<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2848">
    <dcterms:title><![CDATA[The Palace Museum - Beijing]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum in Beijing, located in the center of Beijing, China, is one of the largest palace complexes in the world, also known as the Forbidden City. It was the imperial palace of the emperors of the Ming and Qing dynasties and has a history of nearly 600 years. The Forbidden City is famous for its magnificent architecture, huge collections and profound cultural heritage. The museum has a large number of artworks, including paintings, calligraphy, ceramics, jade and other precious cultural relics, and is an important place for the study of Chinese history and culture. It attracts thousands of tourists every year and is one of the most important cultural ICONS in China.

digital interpretation can increase its digital process and promote the development of tourism in Beijing. This can effectively promote SDG8 - Decent work and economic growth & SDG9 - industry, innovation and infrastructure]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[12/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yj42]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1178]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.9,116.3;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2846">
    <dcterms:title><![CDATA[The Site Of Palmyra]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Site Of Palmyra The ancient city of Palmyra, located in central Syria, is an archaeological site full of historical charm. The city was an important hub of ancient trade and cultural exchange, connecting the Roman and Persian empires. Palmyra is famous for its magnificent temples, magnificent colonnaded streets and unique architectural style. The ruins show a mix of cultures, including Greco-Roman architecture and Persian art. Due to its unique historical and cultural values, Palmyra is listed as a World Cultural Heritage Site. In recent years, however, war and destruction have seriously threatened these precious cultural heritages. digital interpretation can increase the visibility Of the Site Of Palmyra, promote local economic development, This can effectively promote SDG8 - Decent work and economic growth and SDG 11- Sustainable cities and communities.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[12/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/12/2024 12:12:46 am]]></dcterms:>
    <dcterms:contributor><![CDATA[yj42]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1177]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,34.5,38.2;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2845">
    <dcterms:title><![CDATA[The Site Of Palmyra]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Site Of Palmyra	The ancient city of Palmyra, located in central Syria, is an archaeological site full of historical charm. The city was an important hub of ancient trade and cultural exchange, connecting the Roman and Persian empires. Palmyra is famous for its magnificent temples, magnificent colonnaded streets and unique architectural style. The ruins show a mix of cultures, including Greco-Roman architecture and Persian art. Due to its unique historical and cultural values, Palmyra is listed as a World Cultural Heritage Site. In recent years, however, war and destruction have seriously threatened these precious cultural heritages. digital interpretation can increase the visibility Of the Site Of Palmyra, promote local economic development, This can effectively promote SDG8 - Decent work and economic growth and SDG 11- Sustainable cities and communities.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[yj42]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34.5,38.2;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2843">
    <dcterms:title><![CDATA[The Thai Mahal ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Thai Mahal The Taj Mahal, situated in the Agra District of Uttar Pradesh, India, commenced construction in 1632 and was completed over a 16-year period. Its construction involved painters, calligraphers, sculptors, and numerous craftsmen from the imperial workshops.The Taj Mahal is a world famous architectural heritage site, and its design combines Indian and Persian architectural styles. It took tens of thousands of craftsmen more than a decade to complete the complex, which is mainly made of white marble. Attracting a large number of tourists every year, celebrities and politicians from around the world have come to visit, and in recent years, the Taj Mahal has faced some challenges, such as environmental pollution and acid rain, as well as natural weathering. Digital interpretation can help Taj Mahal gain more network traffic and social attention, increase the number of tourists by better displaying the architectural charm of Taj Mahal, and further promote the development of local economy. This can effectively promote SDG8 - Decent work and economic growth]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1632]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[11/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/12/2024 12:17:20 am]]></dcterms:>
    <dcterms:contributor><![CDATA[yj42]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1176]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,27.1751,78.0421;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2842">
    <dcterms:title><![CDATA[The Thai Mahal]]></dcterms:title>
    <dcterms:description><![CDATA[The Thai Mahal	The Taj Mahal, situated in the Agra District of Uttar Pradesh, India, commenced construction in 1632 and was completed over a 16-year period. Its construction involved painters, calligraphers, sculptors, and numerous craftsmen from the imperial workshops.The Taj Mahal is a world famous architectural heritage site, and its design combines Indian and Persian architectural styles. It took tens of thousands of craftsmen more than a decade to complete the complex, which is mainly made of white marble. Attracting a large number of tourists every year, celebrities and politicians from around the world have come to visit, and in recent years, the Taj Mahal has faced some challenges, such as environmental pollution and acid rain, as well as natural weathering. Digital interpretation can help Taj Mahal gain more network traffic and social attention, increase the number of tourists by better displaying the architectural charm of Taj Mahal, and further promote the development of local economy. This can effectively promote SDG8 - Decent work and economic growth.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[yj42]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,27.1751,78.0421;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2840">
    <dcterms:title><![CDATA[Jiuzhaigou Valley Scenic and Historic Interest Area]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Five color pond in Jiuzhaigou Valley Scenic and Historic Interest Area.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[19/04/2012]]></dcterms:date>
    <dcterms:contributor><![CDATA[sz86@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,33.04879031373246,103.93041729927064;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2836">
    <dcterms:title><![CDATA[Jiuzhaigou Valley Scenic and Historic Interest Area]]></dcterms:title>
    <dcterms:description><![CDATA[The Jiuzhaigou Valley Scenic and Historic Interest Area, located in Aba Tibetan and Qiang Autonomous Prefecture in Sichuan Province, China, is a World Biosphere Reserve known for its exceptional natural beauty and rich ecosystem. It is home to broad-leaf temperate forests, mountainous regions, and ancient glacial remnants, providing critical habitats for many endangered species, such as giant pandas, golden monkeys, and antelopes. As a settlement for the Tibetan and Qiang ethnic groups, Jiuzhaigou also features a unique cultural heritage, which contributes to its designation as a UNESCO World Heritage site.

Jiuzhaigou attracts millions of tourists every year. Despite the economic benefits of tourism, this popularity stresses the local ecological environment. In response, the local authorities have implemented a GIS-based Integrated Monitoring System to manage natural resource data efficiently, and a Smart Tourism Platform that adjusts eco-buses routes based on the tourist capacity, thus easing the impact during busy seasons. These measures have played a positive role in achieving SDG 12. B and SDG 15.1/4/5/9, promoting sustainable tourism and environmental conservation.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[11/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/12/2024 01:47:24 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[sz86@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1172]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,33.04879031373246,103.93041729927064;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2835">
    <dcterms:title><![CDATA[Jiuzhaigou Valley Scenic and Historic Interest Area (UNESCO/NHK)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[This video, which introduces the rich natural landscapes and diverse ecosystems of the Jiuzhaigou Valley, has been specially edited and adapted by UNESCO for the NHK World Heritage 100 Series.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[03/06/2010]]></dcterms:date>
    <dcterms:contributor><![CDATA[sz86@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:medium><![CDATA[UNESCO TV / © NHK Nippon Hoso Kyokai]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,33.04879031373246,103.93041729927064;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2830">
    <dcterms:title><![CDATA[Valley of the Kings]]></dcterms:title>
    <dcterms:description><![CDATA[The Valley of the Kings, located on the west bank of the Nile near Luxor, Egypt, is an important archaeological site. It served as the burial ground for pharaohs and powerful nobles of the Egyptian New Kingdom from the 16th to the 11th century BCE. The site is world-renowned for its architectural and artistic achievements, showcasing the height of ancientEgyptian funerary culture.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[10/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Na Li]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1167]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,25°44′27″N 32°36′8″E,25.74083°N 32.60222°E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2649">
    <dcterms:title><![CDATA[Three centuries old blueprints of Tibetan Potala Palace revealed]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/07/2024 08:22:42 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx65@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29.6578° N,91.1169° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2641">
    <dcterms:title><![CDATA[Monet - Sunrise Impression]]></dcterms:title>
    <dcterms:description><![CDATA[Impression, Sunrise (French: Impression, soleil levant) is an 1872 painting by Claude Monet first shown at what would become known as the "Exhibition of the Impressionists" in Paris in April, 1874. The painting is credited with inspiring the name of the Impressionist movement.
Impression, Sunrise depicts the port of Le Havre, Monet's hometown. It is now displayed at the Musée Marmottan Monet in Paris.

Impression, Sunrise depicts the port of Le Havre at sunrise, the two small rowboats in the foreground and the red Sun being the focal elements. In the middle ground, more fishing boats are included, while in the background on the left side of the painting are clipper ships with tall masts. Behind them are other misty shapes that "are not trees but smokestacks of pack boats and steamships, while on the right in the distance are other masts and chimneys silhouetted against the sky." In order to show these features of industry, Monet eliminated existing houses on the left side of the jetty, leaving the background unobscured.
Following the defeat of France in the Franco-Prussian War of 1870–71, the regeneration of France was exemplified in the thriving port of Le Havre. Art historian Paul Tucker suggests that the contrast of elements like the steamboats and cranes in the background to the fishermen in the foreground represent these political implications: "Monet may have seen this painting of a highly commercial site as an answer to the postwar calls for patriotic action and an art that could lead. For while it is a poem of light and atmosphere, the painting can also be seen as an ode to the power and beauty of a revitalized France."
The representation of Le Havre, hometown of Monet and a center of industry and commerce, celebrates the "renewed strength and beauty of the country... Monet's ultimate utopian statement." Art demonstrating France's revitalization, Monet's depiction of Le Havre's sunrise mirrors the renewal of France.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:extent><![CDATA[48cm x 63cm x 0cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1149]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,48.8593,2.2672;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Musée Marmottan Monet]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2633">
    <dcterms:title><![CDATA[Notre Dame de Paris - 2]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Notre Dame de Paris is a famous tourist attraction in France and a milestone in the history of European architecture. This is a typical Gothic church building located on the Seine River in the center of Paris. It was started in 1163 and completed in 1345. It is one of the most representative monuments in France. Notre Dame de Paris is a representative of early European Gothic architecture and sculpture art. In recent years, approximately 12 million tourists have visited Notre Dame every year, making it the most visited attraction in France.Notre Dame de Paris is located in a temperate maritime climate. The average temperature in summer is between 15 and 25 degrees. In winter, it rains a lot and is often foggy.

Restoring Notre Dame will require consideration of climate change and its impacts, as well as the use of sustainable building materials and technologies. This can contribute to SDG 13 of the United Nations Sustainable Development Goals. Restoring Notre Dame will provide the public with research and learning opportunities that advance SDG 4 of the United Nations Sustainable Development Goals.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024,]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sc442@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1142]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,48.85292,2.34968;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[French Government]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2587">
    <dcterms:title><![CDATA[Angkor Wat]]></dcterms:title>
    <dcterms:description><![CDATA[Angkor Wat, located in the Siem Reap province of Cambodia, is one of the world's largest religious monuments and cultural heritage sites. It was constructed in the 12th century by the Khmer Empire and utilised as a Hindu temple followed by its utilisation as a Buddhist monastery. The temple structure spans over 400 square kilometers, showcasing magnicent architecture, detailed carvings, and deep connections to art, history and religion. Beyond its enormous physical structure, Angkor Wat incorporates significant cultural, spiritual, and archaeological value. In addition to its reputation as a UNESCO World Heritage Site, it also holds great spiritual and cultural signicance for the people of the country and across the world.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[mm594@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2583">
    <dcterms:title><![CDATA[White Cliffs of Dover]]></dcterms:title>
    <dcterms:description><![CDATA[The White Cliffs of Dover are an iconic example of natural heritage, with it's unique chalk cliffs and beautiful view over the coastline facing France across the Channel. They have significant historical, cultural, and ecological value which makes them an essential component of natural heritage in the United Kingdom. 
However, the Cliffs are being significantly affected by climate change. With reference to the UN's sustainable development goals, this have particular connection to SDG13: Climate Action, due to the increasing erosion and rising sea levels causing the gradual deterioration and destabilisation of the cliffs. Moerover, it is also connected to SDG14: Life Below Water, as gradual changes in temperate has profound impact on the fauna, birds, and fish that inhabit the surrounding area.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[Unknown]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[tm232@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1136]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.1345,1.3573;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2582">
    <dcterms:title><![CDATA[White Cliffs of Dover]]></dcterms:title>
    <dcterms:description><![CDATA[The White Cliffs of Dover are an iconic example of natural heritage, with it's unique chalk cliffs and beautiful view over the coastline facing France across the Channel. They have significant historical, cultural, and ecological value which makes them an essential component of natural heritage in the United Kingdom. 
However, the Cliffs are being significantly affected by climate change. With reference to the UN's sustainable development goals, this have particular connection to SDG13: Climate Action, due to the increasing erosion and rising sea levels causing the gradual deterioration and destabilisation of the cliffs. Moerover, it is also connected to SDG14: Life Below Water, as gradual changes in temperate has profound impact on the fauna, birds, and fish that inhabit the surrounding area.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[Unknown]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[tm232@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1135]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.1345,1.3573;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2579">
    <dcterms:title><![CDATA[White Cliffs of Dover]]></dcterms:title>
    <dcterms:description><![CDATA[The White Cliffs of Dover are an iconic example of natural heritage, with it's unique chalk cliffs and beautiful view over the coastline facing France across the Channel. They have significant historical, cultural, and ecological value which makes them an essential component of natural heritage in the United Kingdom. 
However, the Cliffs are being significantly affected by climate change. With reference to the UN's sustainable development goals, this have particular connection to SDG13: Climate Action, due to the increasing erosion and rising sea levels causing the gradual deterioration and destabilisation of the cliffs. Moerover, it is also connected to SDG14: Life Below Water, as gradual changes in temperate has profound impact on the fauna, birds, and fish that inhabit the surrounding area.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[Unknown]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[tm232@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1132]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.1345,1.3573;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2574">
    <dcterms:title><![CDATA[Aletsch Glacier]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Aletsch Glacier is a major tourist attraction, and an example of natural heritage, located in Switzlerland. It is home to various rare animal and plant species, offering breathtaking views of the ice formations in the surrounding landscapes. Moreover, it is part of a protected area which has been declared a UNESCO World Heritage Site as it holds significant cultural and economic value. For example, many communities rely on the water from the glacier for their livelihoods; i.e. drinking and agriculture, while it is also essential for creating liveable habitats for the high number of rare species in the ecosystem. Climate change is, however, causing the glacier to gradually melt which is having profoundly negative impacts on the ecosystem and culture.

Digital interpretations of the Aletsch Glacier can help raise awareness for - and study - climate change. By allowing users to observe the gradual deterioration of the glacier over time, they can perhaps realise the extent of the damage that climate change can have. It is something that can be seen as a way to 'experience' climate change; comparing the glacier from thousands of years ago to the modern day provides irrefutable evidence for global warming.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[Unknown]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[tm232@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1129]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,46.4887,8.0531;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2555">
    <dcterms:title><![CDATA[The Herculaneum Scrolls]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Herculaneum Scrolls are ancient scrolls discovered in Herculaneum in the 18th century AD. The scrolls were buried when Mount Vesuvius erupted in AD 79. Now these ancient scrolls have been severely carbonized and are very fragile. If they are not careful, they will be completely broken, making it difficult for people to open these scrolls. In the early days, the scrolls were even thought to be carbonized tree branches and were abandoned or even burned.

Currently, researchers are using a variety of methods to try to unfold The Herculaneum Scrolls, even using the latest three-dimensional scanning technology and artificial intelligence algorithms, and have made a lot of progress. Years of research revealed that the scrolls came from ancient libraries and contained many ancient Greek philosophical texts, including the works of ancient Greek philosophers and poets.Preserving The Herculaneum Scrolls can provide researchers and the public with an important resource for learning about ancient cultures and languages, and contribute to the United Nations Sustainable Development Goal SDG 4 quality education and SDG 11 Sustainable Cities and Communities.
]]></dcterms:description>
    <dcterms:creator><![CDATA[Greek philosophers and poets]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[Before AD 79]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Sixian]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Herculaneum_papyri]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[1127]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.8060,14.3482;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2512">
    <dcterms:title><![CDATA[Shell ring site of the ancient city of Jinning]]></dcterms:title>
    <dcterms:description><![CDATA[Shell ring site are a type of ancient human settlement site. The cultural accumulation at such sites is dominated by shellfish. Shell ring site of the ancient city of Jinning in Yunnan is the most complete known annular shell mound site of the Pre-Dian period in Yunnan Province, China. The core area of the site reaches 42,000 square meters, and the shell mound accumulation thickness is nearly 6.5 meters. There are a large number of snail shells stacked alternately with layers of lime soil in the site. After the ancients ate the snail meat, they discarded the snail shells as food waste, and gradually accumulated them over the years, forming the shell mounds we see today. Protecting shell midden sites can help people understand past ways of life, promote tourism and local economic development, and promote the United Nations Sustainable Development Goal SDG 4 quality education and SDG 11 Sustainable Cities and Communities.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Sixian]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1126]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,24.756667,102.677778;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Chinese Government]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2510">
    <dcterms:title><![CDATA[Notre Dame de Paris]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Notre Dame de Paris is a famous tourist attraction in France and a milestone in the history of European architecture. This is a typical Gothic church building located on the Seine River in the center of Paris. It was started in 1163 and completed in 1345. It is one of the most representative monuments in France. Notre Dame de Paris is a representative of early European Gothic architecture and sculpture art. In recent years, approximately 12 million tourists have visited Notre Dame every year, making it the most visited attraction in France.Notre Dame de Paris is located in a temperate maritime climate. The average temperature in summer is between 15 and 25 degrees. In winter, it rains a lot and is often foggy.

Restoring Notre Dame will require consideration of climate change and its impacts, as well as the use of sustainable building materials and technologies. This can contribute to SDG 13 of the United Nations Sustainable Development Goals. Restoring Notre Dame will provide the public with research and learning opportunities that advance SDG 4 of the United Nations Sustainable Development Goals.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Sixian]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1125]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,48.85292,2.34968;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[French Government]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2508">
    <dcterms:title><![CDATA[Great Barrier Reef]]></dcterms:title>
    <dcterms:description><![CDATA[The Great Barrier Reef exists as the pinnacle example of underwater natural heritage. Located off the coast of Queensland, Australia, it spans over 2300km in area, containing a staggering and diverse array of marine wildlife and an abundance of coral reefs. Its legendary status and immense value make it a UNESCO World Heritage Site with substantial ecological significance. Beyond the value that it has in its ecological diversity, it also has significant cultural and economic importance, for the internal indigenous communities and tourism industry respectively. With reference to sustainable development goals (SDG), the Great Barrier Reef has significant connection to SDG14: Life Below Water, a goal which aims to utilise the natural resources of our oceans as well as conserving them over time.

Using digital interpretations of the Great Barrier Reef can provide substantial assistance in achieving this target, as it can engage users worldwide by fostering an improved awareness and educating them about the fragility of the Reef, and vitally the action which can be taken to preserve it. This can be through immersive experiences, such as 3D or Virtual Reality tours, and resources for education.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[7500 BC]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[tm232@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1124]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-23.582112254344416,151.57177828252318;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2507">
    <dcterms:title><![CDATA[Cinque Terre - timelapse from Italy (Monterosso, Vernazza, Corniglia, Manarola, Riomaggiore)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Very complete video showing the beauty of Cinque Terre!]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2024 11:22:59 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx65@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,44.1°N,9.7°E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2505">
    <dcterms:title><![CDATA[The Temple of Artemis]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Temple of Artemis, also known as the Artemision or the Temple of Diana, was an ancient Greek marvel dedicated to the goddess Artemis near Ephesus, Turkey. Built around 550 BCE, it stood as one of the Seven Wonders of the Ancient World. Designed by Chersiphron and Metagenes, its grandeur was evident in its vast dimensions: approximately 377 feet long, 180 feet wide, with columns over 60 feet tall. Artemis, revered as the goddess of the hunt and fertility, was worshipped at this temple, attracting pilgrims from afar. The interior housed a magnificent statue crafted by Phidias. Despite reconstructions after a fire in 356 BCE, the temple eventually succumbed to decline and destruction by invaders and natural calamities. Today, only scattered ruins remain, a testament to the temple's former glory and its significance in ancient Greek religion and culture.
Digital interpretation of the Temple of Artemis can address Sustainable Tourism (SDG 8), particularly target 8.9, which focuses on promoting sustainable tourism that creates jobs and promotes local culture and products. By educating visitors about the importance of conservation, promoting responsible travel, and fostering a deeper appreciation for local culture and heritage, digital interpretation contributes to sustainable tourism practices. Through these digital platforms, visitors can gain insights into initiatives aimed at preserving the historical significance of the Temple of Artemis and its surrounding environment for future generations, aligning with the goals of sustainable development.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[550 bce]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/05/2024 06:03:39 am]]></dcterms:>
    <dcterms:contributor><![CDATA[bs251@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.worldhistory.org/Temple_of_Artemis_at_Ephesus/]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1122]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.94974762012134,27.363724708557132;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2504">
    <dcterms:title><![CDATA[The Parthenon]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Parthenon, an architectural masterpiece atop the Acropolis of Athens, Greece, was built between 447 and 432 BCE during the Golden Age of Athens. Dedicated to Athena Parthenos, the temple exemplifies Doric order with 46 towering marble columns. Crafted by renowned sculptor Phidias, its friezes depict Greek mythology and history. Despite time's toll, the Parthenon endures as a symbol of Greek civilization's ingenuity and cultural dominance. Its harmonious design and narrative reliefs inspire awe and reverence, embodying the principles of Greek classical architecture.

User:
Visitors to the Parthenon can now engage with digital interpretation tools, such as virtual reality tours, interactive exhibits, and multimedia presentations, to enhance their experience and understanding of this ancient wonder. These digital platforms provide an immersive journey into the history and significance of the Parthenon, allowing users to explore its architectural details and learn about the stories depicted in its sculptures and reliefs.

Moreover, digital interpretation can address Sustainable Tourism (SDG 8), particularly target 8.9, which focuses on promoting sustainable tourism that creates jobs and promotes local culture and products. By educating visitors about the importance of conservation, promoting responsible travel, and fostering a deeper appreciation for local culture and heritage, digital interpretation contributes to sustainable tourism practices. Through these digital platforms, visitors can gain insights into initiatives aimed at preserving the Parthenon and its surrounding environment for future generations, aligning with the goals of sustainable development.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[ 438 BC]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/05/2024 06:01:21 am]]></dcterms:>
    <dcterms:contributor><![CDATA[bs251@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.thisisathens.org/antiquities/parthenon]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1121]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.97165533761645,23.726684409887667;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2486">
    <dcterms:title><![CDATA[Notre Dame de Paris]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Notre Dame de Paris is a famous tourist attraction in France and a milestone in the history of European architecture. This is a typical Gothic church building located on the Seine River in the center of Paris. It was started in 1163 and completed in 1345. It is one of the most representative monuments in France. Notre Dame de Paris is a representative of early European Gothic architecture and sculpture art. In recent years, approximately 12 million tourists have visited Notre Dame every year, making it the most visited attraction in France.Notre Dame de Paris is located in a temperate maritime climate. The average temperature in summer is between 15 and 25 degrees. In winter, it rains a lot and is often foggy.

Restoring Notre Dame will require consideration of climate change and its impacts, as well as the use of sustainable building materials and technologies. This can contribute to SDG 13 of the United Nations Sustainable Development Goals. Restoring Notre Dame will provide the public with research and learning opportunities that advance SDG 4 of the United Nations Sustainable Development Goals.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sc442@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[12700cm x 4800cm x 9600cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1119]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,48.85292,2.34968 ;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[French Government]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2485">
    <dcterms:title><![CDATA[Notre Dame de Paris]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Notre Dame de Paris is a famous tourist attraction in France and a milestone in the history of European architecture. This is a typical Gothic church building located on the Seine River in the center of Paris. It was started in 1163 and completed in 1345. It is one of the most representative monuments in France. Notre Dame de Paris is a representative of early European Gothic architecture and sculpture art. In recent years, approximately 12 million tourists have visited Notre Dame every year, making it the most visited attraction in France.Notre Dame de Paris is located in a temperate maritime climate. The average temperature in summer is between 15 and 25 degrees. In winter, it rains a lot and is often foggy.

Restoring Notre Dame will require consideration of climate change and its impacts, as well as the use of sustainable building materials and technologies. This can contribute to SDG 13 of the United Nations Sustainable Development Goals. Restoring Notre Dame will provide the public with research and learning opportunities that advance SDG 4 of the United Nations Sustainable Development Goals.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sc442@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[12700cm x 4800cm x 9600cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1118]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,48.85292,2.34968 ;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[French Government]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2469">
    <dcterms:title><![CDATA[Cinque Terre]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The five villages of the Cinque Terre are spread out along the rugged coastline, with ancient stone walls supporting the villages and the surrounding terraces, which together with the traditional farming methods reflect the region's centuries-old harmony with the natural environment. In addition, the villages are connected to each other by footpaths, while maintaining traditional Ligurian architecture, providing a rich cultural experience and visual treat for the visitor. As a result, Cinque Terre is not only a major tourist attraction in Italy, but also one of the most important cultural heritages in the world.
The conservation of the Cinque Terre as a cultural heritage site helps to maintain traditional architectural styles and farming methods, which not only preserve the historical and cultural identity of the area, but also enhance the visitor experience and contribute to the local economy. This corresponds to SDG 11.4: Strive for the protection and conservation of the world cultural and natural heritage.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/05/2024 11:23:09 am]]></dcterms:>
    <dcterms:contributor><![CDATA[yx65@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1116]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,44.1,9.7;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2430">
    <dcterms:title><![CDATA[Yingge Dance mesmerized the audience in Chaoshan]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Video shows  the performance of Yingge Dance.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/04/2024 10:52:00 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx65@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,23.35°N,116.68°E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2374">
    <dcterms:title><![CDATA[Yang Liu Qing woodblock print]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Yangliuqing woodblock prints are Chinese folk woodblock prints, which are said to have begun in the Wanli period of the Ming Dynasty and flourished in the middle of the Qing Dynasty. Yangliuqing woodblock prints have a wide range of themes, rich content, full composition, auspicious meanings, and are appreciated by both the public and the private. It adopts the method of combining carving and painting, with exquisite carving, delicate painting, vivid characters and elegant colours. It inherits the tradition of Song and Yuan paintings, absorbs the forms of Ming Dynasty woodblock prints, arts and crafts, and theatre stages, and adopts the combination of woodblock overprinting and hand-painting to create a unique style that is distinctive, lively, joyful and auspicious, and rich in touching themes.]]></dcterms:description>
    <dcterms:creator><![CDATA[Dai Lianzeng, Qi Jianlong]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[06/05/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[ll237@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[1113]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.1027,117.0652;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2369">
    <dcterms:title><![CDATA[Shell ring site of the ancient city of Jinning]]></dcterms:title>
    <dcterms:description><![CDATA[Shell ring site are a type of ancient human settlement site. The cultural accumulation at such sites is dominated by shellfish. Shell ring site of the ancient city of Jinning in Yunnan is the most complete known annular shell mound site of the Pre-Dian period in Yunnan Province, China. The core area of the site reaches 42,000 square meters, and the shell mound accumulation thickness is nearly 6.5 meters. There are a large number of snail shells stacked alternately with layers of lime soil in the site. After the ancients ate the snail meat, they discarded the snail shells as food waste, and gradually accumulated them over the years, forming the shell mounds we see today.

The geographical location belongs to the northern latitude subtropical zone. However, most areas within the territory do not have severe heat in summer and severe cold in winter. They have typical temperate climate characteristics.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sc442@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1112]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,24.756667,102.677778;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Chinese Government]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2367">
    <dcterms:title><![CDATA[The Herculaneum Scrolls]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Herculaneum Scrolls are ancient scrolls discovered in Herculaneum in the 18th century AD. The scrolls were buried when Mount Vesuvius erupted in AD 79. Now these ancient scrolls have been severely carbonized and are very fragile. If they are not careful, they will be completely broken, making it difficult for people to open these scrolls. In the early days, the scrolls were even thought to be carbonized tree branches and were abandoned or even burned.

Currently, researchers are using a variety of methods to try to unfold The Herculaneum Scrolls, even using the latest three-dimensional scanning technology and artificial intelligence algorithms, and have made a lot of progress. Years of research revealed that the scrolls came from ancient libraries and contained many ancient Greek philosophical texts, including the works of ancient Greek philosophers and poets.]]></dcterms:description>
    <dcterms:creator><![CDATA[ancient Greek philosophers and poets]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sc442@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Herculaneum_papyri]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[1111]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.8060,14.3482;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2365">
    <dcterms:title><![CDATA[Shell ring site of the ancient city of Jinning]]></dcterms:title>
    <dcterms:description><![CDATA[Shell ring site are a type of ancient human settlement site. The cultural accumulation at such sites is dominated by shellfish. Shell ring site of the ancient city of Jinning in Yunnan is the most complete known annular shell mound site of the Pre-Dian period in Yunnan Province, China. The core area of the site reaches 42,000 square meters, and the shell mound accumulation thickness is nearly 6.5 meters. There are a large number of snail shells stacked alternately with layers of lime soil in the site. After the ancients ate the snail meat, they discarded the snail shells as food waste, and gradually accumulated them over the years, forming the shell mounds we see today.

The geographical location belongs to the northern latitude subtropical zone. However, most areas within the territory do not have severe heat in summer and severe cold in winter. They have typical temperate climate characteristics.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sc442@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1110]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,24°45′24″,102°44′40″E;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Chinese Government]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2362">
    <dcterms:title><![CDATA[Shell ring site of the ancient city of Jinning]]></dcterms:title>
    <dcterms:description><![CDATA[Shell ring site are a type of ancient human settlement site. The cultural accumulation at such sites is dominated by shellfish. Shell ring site of the ancient city of Jinning in Yunnan is the most complete known annular shell mound site of the Pre-Dian period in Yunnan Province, China. The core area of the site reaches 42,000 square meters, and the shell mound accumulation thickness is nearly 6.5 meters. There are a large number of snail shells stacked alternately with layers of lime soil in the site. After the ancients ate the snail meat, they discarded the snail shells as food waste, and gradually accumulated them over the years, forming the shell mounds we see today.

The geographical location belongs to the northern latitude subtropical zone. However, most areas within the territory do not have severe heat in summer and severe cold in winter. They have typical temperate climate characteristics.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sc442@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1109]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,24°45′24″,102°44′40″E;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Chinese Government]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2290">
    <dcterms:title><![CDATA[pictures]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2019:12:24 12:10:24]]></dcterms:date>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2281">
    <dcterms:title><![CDATA[school of Computer science ]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Huanglong is renowned for its beautiful mountainous scenery, with relatively undisturbed and highly diverse forest ecosystems, combined with the more spectacular localised karst formations.
Topped by permanently snow-capped peaks rising from a base of 1,700 m up to 5,588 m, these include the easternmost glacier in China.
Its diverse forest ecosystems provide the home for a number of endangered plants and animals, including the giant panda and Sichuan golden snub-nosed monkey.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ll237@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[from website: https://whc.unesco.org/en/list/638]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1091]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,32.7353,103.8233;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2276">
    <dcterms:title><![CDATA[Magna Carta]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Magna Carta, also known as the Chapter of Freedom, is a historical document signed by King John in England in 1215. It is regarded as an important cornerstone of the modern rule of law and democracy. The Magna Carta mainly stipulates the principles that the power of the king is subject to the law, the protection of free trade and personal freedom, and emphasises that even the monarch is not above the law. In addition, the Magna Carta also established legal principles such as the ‘presumption of innocence’ and ‘due process’, which had a profound impact on the subsequent constitutional system and international law. Today, the spirit of the Magna Carta is still widely quoted and is a symbol of the development of the rule of law and democracy worldwide.]]></dcterms:description>
    <dcterms:creator><![CDATA[Multifaceted nobility]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[15/06/1215]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/05/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[Shao]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Magna_Carta]]></dcterms:references>
    <dcterms:extent><![CDATA[40cm x 50cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Magna_Carta]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[1086]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.5299,0.1276;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2273">
    <dcterms:title><![CDATA[Iwami Ginzan]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Iwami Ginzan Silver Mine and its Cultural Landscape, located in the Shimane Prefecture of Japan, is an exceptional example of a historic mining site that flourished from the 16th to the 20th centuries. The site includes the extensive underground mines, fortresses, transportation routes, and port towns that collectively illustrate the entire process of silver production and distribution during Japan's feudal period. The mining complex demonstrates the sophisticated technology and mining systems developed in Japan at the time, while the surrounding cultural landscape showcases the unique social and economic structures that supported the mining industry. The site's history is intertwined with the global trade of silver, which played a crucial role in the economic and cultural exchange between East and West. Today, the Iwami Ginzan Silver Mine and its Cultural Landscape face challenges posed by climate change, such as increased rainfall and landslides, which threaten the integrity of the mines and the surrounding landscape. Digital interpretation can help raise awareness about the importance of preserving this unique industrial heritage and promote sustainable tourism practices, contributing to SDG 8.9, which focuses on promoting sustainable tourism that creates jobs and promotes local culture and products.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yz246@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/en/list/1246/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://whc.unesco.org/en/list/1246/]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1084]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,35.11892569225974,132.44636535644534;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Japan]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2272">
    <dcterms:title><![CDATA[Not in use]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,48.4478,1.4878;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2269">
    <dcterms:title><![CDATA[See Potala Palace, the Iconic Heart of Tibetan Buddhism]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[yx65@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29.6578,91.1169;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2267">
    <dcterms:title><![CDATA[Chartres Cathedral]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Chartres Cathedral, a masterpiece of Gothic architecture in France, surpasses even Notre Dame de Paris in grandeur and preservation. Constructed between 1194 and 1250 on a historically revered site, the cathedral stands as a monument to medieval Christian art and architecture. Famous for its extensive use of stained glass, the cathedral’s walls are nearly entirely composed of colorful glass, making it a significant example of Gothic evolution from the Romanesque style.

The cathedral is renowned not only for its architectural structure but also for its intricate stained glass windows and rich Gothic sculptures, whose meanings are deeply studied by scholars. The cathedral features a 34-meter-high vault, which is 4 meters taller than that of Notre Dame, enhancing its majestic presence. Chartres Cathedral’s design includes a vast array of stained glass that covers 32,292 square feet, with most of the original 13th-century glass still intact, illustrating biblical stories and Christian doctrines in vibrant color and detail.

Notable for its scale and artistic detail, the cathedral’s interior is a pilgrimage site for its relic, the Sancta Camisa, said to be the tunic worn by the Virgin Mary during Christ's birth. This relic continues to draw pilgrims alongside tourists who come to admire the architectural and sculptural elements of the building. In 1979, Chartres Cathedral was designated a UNESCO World Heritage Site, recognizing its cultural and historical significance.

The cathedral’s design exemplifies the Gothic ideal, with its high, intricate vaults supported by external buttresses, allowing for larger windows and thus more light. The architectural plan features a long nave flanked by aisles and an apse at the eastern end, typical of French Gothic cathedrals. The exterior is dominated by two contrasting spires and three large rose windows, each adorned with detailed sculptures that narrate theological stories.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2019:12:24 12:10:24]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/04/2024 07:25:45 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:extent><![CDATA[13000cm x 1650cm x 3400cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1083]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,48.4478,1.4878;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Chartres City]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2264">
    <dcterms:title><![CDATA[Potala Palace]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Located in Lhasa, Tibet Autonomous Region of China, the Potala Palace is a palace complex of great historical, religious and cultural value. It was built in the 7th century A.D. and has been expanded over the years to become the winter palace of the Tibetan king and an important centre of Buddhism in Tibet. The Potala Palace is not only the most famous landmark and tourist attraction in Tibet, but also an important place for religious activities.

As a UNESCO World Heritage Site, the protection and conservation of the Potala Palace meets the requirements of SDG 11.4, which is to strengthen the protection and conservation of global cultural and natural heritage. The conservation of the Potala Palace concerns not only the building itself and the artefacts contained therein, but also its historical documents and the cultural activities associated with it, which are important components of cultural heritage.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2009:09:12 17:25:08]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/07/2024 08:22:53 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[yx65@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1080]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29.6578,91.1169;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2261">
    <dcterms:title><![CDATA[Potala Palace]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Located in Lhasa, Tibet Autonomous Region of China, the Potala Palace is a palace complex of great historical, religious and cultural value. It was built in the 7th century A.D. and has been expanded over the years to become the winter palace of the Tibetan king and an important centre of Buddhism in Tibet. The Potala Palace is not only the most famous landmark and tourist attraction in Tibet, but also an important place for religious activities.

As one of the UNESCO World Heritage Sites, the Potala Palace is internationally protected for its unique architectural art, religious significance, and its importance in Tibetan culture and history. Due to its location and structure, the Potala Palace is an immovable heritage site, meaning that it is closely associated with its location and cannot be relocated. The palace and the artefacts, artefacts, murals and libraries it contains are part of its cultural heritage and together they tell the story of the history and spiritual life of Tibet and its people.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx65@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1079]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29.6578°,91.1169° ;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2259">
    <dcterms:title><![CDATA[&quot;Potala Palace]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Located in Lhasa, Tibet Autonomous Region of China, the Potala Palace is a palace complex of great historical, religious and cultural value. It was built in the 7th century A.D. and has been expanded over the years to become the winter palace of the Tibetan king and an important centre of Buddhism in Tibet. The Potala Palace is not only the most famous landmark and tourist attraction in Tibet, but also an important place for religious activities.

As one of the UNESCO World Heritage Sites, the Potala Palace is internationally protected for its unique architectural art, religious significance, and its importance in Tibetan culture and history. Due to its location and structure, the Potala Palace is an immovable heritage site, meaning that it is closely associated with its location and cannot be relocated. The palace and the artefacts, artefacts, murals and libraries it contains are part of its cultural heritage and together they tell the story of the history and spiritual life of Tibet and its people.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2009:09:12 17:25:08]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx65@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29°39′28″N,91°07′01″E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2258">
    <dcterms:title><![CDATA[The legendary history of the Terracotta Warriors and Horses]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This video will take you through the history of the Terracotta Warriors in five minutes!]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/04/2024 04:16:51 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx65@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34.3833° N,109.2733° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2257">
    <dcterms:title><![CDATA[Terracotta Warriors]]></dcterms:title>
    <dcterms:description><![CDATA[The Terracotta Warriors are a collection of ancient Chinese army sculptures located in the tomb area of Qin Shi Huangdi near the present-day city of Xi'an, Shaanxi Province. The sculptures are considered one of the greatest discoveries in Chinese archaeological history.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx65@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1077]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,34.3833° N,109.2733° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2256">
    <dcterms:title><![CDATA[Not in use]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2019:12:24 12:10:24]]></dcterms:date>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2255">
    <dcterms:title><![CDATA[Venice and its Lagoon, Italy]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Venice and its Lagoon form an extraordinary architectural masterpiece, with the city's unique setting, Gothic and Renaissance buildings, and its network of canals and islands. Founded in the 5th century and flourishing as a major maritime power from the 10th to the 16th centuries, Venice has had a profound influence on the development of architecture and monumental arts across Europe. The Lagoon's delicate ecosystem is threatened by climate change, rising sea levels, and human activities. Digital interpretation can raise awareness about these issues and support SDG 13.1, which focuses on strengthening resilience and adaptive capacity to climate-related hazards and natural disasters.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yz246@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/en/list/394/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://whc.unesco.org/en/list/394/]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1076]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,45.44471679159555,12.370605468750002;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Italy]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2251">
    <dcterms:title><![CDATA[The Ancient City of Pingyao]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Ancient City of Pingyao, located in Shanxi Province, China, is an exceptionally well-preserved example of a traditional Han Chinese city from the Ming and Qing dynasties (14th-20th centuries). Its impressive city walls, temples, shops, and residential houses showcase the cultural, social, and economic development of Chinese civilization over five centuries. Pingyao's urban fabric and its many intact architectural features provide an outstanding picture of the evolution of Chinese city planning and historic conservation. Digital interpretation of this site can contribute to SDG 11.4, which aims to strengthen efforts to protect and safeguard the world's cultural and natural heritage.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[14 century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yz246@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/zh/list/812]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1074]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.19478361329807,112.17247009277345;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[China]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2249">
    <dcterms:title><![CDATA[Trevi Fountain]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The current Trevi Fountain was commissioned by Pope Clement XII, who held a competition in 1732, with architect Nicola Salvi's design chosen for its monumental scale and harmonious integration with the adjacent palace. The fountain, resembling a triumphal arch, features a central niche with the sculpted figure of Oceanus driving a shell-shaped chariot pulled by two horses, surrounded by allegorical reliefs and sculptures representing the beneficial effects of water. Salvi's masterpiece expertly blends history and nature, reflecting the ideals of the Enlightenment.
Digital interpretation of the Trevi Fountain can help achieve the goal of creating sustainable cities and communities (SDG 11). By using technology to share its history and cultural importance, it encourages responsible tourism and fosters local pride in preserving heritage sites. Furthermore, digital tools can help manage visitor numbers and minimize environmental impact, ensuring the fountain's long-term sustainability for residents and visitors alike.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1762]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yining]]></dcterms:contributor>
    <dcterms:extent><![CDATA[2630 highcm x 4915 widecm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.britannica.com/topic/Trevi-Fountain]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1073]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.900833,12.483056;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[City Council of Rome]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2246">
    <dcterms:title><![CDATA[Forbidden City]]></dcterms:title>
    <dcterms:description><![CDATA[Meridian Gate, Forbidden City]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[13 December 2015]]></dcterms:date>
    <dcterms:contributor><![CDATA[tj40@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2245">
    <dcterms:title><![CDATA[Forbidden City in Beijing]]></dcterms:title>
    <dcterms:description><![CDATA[ The Forbidden City, located in the heart of Beijing, China, stands as a testament to ancient Chinese culture and architectural prowess. Built during the Ming and Qing dynasties, it is one of the most extensive and well-preserved complexes of wooden structures worldwide, spanning approximately 72 hectares and boasting over 9,999 rooms. As a pinnacle of digital heritage, the Forbidden City has embraced modern technology to preserve and showcase its historical significance. Through digital archives, virtual tours, and augmented reality experiences, visitors can explore its intricate architecture, exquisite artwork, and priceless artifacts from anywhere in the world. This integration of digital innovation with cultural heritage not only enhances accessibility but also fosters a deeper understanding and appreciation of China's rich history. The Forbidden City thus stands not only as a symbol of China's past grandeur but also as a beacon of digital heritage, bridging the gap between tradition and modernity.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/03/2024 12:58:12 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[tj40@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1071]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.916345,116.397155;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2241">
    <dcterms:title><![CDATA[ZhangJiaJie 张家界]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Zhangjiajie National Forest Park, located in Hunan province, China, is known for its stunning sandstone pillars, lush vegetation, and unique geological formations. In December 1992, the unique quartz sandstone peak forest was included in the World Natural Heritage List by the United Nations. The natural scenery of Wulingyuan tourist area is famous for its peaks, secluded valleys and beautiful forests. There are more than 3,000 strange peaks in it, which are like people, beasts, utensils and objects. They are lifelike and spectacular. The park served as an inspiration for the fictional world of Pandora in the movie "Avatar." Its diverse flora and fauna make it an ecological hotspot and a significant natural heritage site. Goal 9 (Industry, Innovation, and Infrastructure): The integration of XR technology, VR, 5G, AI, and automated modeling represents innovative solutions, contributing to advancements in the tourism industry and creating new, engaging ways for visitors to experience cultural and natural heritage. Goal 11 (Sustainable Cities and Communities): The digital initiatives support sustainable tourism by providing an alternative, virtual experience that can help reduce the environmental impact associated with physical tourism. Goal 4 (Quality Education): The immersive and interactive nature of the digital experience contributes to educating tourists about the cultural and natural significance of Zhangjiajie, fostering awareness and appreciation. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ll228@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1070]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29.3153,110.4348;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2240">
    <dcterms:title><![CDATA[Zhangjiajie 张家界]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The introduction pictures from the official website of ZhangJiaJie ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/03/2024 11:03:25 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ll228@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,29.3153,110.4348;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2238">
    <dcterms:title><![CDATA[Chenghuangmiao 城隍庙]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Chenghuangmiao, also known as the City God Temple, is a traditional Chinese temple located in the heart of Shanghai. It dates back to the Ming and Qing dynasties and is dedicated to the City God, believed to protect the city and its inhabitants. The temple complex consists of various halls, courtyards, and altars, reflecting classical Chinese architecture and design. Chenghuangmiao is not only a religious site but also a cultural and historical landmark that represents Shanghai's rich heritage. Chenghuang Temple Daoist Temple, Old City God Temple Snacks, Lotus Pond, Huxinting Tea House, and Jiuquqiao together form a distinctive and characteristic cultural attraction known as the "Old City" in Shanghai, creating a unique tourism and cultural identity for the city. Goal 11 (Sustainable Cities and Communities): The digital platform promotes the sustainable use of cultural heritage by making it accessible to a global audience, fostering awareness and appreciation. Goal 4 (Quality Education): The inclusion of bilingual voice guides contributes to educational outreach, making cultural and historical information about Chenghuangmiao accessible to a wider range of people. Goal 9 (Industry, Innovation, and Infrastructure): The use of digital technology for virtual tours represents an innovative approach to heritage preservation and cultural dissemination. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:01 16:38:56]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ll228@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1069]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,31.2286,121.4875;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2233">
    <dcterms:title><![CDATA[Chenghuangmiao 城隍庙]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Photos taken on the new year of 2024 at Chenghuangmiao in Shanghai]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:01 16:07:46]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/03/2024 09:59:42 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ll228@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,31.22740,121.48757;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2226">
    <dcterms:title><![CDATA[Highland Cattle]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Highland Cattle is a breed of cattle originally from the Scottish Highlands and the Western Islands of Scotland. Highland cattle became an important part of the economy in Scotland and were used for their milk, meat, and fur (Highland Cows, 2019). Their double coat of hair makes them well suited for the weather conditions in the Highlands, which have made it difficult for other breeds to survive. The Highland Coo has become a symbol of Scotland's untamed beauty (lovetovisitscotland, 2023). Their distinctive look makes them popular among tourists, and many farms offer different activities where tourists can interact with the cows and even cuddle with them. Their cultural significance is also prominent as they are referenced in classic literature, folklore, as well as different cultural festivals and celebrations (Highland Cows in Literature and Folklore: Exploring Their Cultural Sig, 2023).
Preserving Highland cows through digital methods would address Sustainable Development Goals (United Nations, 2015) such as:
- SDG 11: Sustainable Cities and Communities, specifically Target 11.4: "Strengthen efforts to protect and safeguard the world’s cultural and natural heritage." 
- SDG 4.7: Education and Awareness 
- SDG 15.5: Biodiversity Conservation
- SDG 2.4: Promotion of Sustainable Agriculture]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[02/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/05/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[ea209@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[Highland Cows. (2019). Highland Titles. https://www.highlandtitles.com/blog/highland-cows/;            Highland Cows in Literature and Folklore: Exploring Their Cultural Sig. (2023). Highland Cow Artistry. https://highlandcowartistry.com/blogs/news/highland-cows-in-literature-and-folklore-exploring-their-cultural-significance;                lovetovisitscotland. (2023). What is the History and Cultural Significance of Highland Coo? Love Scotland. https://lovetovisitscotland.com/what-is-the-history-and-cultural-significance-of-highland-coo/;               United Nations. (2015). The 17 Sustainable Development Goals. United Nations; United Nations. https://sdgs.un.org/goals]]></dcterms:references>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[1063]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[origin,57.585573,-4.854818;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2224">
    <dcterms:title><![CDATA[Pyramid]]></dcterms:title>
    <dcterms:description><![CDATA[The Egyptian pyramids are among the most famous and mysterious ancient structures in the world, representing the power of the ancient Egyptian pharaohs. Constructed during the period from the 27th to the 22nd century BCE, these immense triangular structures were intended as tombs for the pharaohs in order to perpetuate their power. They are not only architectural wonders but also symbols of the splendor of ancient Egyptian civilization and cultural heritage. Tourists and scholars flock to these mysterious structures, hoping to uncover the secrets behind 2 them and experience the glorious history of ancient Egypt. Through archaeology and technological advancements, our understanding of the interior of the pyramids continues to grow, aiming to reveal more of the mysteries of ancient Egyptian civilization. The historical value of the pyramids lies not only in their enormous size and exquisite craftsmanship but also in their role as carriers of the historical heritage and belief systems from ancient Egyptian dynasties to the modern world.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[02/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/03/2024 12:28:56 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[tj40@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1062]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29.9792,31.1342;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2218">
    <dcterms:title><![CDATA[SUNDARBAN Tour - The Natural Shield on Earth | Sundarban National Park Delta - Sundarban Documentary]]></dcterms:title>
    <dcterms:description><![CDATA[Sundarban Tour in Sundarban National Park, Sundarban tour inside largest mangrove forest on earth and Sundarban Delta. But Sundarbans in West Bengal is now in high alert due to the rise of Sea water level. This is a long term effect of Global Warming. This Video is an inspirational film to motivate people to save nature, save Sundarban from being destroyed. Watch some epic Sundarban drone view here.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[15/01/2021]]></dcterms:date>
    <dcterms:contributor><![CDATA[sg361]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2217">
    <dcterms:title><![CDATA[Sundarban_Tiger]]></dcterms:title>
    <dcterms:subject><![CDATA[Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[English: A Bengal Tiger checks out the conditions before getting into the canal at Sundarban Tiger Reserve, West Bengal, India.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[22 December 2015, 10:13:16]]></dcterms:date>
    <dcterms:contributor><![CDATA[sg361]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2216">
    <dcterms:title><![CDATA[Notre Dame de Paris]]></dcterms:title>
    <dcterms:description><![CDATA[The Notre Dame Cathedral, an enduring symbol of cultural heritage, faces mounting challenges from climate change. In response, digital interpretation emerges as a vital tool, echoing SDG13 - Climate Action. Through advanced monitoring systems, adaptive strategies, emission reduction initiatives, and compelling communication channels, digital technology fortifies the cathedral's resilience while amplifying the urgency of climate action. This convergence of heritage preservation and environmental advocacy fosters a global dialogue, inspiring collective efforts to mitigate climate risks. By harnessing digital platforms, the cathedral's narrative transcends its physical boundaries, galvanizing diverse communities worldwide to safeguard our shared heritage and combat the existential threat of climate change.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[02/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/03/2024 12:04:58 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[tj40@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1060]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,48.853,2.3498;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2214">
    <dcterms:title><![CDATA[Terra-Cotta Warriors]]></dcterms:title>
    <dcterms:description><![CDATA[Terra-Cotta Warriors of China]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[02/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[tj40@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[1059]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[find,34.3848°N,109.2723°E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2211">
    <dcterms:title><![CDATA[Caves of Caiplie View 9]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[ea209@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.243281,-2.6474;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2210">
    <dcterms:title><![CDATA[Caves of Caiplie View 8]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[ea209@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.243281,-2.6474;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2209">
    <dcterms:title><![CDATA[Caves of Caiplie View 7]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[ea209@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.243281,-2.6474;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2208">
    <dcterms:title><![CDATA[Caves of Caiplie View 6]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[ea209@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.243281,-2.6474;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2207">
    <dcterms:title><![CDATA[Caves of Caiplie View 5]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[ea209@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.243281,-2.6474;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2204">
    <dcterms:title><![CDATA[Caves of Caiplie View 4]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[ea209@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.243281,-2.6474;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2203">
    <dcterms:title><![CDATA[Caves of Caiplie View 3]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[ea209@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.243281,-2.6474;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2201">
    <dcterms:title><![CDATA[Caves of Caiplie]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This piece of immovable heritage dates back to the 2nd century. This cave system is located on the Fife Coastal path between Anstruther and Crail. The main structure of the Caiplie Caves is a result of sea erosion, whereas specific larger caves have also been shaped by the carvings of humans who found shelter in them over different time periods (Caiplie, “the Coves” | Canmore, n.d.). Preserving the Caves of Caiplie through digital methods would address the following Sustainable Development Goals (United Nations, 2015):
- SDG 11: Sustainable Cities and Communities, specifically Target 11.4: "Strengthen efforts to protect and safeguard the world’s cultural and natural heritage."
- SDG 4.7: Education and Awareness 
- SDG 15.1: Environmental Conservation 
- SDG 8.9: Inclusive and Sustainable Tourism]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[02/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/02/2024 10:57:32 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[ea209@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[ReferencesCaiplie, “the Coves” | Canmore. (n.d.). Canmore.org.uk. Retrieved May 2, 2024, from https://canmore.org.uk/site/34025/caiplie-the-coves;                    United Nations. (2015). The 17 Sustainable Development Goals. United Nations; United Nations. https://sdgs.un.org/goals]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1057]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.243359,-2.6474;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2199">
    <dcterms:title><![CDATA[Caves of Caiplie View 2]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[April 2024]]></dcterms:date>
    <dcterms:contributor><![CDATA[ea209@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.243281,-2.6474;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2198">
    <dcterms:title><![CDATA[Caves of Caiplie View 1]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[April 2024]]></dcterms:date>
    <dcterms:contributor><![CDATA[ea209@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.243281,-2.6474;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2197">
    <dcterms:title><![CDATA[Central Amazon Conservation Complex]]></dcterms:title>
    <dcterms:description><![CDATA[The Central Amazon Conservation Complex makes up the largest protected area in the Amazon Basin (over 6 million hectares) and is one of the planets richest regions in terms of biodiversity. It also includes an important sample of varzea ecosystems, igapó forests, lakes and channels which take the form of a constantly evolving aquatic mosaic that is home to the largest array of electric fish in the world. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[22/08/2012]]></dcterms:date>
    <dcterms:contributor><![CDATA[sg361]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2193">
    <dcterms:title><![CDATA[Mount Fuji]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Mount Fuji is an active stratovolcano located on the Japanese island of Honshu, with a summit elevation of 3,776.24 m (12,389 ft 3 in). It is the tallest mountain in Japan, the second-highest volcano located on an island in Asia (after Mount Kerinci on the Indonesian island of Sumatra), and seventh-highest peak of an island on Earth. Mount Fuji last erupted from 1707 to 1708. The mountain is located about 100 km (62 mi) southwest of Tokyo and is visible from the Japanese capital on clear days. Mount Fuji's exceptionally symmetrical cone, which is covered in snow for about five months of the year, is commonly used as a cultural icon of Japan and is frequently depicted in art and photography, as well as visited by sightseers, hikers and mountain climbers. 
Mount Fuji is one of Japan's "Three Holy Mountains" along with Mount Tate and Mount Haku. It is a Special Place of Scenic Beauty and one of Japan's Historic Sites. It was added to the World Heritage List as a Cultural Site on June 22, 2013. According to UNESCO, Mount Fuji has "inspired artists and poets and been the object of pilgrimage for centuries". UNESCO recognizes 25 sites of cultural interest within the Mount Fuji locality. These 25 locations include the mountain and the Shinto shrine, Fujisan Hongū Sengen Taisha. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[02/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Xiaotong]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Mount_Fuji]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1053]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,35.154947570992306,138.72436422854665;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2192">
    <dcterms:title><![CDATA[Wuzhen 乌镇 introduction]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The travel introduction video for Wuzhen]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/02/2024 07:06:55 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ll228@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,30.7426,120.4878;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2188">
    <dcterms:title><![CDATA[Wuzhen 乌镇 introduction]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The travel introduction video for Wuzhen]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/02/2024 06:56:52 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ll228@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,30.7426,120.4878;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2187">
    <dcterms:title><![CDATA[St. Peter's Basilica Church]]></dcterms:title>
    <dcterms:description><![CDATA[St. Peter's Basilica is a magnificent Christian church located in Vatican City and is also one of the major cathedrals of the Catholic Church. Named after Saint Peter the Apostle, it is one of the most important holy sites in the Catholic faith. The architectural style of St. Peter's Basilica belongs to the Renaissance period, with contributions from many renowned architects, sculptors, and artists. The main dome of the church reaches a height of 136 meters, and the interior is adorned with luxurious decorations, including numerous precious artworks and sculptures. St. Peter's Basilica attracts millions of pilgrims and tourists annually, making it one of the most famous tourist attractions in the Vatican. SDG 11 Sustainable Cities and Communities: As part of Vatican City, St. Peter's Basilica is a significant urban landmark and cultural heritage site. Its preservation and management are crucial for promoting the sustainable development of the city.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[02/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wz44@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1050]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.90206143718118,12.45378613471985;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2185">
    <dcterms:title><![CDATA[Wuzhen 乌镇 introduction]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The travel introduction video for Wuzhen]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/02/2024 06:46:48 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ll228@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,30.7426,120.4878;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2183">
    <dcterms:title><![CDATA[Morin khuur]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Morin Khuur, Mongolia's traditional bowstring instrument, holds deep cultural significance, symbolizing the nation and recognized as vital intangible heritage by UNESCO. Its name originates from the horse's head-shaped engraving at the head of the instrument. Craftedfrom wood and strung with horsetail or ox tendon, the Morin Khuur's tones are produced by the artist's skillful manipulation of tension and vibration patterns while playing with a bow.This unique instrument plays a pivotal role in Mongolian and Tuvan cultures, frequently featured in folk performances and rituals.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[02/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Xiaotong]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Morin_khuur]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[1048]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.71395684281038,111.5156239271164;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2182">
    <dcterms:title><![CDATA[Wuzhen 乌镇 introduction]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The travel introduction video for Wuzhen]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/02/2024 06:36:44 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ll228@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,30.7426,120.4878;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2181">
    <dcterms:title><![CDATA[Site of Xanadu]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[North of the Great Wall, the Site of Xanadu encompasses the remains of Kublai Khan’s legendary capital city, designed by the Mongol ruler’s Chinese advisor Liu Bingzhdong in 1256. Over a surface area of 25,000 ha, the site was a unique attempt to assimilate the nomadic Mongolian and Han Chinese cultures. From this base, Kublai Khan established the Yuan dynasty that ruled China over a century, extending its boundaries across Asia. The religious debate that took place here resulted in the dissemination of Tibetan Buddhism over north-east Asia, a cultural and religious tradition still practised in many areas today. The site was planned according to traditional Chinese feng shui in relation to the nearby mountains and river. It features the remains of the city, including temples, palaces, tombs, nomadic encampments and the Tiefan’gang Canal, along with other waterworks.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/02/2024 06:29:04 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Xiaotong]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Shangdu]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,42.37315500647061,115.98706064745785;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2180">
    <dcterms:title><![CDATA[Site of Xanadu]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[North of the Great Wall, the Site of Xanadu encompasses the remains of Kublai Khan’s legendary capital city, designed by the Mongol ruler’s Chinese advisor Liu Bingzhdong in 1256. Over a surface area of 25,000 ha, the site was a unique attempt to assimilate the nomadic Mongolian and Han Chinese cultures. From this base, Kublai Khan established the Yuan dynasty that ruled China over a century, extending its boundaries across Asia. The religious debate that took place here resulted in the dissemination of Tibetan Buddhism over north-east Asia, a cultural and religious tradition still practised in many areas today. The site was planned according to traditional Chinese feng shui in relation to the nearby mountains and river. It features the remains of the city, including temples, palaces, tombs, nomadic encampments and the Tiefan’gang Canal, along with other waterworks.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/02/2024 06:29:00 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Xiaotong]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Shangdu]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,42.37315500647061,115.98706064745785;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2179">
    <dcterms:title><![CDATA[Site of Xanadu]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[North of the Great Wall, the Site of Xanadu encompasses the remains of Kublai Khan’s legendary capital city, designed by the Mongol ruler’s Chinese advisor Liu Bingzhdong in 1256. Over a surface area of 25,000 ha, the site was a unique attempt to assimilate the nomadic Mongolian and Han Chinese cultures. From this base, Kublai Khan established the Yuan dynasty that ruled China over a century, extending its boundaries across Asia. The religious debate that took place here resulted in the dissemination of Tibetan Buddhism over north-east Asia, a cultural and religious tradition still practised in many areas today. The site was planned according to traditional Chinese feng shui in relation to the nearby mountains and river. It features the remains of the city, including temples, palaces, tombs, nomadic encampments and the Tiefan’gang Canal, along with other waterworks.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/02/2024 06:28:55 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Xiaotong]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Shangdu]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,42.37315500647061,115.98706064745785;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2178">
    <dcterms:title><![CDATA[Site of Xanadu]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[North of the Great Wall, the Site of Xanadu encompasses the remains of Kublai Khan’s legendary capital city, designed by the Mongol ruler’s Chinese advisor Liu Bingzhdong in 1256. Over a surface area of 25,000 ha, the site was a unique attempt to assimilate the nomadic Mongolian and Han Chinese cultures. From this base, Kublai Khan established the Yuan dynasty that ruled China over a century, extending its boundaries across Asia. The religious debate that took place here resulted in the dissemination of Tibetan Buddhism over north-east Asia, a cultural and religious tradition still practised in many areas today. The site was planned according to traditional Chinese feng shui in relation to the nearby mountains and river. It features the remains of the city, including temples, palaces, tombs, nomadic encampments and the Tiefan’gang Canal, along with other waterworks.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/02/2024 06:28:50 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Xiaotong]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Shangdu]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,42.37315500647061,115.98706064745785;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2177">
    <dcterms:title><![CDATA[Wuzhen 乌镇 introduction]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The travel introduction video for Wuzhen]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/02/2024 06:26:40 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ll228@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,30.7426,120.4878;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2176">
    <dcterms:title><![CDATA[Wuzhen 乌镇 introduction]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The travel introduction video for Wuzhen]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/02/2024 06:16:37 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ll228@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2175">
    <dcterms:title><![CDATA[Wuzhen 乌镇 introduction]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The travel introduction video for Wuzhen]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
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    <dcterms:title><![CDATA[Alc&aacute;zar of Seville]]></dcterms:title>
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    <dcterms:description><![CDATA[The Royal Alcázar of Seville is one of the oldest palaces still in use in the world. A palace that has experienced different stages throughout time, from the late 11th century to the present day, and from its walls has witnessed the influence of the various cultures that have passed through Seville. The site boasts enriched art collections, reflecting Spain's artistic tradition.
Augmented Reality (AR), Virtual Reality (VR), and 3D Reconstruction technologies, coupled with 5G connectivity, offer immersive tourism experiences, providing detailed reconstructions and historical insights through dedicated mobile apps. These digital tools not only enhance visitor engagement but also contribute to the preservation of cultural heritage.
In terms of UN Sustainable Development Goals, digital platforms promote Quality Education (SDG 4) by fostering cultural understanding. Preservation of heritage digitally supports Sustainable Cities and Communities (SDG 11) by safeguarding cultural identities and revitalizing historic sites for economic benefits. Collaborative efforts, as emphasized in Partnerships for the Goals (SDG 17), are essential for effective digital heritage conservation.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
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    <dcterms:contributor><![CDATA[Yining]]></dcterms:contributor>
    <dcterms:references><![CDATA[The Alcázar of Seville: The History of Spain’s Most Famous Royal Palace]]></dcterms:references>
    <dcterms:extent><![CDATA[17,000 square meters cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.alcazarsevilla.org/]]></dcterms:medium>
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    <dcterms:spatial><![CDATA[current,37.383889,-5.991389;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Seville City Council]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2173">
    <dcterms:title><![CDATA[Wuzhen 乌镇 introduction]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The travel introduction video for Wuzhen]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/02/2024 05:56:30 pm]]></dcterms:dateSubmitted>
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    <dcterms:title><![CDATA[Wuzhen 乌镇 introduction]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The travel introduction video for Wuzhen]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
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    <dcterms:title><![CDATA[Wuzhen 乌镇]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Wuzhen, as one of China's first batch of ten historical and cultural towns and one of the top ten charming towns in China, holds a special place in the country's cultural landscape. Renowned as the "last ancient water village in China," Wuzhen boasts a rich history spanning over 1300 years, situated in the picturesque Jiangnan region. 

In recent years, Wuzhen has garnered numerous accolades for its commitment to heritage preservation and sustainable tourism development such as secured a spot in the "Preferred Projects List for the Integration of Intangible Cultural Heritage and Tourism Development Nationwide" in 2022.  

By integrating historical, cultural, natural, and environmental elements seamlessly, Wuzhen has transformed into a multifaceted destination offering sightseeing, leisure, vacationing, and business activities. Aligned with Sustainable Development Goals, Wuzhen contributes to creating inclusive, resilient communities (Goal 11), fostering innovation and infrastructure development (Goal 9), promoting economic growth and decent work (Goal 8), and advocating responsible consumption and production (Goal 12). Through collaboration and innovation, Wuzhen stands as a beacon of sustainable tourism development, inspiring similar endeavors worldwide. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
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    <dcterms:title><![CDATA[Wuzhen 乌镇 introduction]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The travel introduction video for Wuzhen]]></dcterms:description>
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    <dcterms:title><![CDATA[Wuzhen 乌镇 introduction]]></dcterms:title>
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    <dcterms:description><![CDATA[The travel introduction video for Wuzhen]]></dcterms:description>
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    <dcterms:title><![CDATA[Wuzhen 乌镇 introduction]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The travel introduction video for Wuzhen]]></dcterms:description>
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    <dcterms:title><![CDATA[Wuzhen乌镇]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Wuzhen, as one of China's first batch of ten historical and cultural towns and one of the top ten charming towns in China, holds a special place in the country's cultural landscape. Renowned as the "last ancient water village in China," Wuzhen boasts a rich history spanning over 1300 years, situated in the picturesque Jiangnan region. 

In recent years, Wuzhen has garnered numerous accolades for its commitment to heritage preservation and sustainable tourism development such as secured a spot in the "Preferred Projects List for the Integration of Intangible Cultural Heritage and Tourism Development Nationwide" in 2022.  

By integrating historical, cultural, natural, and environmental elements seamlessly, Wuzhen has transformed into a multifaceted destination offering sightseeing, leisure, vacationing, and business activities. Aligned with Sustainable Development Goals, Wuzhen contributes to creating inclusive, resilient communities (Goal 11), fostering innovation and infrastructure development (Goal 9), promoting economic growth and decent work (Goal 8), and advocating responsible consumption and production (Goal 12). Through collaboration and innovation, Wuzhen stands as a beacon of sustainable tourism development, inspiring similar endeavors worldwide. ]]></dcterms:description>
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    <dcterms:title><![CDATA[Wuzhen乌镇]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Wuzhen, as one of China's first batch of ten historical and cultural towns and one of the top ten charming towns in China, holds a special place in the country's cultural landscape. Renowned as the "last ancient water village in China," Wuzhen boasts a rich history spanning over 1300 years, situated in the picturesque Jiangnan region. 

In recent years, Wuzhen has garnered numerous accolades for its commitment to heritage preservation and sustainable tourism development such as secured a spot in the "Preferred Projects List for the Integration of Intangible Cultural Heritage and Tourism Development Nationwide" in 2022.  

By integrating historical, cultural, natural, and environmental elements seamlessly, Wuzhen has transformed into a multifaceted destination offering sightseeing, leisure, vacationing, and business activities. Aligned with Sustainable Development Goals, Wuzhen contributes to creating inclusive, resilient communities (Goal 11), fostering innovation and infrastructure development (Goal 9), promoting economic growth and decent work (Goal 8), and advocating responsible consumption and production (Goal 12). Through collaboration and innovation, Wuzhen stands as a beacon of sustainable tourism development, inspiring similar endeavors worldwide. ]]></dcterms:description>
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    <dcterms:title><![CDATA[Wuzhen 乌镇]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Wuzhen, as one of China's first batch of ten historical and cultural towns and one of the top ten charming towns in China, holds a special place in the country's cultural landscape. Renowned as the "last ancient water village in China," Wuzhen boasts a rich history spanning over 1300 years, situated in the picturesque Jiangnan region. 

In recent years, Wuzhen has garnered numerous accolades for its commitment to heritage preservation and sustainable tourism development such as secured a spot in the "Preferred Projects List for the Integration of Intangible Cultural Heritage and Tourism Development Nationwide" in 2022.  

By integrating historical, cultural, natural, and environmental elements seamlessly, Wuzhen has transformed into a multifaceted destination offering sightseeing, leisure, vacationing, and business activities. Aligned with Sustainable Development Goals, Wuzhen contributes to creating inclusive, resilient communities (Goal 11), fostering innovation and infrastructure development (Goal 9), promoting economic growth and decent work (Goal 8), and advocating responsible consumption and production (Goal 12). Through collaboration and innovation, Wuzhen stands as a beacon of sustainable tourism development, inspiring similar endeavors worldwide. ]]></dcterms:description>
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    <dcterms:title><![CDATA[Wuzhen乌镇]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Wuzhen, as one of China's first batch of ten historical and cultural towns and one of the top ten charming towns in China, holds a special place in the country's cultural landscape. Renowned as the "last ancient water village in China," Wuzhen boasts a rich history spanning over 1300 years, situated in the picturesque Jiangnan region. 

In recent years, Wuzhen has garnered numerous accolades for its commitment to heritage preservation and sustainable tourism development such as secured a spot in the "Preferred Projects List for the Integration of Intangible Cultural Heritage and Tourism Development Nationwide" in 2022.  

By integrating historical, cultural, natural, and environmental elements seamlessly, Wuzhen has transformed into a multifaceted destination offering sightseeing, leisure, vacationing, and business activities. Aligned with Sustainable Development Goals, Wuzhen contributes to creating inclusive, resilient communities (Goal 11), fostering innovation and infrastructure development (Goal 9), promoting economic growth and decent work (Goal 8), and advocating responsible consumption and production (Goal 12). Through collaboration and innovation, Wuzhen stands as a beacon of sustainable tourism development, inspiring similar endeavors worldwide. ]]></dcterms:description>
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    <dcterms:title><![CDATA[Royal Alc&aacute;zar of Seville]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Real Alcázar in Sevilla, Spain]]></dcterms:description>
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    <dcterms:title><![CDATA[Wuzhen乌镇]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Wuzhen, as one of China's first batch of ten historical and cultural towns and one of the top ten charming towns in China, holds a special place in the country's cultural landscape. Renowned as the "last ancient water village in China," Wuzhen boasts a rich history spanning over 1300 years, situated in the picturesque Jiangnan region. 

In recent years, Wuzhen has garnered numerous accolades for its commitment to heritage preservation and sustainable tourism development such as secured a spot in the "Preferred Projects List for the Integration of Intangible Cultural Heritage and Tourism Development Nationwide" in 2022.  

By integrating historical, cultural, natural, and environmental elements seamlessly, Wuzhen has transformed into a multifaceted destination offering sightseeing, leisure, vacationing, and business activities. Aligned with Sustainable Development Goals, Wuzhen contributes to creating inclusive, resilient communities (Goal 11), fostering innovation and infrastructure development (Goal 9), promoting economic growth and decent work (Goal 8), and advocating responsible consumption and production (Goal 12). Through collaboration and innovation, Wuzhen stands as a beacon of sustainable tourism development, inspiring similar endeavors worldwide. ]]></dcterms:description>
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    <dcterms:title><![CDATA[Wuzhen乌镇]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Wuzhen, as one of China's first batch of ten historical and cultural towns and one of the top ten charming towns in China, holds a special place in the country's cultural landscape. Renowned as the "last ancient water village in China," Wuzhen boasts a rich history spanning over 1300 years, situated in the picturesque Jiangnan region. 

In recent years, Wuzhen has garnered numerous accolades for its commitment to heritage preservation and sustainable tourism development such as secured a spot in the "Preferred Projects List for the Integration of Intangible Cultural Heritage and Tourism Development Nationwide" in 2022.  

By integrating historical, cultural, natural, and environmental elements seamlessly, Wuzhen has transformed into a multifaceted destination offering sightseeing, leisure, vacationing, and business activities. Aligned with Sustainable Development Goals, Wuzhen contributes to creating inclusive, resilient communities (Goal 11), fostering innovation and infrastructure development (Goal 9), promoting economic growth and decent work (Goal 8), and advocating responsible consumption and production (Goal 12). Through collaboration and innovation, Wuzhen stands as a beacon of sustainable tourism development, inspiring similar endeavors worldwide. ]]></dcterms:description>
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