title><![CDATA[The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Located in the center of Beijing, China, the Palace Museum was built in 1420. It was the royal palace of the Ming and Qing dynasties and the largest and best-preserved wooden palace complex in the world. The Palace Museum not only has a spectacular royal complex, but also has more than 1.8 million precious collections, which contain China's rich historical and cultural connotations and craftsmanship wisdom. The application of digital technology, such as virtual reality guided tours, online museums and 3D cultural relics scanning, helps to improve the public's understanding of cultural heritage and strengthen cultural inheritance.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:references><![CDATA[UNESCO World Heritage Centre]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[UNESCO World Heritage Centre]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1341]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.91727415127369,116.39076948165895;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[State-owned]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3459">
    <dcterms:title><![CDATA[Night view of a street adorned with neon signs in Hong Kong]]></dcterms:title>
    <dcterms:description><![CDATA[The use of neon signs as an advertising method for shops increased post-war in the 1950s, alongside a boom in incoming migration and setting up of shops and stores. As business owners typically planned for their businesses to be passed on through generations, they were known to ‘invest a lot in getting a sign commissioned’ as it carried a lot of significance and identity. As the economy prospered in the later half of the 20th century, the signs became de rigueur in the urban cityscape – an icon in its own right, and inspiring many cultural references in movies and media. 

In the above image, neon signs adorn a street (Portland Street) in Hong Kong.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[13 January 2007]]></dcterms:date>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[English Wikipedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,114.16873483961649,22.31919;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3457">
    <dcterms:title><![CDATA[ The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Located in the center of Beijing, China, the Palace Museum was built in 1420. It was the royal palace of the Ming and Qing dynasties and the largest and best-preserved wooden palace complex in the world. The Palace Museum not only has a spectacular royal complex, but also has more than 1.8 million precious collections, which contain China's rich historical and cultural connotations and craftsmanship wisdom. The application of digital technology, such as virtual reality guided tours, online museums and 3D cultural relics scanning, helps to improve the public's understanding of cultural heritage and strengthen cultural inheritance.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:references><![CDATA[ UNESCO World Heritage Centre]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[ UNESCO]]></dcterms:medium>
    <dcterms:language><![CDATA[Chinese, English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1339]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[State-owned]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3446">
    <dcterms:title><![CDATA[Mogao Mural]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This mural is a replica exhibit based on the original Buddhist wall paintings found in the Mogao Caves, also known as the Thousand Buddha Grottoes, located near Dunhuang, China.
The original murals were created between the 4th and 14th centuries, featuring rich iconography of Buddhist narratives, devotional figures, and multicultural artistic influences from the Silk Road.
This replica was produced for educational and exhibition purposes to promote awareness of Dunhuang’s cultural significance. While the physical replica is movable, the original artworks are considered immovable cultural heritage and are part of a UNESCO World Heritage Site.]]></dcterms:description>
    <dcterms:creator><![CDATA[Generations of Buddhist monks and artisans along the Silk Road]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[4th to 14th century CE]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[25/03/2025]]></dcterms:>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Mogao_Caves]]></dcterms:references>
    <dcterms:extent><![CDATA[300cm x 80cm x 0cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Dunhuang Research Academy]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[1334]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.0450,94.8092;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3279">
    <dcterms:title><![CDATA[Grand Canyon of the Yellowstone National Park]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Yellowstone National Park, established as the first national park in the world in 1872, remains a vital representation of natural preservation. The park’s boundaries span the states of Wyoming, Montana and Idaho and has become an emblem of environmental conservation.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2021:06:21 13:05:16]]></dcterms:date>
    <dcterms:contributor><![CDATA[lb370@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,44.62688549659287,-110.52658081054689;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3259">
    <dcterms:title><![CDATA[Jiuzhaigou_Valley]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Jiuzhaigou Valley is located within Sichuan Province, China, and has gained a widespread reputation for its unparalleled natural scenery. Here, there are colorful lakes, multi-layered waterfalls with a well-arranged layout, and unique limestone terraces. Its distinctive karst landform and rich biodiversity led to its inclusion in the World Heritage List by UNESCO in 1992. As a habitat for endangered species such as giant pandas and takins, Jiuzhaigou is also a vital nature reserve. In addition, the Qiang and Tibetan ethnic groups live in this valley, and their inherited cultural traditions have added profound historical significance to this area.
In order to properly protect the natural and cultural resources of Jiuzhaigou and promote the steady development of tourism, Jiuzhaigou National Park has established an official website. Through digital forms such as pictures and videos, it promotes Jiuzhaigou, helping people from all over the world to recognize Jiuzhaigou. By popularizing the unique natural landscapes and cultural customs of Jiuzhaigou, tourists can have a deeper understanding of the local history and respect the local customs, thus enhancing the harmonious relationship between tourists and local residents and strongly promoting the sustainable development of tourism. These measures are highly consistent with the requirements of SDG 15, SDG 12, and SDG 11.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[Paleoglacial Period]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[24/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/25/2025 11:26:11 am]]></dcterms:>
    <dcterms:contributor><![CDATA[zl203@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Jiuzhaigou, https://en.jiuzhai.com/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Wikipedia, Jiuzhai Valley National Park]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1307]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,33.2,103.9;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[China]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3258">
    <dcterms:title><![CDATA[Jiuzhaigou_Valley]]></dcterms:title>
    <dcterms:description><![CDATA[Jiuzhaigou Valley is located within Sichuan Province, China, and has gained a widespread reputation for its unparalleled natural scenery. Here, there are colorful lakes, multi-layered waterfalls with a well-arranged layout, and unique limestone terraces. Its distinctive karst landform and rich biodiversity led to its inclusion in the World Heritage List by UNESCO in 1992. As a habitat for endangered species such as giant pandas and takins, Jiuzhaigou is also a vital nature reserve. In addition, the Qiang and Tibetan ethnic groups live in this valley, and their inherited cultural traditions have added profound historical significance to this area.
In order to properly protect the natural and cultural resources of Jiuzhaigou and promote the steady development of tourism, Jiuzhaigou National Park has established an official website. Through digital forms such as pictures and videos, it promotes Jiuzhaigou, helping people from all over the world to recognize Jiuzhaigou. By popularizing the unique natural landscapes and cultural customs of Jiuzhaigou, tourists can have a deeper understanding of the local history and respect the local customs, thus enhancing the harmonious relationship between tourists and local residents and strongly promoting the sustainable development of tourism. These measures are highly consistent with the requirements of SDG 15, SDG 12, and SDG 11.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2011:10:26 20:44:57]]></dcterms:date>
    <dcterms:contributor><![CDATA[zl203@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikipedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,33.2,103.9;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3167">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:44:21 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,20.9152° N,100.7452° W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3166">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:44:14 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,20.9152° N,100.7452° W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3165">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:44:08 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,20.9152° N,100.7452° W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3164">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:44:03 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
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    <dcterms:description><![CDATA[Machu Picchu is a 15th-century Inca citadel located in the Andes Mountains of Peru, at an altitude of approximately 2,430 meters above sea level. Believed to have been built as an estate for the Inca emperor Pachacuti, the site remained unknown to the outside world until its rediscovery by Hiram Bingham in 1911. It is renowned for its sophisticated dry-stone construction, terraces, and panoramic mountain views. Machu Picchu is a symbol of Inca engineering and cultural achievement, offering insight into pre-Columbian civilization. As a UNESCO World Heritage Site, it draws millions of visitors annually and faces preservation challenges due to tourism and climate change.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/23/2025 05:41:22 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[qqqq]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-13.16333,-72.54556;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3044">
    <dcterms:title><![CDATA[Berlin Wall]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[In the Post-WW2, Cold War era, Germany was divided amongst the Allies and the Soviet Union. As the capital city, Berlin was also divided. The Soviets built the Berlin Wall to prevent migration between the sides. While today what remains is a physical concrete wall, this only represents part of the infrastructure, which included another wall on the Soviet side, an area of no-mans-land known as the death strip, and guard towers. In 1989, the border was opened, and the wall began to be brought down. Major governmental work was required to reunite the country and today, the main remnants are parts of the concrete wall.
Goal 4 of the Sustainable Development Goals is regarding Quality Education. Digital representations of the Berlin Wall would allow for increased education about the wall and the history leading up to its creation, enabling more people to learn about it, and promote Goal 16, promoting peace, by understanding past global conflicts. Furthermore, it contributes to Goal 11.4 of strengthening global cultural heritage.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[August 13th, 1961]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[22/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.stiftung-berliner-mauer.de/en]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.stiftung-berliner-mauer.de/en]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1281]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,52.504444,13.441111;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3043">
    <dcterms:title><![CDATA[20230123_Remaining_Berlin_Wall_section_at_Niederkirchnerstra__e_1.jpg]]></dcterms:title>
    <dcterms:description><![CDATA[A photograph showing a remaining Berlin Wall section at Niederkirchnerstraße]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023:01:23 14:39:42]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/22/2025 07:18:20 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:20230123_Remaining_Berlin_Wall_section_at_Niederkirchnerstra%C3%9Fe_1.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,52.507098399722224,13.3823907;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3042">
    <dcterms:title><![CDATA[Berlinermauer]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A photograph showing the Berlin Wall in 1986.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[1986]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/22/2025 07:09:09 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Berlinermauer.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,52.505137,13.424719;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3041">
    <dcterms:title><![CDATA[Robben Island]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Robben Island is a UNESCO world heritage site due to the intangible heritage that the site represents. It served as a political prison for the Apartheid government of South Africa, where they held numerous people who fought against their regime. The most notable prisoner is Nelson Mandela who spent 18 years on the island through his 27 years of imprisonment by the Apartheid government. He then became the first President of a post-Apartheid South Africa. While most known for its Apartheid-era usage, it has been used a political prison since the 1600s, where Dutch colonialists imprisoned indigenous tribal leaders, opposition colonial leaders as well as the leaders of a mutiny on a slave ship, the Meermin. It also holds natural value, for example, scientists study the population of penguins resident on the island.

Digital interpretation of Robben Island contributes to Goal 16 of the UN Sustainable Development Goals as it will allow promotion of justice, by teaching about prior injustice. This also links to Goal 10, reducing inequalities. Furthermore, it will contribute to Goal 11.4 through the strengthening of Cultural Heritage as it represents a key site for the story of the fight against Apartheid.  ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[1600s]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[22/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/22/2025 06:49:11 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.robben-island.org.za/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1280]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-33.8034784063154,18.368994711781856;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Government of South Africa]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3040">
    <dcterms:title><![CDATA[Maximum Security Prison, Robben Island]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A photograph showing the entrance to Robben Island.]]></dcterms:description>
    <dcterms:date><![CDATA[2007:02:28 02:47:30]]></dcterms:date>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:AHI_Treasures_of_Southern_Africa_3-07_0135_N_(554377428).jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-33.798856674318394,18.374595166496874;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3039">
    <dcterms:title><![CDATA[Robben Island - Cape Town, South Africa]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A photograph showing an overhead view of the entirety of Robben Island, with mainland in the background.]]></dcterms:description>
    <dcterms:date><![CDATA[2006:02:17 11:27:55]]></dcterms:date>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[South African Tourism]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-33.8038278784108,18.36946678187815;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3037">
    <dcterms:title><![CDATA[Forth Bridge]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Forth Bridge is a railway cantilever bridge across the Firth of Forth, west of Edinburgh. It is a piece of tangible, immovable heritage and represents a huge achievement in human engineering, while also being an important part of the rail network, as it has been since it was opened on the 4th of March 1890. Designed by engineers Sir John Fowler and Sir Benjamin Baker, it is 2.5km long including the approaches and contains 3 separate cantilever structures holding 2 spans of 520m each. Upon opening, this was the longest span of a cantilever design and remains the second longest span today. It was the first major structure in Britain to be built of steel and was named as a UNESCO world heritage site in 2015. 78 people are known to have died working on the construction of the bridge and the Briggers Memorial remembers them with a monument at both ends of the bridge.

Digital interpretation of the Forth Bridge will aid the protection of the heritage surrounding it, contributing to Goal 11 (11.4) through the strengthening of cultural heritage. It also supports 11.2 through promotion of public transport as it is a key part of rail infrastructure.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[1890]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[22/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.theforthbridges.org/about-the-forth-bridges/forth-bridge/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1279]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.00006084614083,-3.38834666996263;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Network Rail]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3036">
    <dcterms:title><![CDATA[Forth Bridge]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A black and white photo from the late 1800s showing the Forth Bridge under construction.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[1860s-1880s]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/22/2025 02:12:09 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[National Galleries of Scotland]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.00090556245659,-3.3889732368697882;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3035">
    <dcterms:title><![CDATA[Forth Bridge 2022]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A photograph showing the whole of the Forth Bridge from a diagonal onlook position on the banks of the Forth of Firth, on a sunny but mildly cloudy day.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023:09:10 08:17:18]]></dcterms:date>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[MrMasterKeyboard, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.00150069459078,-3.388973233595607;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3034">
    <dcterms:title><![CDATA[Forth Bridge]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A photograph showing the whole of the Forth Bridge from a diagonal onlook position on the banks of the Forth of Firth, on a sunny but mildly cloudy day.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023:09:10 08:17:18]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/22/2025 01:55:53 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[MrMasterKeyboard, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.00150069459078,-3.388973233595607;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3033">
    <dcterms:title><![CDATA[Forth Bridge]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A photograph showing the whole of the Forth Bridge from a diagonal onlook position on the banks of the Forth of Firth, on a sunny but mildly cloudy day.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023:09:10 08:17:18]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/22/2025 01:55:49 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[MrMasterKeyboard, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.00150069459078,-3.388973233595607;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3032">
    <dcterms:title><![CDATA[Forth Bridge]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A photograph showing the whole of the Forth Bridge from a diagonal onlook position on the banks of the Forth of Firth, on a sunny but mildly cloudy day.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023:09:10 08:17:18]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/22/2025 01:55:41 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[MrMasterKeyboard, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.00150069459078,-3.388973233595607;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3006">
    <dcterms:title><![CDATA[St.Andrews Cathedral, 2024 September.]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024.09.14]]></dcterms:date>
    <dcterms:contributor><![CDATA[ypc1@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.34027213408851,-2.7885116677544053;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2967">
    <dcterms:title><![CDATA[Roman Colosseum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[An iconic Roman amphitheatre and revolutionary for its time. Capable of housing over 50,000 onlookers at its peak, it was known for bloody gladiatorial contests, spectacles and naval battles. Throughout time, the Colosseum has been affected by earthquakes, overtourism, climate change, looting and vandalism, and has endured the test of time as a symbol of Rome's genius and power. Digital representations will help make progress towards UN SDG goal 11 of Sustainable Cities and Communities in order to ensure responsible and sustainable tourism.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[14/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kae4@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.flickr.com/photos/132084522@N05/16800139540]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1258]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.8902°,12.4922;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Sam Valadi]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2966">
    <dcterms:title><![CDATA[Bamburgh Castle]]></dcterms:title>
    <dcterms:description><![CDATA[Overlooking the North Sea, this castle has had its fair share of battles throughout British history. Previously seating Northumbrian kinds, the castle was invaded by Vikings and endured shifts in British political history as a significant stronghold of the North. Bamburgh Castle still houses impressive collections of arms, artefacts and armour, which recall the stories of Britain's power struggle throughout time. Bamburgh is quintessential to England's cultural background, being a popular tourist site due to hit Vikings shows on Netflix being based on the castle. By digitising this structure, we achieve UN SDG Goal 4 of Quality Education by giving virtual tours of the castle with digital artefacts to explore and broaden the educational reach while preserving history. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[14/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kae4@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.flickr.com/photos/emberton/27065728297]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1257]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.608948,-1.710176;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[James Emberton]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2961">
    <dcterms:title><![CDATA[Terracotta Army, China]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[The Terracotta Army is a collection of life-sized terracotta sculptures depicting the armies of Qin Shi Huang, the first Emperor of China. Discovered in 1974 near Xi'an in Shaanxi Province, this archaeological marvel dates to 210-209 BCE and was created as funerary art to protect the emperor in his afterlife. The site contains thousands of individually crafted warriors, each with unique facial features, expressions, and attire, alongside chariots, horses, and weapons. The remarkable craftsmanship demonstrates the advanced artistic and military organization of the Qin Dynasty. The warriors are part of a larger imperial mausoleum complex that remains largely unexplored. Today, this UNESCO World Heritage Site provides invaluable insights into ancient Chinese history, culture, and artistry while continuing to attract researchers and visitors from around the world.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[12/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1254]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current, 34.3841° N,109.2785° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2916">
    <dcterms:title><![CDATA[Example of a Neon Sign in Hong Kong ]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The use of neon signs as an advertising method for shops increased post-war in the 1950s, alongside a boom in incoming migration and setting up of shops and stores. As business owners typically planned for their businesses to be passed on through generations, they were known to ‘invest a lot in getting a sign commissioned’ as it carried a lot of significance and identity. As the economy prospered in the later half of the 20th century, the signs became de rigueur in the urban cityscape – an icon in its own right, and inspiring many cultural references in movies and media. 

The above neon sign is for the restaurant chain "新英記 Sun Ying Kee", and is located in Causeway Bay.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[7 June 2021]]></dcterms:date>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,22.302711,114.177216;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2915">
    <dcterms:title><![CDATA[Komodo Island]]></dcterms:title>
    <dcterms:description><![CDATA[Komodo National Park is a UNESCO World heritage site in Indonesia which in 1980 was created by the Indonesian government in order to protect the komodo dragon (UNESCO World Heritage Centre, 2010). Komodo national park has over 1,000 species of tropical fish and notably around 5,700 komodo dragons who roam across the island. The Komodo national park utilises technology, notably a SMART system which enabled for increasing data collection and expanded patrol coverage. Subsequently, this resulted in greater wildlife monitoring meaning for effective conservation of species on the island (World, 2022). Moreover, surveillance cameras are utilised on the island to prevent the poaching of species, in particular to komodo dragon (Park, 2023). In relation to the United Nations sustainable development goals, Komodo National Park aligns with the goals of Goal 8: Life on Land as the park has wildlife monitoring tools such as SMART and GPS-enabled devices to aid the conservation of the komodo dragon. Moreover, it aligns with Goal 14 Life below water as patrolling teams cover marine areas and can  monitor boats entering the Komodo National Park marine zone both fishing and tourist boats (World, 2022b). Moreover, Goal 8: Decent Work and Economic Growth is another goal the park meets as park rangers promote sustainable tourism and bolster local employment opportunities and with visitors set to reach more than 1 million in 2025 the economic growth from visitors is positive alongside a new (Cosmos, 2024).


]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[24/2/2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[od42@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-8.543333,119.489441;]]></dcterms:spatial>
</rdf:Description></rdf:RDF>