<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1802">
    <dcterms:title><![CDATA[The Metropolitan Museum of Art (The Met)]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[22/02/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Sinan]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[848]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40°46′45.71″N,73°57′47.95″W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1803">
    <dcterms:title><![CDATA[The Metropolitan Museum of Art (The Met)]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[22/02/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Sinan]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[849]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40°46′45.71″N,73°57′47.95″W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1804">
    <dcterms:title><![CDATA[The Metropolitan Museum of Art (The Met)]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[22/02/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Sinan]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[850]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40°46′45.71″N,73°57′47.95″W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1865">
    <dcterms:title><![CDATA[The Metropolitan Museum of Art (The Met)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Metropolitan Museum of Art, located next to Central Park in Manhattan, New York, New York, United States, and founded in New York City in 1870, is one of the world's largest, most visited, and most comprehensive art museums, with more than 2 million exhibits spanning 5,000 years of world history. Its global art collection helps educate and preserve cultures by revealing the richness of creative expression across many cultures and eras. The Met attracts millions of visitors, contributing to New York City's tourism industry and creating jobs. In addition, the Museum's vast collection inspires artists and creative workers around the world, influencing modern culture and the creative economy. The Met must balance worldwide relevance and accessibility with the convergence of current technologies and the ethical issues of art restitution and cultural heritage in the digital age.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1870]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/02/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Sinan]]></dcterms:contributor>
    <dcterms:references><![CDATA[Jacknis, 2022, p. 21; Navarrete and Villaespesa, 2020, p. 235; Garthe, 2022]]></dcterms:references>
    <dcterms:extent><![CDATA[50000cm x 50000cm x 10000cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Metropolitan_Museum_of_Art]]></dcterms:medium>
    <dcterms:language><![CDATA[English （US）]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[910]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.779371557459726,-73.96339416503908;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Owned by a non-profit organization]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1867">
    <dcterms:title><![CDATA[Vatican City]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Vatican City is a sovereign city-state located in Rome, Italy, and even more so, the sovereign city-state and spiritual centre of the Roman Catholic Church, known for its important collection of art, manuscripts and historical artefacts (Melloni, 2022, p. 432). As the spiritual and administrative headquarters of the Roman Catholic Church, Vatican City boasts centuries of history and is home to the Apostolic Palace, where the Pope resides, important works of Renaissance art (including Michelangelo's Sistine Chapel ceiling), and St Peter's Basilica, which is built over the tomb of St Peter. Its cultural heritage is of worldwide significance.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1929 (as an independent city-state recognized by the Lateran Treaty)]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[14/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sl360@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Vatican_City]]></dcterms:references>
    <dcterms:extent><![CDATA[50000cm x 50000cm x 100000cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Vatican_City]]></dcterms:medium>
    <dcterms:language><![CDATA[Italian, Latin]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[911]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.9022,12.4533;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Holy See]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1869">
    <dcterms:title><![CDATA[The Traditional Art of Batik Making in Indonesia]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The art of Batik making is an Indonesian heritage that involves wax-resist dyeing applied to the whole cloth. Batik is known for its intricate patterns and is deeply interwoven with Indonesian cultural identity. Recognized by UNESCO as a Masterpiece of Oral and Intangible Heritage of Humanity, Batik reflects Indonesian creativity and spirituality through its diverse patterns influenced by various cultures.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[5th Century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[14/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sl360@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Batik#Kawung]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Batik#Kawung]]></dcterms:medium>
    <dcterms:language><![CDATA[Indonesian]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[912]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-6.2088,106.8456;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Cultural heritage of Indonesia]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1885">
    <dcterms:title><![CDATA[Casa Vicens]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Casa Vicens is a modernist building situated in the Gràcia neighbourhood of Barcelona. It is the work of architect Antoni Gaudí and is considered to be his first major project. (Wikipedia, 2024)]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[21/03/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/21/2024 11:29:20 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jrg7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Casa_Vicens]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.4035,2.1506;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1886">
    <dcterms:title><![CDATA[School of Computer Science, University of St Andrews]]></dcterms:title>
    <dcterms:description><![CDATA[This is the School of computer science at the University of St Andrews]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[21/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[927]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.34028255812844,-2.8087234497070317;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1887">
    <dcterms:title><![CDATA[Not in use]]></dcterms:title>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34.79576153473033,135.68115234375003;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1888">
    <dcterms:title><![CDATA[Not in use]]></dcterms:title>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1889">
    <dcterms:title><![CDATA[Not in use]]></dcterms:title>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34.79576153473033,135.68115234375003;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1890">
    <dcterms:title><![CDATA[Casa Vicens Gaud&iacute;]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Situated in the Gràcia district of Barcelona, Casa Vicens - Gaudí, 1883, the first significant architectural project by Gaudí represents the modernist style. Using digital technology, Casa Vicens offers virtual tours, allowing visitors to scan a QR code at the entrance for 3 guided floor tours and historical insights into each space.

Sustainable development target:
• SDG 16 (Peace, Justice and Strong Institutions), target 16.10 (public access to art archives through digitised collections) By digitising architectural archives, this approach contributes to SDG 16.10 by promoting public access to art archives through digitised collections. This approach not only preserves the architectural heritage of Casa Vicens but also makes it accessible to a broader audience, fostering transparency and public engagement.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1888]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[21/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jrg7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[82 metres (269 feet)cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://casavicens.org/]]></dcterms:medium>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[928]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.4035,2.1506;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[MoraBanc]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1893">
    <dcterms:title><![CDATA[Tongariro National Park]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Tongariro National Park is a volcanic national park, awarded World Heritage Site in 1993.]]></dcterms:description>
    <dcterms:date><![CDATA[1993]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[21/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yx66@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[931]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-39.25671479372371,-184.45358276367188;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[New Zealand]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1900">
    <dcterms:title><![CDATA[Casa Batll&oacute;]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Located in Barcelona, Casa Batlló showcases Gaudí’s unique curves and modernist style.
The building incorporates augmented reality (AR) technology for guided tours, enhancing interactivity and engagement with the architecture through provided devices within the building.

Sustainable development target:
• SDG 4 (Quality Education), target 4.7 (equip learners with knowledge and appreciation of cultural diversity and culture’s contribution to SDGs) Empowering learners with knowledge and appreciation of cultural diversity. Using digitised cultural materials at Casa Batlló ensures students gain insights into the broader cultural context, fostering a global perspective.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1904]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[21/03/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/03/2024 10:10:50 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[jrg7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[32m highcm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://sagradafamilia.org/en/ ]]></dcterms:medium>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[936]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.4036,2.1744;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Bernat family]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1903">
    <dcterms:title><![CDATA[Casa Batll&oacute;]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Casa Batlló is a building in the center of Barcelona, Spain. It was designed by Antoni Gaudí, and is considered one of his masterpieces. A remodel of a previously built house, it was redesigned in 1904 by Gaudí and has been refurbished several times after that. (Wikipedia, 2024)]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[21/03/2024]]></dcterms:date>
    <dcterms:contributor><![CDATA[jrg7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.casabatllo.es/en/online-tickets/?utm_medium=cpc&utm_source=google&utm_campaign=285106592&utm_term=casa%20batllo%20gaudi_p&gad_source=1&gclid=CjwKCAjwte-vBhBFEiwAQSv_xWm5kgTS2B4asnuCntepMkDRHsFrT-cTak8BKBezM0NgVo7kqbJlvBoCQSEQAvD_BwE]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.3917,2.1649;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1904">
    <dcterms:title><![CDATA[Kowloon Walled City - 1989 Aerial]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[An aerial photo of the Kowloon Walled City taken in 1989. The new park which was laid out at the site of the former Sai Tau Tsuen squatter settlement is visible at the south edge of the city.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1989]]></dcterms:date>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[http://cityofdarkness.co.uk/order-print/01-aerial-view/]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,22.332080528121605,114.19042920231574;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1906">
    <dcterms:title><![CDATA[Morin Khuur]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[The Morin Khuur, Mongolia's traditional bowstring instrument, holds deep cultural significance,symbolizing the nation and recognized as vital intangible heritage by UNESCO. Its name originates from the horse's head shaped engraving at the head of the instrument. Crafted from wood and strung with horsetail or ox tendon, the Morin Khuur's tones are produced by the artist's skillful manipulation of tension and vibration patterns while playing with a bow.This unique instrument plays a pivotal role in Mongolian and Tuvan cult ures, frequently featured in folk performances and rituals.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[Xiaotong]]></dcterms:contributor>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.712289745340925,110.10058566927913;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1909">
    <dcterms:title><![CDATA[Casa Batll&oacute;]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Casa Batlló is a building in the center of Barcelona, Spain. It was designed by Antoni Gaudí, and is considered one of his masterpieces. A remodel of a previously built house, it was redesigned in 1904 by Gaudí and has been refurbished several times after that. (Wikipedia)]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[21/03/2024]]></dcterms:date>
    <dcterms:contributor><![CDATA[jrg7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.casabatllo.es/en/online-tickets/?utm_medium=cpc&utm_source=google&utm_campaign=285106592&utm_term=casa%20batllo_e&gad_source=1&gclid=CjwKCAjwte-vBhBFEiwAQSv_xR2viAn9av3UwPA62gjA1v9aPtIo-KDP7lliUE0ML9pH30InZXPskxoCrtYQAvD_BwE]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.3917,2.1649;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1912">
    <dcterms:title><![CDATA[Hong Kong Kai Tak Airport 1971]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Hong Kong Kai Tak Airport in 1971]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1971]]></dcterms:date>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.flickr.com/photos/sillysocks/7504697144/]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1913">
    <dcterms:title><![CDATA[Murin Khuur]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[The Morin Khuur, Mongolia's traditional bowstring instrument, holds deep cultural significance, symbolizing the nation and recognized as vital intangible heritage by UNESCO. Its name originates from the horse's head shaped engraving at the head of the instrument. Crafted from wood and strung with horsetail or ox tendon, the Morin Khuur's tones are produced by the artist's skillful manipulation of tension and vibration patterns while playing with a bow.This unique instrument plays a pivotal role in Mongolian and Tuvan cult ures, frequently featured in folk performances and rituals.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/21/2024 12:55:48 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Xiaotong]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.953351273112844,110.61913982033731;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1914">
    <dcterms:title><![CDATA[Casa Batll&oacute;]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Casa Batlló is a building in the center of Barcelona, Spain. It was designed by Antoni Gaudí, and is considered one of his masterpieces. A remodel of a previously built house, it was redesigned in 1904 by Gaudí and has been refurbished several times after that. (Wikipedia)]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[21/03/2024]]></dcterms:date>
    <dcterms:contributor><![CDATA[jrg7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.casabatllo.es/en/online-tickets/?utm_medium=cpc&utm_source=google&utm_campaign=285106592&utm_term=casa%20batllo_e&gad_source=1&gclid=CjwKCAjwte-vBhBFEiwAQSv_xee5xyPZXbBJ09vLiSHh6oGnX-wF9i9u4mlW2JCsOD4SBTRzWkOYAxoCROoQAvD_BwE]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.3917,2.1649;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1915">
    <dcterms:title><![CDATA[Morin Khuur]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[The Morin Khuur, Mongolia's traditional bowstring instrument, holds deep cultural significance, symbolizing the nation and recognized as vital intangible heritage by UNESCO. Its name originates from the horse's head shaped engraving at the head of the instrument. Crafted from wood and strung with horsetail or ox tendon, the Morin Khuur's tones are produced by the artist's skillful manipulation of tension and vibration patterns while playing with a bow.This unique instrument plays a pivotal role in Mongolian and Tuvan cult ures, frequently featured in folk performances and rituals.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/21/2024 01:01:29 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Xiaotong]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.74508660110019,110.76855428516868;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1916">
    <dcterms:title><![CDATA[Morin Khuur]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[The Morin Khuur, Mongolia's traditional bowstring instrument, holds deep cultural significance, symbolizing the nation and recognized as vital intangible heritage by UNESCO. Its name originates from the horse's head shaped engraving at the head of the instrument. Crafted from wood and strung with horsetail or ox tendon, the Morin Khuur's tones are produced by the artist's skillful manipulation of tension and vibration patterns while playing with a bow.This unique instrument plays a pivotal role in Mongolian and Tuvan cult ures, frequently featured in folk performances and rituals.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/21/2024 01:01:32 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Xiaotong]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.74508660110019,110.76855428516868;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1917">
    <dcterms:title><![CDATA[Morin Khuur]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[The Morin Khuur, Mongolia's traditional bowstring instrument, holds deep cultural significance, symbolizing the nation and recognized as vital intangible heritage by UNESCO. Its name originates from the horse's head shaped engraving at the head of the instrument. Crafted from wood and strung with horsetail or ox tendon, the Morin Khuur's tones are produced by the artist's skillful manipulation of tension and vibration patterns while playing with a bow.This unique instrument plays a pivotal role in Mongolian and Tuvan cult ures, frequently featured in folk performances and rituals.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/21/2024 01:01:35 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Xiaotong]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.74508660110019,110.76855428516868;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1918">
    <dcterms:title><![CDATA[Khuur Morin]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[The Morin Khuur, Mongolia's traditional bowstring instrument, holds deep cultural significance, symbolizing the nation and recognized as vital intangible heritage by UNESCO. Its name originates from the horse's head shaped engraving at the head of the instrument. Crafted from wood and strung with horsetail or ox tendon, the Morin Khuur's tones are produced by the artist's skillful manipulation of tension and vibration patterns while playing with a bow.This unique instrument plays a pivotal role in Mongolian and Tuvan cult ures, frequently featured in folk performances and rituals.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[21/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Xiaotong]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[940]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.62694052470345,109.88085910677913;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1919">
    <dcterms:title><![CDATA[Casa Batll&oacute;]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Located in Barcelona, Casa Batlló showcases Gaudí’s unique curves and modernist style.
The building incorporates augmented reality (AR) technology for guided tours, enhancing interactivity and engagement with the architecture through provided devices within the building.

Sustainable development target:
• SDG 4 (Quality Education), target 4.7 (equip learners with knowledge and appreciation of cultural diversity and culture’s contribution to SDGs) Empowering learners with knowledge and appreciation of cultural diversity. Using digitised cultural materials at Casa Batlló ensures students gain insights into the broader cultural context, fostering a global perspective.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[21/03/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/03/2024 10:13:18 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[jrg7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[32m highcm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.casabatllo.es/en/antoni-gaudi/casa-batllo/history/]]></dcterms:medium>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[941]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.3917,2.1649;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Bernat family]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1921">
    <dcterms:title><![CDATA[The Bayeux Tapestry, France]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Bayeux Tapestry is an iconic historical artifact that vividly narrates the events leading up to the Norman Conquest of England in 1066. Despite its name, the tapestry was likely created in England shortly after the conquest, possibly in Canterbury. It measures approximately 70 meters long and is embroidered on linen cloth in colored wool yarns.
The tapestry depicts scenes of battles, coronations, and daily life, providing valuable insights into the political and cultural dynamics of the time. Its intricate detail and skilled craftsmanship make it a masterpiece of medieval art.
Although the tapestry's precise origins and purpose remain subject to debate among scholars, it is widely believed to have been commissioned by Bishop Odo of Bayeux, half-brother to William the Conqueror, or by William's wife, Queen Matilda.
Today, the Bayeux Tapestry is housed in the Bayeux Museum in Normandy, France, where it attracts thousands of visitors annually. It serves as a crucial historical record, offering a unique glimpse into the medieval period and the Norman Conquest, and continues to inspire fascination and study among historians, artists, and enthusiasts worldwide.]]></dcterms:description>
    <dcterms:creator><![CDATA[Unknown]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[11th century AD (estimated)]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[28/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hp69@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA["The Bayeux Tapestry: https://en.wikipedia.org/wiki/Bayeux_Tapestry"]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Bayeux Museum, Bayeux, France  (https://www.bayeuxmuseum.com/en/the-bayeux-tapestry/)]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[942]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,49.2708° N,0.7031° W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1957">
    <dcterms:title><![CDATA[Monasterio de San Martín, Santiago de Compostela]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By Diego Delso, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=43803833]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[4 October 2015]]></dcterms:date>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia Commons]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,42.8807,-8.5444;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1968">
    <dcterms:title><![CDATA[Milk Tea 7262]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A cup of milk tea in cha chaan teng of Hong Kong]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2011]]></dcterms:date>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1969">
    <dcterms:title><![CDATA[Making Hong Kong Style Milk Tea]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Image depicting the preparation technique of Hong Kong-style milk tea using the sackcloth bag.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2006]]></dcterms:date>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1970">
    <dcterms:title><![CDATA[Former Yamen Building of Kowloon Walled City, Kowloon Walled City Park (Hong Kong)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The restored former yamen building of Kowloon Walled City in Kowloon Walled City Park, Hong Kong.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[4th August 2014]]></dcterms:date>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1971">
    <dcterms:title><![CDATA[Checkboard Hill]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Photo of Korean Air Cargo Boeing airplane turning with Checkboard hill in the background in 1995]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1995]]></dcterms:date>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1974">
    <dcterms:title><![CDATA[Historic Centre of Macao]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The historic center of Macau perfectly showcases the fruits of centuries of integration and coexistence between Chinese and Western cultures. From the mid-16th century until 1999, Macau remained under Portuguese rule, leaving behind a rich legacy of Sino-Portuguese architecture, including streets, residences, religious, and public buildings. These structures not only bear witness to the exchange of aesthetics, culture,
architecture, and technology between the East and the West but also demonstrate their fusion.
Digital technologies, such as virtual reality (VR), have opened up new pathways for the preservation and promotion of Macau's cultural heritage. Through these technologies, audiences from around the world can embark on virtual journeys across different cultural backgrounds, thus gaining a deeper understanding and appreciation of Macau's unique history and cultural heritage.
The conservation and revitalization efforts of the historic center of Macau play a significant role in achieving the following United Nations Sustainable Development Goals (SDGs):
• SDG 4 Quality Education
• SDG 8 Decent Work and Economic Growth
• SDG 9 Industry, Innovation, and Infrastructure
• SDG 11 Sustainable Cities and Communities

Echoes Of Heritage: Preserving Macao In The Climate Era
https://stage.openvirtualworlds.org/worldheritage2024/historic-centre-of-macao/]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[Mid-16th century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[20/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/07/2024 11:31:46 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[957]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.197034079603032,113.54228504831843;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1975">
    <dcterms:title><![CDATA[Ruins of Saint Paul's ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Ruins of Saint Paul's (Ruínas de São Paulo) , Macau]]></dcterms:description>
    <dcterms:date><![CDATA[November 20, 2023]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Own work]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,22.18459948743788,473.53303716515046;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1976">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1977">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1978">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1979">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1980">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1981">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1982">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1983">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1984">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1992">
    <dcterms:title><![CDATA[Acheron River]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Acheron River holds significant cultural value in Greece. Starting from the top of Tomaros Mountains in Ioannina and ending in the Ionian Sea, in Homer's Odyssey, it was the river used to travel to the underworld. Due to this nature of the river, the Nekromanteion is also located in the area, which is an ancient Greek temple dedicated to Hades (the god of death) and Persephone (his wife). The river is also well-known for its unique ecosystem, which is home to endangered flora and fauna, which attracts tourists from all over the world. All of these attributes denote the site's contribution to many of the UN's sustainable development goals. Namely, goal number 4, Quality Education, since preserving the site provides a unique opportunity for its visitors to understand Greek culture and its mythology. Goals eight, fourteen and fifteen are also relevant to the site, due to its environment (being able to preserve it and allow it to flourish), but also its ability to attract tourism.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[21/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/21/2024 05:44:58 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[np77@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.nationalgeographic.com/travel/article/greece-river-to-underworld-now-lures-adventure-travelers]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x 52,000cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.nationalgeographic.com/travel/article/greece-river-to-underworld-now-lures-adventure-travelers]]></dcterms:medium>
    <dcterms:language><![CDATA[Greek]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[963]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.236111,20.476111;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1993">
    <dcterms:title><![CDATA[Acheron River Picture]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A picture of walkable portion of the Acheron river.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[np77@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://i.natgeofe.com/n/ed2443bd-9951-4fe0-8756-7d8f36bbd501/GettyImages-1314823651_3x2.jpg?w=718&h=479]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.236111,20.476111;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1996">
    <dcterms:title><![CDATA[Alonissos Underwater Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The Alonissos underwater museum is a spectacular underwater site, accessible via scuba diving, where divers can experience the shipwreck of Peristera. The wreck is dated over 2000 years old, and while after its discovery it was only open to archeologists, in 2020 it was opened up to the public. This has brought a surge of tourism to the island of Alonissos, which has helped its economy tremendously. The site tremendously contributes to the UN's sustainable development goal #4, Quality education, by providing a great opportunity of seeing a shipwreck up close and how the sea has affected it. In addition, goals #8 (Decent Work and Economic Growth) and #14 (Life Below Water) are furthered, by increasing tourism and spreading awareness to divers of how to be respectful while visiting underwater sites.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[21/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/07/2024 08:04:14 am]]></dcterms:>
    <dcterms:contributor><![CDATA[np77@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.nationalgeographic.com/travel/article/diving-into-the-first-underwater-museum-in-greece]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.nationalgeographic.com/travel/article/diving-into-the-first-underwater-museum-in-greece]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[964]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.1478,23.8436;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2004">
    <dcterms:title><![CDATA[123Dunhuang Mogao Caves]]></dcterms:title>
    <dcterms:description><![CDATA[Located beneath the Mingsha Mountains in Dunhuang, Gansu Province, China, the Mogao Caves are a testament to ancient Chinese Buddhist art and are home to spectacular murals and sculptures. However, these millennia-old cultural treasures are threatened by climate change. Rising temperatures are accelerating the degradation of the exquisite murals, while weather extremes such as heavy rainfall and sandstorms jeopardize the structural integrity of the grottoes. Increased humidity caused by rainfall threatens the preservation of works of art, while sandstorms can cause physical damage to external structures. In addition, climate change-induced water stresses may disrupt the grotto's groundwater system, which is critical to maintaining stable humidity and temperature conditions inside the grotto, posing a significant risk to the long-term preservation of these valuable artistic and historical artifacts.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[31 December 2013, 12:30:18]]></dcterms:date>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.037245,94.804455;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2008">
    <dcterms:title><![CDATA[Dunhuang Mogao Caves 2024]]></dcterms:title>
    <dcterms:description><![CDATA[Located beneath the Mingsha Mountains in Dunhuang, Gansu Province, China, the Mogao Caves are a testament to ancient Chinese Buddhist art and are home to spectacular murals and sculptures. However, these millennia-old cultural treasures are threatened by climate change. Rising temperatures are accelerating the degradation of the exquisite murals, while weather extremes such as heavy rainfall and sandstorms jeopardize the structural integrity of the grottoes. Increased humidity caused by rainfall threatens the preservation of works of art, while sandstorms can cause physical damage to external structures. In addition, climate change-induced water stresses may disrupt the grotto's groundwater system, which is critical to maintaining stable humidity and temperature conditions inside the grotto, posing a significant risk to the long-term preservation of these valuable artistic and historical artifacts.]]></dcterms:description>
    <dcterms:source><![CDATA[,is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[22/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[967]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.037245,94.804455;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2009">
    <dcterms:title><![CDATA[Dunhuang Mogao Caves]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2014:11:11 21:02:34]]></dcterms:date>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.037245,94.804455;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2015">
    <dcterms:title><![CDATA[The Lost Ancient Civilization of Sanxingdui]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/23/2024 12:03:58 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shiwen]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/x-jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[YouTube]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2028">
    <dcterms:title><![CDATA[Not in use]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,35.016,135.7824;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2029">
    <dcterms:title><![CDATA[Noh]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Noh (能, Nō), a traditional Japanese art form originating in the 14th century, uniquely combines music, dance, and drama. Recognized as an Intangible Cultural Heritage by UNESCO, noh, together with its comedic counterpart kyogen, forms nogaku theater.

]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.youtube.com/embed/88v-HYGAKMQ]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,35.016,135.7824;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2033">
    <dcterms:title><![CDATA[The Fiordland National Park, Te Wāhipounamu - South West New Zealand World Heritage Area]]></dcterms:title>
    <dcterms:subject><![CDATA[Tourism]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2016:01:16 13:54:58]]></dcterms:date>
    <dcterms:contributor><![CDATA[yx66@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://upload.wikimedia.org/wikipedia/commons/b/b3/The_Fiordland_National_Park._%288366209611%29.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-45.4085,167.3591;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2037">
    <dcterms:title><![CDATA[Maritime Greenwich, United Kingdom]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Maritime Greenwich is located along the bank of the River Thames in the Royal Borough of Greenwich, London, United Kingdom. It has been a World Heritage Site since 1997. The site contains a rich royal history, with various heritage buildings in Royal Greenwich Park, including the Royal Observatory, the Queen’s House, and the Old Royal Naval College. 

Maritime Greenwich has a significant impact on the world. The most important one is the Greenwich Mean Time (GMT). It used to be the standard time worldwide. Although it has now been replaced by UTC, it is still being used in the UK, e.g. Royal Navy. The Greenwich Park is beautiful in the city. It provides a great environment for people to enjoy the view and appreciate the surrounding heritages. 

Maritime Greenwich's technological interpretation will address Goal 11: Make cities and human settlements inclusive, safe, resilient and sustainable. Goal 13: Take urgent action to combat climate change and its impacts. Goal 15: Protect, restore and promote sustainable use of terrestrial ecosystems, sustainably manage forests, combat desertification, and halt and reverse land degradation and halt biodiversity loss. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[24/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx66@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/en/list/795/ https://www.greenwichworldheritage.org/maritime-greenwich/outstanding-universal-value https://www.rmg.co.uk/stories/topics/greenwich-mean-time-gmt  https://sdgs.un.org/goals]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[978]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.4810,0.000;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[The Crown]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2039">
    <dcterms:title><![CDATA[Jiuzhaigou2]]></dcterms:title>
    <dcterms:description><![CDATA[Fairytale setting, numerous lakes, waterfalls, limestone terraces, and clear mineral-rich waters are nestled in the spectacular alpine mountains. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2023/4/18]]></dcterms:date>
    <dcterms:contributor><![CDATA[xm31]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:medium><![CDATA[As a UNESCO site, Jiuzhaigou is renowned for its scenic and aesthetic majesty & forest ecosystem.]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,33.115124501496865,103.88397216796876;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2041">
    <dcterms:title><![CDATA[Jiuzhaigou National Park ]]></dcterms:title>
    <dcterms:description><![CDATA[Features the mystical National Park in Sichuan Province located near Tibet in central China. 
Features clear blue lakes on top of waterfalls, Tibetan villages, tall mountains, trees, rivers, canyons, ancient town.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2017/7/20]]></dcterms:date>
    <dcterms:contributor><![CDATA[xm31]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:medium><![CDATA[Mystical Jiu Zhai Gou, Central China - 4K Drone]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2042">
    <dcterms:title><![CDATA[[Untitled]]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:dateSubmitted><![CDATA[25/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[25/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[980]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2043">
    <dcterms:title><![CDATA[Mona Lisa]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Mona Lisa, painted by Leonardo da Vinci in the early 1500s, is considered the most famous painting in the world. The painting depicts a young woman with an intriguing smile and is currently housed in the Louvre Museum in Paris. Millions of people visit the Louvre each year, and it is estimated that 80% of them visit for the Mona Lisa itself. An exemplification of the Italian Renaissance, the painting became globally known after it was stolen twice, in the late 19th and early 20th centuries. While extremely valuable, this painting is now the property of France and has been in the Louvre since 1797. 

This moveable heritage addresses Quality Education 4.7 and Climate Action 13.]]></dcterms:description>
    <dcterms:creator><![CDATA[Leonardo da Vinci]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1503-1506]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[27/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[77cm x 53cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Mona_Lisa]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[981]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,48.860294,2.338629;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2050">
    <dcterms:title><![CDATA[Rwanda Memorial sites of the Tutsi Genocide: Nyamata, Murambi, Gisozi and Bisesero ]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[In Rwanda, four stark memorials serve as chilling reminders of the 1994 genocide against Tutsi. These sites are: Nyamata, Murambi, Gisozi, and Bisesero. In 2023, these sites were inscribed on the UNESCO World Heritage List. 

Nyamata and Murambi were places of refuge that turned into killing grounds.  

Gisozi, located in Kigali, is the largest memorial, containing the final resting place of over 250,000 victims. 

Bisesero stands apart, commemorating the resistance of Tutsis who fought back against the killers.  

These Rwandan memorials serve as burial grounds and powerful tools for education, remembrance, and reconciliation. They ensure that the voices of the victims are not silenced, and the horrors of the past are never forgotten. 

Contribution to SDGs: The primary Sustainable Development Goal (SDG) addressed by digital interpretation in the UNESCO Rwanda Tutsi Genocide Memorial Sites is SDG 16: Peace, Justice, and Strong Institutions Target 16.a: Promote peaceful and inclusive societies for sustainable development, provide access to justice for all, and build effective, accountable, and inclusive institutions at all levels. 

Additionally, digital interpretation aligns with aspects of SDG 4 by providing educational resources and promoting lifelong learning. Interactive exhibits and online resources enhance visitors understanding of the genocide and its historical context.]]></dcterms:description>
    <dcterms:creator><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[25/04/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[27/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/en/list/1586/gallery/&maxrows=14]]></dcterms:references>
    <dcterms:medium><![CDATA[https://kgm.rw/]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[982]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-1.9482278584891548,30.08142471313477;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2051">
    <dcterms:title><![CDATA[Sagrada Familia_1]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2023:11:08 22:18:07]]></dcterms:date>
    <dcterms:contributor><![CDATA[xm31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[The Sagrada Família and the Barcelona skyline]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.4036,2.1744;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2052">
    <dcterms:title><![CDATA[familia2]]></dcterms:title>
    <dcterms:contributor><![CDATA[xm31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[The Temple of light]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2054">
    <dcterms:title><![CDATA[Bronze statue of Eros sleeping]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Photograph of a bronze statue of Eros sleeping ]]></dcterms:description>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.metmuseum.org/art/collection/search/254502]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.779434,-73.963402;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2055">
    <dcterms:title><![CDATA[Bronze statue of Eros sleeping]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This bronze statue of a sleeping Eros, the Roman god of love, is at the pinnacle of Hellenistic sculpture work. The Hellenistic period ushered in the "accurate characterisation of age," which this sculpture exemplifies through the depiction of Eros as a baby. The importance of this statue can be understood through the sheer number of replicas of it – the Roman period was rich with sleeping baby Eros statues throughout public spaces. This sculpture also reframes the narrative around Eros; his softness and vulnerability as depicted here is contrasted with the powerful and cruel characteristic he displays in the poetry of the time. 

This moveable heritage addresses Quality Education 4.7 and Climate Action 13.]]></dcterms:description>
    <dcterms:creator><![CDATA[The Met Museum ]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[3rd–2nd century BCE]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[26/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[27/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.metmuseum.org/art/collection/search/254502]]></dcterms:references>
    <dcterms:extent><![CDATA[41.9cm x 35.6cm x 85.2cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Met Museum ]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[984]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.7794,-73.9632;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2056">
    <dcterms:title><![CDATA[Huangshan VIDEO]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2023/2/23]]></dcterms:date>
    <dcterms:contributor><![CDATA[xm31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:medium><![CDATA[Awesome Scenery of Mount Huangshan in Spring and Winter]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2057">
    <dcterms:title><![CDATA[HUangshan image]]></dcterms:title>
    <dcterms:date><![CDATA[2017-06-09]]></dcterms:date>
    <dcterms:contributor><![CDATA[xm31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[Huangshan's sea of clouds]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2060">
    <dcterms:title><![CDATA[The Younger Memnon]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Younger Memnon is a statue of the upper body and head of Ramses II that originally adorned the entrance of the Ramesseum, Ramses Ii's mortuary temple. Originally this statue was part of a pair, but the other statue has been lost. This artefact has traveled the globe – now situated in the British Museum, the hieroglyphs reflect the name and titles of Ramses II, along with part of a dedication to the god Amun-Ra, which situates the statue's religious and cultural significance. In 1817, historians recorded traces of colour on the statue, which suggests that during antiquity the statue may have been painted red. 

This moveable heritage addresses Quality Education 4.7 and Climate Action 13.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[26/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[27/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.britishmuseum.org/collection/object/Y_EA19?_gl=1%2akqs80a%2a_up%2aMQ..%2a_ga%2aNDIwMTIwNTcwLjE3MTQxMzUwMjM.%2a_ga_08TLB9R8X1%2aMTcxNDEzNTAyMi4xLjEuMTcxNDEzNTAzMi4wLjAuMA..]]></dcterms:references>
    <dcterms:extent><![CDATA[203.30cm x 266.80cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[The British Museum ]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[986]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.518757,-0.126168;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2061">
    <dcterms:title><![CDATA[Petra Archaeological Park, Jordan ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Unearthed from Jordan's rose-red sandstone cliffs, Petra, a UNESCO World Heritage Site, whispers the tales of a lost civilization. This ancient Nabataean city, flourishing over 2,000 years ago, boasts unique architecture carved directly into the rock face. Nicknamed the "Rose City" for its natural hues, Petra is a testament to the Nabataeans' remarkable engineering and artistry. 

Beyond the iconic Treasury, with its intricate facade seemingly rising magically from the mountain, lies a network of passageways, tombs, temples, and an amphitheater. Here, the ingenuity of the Nabataeans is evident in their complex water management system, allowing this desert city to thrive for centuries. 

Digital interpretation in Petra Archaeological Park to be addressed is SDG 11: Sustainable Cities and Communities, particularly by protecting cultural heritage (Target 11.4) through reduced wear and tear from virtual tours, and by promoting sustainable tourism practices (Target 11.b) through enhanced visitor flow management, improved accessibility with VR/AR for all, and increased visitor awareness and education about the site's significance. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/27/2024 12:16:42 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[987]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,30.56063498633056,35.79895019531251;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2062">
    <dcterms:title><![CDATA[Petra ancient-civilization-exploration-background]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Petra ancient-civilization-exploration-background]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/27/2024 12:45:17 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2063">
    <dcterms:title><![CDATA[Rwanda Ethnographic Museum ]]></dcterms:title>
    <dcterms:description><![CDATA[The Rwanda Ethnographic Museum, located in Huye, Rwanda, is a treasure trove of the country's rich history. Walk through its seven galleries and discover Rwanda's story, from its unique landscapes to the lives of its people. See displays of traditional tools, clothing, and even models of homes, offering a window into Rwandan culture, past and present. There's even a section dedicated to the Rwandan monarchy, where you can learn about the role of kings and see historical artifacts. More than just a museum, it's a place to celebrate Rwanda's enduring cultural heritage and connect with its past.  

By implementing digital interpretation with features like online resources, virtual tours, and 3D scans, the Rwanda Ethnographic Museum can address two Sustainable Development Goals (SDGs). Firstly, it supports SDG 4: Quality Education by promoting cultural diversity through broader access to Rwandan history and culture, aligning with Target 4.7. Secondly, digital preservation efforts contribute to SDG 11: Sustainable Cities and Communities by safeguarding cultural heritage through digital archives, as highlighted in Target 11.4. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[27/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[988]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-2.7016350479445204,29.630126953125004;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2065">
    <dcterms:title><![CDATA[Gwacheon National Science Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Gwacheon National Science Museum in South Korea is a heritage institution committed to scientific education, exploration, and discovery. Opened in 2008, it stands as a testament to the country`s dedication to scientific exploration and sustainable development. The museum's undertaking is to encourage curiosity, foster scientific literacy, and promote innovation amongst site visitors of all ages. 

The Museum boasts numerous famous and interactive displays showcasing numerous scientific disciplines, along with physics, biology, astronomy, and technology. 

Digital interpretation at the Gwacheon National Science Museum can significantly contribute to achieving SDG 4: Quality Education. This SDG focuses on ensuring inclusive and equitable access to quality education at all levels. By providing digital exhibits, virtual tours, and online resources, the museum can extend its educational reach beyond physical limitations or geographical barriers. This allows people from all over the world, including those in remote areas or with mobility challenges, to learn about science and technology in an engaging and interactive way. Furthermore, digital interpretation can be translated into multiple languages, promoting inclusivity and knowledge sharing on a global scale. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/29/2024 05:22:49 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[989]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.43924,127.00535;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2068">
    <dcterms:title><![CDATA[Machu Picchu Ancient Temple]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Machu Picchu is a renowned archaeological site of the pre-Columbian Inca Empire, built in the 15th century in Peru. It is also one of the New Seven Wonders of the World and was inscribed as a mixed cultural and natural heritage site in the UNESCO World Heritage List in 1983. Due to its unique geographical location, mysterious religious ceremonies, and advanced architectural techniques, it is one of the most significant archaeological centers in South America. SDG 11 Sustainable Cities and Communities: As a world-famous tourist destination, Machu Picchu faces challenges of tourist pressure and environmental conservation. Leveraging technologies such as virtual tours and 3D models enables individuals to delve deeper into aspects like the structure, history, and cultural significance of historical relics, thereby enhancing historical understanding. Additionally, documenting detailed information and conditions of historical sites aids in their protection and conservation efforts. This approach helps reduce physical visitations to the sites, thereby minimizing human-induced damage and environmental pressures, thus fostering the sustainable development of historical relics.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/28/2024 09:04:56 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[wz44@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.machupicchu.gob.pe/?lang=en]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.machupicchu.gob.pe/?lang=en]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[991]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-13.162814729637555,-72.54530221223833;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Peru]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2071">
    <dcterms:title><![CDATA[The Mona Lisa]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Mona Lisa, arguably the most famous painting in the world, resides in the Louvre Museum in Paris, France. Painted by Leonardo da Vinci, this enigmatic portrait of Lisa Gherardini captivates viewers with her subtle smile and mysterious gaze. The painting's exquisite details, including its use of sfumato technique and lifelike portrayal, have earned it a revered status in the art world. Protected behind bulletproof glass and surrounded by throngs of admirers, the Mona Lisa continues to fascinate and inspire countless individuals from around the globe. 
Digital interpretation of the Mona Lisa addresses several Sustainable Development Goals (SDGs). By leveraging digital platforms, it promotes quality education (SDG 4) by offering insights into the artwork's historical context and artistic significance. Furthermore, it contributes to sustainable cities and communities (SDG 11) by reducing the need for physical travel to museums, thereby mitigating carbon emissions. Additionally, it supports industry, innovation, and infrastructure (SDG 9) by driving technological advancements in the cultural sector. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Leonardo da Vinci]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[Estimated around 1503-1506]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[28/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:extent><![CDATA[53cm x 77cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Leonardo da Vinci created the Mona Lisa during the Italian Renaissance]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[992]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,48.8606,2.3376;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2072">
    <dcterms:title><![CDATA[The Great Wall of China]]></dcterms:title>
    <dcterms:description><![CDATA[The Great Wall of China stands as an extraordinary feat of ancient engineering and a symbol of China's rich history and culture. Stretching over 13,000 miles across various landscapes, it was built to protect Chinese states and empires from invasions and raids. Constructed and reconstructed over centuries, it embodies the collective efforts of numerous dynasties. Made primarily of stone, brick, tamped earth, wood, and other materials, the wall is an architectural marvel, offering breathtaking views of China's diverse terrain.]]></dcterms:description>
    <dcterms:date><![CDATA[28/04/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/28/2024 06:52:53 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.4319°,116.5704°;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2073">
    <dcterms:title><![CDATA[The Great Wall of China]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Great Wall of China stands as an extraordinary feat of ancient engineering and a symbol of China's rich history and culture. Stretching over 13,000 miles across various landscapes, it was built to protect Chinese states and empires from invasions and raids. Constructed and reconstructed over centuries, it embodies the collective efforts of numerous dynasties. Made primarily of stone, brick, tamped earth, wood, and other materials, the wall is an architectural marvel, offering breathtaking views of China's diverse terrain. By leveraging digital platforms, it promotes quality education (SDG 4) by offering insights into the historical significance and architectural marvels of the Great Wall. Furthermore, it contributes to sustainable cities and communities (SDG 11) by reducing the need for physical travel to the site, thereby mitigating carbon emissions. Additionally, it supports industry, innovation, and infrastructure (SDG 9) by driving technological advancements in the preservation and interpretation of cultural heritage sites.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/28/2024 11:35:31 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:extent><![CDATA[21,196,000cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[993]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.4319,116.5704;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Owned by the Chinese government]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2074">
    <dcterms:title><![CDATA[Flamenco Music and Dance]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Flamenco is a passionate and expressive art form originating from the Andalusian region of Spain. It encompasses various elements, including singing (cante), guitar playing (toque), dance (baile), handclaps (palmas), and finger snapping (pitos). With roots in the diverse cultural traditions of Spain, including Romani, Moorish, Jewish, and Andalusian influences, flamenco is a vibrant and dynamic expression of emotion, storytelling, and cultural identity. Through intricate footwork, intricate rhythms, and soulful melodies, flamenco performers convey a wide range of emotions, from joy and love to sorrow and longing.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[28/04/2024]]></dcterms:date>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,37.3886,-5.9826;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2085">
    <dcterms:title><![CDATA[The Nok Terracota Sculptures]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Nok terracotta sculptures, discovered in Nigeria, represent one of the earliest known examples of African figurative art dating back to around 500 BCE to 200 CE. Crafted primarily from terracotta clay, these remarkable sculptures depict human figures, human heads and animals, offering valuable insights into the cultural and artistic traditions of ancient West Africa. Crafted with exquisite detail and finesse, the Nok terracotta sculptures showcase the advanced sculptural techniques and artistic prowess of their creators. The production process of these sculptures involved the shaping the clay by hand or using basic tools, followed by firing in kilns to harden the material. As archaeological treasures, the Nok terracotta sculptures serve as a testament to the rich artistic heritage of Nigeria.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[29/04/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/29/2024 05:09:55 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cje5@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,9.7264° N,8.9107° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2086">
    <dcterms:title><![CDATA[The Nok Terracotta Heritage]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Nok Terracotta stands as a testament to the rich cultural heritage of the Nok people of Nigeria, dating back to 500 B.C.E. Crafted with clay, these sculptures represent a significant milestone in early pottery art within sub-Saharan Africa. These artefacts offer invaluable insights into the skilled craftsmanship and cultural traditions of the ancient 'Nok' city. These sculptures with distinct triangular or oval shapes on human faces have emerged as iconic symbols of Nok Art, showcasing the culture's unique stylistic elements. Digital interpretation efforts, including virtual reality experiences, immersive, and interactive learning, have provided unprecedented access to these artefacts for global audience, thereby fostering a deeper appreciation for cultural diversity, heritage preservation, and promoting sustainable development. This engagement advances SDG 4.7's goal of ensuring that all learners acquire the knowledge and skills needed to promote sustainable development. However, despite their historical significance, Nok Terracotta faces notable threats to its preservation. Factors such as environmental degradation, including erosion and climate change, pose significant risks to the integrity of these artefacts. Additionally, looting and illegal trade of cultural heritage items contribute to the loss and destruction of Nok Terracotta sculptures. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Nok People, Nigeria ]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[500 B.C.E.]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[29/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:medium><![CDATA[Nok Culture, Nigeria]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[1001]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,9.7264,8.9107;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2087">
    <dcterms:title><![CDATA[Classical Gardens of Suzhou_Humble Administrators Garden]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Xiangzhou of Humble Administrators Garden Suzhou]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[23 October 2009]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/29/2024 06:23:04 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yh82@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Xiangzhou_of_Zhuozhengyuan_Suzhou_4th_Aug_2006.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,31.32624102091559,120.62406128738078;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2088">
    <dcterms:title><![CDATA[Classical Gardens of Suzhou]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Classical Gardens of Suzhou exemplify ancient Chinese garden art, merging aesthetic design with cultural depth and architectural skill. These gardens embody Chinese philosophical, literary, and artistic traditions, demonstrating an integration of natural beauty and humanistic values.
To preserve and showcase these gardens, the Suzhou Classical Garden Database was established, cataloging over 5,000 elements from 19 gardens. Additionally, the "Digital Gardens" online platform provides interactive digital models, enhancing accessibility and engagement globally.
The conservation of these gardens supports Sustainable Development Goals, particularly Goal 11 (Sustainable Cities and Communities) by protecting cultural diversity and natural heritage. Under Goal 4 (Quality Education), digital tools promote educational opportunities, allowing broad access to the gardens' rich historical and cultural narratives, thereby encouraging lifelong learning and appreciation of cultural heritage.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yh82@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1002]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,31.309112215421475,120.61838150024415;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2089">
    <dcterms:title><![CDATA[Classical Gardens of Suzhou]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Classical Gardens of Suzhou exemplify ancient Chinese garden art, merging aesthetic design with cultural depth and architectural skill. These gardens embody Chinese philosophical, literary, and artistic traditions, demonstrating an integration of natural beauty and humanistic values.
To preserve and showcase these gardens, the Suzhou Classical Garden Database was established, cataloging over 5,000 elements from 19 gardens. Additionally, the "Digital Gardens" online platform provides interactive digital models, enhancing accessibility and engagement globally.
The conservation of these gardens supports Sustainable Development Goals, particularly Goal 11 (Sustainable Cities and Communities) by protecting cultural diversity and natural heritage. Under Goal 4 (Quality Education), digital tools promote educational opportunities, allowing broad access to the gardens' rich historical and cultural narratives, thereby encouraging lifelong learning and appreciation of cultural heritage.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yh82@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.m.wikipedia.org/wiki/Classical_Gardens_of_Suzhou]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://whc.unesco.org/en/list/813/]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1003]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,31.30890138655634,120.61815083026887;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2090">
    <dcterms:title><![CDATA[Kun Qu opera_Performance at the Peking University]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Kun Qu opera. Performance at the Peking University]]></dcterms:description>
    <dcterms:date><![CDATA[18 April 2006]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/29/2024 06:55:01 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yh82@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.flickr.com/photos/antonis/131184445/sizes/o/]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,31.38654726525001,120.97427576780322;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2092">
    <dcterms:title><![CDATA[The Grand Canal]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Grand Canal]]></dcterms:description>
    <dcterms:date><![CDATA[14 Nov 2012]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/29/2024 07:47:49 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yh82@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://whc.unesco.org/en/documents/129550]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,N34,41,38,E112,28,6;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2093">
    <dcterms:title><![CDATA[The Grand Canal]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Grand Canal, the world's longest ancient artificial waterway, links Beijing and Hangzhou, China, and has been crucial since the 5th century BC. It not only facilitated the evolution of Chinese society but also showcases ancient China's prowess in hydraulic engineering and waterway management.
As a cultural artery, it significantly impacts literature, art, and language, reflecting centuries of cultural integration. Modern technologies such as intelligent construction and digital navigation ensure its operational integrity. Moreover, digital tools like panoramic technology and 3D modeling enable virtual tours, enhancing public understanding and preservation efforts.
The canal's application of technology also advances several Sustainable Development Goals (SDGs). Goal 9 (Industry, Innovation, and Infrastructure) is supported by improving reliability and efficiency through digital innovations. Goal 4 (Quality Education) benefits from interactive learning experiences created by these technologies. Lastly, Goal 15 (Life on Land) is addressed by smart management systems that monitor and protect the canal's ecosystem, promoting sustainability and ecological protection. These efforts underscore the Grand Canal's continuing importance in sustainable development and cultural heritage.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yh82@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.m.wikipedia.org/wiki/Grand_Canal_(China)]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://whc.unesco.org/en/list/1443/]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1005]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,31.685895886710952,120.1248423010111;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2094">
    <dcterms:title><![CDATA[The Pyramids of Giza]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Great Pyramid of Giza is the largest Egyptian pyramid and served as the tomb of pharaoh Khufu, who ruled during the Fourth Dynasty of the Old Kingdom. Built in the early 26th century BC, over a period of about 27 years, The Pyramid is the oldest of the Seven Wonders of the Ancient World and the only one that has remained largely intact. It symbolizes the spiritual beliefs of the Egyptians and serves as a pathway to the afterlife for pharaohs. 
The digital initiatives surrounding the Pyramids align with SDG 4 (Quality Education). Virtual accessibility ensures a wider reach, promoting global cultural exchange and understanding. Targets
4.4 and 4.7 emphasize skills development and knowledge acquisition for sustainable development. By utilizing digital platforms, the Pyramids contribute to achieving these targets, providing relevant skills and promoting a culture of peace and non-violence. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[Early 26th century BC]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/29/2024 11:47:11 am]]></dcterms:>
    <dcterms:contributor><![CDATA[Lizhi Wang]]></dcterms:contributor>
    <dcterms:references><![CDATA[[1]Pavlidis, G., Koutsoudis, A., Arnaoutoglou, F., Tsioukas, V., & Chamzas, C. (2007). Methods for 3D digitization of Cultural Heritage. Journal of Cultural Heritage, 8, 93-98. https://doi.org/10.1016/J.CULHER.2006.10.007. [2]Mustafa, M. (2021). Cultural Heritage: A Tourism Product of Egypt under Risk. Journal of Environmental Management and Tourism. https://doi.org/10.14505/JEMT.V12.1(49).21. [3]Tallet, Pierre (2017). Les Papyrus de la Mer Rouge I: Le Journal de Merer. Institut français d'archéologie orientale. ISBN 978-2724707069.]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1006]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29.979157602862095,31.13419899447569;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2096">
    <dcterms:title><![CDATA[The pyramids of Giza, just outside Cairo.]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[a group of people walking around a pyramid
The pyramids of Giza, just outside Cairo.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[September 14, 2022]]></dcterms:date>
    <dcterms:contributor><![CDATA[Lizhi Wang]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://creativecommons.org/licenses/by-nc/4.0/?ref=chooser-v1]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29.979157602862095,31.13419899447569;origin,39.914163626779455,116.43738627433778;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2097">
    <dcterms:title><![CDATA[Edinburgh Castle]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Edinburgh Castle is one of the oldest fortifications in Europe and an important symbol of Scotland and Edinburgh. Built between the 12th and 16th centuries, it witnessed Scotland's historical wars and later became a military base. It is now owned by Scotland. Over the centuries, it has witnessed numerous historical events as a royal residence, prison and symbol of Scottish heritage.

Heritage value:
Edinburgh Castle is a symbol of Scotland's rich cultural and historical heritage. Located on top of Castle Rock, Edinburgh Castle houses a variety of artifacts and artworks that attract tourists from around the world and boost Scotland's tourism and economy.

Contribution to the United Nations Sustainable Development Goals:
SDG 4 Quality Education Target 4.7:
Edinburgh Castle’s digital initiatives contribute to education by providing online access to historical resources and exhibits.

SDG 11 Make cities inclusive, safe, resilient and sustainable Target 11.4:
Strengthen efforts to protect and safeguard the world’s cultural and natural heritage]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[12th and 16th centuries]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuhang Zhu]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Edinburgh_Castle]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1007]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.948563036608434,-3.2005333904817235;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2098">
    <dcterms:title><![CDATA[Edinburgh Castle]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Edinburgh Castle is one of the oldest fortifications in Europe and an important symbol of Scotland and Edinburgh. Built between the 12th and 16th centuries, it witnessed Scotland's historical wars and later became a military base. It is now owned by Scotland. Over the centuries, it has witnessed numerous historical events as a royal residence, prison and symbol of Scottish heritage.

Heritage value:
Edinburgh Castle is a symbol of Scotland's rich cultural and historical heritage. Located on top of Castle Rock, Edinburgh Castle houses a variety of artifacts and artworks that attract tourists from around the world and boost Scotland's tourism and economy.

Contribution to the United Nations Sustainable Development Goals:
SDG 4 Quality Education Target 4.7:
Edinburgh Castle’s digital initiatives contribute to education by providing online access to historical resources and exhibits.

SDG 11 Make cities inclusive, safe, resilient and sustainable Target 11.4:
Strengthen efforts to protect and safeguard the world’s cultural and natural heritage]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[12th and 16th centuries]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuhang Zhu]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Edinburgh_Castle]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1008]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.948563036608434,-3.2005333904817235;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2111">
    <dcterms:title><![CDATA[Abu Simbel temple - The Great Temple of Ramesses II]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Abu Simbel Temples, dedicated to Pharaoh Ramesses II and Queen Nefertari, stand as colossal rock-cut structures in southern Egypt. Carved into the mountainside, they exemplify the grandeur of ancient Egyptian art and religious devotion. The intricate details of the statues and hieroglyphics reflect the cultural significance and artistic achievements of the New Kingdom.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[October 2, 2021]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/29/2024 03:03:22 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Lizhi Wang]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,22.337767158803107,31.625912431680675;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2112">
    <dcterms:title><![CDATA[Abu Simbel Temples]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Abu Simbel Temples, dedicated to Pharaoh Ramesses II and Queen Nefertari, stand as colossal rock-cut structures in southern Egypt. Carved into the mountainside, they exemplify the grandeur of ancient Egyptian art and religious devotion. The intricate details of the statues and hieroglyphics reflect the cultural significance and artistic achievements of the New Kingdom.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[Built 1264 – 1244 BCE]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/29/2024 03:30:22 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[Lizhi Wang]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1014]]></dcterms:identifier>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2113">
    <dcterms:title><![CDATA[ Karnak Temple]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Karnak Temple, located near Luxor in Egypt, is one of the largest religious complexes in the world. Built over a period of 2000 years, from the Middle Kingdom to the Ptolemaic period, it was dedicated to the god Amun, his wife Mut, and their son Khonsu. The temple complex covers an area of over 200 acres and includes massive pylons, obelisks, statues, and chapels. The most iconic feature is the Hypostyle Hall, with its towering columns adorned with intricate hieroglyphs and reliefs.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[ February 16, 2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/29/2024 03:22:42 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Lizhi Wang]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,25.719076226576266,32.65724883925169;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2114">
    <dcterms:title><![CDATA[Karnak Temple]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Karnak Temple, located near Luxor in Egypt, is one of the largest religious complexes in the world. Built over a period of 2000 years, from the Middle Kingdom to the Ptolemaic period, it was dedicated to the god Amun, his wife Mut, and their son Khonsu. The temple complex covers an area of over 200 acres and includes massive pylons, obelisks, statues, and chapels. The most iconic feature is the Hypostyle Hall, with its towering columns adorned with intricate hieroglyphs and reliefs.
Sustainable Development Target:
Target 11: Sustainable Cities and Communities - Digital interpretation of Karnak Temple can contribute to sustainable tourism by allowing visitors to explore the site virtually, reducing the environmental impact of physical tourism. It also facilitates cultural exchange and preservation by providing access to historical and archaeological information without the need for extensive travel.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Lizhi Wang]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1015]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,25.719076226576266,32.65724883925169;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2115">
    <dcterms:title><![CDATA[Sukur Cultural Landscape]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Sukur Cultural Landscape is a UNESCO World Heritage Site located in the Mandara Mountains of northeastern Nigeria. This landscape encompasses the Sukur settlement, which is notable for its unique architecture, agricultural terraces, and cultural traditions. The Sukur Cultural Landscape features a well-preserved hilltop settlement that is surrounded by a series of terraces, which were constructed for agricultural purposes. The terraces demonstrate the innovative farming techniques employed by the Sukur people to cultivate crops such as millet, sorghum, and vegetables in a challenging mountainous environment.

The architecture of the Sukur settlement is characterized by stone houses with thatched roofs, arranged in a compact manner around a central area known as the Hidi's compound. The Hidi is the traditional ruler of the Sukur people, and the compound serves as the administrative and ceremonial center of the community.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[14 June 2017]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/29/2024 08:20:26 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cje5@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,10.7755,13.5306;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2116">
    <dcterms:title><![CDATA[Sukur Cultural Landscape]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Sukur Cultural Landscape is a UNESCO World Heritage Site located in the Mandara Mountains of north-eastern Nigeria. This landscape encompasses the Sukur settlement, which is notable for its unique architecture, agricultural terraces, and cultural traditions. The Sukur Cultural Landscape features a well-preserved hilltop settlement that is surrounded by a series of terraces, which were constructed for agricultural purposes. 

The architecture of the Sukur settlement is characterized by stone houses with thatched roofs, arranged in a compact manner around a central area known as the Hidi's compound. The Hidi is the traditional ruler of the Sukur people, and the compound serves as the administrative and ceremonial center of the community.
Designated as a UNESCO World Heritage Site in 1999, the Sukur Cultural Landscape is recognised for its outstanding universal value and serves as a testament to the harmonious relationship between humans and their natural environment. Efforts to preserve and protect the Sukur Cultural Landscape are essential for safeguarding this unique cultural heritage for future generations. Digital interpretation efforts play a crucial role in addressing the notable threats faced by the Sukur Cultural Landscape while aligning with SDG 11.4, which aims to protect and safeguard the world's cultural and natural heritage. These threats include environmental degradation, cultural erosion, tourism pressure, and conflict and instability. By leveraging digital platforms such as virtual tours, interactive websites, and educational apps, efforts can raise awareness about the impact of these threats on the landscape's ecological balance and cultural integrity.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cje5@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Nigeria]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1016]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,10.7755,13.5306;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2118">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This is website of 3D Giza pyramid.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/30/2024 01:34:58 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuhang Zhu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
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    <dcterms:title><![CDATA[_____________2024-04-30_015103.png]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/30/2024 01:54:01 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuhang Zhu]]></dcterms:contributor>
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    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
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    <dcterms:title><![CDATA[How Was The Great Wall Of China Built?]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/30/2024 02:39:22 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuhang Zhu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.433795130221576,116.5610218056827;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2123">
    <dcterms:title><![CDATA[Vineyard Landscape of Piedmont: Langhe-Roero and Monferrato]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Vineyard Landscape of Piedmont: Langhe-Roero and Monferrato is a UNESCO World Heritage Site located in the Piedmont region of northern Italy. Inscribed on the UNESCO list in 2014, this cultural landscape encompasses three distinct wine-growing areas: the Langhe, Roero, and Monferrato regions.
The site is renowned for its picturesque landscapes, characterized by rolling hills, terraced vineyards, and historic towns and villages nestled among the vineyards. The landscape reflects centuries of human interaction with the land, as well as the traditional agricultural practices and techniques employed in viticulture.
The Langhe-Roero and Monferrato regions are known for producing high-quality wines, including Barolo, Barbaresco, and Barbera, among others. The vineyards are meticulously maintained and managed, with traditional grape cultivation methods passed down through generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[25 June 2011]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/30/2024 06:27:24 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cje5@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,44.6250,8.0431;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2124">
    <dcterms:title><![CDATA[Vineyard Landscape of Piedmont: Langhe-Roero and Monferrato]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Vineyard Landscape of Piedmont: Langhe-Roero and Monferrato is a UNESCO World Heritage Site located in the Piedmont region of northern Italy. Inscribed on the UNESCO list in 2014, this cultural landscape encompasses three distinct wine-growing areas: the Langhe, Roero, and Monferrato regions.
The site is renowned for its picturesque landscapes, characterized by rolling hills, terraced vineyards, and historic towns and villages nestled among the vineyards. The landscape reflects centuries of human interaction with the land, as well as the traditional agricultural practices and techniques employed in viticulture.
The Langhe-Roero and Monferrato regions are known for producing high-quality wines, including Barolo, Barbaresco, and Barbera, among others. The vineyards are meticulously maintained and managed, with traditional grape cultivation methods passed down through generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[25 June 2011]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/30/2024 06:27:31 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cje5@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,44.6250,8.0431;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2125">
    <dcterms:title><![CDATA[Vineyard Landscape of Piedmont: Langhe-Roero and Monferrato]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Vineyard Landscape of Piedmont: Langhe-Roero and Monferrato, a UNESCO World Heritage Site nestled in northern Italy's Piedmont region, showcases three distinct wine-growing areas: the Langhe, Roero, and Monferrato regions. Characterized by picturesque landscapes, rolling hills, and terraced vineyards interspersed with historic towns, this region embodies centuries of human interaction with the land and traditional agricultural practices. Amidst its beauty, digital interpretation offers a pathway towards achieving Sustainable Development Goal 12: Responsible Consumption and Production, which seeks to ensure sustainable consumption and production patterns worldwide. Through interactive websites and virtual tours these tools can enlighten visitors about sustainable agriculture, organic farming practices, and biodiversity conservation within the vineyard landscape. They promote responsible consumption by advocating for support of local, sustainable food systems and reducing food waste. However, the region faces notable climate threats such as extreme weather events and changing precipitation patterns, which can impact grape cultivation, vineyard management, and ecosystem health. These climate challenges highlight the importance of Sustainable Development Goal 13: Climate Action. Digital interpretation holds the potential to address these challenges by disseminating information on climate-resilient farming practices, water management strategies, and sustainable land-use techniques. By raising awareness about climate change impacts and inspiring collective action, virtual platforms can contribute to the sustainable management and preservation of this cultural and natural heritage site.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[30/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cje5@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Italy]]></dcterms:medium>
    <dcterms:language><![CDATA[Italian]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1020]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,44.6250,8.0431;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2126">
    <dcterms:title><![CDATA[The Forbidden City]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Forbidden City, nestled in Beijing, China, is an ancient imperial palace complex, housing Chinese emperors for nearly 500 years. Constructed from 1406 to 1420, its sprawling 180-acre area encompasses almost 1,000 buildings and over 8,700 rooms. This architectural masterpiece showcases traditional Chinese design, boasting symmetrical layouts, golden roofs adorned with intricate carvings, and vibrant tiles. Serving as the political and ceremonial hub of the Chinese empire, it hosted crucial state events and rituals. Today, as a UNESCO World Heritage Site, it remains a beacon of China's imperial past, drawing millions of tourists annually to explore its rich history, cultural treasures, and stunning architecture.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[30/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/01/2024 04:00:31 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[xz84]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1021]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.91720832153079,116.39076948165895;]]></dcterms:spatial>
</rdf:Description></rdf:RDF>