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<rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1018">
    <dcterms:title><![CDATA[Sir John Soane's Museum]]></dcterms:title>
    <dcterms:description><![CDATA[Scenery of Sir John Soane's Museum]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2014:05:08 19:08:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 09:19:44 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wz41@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Sir_John_Soane%27s_Museum#/media/File:Sir_John_Soane_Museum_(13952611347).jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,51.5170382,-0.1196586;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1019">
    <dcterms:title><![CDATA[Sir John Soane&rsquo;s Museum]]></dcterms:title>
    <dcterms:description><![CDATA[Sir John Soane’s Museum was the home, museum and library of 19th-centurt architect Sir John Soane(1753-1837). Designed by Soane himself, it is filled with his exceptional collection of works of art,sculptures, furniture and artefacts. The interiors and collections are still displayed as they were at the time of his death - over 180 years ago. ]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[1833]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wz41@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[555]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.5170382,-0.1196586;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1020">
    <dcterms:title><![CDATA[Thracian Bulgarian Golden Treasure]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Golden treasure named after the town of Panagyurishte in Bulgaria is a relic that is reminiscent of Thracian workmanship in the Balkans. An Amphora, a phiale and seven rhytons are among the core artefacts that make up the 24-carat gold collection. Weighing over 13 pounds the treasure is arguably one of the most valuable historic treasures found in Bulgaria. The store that precedes the treasure involves three brothers that were working in a clay pit where the 9 pieces were first discovered. The treasure was turned over to local authorities and it was kept in the Bulgarian National Bank where three identical copies were made that would travel across international museums and join exhibits. The first copy resides in the Archaeology Museum in the city of Plovdiv and it tends to travel quite a bit across Bulgaria’s largest cities. The Thracian civilization inhabited the south of the Balkan Mountains alongside the banks of the Maritza river during the 5th century BC. One of the capital cities once resided there and the treasure was buried in what is known as the Valley of the Thracian Kings during the 300 BC. It’s main usage during the time was to serve ceremonial wine and for sanctifying during rituals. The bulk of the treasures depict the ancient goddesses Hera, Athena, and Aphrodite alongside some Amazon warriors. One of them also depicts the Judgement of Paris and Hercules performing feats of strength. ]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[10 May 2021 ]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/16/2022 01:22:28 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[aaa25]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Thracian_Bulgarian_Golden_Treasure.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,42.49974429261867,24.18756866245531;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1021">
    <dcterms:title><![CDATA[Thracian Bulgarian Golden Treasure]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Golden treasure named after the town of Panagyurishte in Bulgaria is a relic that is reminiscent of Thracian workmanship in the Balkans. An Amphora, a phiale and seven rhytons are among the core artefacts that make up the 24-carat gold collection. Weighing over 13 pounds the treasure is arguably one of the most valuable historic treasures found in Bulgaria. The store that precedes the treasure involves three brothers that were working in a clay pit where the 9 pieces were first discovered. The treasure was turned over to local authorities and it was kept in the Bulgarian National Bank where three identical copies were made that would travel across international museums and join exhibits. The first copy resides in the Archaeology Museum in the city of Plovdiv and it tends to travel quite a bit across Bulgaria’s largest cities. The Thracian civilization inhabited the south of the Balkan Mountains alongside the banks of the Maritza river during the 5th century BC. One of the capital cities once resided there and the treasure was buried in what is known as the Valley of the Thracian Kings during the 300 BC. It’s main usage during the time was to serve ceremonial wine and for sanctifying during rituals. The bulk of the treasures depict the ancient goddesses Hera, Athena, and Aphrodite alongside some Amazon warriors. One of them also depicts the Judgement of Paris and Hercules performing feats of strength. ]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[10 May 2021 ]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/16/2022 01:22:32 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[aaa25]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Thracian_Bulgarian_Golden_Treasure.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,42.49974429261867,24.18756866245531;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1022">
    <dcterms:title><![CDATA[Inverness Castle]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Inverness Castle as viewed from the west across the River Ness.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[26 June 2014]]></dcterms:date>
    <dcterms:contributor><![CDATA[aaa25]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,57.47634496445314,-4.225603580180178;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1023">
    <dcterms:title><![CDATA[IS5110 2023]]></dcterms:title>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:type><![CDATA[Museum]]></dcterms:type>
    <dcterms:identifier><![CDATA[556]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1024">
    <dcterms:title><![CDATA[The Historic Centre of Odesa]]></dcterms:title>
    <dcterms:description><![CDATA[The Odesa National Academic Opera and Ballet Theatre]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[03/16/2023 07:23:10 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mvuf1@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,46.47097051334593,30.739746093750004;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1025">
    <dcterms:title><![CDATA[The Historic Centre of Odesa]]></dcterms:title>
    <dcterms:description><![CDATA[The Historic Centre of Odesa is an area within the city of Odesa that is currently endangered and that is characterised for its eclectic architecture, rapid growth and high cultural value. 
The most remarkable building in the centre of Odesa is the Odesa National Academic Opera and Ballet Theatre. It opened its doors on 10 February 1810 and currently has a slightly different architectural design than how it was originally built. The theatre has held the performances of notable singers and sopranos. 
Furthermore, the Derybasivska Street is one of the most picturesque and popular avenues in this area. Plenty of cafes and restaurants are located here and therefore it attracts many people and tourists during the summer.
]]></dcterms:description>
    <dcterms:contributor><![CDATA[mvuf1@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,46.47097051334593,30.739746093750004;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1026">
    <dcterms:title><![CDATA[School of Computer Science]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This is the School of Computer Science for the University of St Andrews]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[20/03/2023]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/20/2023 08:07:39 am]]></dcterms:>
    <dcterms:contributor><![CDATA[AlanM]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[557]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.339925972043304,-2.809367179870606;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1027">
    <dcterms:title><![CDATA[School of Computer Science]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[An image of the school of computer science web page]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[20/03/2023]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/20/2023 07:51:56 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[AlanM]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1028">
    <dcterms:title><![CDATA[School of Computer Science]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[An image of the School of Computer Science at St Andrews University]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[20/03/2023]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/20/2023 07:55:56 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[AlanM]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.33994381187975,-2.809426188468933;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1029">
    <dcterms:title><![CDATA[Fisherfolk Rope from Helmsdale]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Fisherfolks rope from Helmsdale, Timespan Museum]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/20/2023 08:22:49 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[AlanM]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,58.11661455739528,-3.6542442440986638;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1030">
    <dcterms:title><![CDATA[Model of Helmsdale Fisherfolk Rope]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[ A model of a Fisherfolk rope]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[text/plain Alias/WaveFront Object]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1031">
    <dcterms:title><![CDATA[Rope]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Rope]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:contributor><![CDATA[AlanM]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,58.106910441764995,-3.7133789062500004;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1032">
    <dcterms:title><![CDATA[Portobelo.jpeg]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[03/21/2023 10:03:28 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mvuf1@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,9.436308919862842,-79.77112594060601;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1033">
    <dcterms:title><![CDATA[Gulf_of_California.jpeg]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[03/21/2023 11:49:37 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mvuf1@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,30.616329513984805,-113.7221820652485;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1034">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Peiwei Li]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[558]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40°02′52.30,94°48′59.80;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1035">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Peiwei Li]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[559]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40°02′52.30,94°48′59.80;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1036">
    <dcterms:title><![CDATA[Kharkiv]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/06/2023 04:02:30 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[pdj1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[560]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,49.9935,36.2304;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1037">
    <dcterms:title><![CDATA[St Andrews Castle]]></dcterms:title>
    <dcterms:description><![CDATA[A castle in St Andrews.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/27/2023 10:38:30 am]]></dcterms:>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[561]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.3422242689493,-2.790009677410126;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1038">
    <dcterms:title><![CDATA[Kharkiv]]></dcterms:title>
    <dcterms:description><![CDATA[Kharkiv is a land of golden dome-topped churches, is the second largest city in Ukraine. It was founded in 1654 as a fortress. It grew as the major trade center in the Russian Empire.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pdj1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Russian]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[562]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,49.9935° N,36.2304° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1039">
    <dcterms:title><![CDATA[Taj Mahal]]></dcterms:title>
    <dcterms:description><![CDATA[The Taj Mahal in Agra, India is a stunning monument and a UNESCO World Heritage Site. It was built in the 17th century by the Mughal emperor Shah Jahan for his beloved wife Mumtaz his Mahal. The Taj Mahal is famous for its stunning exterior with symmetrical designs, intricate carvings, and sparkling gemstone inlays. Located on the banks of the Yamuna River, the white marble mausoleum has his four smaller domes surrounding a central dome and his four minarets 40 meters high. Muslims pay tribute to the emperor and his wife by visiting the Taj Mahal and tourists from all over the world come to marvel at its beauty and know about its cultural and historical significance.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/27/2023 10:38:34 am]]></dcterms:>
    <dcterms:contributor><![CDATA[gn31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[563]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,27.173891,78.042068;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1040">
    <dcterms:title><![CDATA[Seokguram Grotto ]]></dcterms:title>
    <dcterms:description><![CDATA[Seokguram Grotto is an ancient monument situated in Gyeongju, South Korea and recognized by UNESCO as a World Heritage Site. Its origins date back to the 8th century and it holds a remarkable Buddha statue. This heritage site is significant not only for its artistic and architectural value but also as an essential pilgrimage destination for Buddhists. It is a remarkable testimony to the culture of early Korea, representing the apex of Silla Buddhist art and architecture.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jl388@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[564]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,35.94705664505633,-232.78072357177737;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1041">
    <dcterms:title><![CDATA[Khangchendzonga National Park]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Khangchendzonga National Park, in the Indian state of Sikkim, is a rare and rich mixed cultural and 
natural heritage site which is tangible and immovable. The park is named after the 
Khangchendzonga peak, the world's third highest peak, and covers an area of more than 850 
square kilometres. It is home to a diverse range of flora and animals, including some endangered 
species, as well as numerous glaciers and alpine meadows. The park is also culturally significant 
to the locals, who believe that the Khangchendzonga mountain is the home of their guardian 
deity. Many religious rituals and ceremonies are held at the park in reverence of this deity, and 
the park is regarded as sacred by the local communities. Climate change is disrupting the lives of local people due to natural calamities like floods.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[asgs1@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[565]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,27.665285261816408,88.29757687635721;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1042">
    <dcterms:title><![CDATA[Kharkiv]]></dcterms:title>
    <dcterms:description><![CDATA[Kharkiv is a land of golden dome-topped churches, is the second largest city in Ukraine. It was founded in 1654 as a fortress. It grew as the major trade center in the Russian Empire.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/27/2023 10:44:26 am]]></dcterms:>
    <dcterms:contributor><![CDATA[pdj1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Russian]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[566]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,49.9935,36.2304;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1043">
    <dcterms:title><![CDATA[Vatnaj&ouml;kull National Park]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Nearly 14% of Iceland's land area, or over 1,400,000 ha, is occupied by this iconic volcanic region. The property is made up of a whole system where the cryosphere, hydrosphere, atmosphere, and lithosphere are constantly interacting with the magma and lithosphere to produce incredibly dynamic and varied geological processes and landforms.  <br> <br> 

Single-celled creatures thrive in the hostile environment of subglacial lakes, which may mimic circumstances on early Earth and the icy satellites of Jupiter and Saturn, and indigenous groundwater fauna that has survived the ice age can be found in the volcanic zones of the property. <br> 
 <br> 
By the end of the 18th century, the Vatnajökull ice cap was at its maximum size, and ever since, it has generally been retreating. Due to the recent acceleration of its retreat as a consequence of global warming, the property is an ideal location to study how glaciers and the landforms they leave behind are affected by climate change. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/29/2023 08:15:08 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[th211@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/en/list/1604/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[567]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,64.34942106230751,-16.770629882812504;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1044">
    <dcterms:title><![CDATA[Mogao Caves]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Situated at a strategic point along the Silk Route, at the crossroads of trade as well as religious, cultural and intellectual influences, the 492 cells and cave sanctuaries in Mogao are famous for their statues and wall paintings, spanning 1,000 years of Buddhist art. The Mogao Caves hold significant historical significance because they provide knowledge into numerous facets of mediaeval history about politics, economics, and social mores. The Mogao Caves are in a desert region susceptible to climate change. 
 As a result of climate change, Mogao Caves have been impacted by reduced vegetation and increased soil erosion, and other effects leading to increased risks of weathering and erosion, which threaten the preservation of murals and stone carvings.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/11/2023 08:47:22 am]]></dcterms:>
    <dcterms:contributor><![CDATA[Peiwei Li]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[568]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.04643505925313,94.90910336840898;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1045">
    <dcterms:title><![CDATA[Kakatiya Rudreshwara (Ramappa) Temple]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Kakatiya Rudreshwara Temple is a remarkable site in Telangana, India, also known as the Ramappa temple. It was constructed between 1123 and 1323 under the Kakatiya dynasty. This temple is a tribute to the Hindu deity Shiva and is one of the best examples of Kakatiya architecture. The temple is decorated with beautiful carvings and sculptures, a proof to the expert craftsmanship of the Kakatiya period. The temple has a tall tower, known as a shikhara, with intricate carvings of gods, goddesses, and mythical creatures on a high platform. The walls of the temple are also decorated with sculptures depicting scenes from Hindu mythology. The temple's main entrance features finely carved pillars that emit different types of music when touched, giving it the nickname "Temple of Music"[4]. Every year, many tourists from all over the world visit this UNESCO World
Heritage Site]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/27/2023 11:13:32 am]]></dcterms:>
    <dcterms:contributor><![CDATA[gn31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[569]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,18,79;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1046">
    <dcterms:title><![CDATA[Lakag&iacute;gar]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[14/09/2015]]></dcterms:date>
    <dcterms:contributor><![CDATA[th211@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NoDerivs License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://whc.unesco.org/en/documents/166209]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1047">
    <dcterms:title><![CDATA[Seokguram Grotto]]></dcterms:title>
    <dcterms:description><![CDATA[The Seokguram Grotto is a hermitage and part of the Bulguksa temple complex. It lies four kilometers east of the temple on Mt. Tohamsan, in Gyeongju, South Korea. It is classified as National Treasure No. 24 by the South Korean government and is located at 994, Jinhyeon-dong, Gyeongju-si, Gyeongsanbuk-do. The grotto overlooks the Sea of Japan and rests 750 meters above sea level. In 1962, it was designated the 24th national treasure of Korea. In 1995, Seokguram was added to the UNESCO World Heritage List together with the Bulguksa Temple. It exemplifies some of the best Buddhist sculptures in the world.

The Seokguram grotto is said to have been built by Kim Daeseong and originally called Seokbulsa. Construction began in 742 when Kim Daeseong resigned his position in the king's court or in 751. The grotto was completed by the Silla court in 774, shortly after Kim's death. An old legend stated that Kim was reincarnated for his filial acts in his previous life.

The grotto is currently one of the best known cultural destinations in South Korea. A viewing of the sunrise over the sea, which is visible from near the seated Buddha's perch, is especially popular.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/03/2023 05:27:15 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[jl388@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[570]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,35.811897061261256,129.26359176635745;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1048">
    <dcterms:title><![CDATA[Sagarmatha National Park (Mt Everest)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Known for its distinctive ecological and cultural features, Sagarmatha National Park in Nepal's 
eastern Himalayas is a UNESCO World Heritage Site and can be considered as a tangible,
immovable natural heritage site. The park, which is 1,148 square kilometres in size, is home to 
Mount Everest and some of the highest mountains in the world, as well as a wide variety of plants 
and animals. The park serves as a crucial home for endangered animals including the snow 
leopard, musk deer, and Himalayan black bear. The Sherpa people, who have long since inhabited 
the area still follow their traditional way of life and religion. The Park is a well-liked tourist 
attraction because of its value both ecologically and culturally. The park provides hiking and 
mountaineering options as well as cultural experiences like touring Sherpa communities and 
monasteries which promote Buddhism.
Climate change is impacting the melting of glaciers in this region. If the current global temperatures tend to increase, half of the world's glaciers will be vanished.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/27/2023 11:19:17 am]]></dcterms:>
    <dcterms:contributor><![CDATA[asgs1@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[571]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,27.93266030857823 ,86.70132500240616;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1049">
    <dcterms:title><![CDATA[Bogward Doocot]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Doocots are structures intended to house pigeons and doves for later consumption. The structures have openings and provisions for roosting and breeding. Beyond a primary food source, pigeons and doves were an important source of eggs, feathers (pillows, bedding), and dung (fertilizer, softening leather, manufacturing gunpowder). Although doocots are physical structures, they are reminders of intangible aspects of Scottish history and heritage, because they were a part of everyday life. Doocots adapted beyond being a storage house into social status symbols in medieval Europe and are sources of some Scottish mythology (intangible). Into the 20th century, they were built as decorative additions to farm buildings and gardens. Climate change worsens the weather exposure threatening Scottish doocots. In some cases, doocots have been restored; however, their specific structure makes it difficult to adapt, reuse and convert to modern uses. A current attempt at digital preservation of this site is done by the St. Andrews Preservation Trust, where they offer virtual tours. There is also an extensive photo gallery online of volunteers photographing, locating and identifying doocots.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[16th Century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/21/2023 08:44:02 am]]></dcterms:>
    <dcterms:contributor><![CDATA[vbtt1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Bogward_Dovecot]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[572]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.32996732702832,-2.8234256000966327;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1050">
    <dcterms:title><![CDATA[Sundarbans National Park]]></dcterms:title>
    <dcterms:description><![CDATA[Sundarbans National Park is a natural park, recognised by UNESCO as a World Heritage Site. It is in the three river deltas of the Bay of Bengal: the Ganges, Brahmaputra, and Meghna rivers. It is a world’s largest mangrove forest spanning at over 10,000 square kilometres, more than half of it is in India and the rest in Bangladesh. The Sundarbans is home to a wide variety of animals, which are all endangered species, these include many types of birds, Bengal tigers, saltwater crocodiles, and Indian pythons. In addition to serving as a natural barrier to prevent floods, it is a rich source of natural resources and wood [1]. This is a perfect destination for nature lovers]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[2017:08:30 20:24:33]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/27/2023 11:14:37 am]]></dcterms:>
    <dcterms:contributor><![CDATA[gn31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[573]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,21,88;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1051">
    <dcterms:title><![CDATA[Shipwreck Museum]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jn73@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[574]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,50.856,0.598;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1052">
    <dcterms:title><![CDATA[Hanbok]]></dcterms:title>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:contributor><![CDATA[jl388@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,33.34529983390859,126.53263092041017;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1053">
    <dcterms:title><![CDATA[Hanbok]]></dcterms:title>
    <dcterms:description><![CDATA[The hanbok, also called Chosŏn-ot is traditional Korean clothing. It is worn not only by South and North Korea, but also by the joseon-jok, a minority group in China. The term hanbok literally means “Korean clothing.” Hanbok is also depicted in detail on murals from the Goguryeo period in Korea. Due to the isolation from each other for about 50 years, the styles of hanbok in South Korea, North Korea, and joseonjok, worn by the Korean ethnics from these three countries have developed separately from each other. Since the 1990s, the South Korean-style and the North Korean-style have been looking more and more similar to each other. Similarly, since the Chinese economic reform of China, there have been more exchanges with both Koreas leading to both the development and changes in joseonjok-style Chosŏn-ot in China;some of designs of the joseonjok-style Chosŏn-ot have been influenced and inspired by both South-Korean and North Korean hanbok designs.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/05/2023]]></dcterms:>
    <dcterms:contributor><![CDATA[jl388@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[575]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,35.811775254624074,127.12235212326051;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1054">
    <dcterms:title><![CDATA[St Andrews Castle]]></dcterms:title>
    <dcterms:description><![CDATA[This is the current South Front. The entrance was originally through the Fore Tower on the right.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[2009:05:31 07:20:31]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/27/2023 11:06:12 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:St_Andrews_Castle_1_(3604221101).jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.34184667986789,-2.7902752161026;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1055">
    <dcterms:title><![CDATA[shipwreck museum]]></dcterms:title>
    <dcterms:description><![CDATA[The Shipwreck Museum is an independent charitable Museum of the Nautical Museums Trust Charity No. 284687 – set in the historic Old Town of Hastings, UK. The Museum has artefacts from many ships wrecked in the English Channel from the Goodwin Sands in Kent to Pevensey Bay in East Sussex including the Amsterdam a Dutch East Indiaman of 1749 and the Anne of 1690 also the Charles II warship.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[27/03/2023]]></dcterms:>
    <dcterms:contributor><![CDATA[jn73@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[576]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,50.856277,0.594927;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1056">
    <dcterms:title><![CDATA[&THORN;ingvellir National Park]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Iceland's Pingvellir National Park is a location with enormous historical and cultural value. The 
Alpingi, the world’s oldest parliamentary assembly in existence, was founded in the park in the 
year 930 AD. For centuries, the Alpingi served as a location for Icelanders to assemble, discuss and 
make choices regarding the country's future. Pingvellir is situated in the Mid-Atlantic Ridge, a 
marvel of nature that divides the tectonic plates of North America and Europe. This area has many 
beautiful natural features including deep fissures, clear streams, and spectacular waterfalls.
The heritage site is highly valuable due to its distinctive geological characteristics as well as its 
cultural and historical significance and can be considered as Immovable, Tangible Natural Heritage 
site. It has been declared a UNESCO World Heritage site and it should be preserved for future 
generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/27/2023 11:30:37 am]]></dcterms:>
    <dcterms:contributor><![CDATA[asgs1@st-andrews.ac.uk]]></dcterms:contributor>
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    <dcterms:description><![CDATA[Source of information: https://perfectdailygrind.com/2021/12/a-breakdown-of-vietnamese-coffee-producing-regions/
SVG Photo of Central Highlands: https://en.wikipedia.org/wiki/File:Central_Highlands_in_Vietnam.svg
More information of the Central Highlands: https://en.wikipedia.org/wiki/Central_Highlands_%28Vietnam%29]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[vbtt1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://perfectdailygrind.com/2021/12/a-breakdown-of-vietnamese-coffee-producing-regions/]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[589]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,13.0126754,108.0512924;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1080">
    <dcterms:title><![CDATA[Vietnamese Robusta Coffee - Central Highlands]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Source of information: https://perfectdailygrind.com/2021/12/a-breakdown-of-vietnamese-coffee-producing-regions/
SVG Photo of Central Highlands: https://en.wikipedia.org/wiki/File:Central_Highlands_in_Vietnam.svg
More information of the Central Highlands: https://en.wikipedia.org/wiki/Central_Highlands_%28Vietnam%29]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[vbtt1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://perfectdailygrind.com/2021/12/a-breakdown-of-vietnamese-coffee-producing-regions/]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[590]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,13.0126754,108.0512924;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1081">
    <dcterms:title><![CDATA[Christo de redentor]]></dcterms:title>
    <dcterms:description><![CDATA[Christ the Redeemer is an Art Deco statue of Jesus Christ in Rio de Janeiro, Brazil, created by French sculptor Paul Landowski and built by Brazilian.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jl388@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[591]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-19.973348786110602,-41.48437500000001;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1082">
    <dcterms:title><![CDATA[Vietnamese Robusta Coffee - Central Highlands]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Source of information: https://perfectdailygrind.com/2021/12/a-breakdown-of-vietnamese-coffee-producing-regions/
SVG Photo of Central Highlands: https://en.wikipedia.org/wiki/File:Central_Highlands_in_Vietnam.svg
More information of the Central Highlands: https://en.wikipedia.org/wiki/Central_Highlands_%28Vietnam%29]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[vbtt1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://perfectdailygrind.com/2021/12/a-breakdown-of-vietnamese-coffee-producing-regions/]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[592]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,13.0126754,108.0512924;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1083">
    <dcterms:title><![CDATA[Vietnamese Robusta Coffee - Central Highlands]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Source of information: https://perfectdailygrind.com/2021/12/a-breakdown-of-vietnamese-coffee-producing-regions/
SVG Photo of Central Highlands: https://en.wikipedia.org/wiki/File:Central_Highlands_in_Vietnam.svg
More information of the Central Highlands: https://en.wikipedia.org/wiki/Central_Highlands_%28Vietnam%29]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[vbtt1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://perfectdailygrind.com/2021/12/a-breakdown-of-vietnamese-coffee-producing-regions/]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[593]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,13.0126754,108.0512924;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1084">
    <dcterms:title><![CDATA[Vietnamese Coffee]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[In the 1850s, French missionaries imported coffee plants into Indochina. The early coffee industry in Vietnam was disrupted by series of wars until 1975, after the Vietnam War. Now, Vietnam is the second largest coffee producer in the world. Vietnamese coffee exemplifies how a culture’s cuisine, language and economy can be affected by colonization and immigration. Beyond the intangible effects, coffee plantations (tangible, immovable) and their harvests (tangible, movable) have altered the country’s natural heritage. The risk of unexploded ordnance from the Vietnam War (armed conflict heritage) further affects farmer’s search for more land to grow coffee. After the Vietnam War, the Vietnamese Communist Party’s failed agriculture collectivization efforts prompted them to turn towards coffee production. This specific location is the Central Highlands, where Vietnamese coffee plantations grow most of their Robusta coffee beans. Vietnam is “one of the world’s most vulnerable countries to climate change” because of its low altitude, proximity to the Mekong Delta, and South China Sea coastline. Unpredictable precipitation patterns, rising sea levels and temperatures greatly affect Vietnamese coffee bean production. Digitally, Vietnamese coffee culture has been preserved primarily through social media platforms who have made the iced Vietnamese coffee drink an international phenomenon.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[21/04/2023]]></dcterms:>
    <dcterms:contributor><![CDATA[vbtt1]]></dcterms:contributor>
    <dcterms:medium><![CDATA[https://perfectdailygrind.com/2021/12/a-breakdown-of-vietnamese-coffee-producing-regions/]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[594]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,13.0126754,108.0512924;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1085">
    <dcterms:title><![CDATA[Vietnamese Robusta Coffee - Central Highlands]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Source of information: https://perfectdailygrind.com/2021/12/a-breakdown-of-vietnamese-coffee-producing-regions/
SVG Photo of Central Highlands: https://en.wikipedia.org/wiki/File:Central_Highlands_in_Vietnam.svg
More information of the Central Highlands: https://en.wikipedia.org/wiki/Central_Highlands_%28Vietnam%29]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[vbtt1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://perfectdailygrind.com/2021/12/a-breakdown-of-vietnamese-coffee-producing-regions/]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[595]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,13.0126754,108.0512924;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1086">
    <dcterms:title><![CDATA[3-8.png]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Museum owns parts of the oldest seagoing sailing ship ever found in northern Europe. This is also the earliest example of a Romano-Celtic shipbuilding tradition that extended from the Danube in the east to France and Britain in the west. Vessels of this type were suited to the tidal coasts of northern Europe, for they had flat bottoms so that cargoes could by loaded and unloaded on a beach at low tide.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[03/27/2023 11:32:20 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jn73@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,50.856277,0.594927;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1087">
    <dcterms:title><![CDATA[Roman Ship, c.150 AD]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Museum owns parts of the oldest seagoing sailing ship ever found in northern Europe. This is also the earliest example of a Romano-Celtic shipbuilding tradition that extended from the Danube in the east to France and Britain in the west. Vessels of this type were suited to the tidal coasts of northern Europe, for they had flat bottoms so that cargoes could by loaded and unloaded on a beach at low tide.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[03/27/2023 11:34:25 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jn73@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,50.856277,0.594927;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1088">
    <dcterms:title><![CDATA[Vietnam Provinces Map]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[03/27/2023 11:45:56 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[vbtt1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1089">
    <dcterms:title><![CDATA[HMS K-4 and K-17 Submarine Wrecks]]></dcterms:title>
    <dcterms:subject><![CDATA[Underwater Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[From January 31, 1917 to February 1, 1918, a disaster joint operation codenamed Operation E.C.1 and ironically dubbed Battle of May Island, led to the sinking of two submarine vessels. When their exact locations were found in 2011, the wrecks were designated as protected places under the Protection of Military Remains Act 1986. This underwater heritage site is a tangible, immovable heritage that is a reminder of how historical context affected people’s perception of submarines and how the Battle of May Island affected future submarine warfare tactics and informed submarine technology development (armed conflict heritage). Underwater heritage sites are innately susceptible to biological degradation; however, climate change can hasten their destruction by contributing to bacterial spread through changes in conservation patterns, currents and introduction of new biological species. Digital preservation has primarily been through digital charting and imaging done by EMU Limited and Headland Archaeology, commissioned by Mainstream Renewable Power to produce an archaeological technical report in context of the desired offshore wind farm.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/21/2023 08:55:40 am]]></dcterms:>
    <dcterms:contributor><![CDATA[vbtt1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[596]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.25,-2.183;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1090">
    <dcterms:title><![CDATA[Portobelo-1.jpeg]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[03/30/2023 08:26:20 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mvuf1@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1091">
    <dcterms:title><![CDATA[Fortifications on Portobelo - San Lorenzo]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Portobelo - San Lorenzo fortifications are located on the east side of Panamá. They were built during the 17th and 18th centuries in order to defend Spanish ships and protect transatlantic trade in the Caribbean.  

 

These fortifications form what is essentially a fortified town, with an architecture that resembles that of the medieval period. These military structures were part of a more extensive defence system that was also present in Mexico, Colombia and Cuba. 

 

During the time it remained operative the fortifications were destroyed and rebuilt, also adapted to the particularity of the environment where it is located. The ruins tell a story of strength and adaptation to the environment currently affected by erosion. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[17th century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[30/03/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mvuf1@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/en/list/135/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Fortifications_on_the_Caribbean_Side_of_Panama:_Portobelo-San_Lorenzo]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[597]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,9.554539607335377,-79.65594291687013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1092">
    <dcterms:title><![CDATA[Giant_pacific_manta-1.jpeg]]></dcterms:title>
    <dcterms:date><![CDATA[2010:10:06 09:35:57]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/30/2023 08:35:42 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mvuf1@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1093">
    <dcterms:title><![CDATA[Islands and Protected Areas of the Gulf of California]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This area is made up of 244 islands located in the Gulf of California. Many of the islands in this site are the result of volcanic eruptions. The islands themselves are of varied sizes and display outstanding natural beauty, particularly because of the high cliffs that are surrounded by turquoise waters. 

 

Notably, the area is of utmost importance for scientists because is one of the biggest reserves of migratory birds and invaluable wildlife. As well as its rich marine ecosystem, this is a place for numerous species like the humpback whale, manta rays, sardines, anchovies and also the vaquita (an endangered cetacean). ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[30/03/2023]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/30/2023 08:42:57 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[mvuf1@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/en/list/1182]]></dcterms:references>
    <dcterms:extent><![CDATA[160,000 km²cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Gulf_of_California]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[598]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,30.4297295750316,-113.70300292968751;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1096">
    <dcterms:title><![CDATA[St. Andrews Cathedral]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Built in 1158 St Andrews Cathedral sits on the grounds of the oldest University in Scotland. Its value lies not only in tourism, but in the very foundation of the University. The cathedral has suffered from time and wear and was largely ignored in reconstruction and preservation efforts. Its proximity to the sea and coastal erosion caused by climate change are cause for concern without a plan for action and historical preservation. Students often wonder what the great cathedral might have looked like for the students who walked those same roads in the 1200s, the 1500s, the 1900s, and so on. Using drones, AI, and a bit of historical magic, the digital reconstruction of the cathedral can be imagined on the building itself, with a full audience of both cemetery bodies and the student body. In fact, this will be a unique opportunity for students, historians, and residents of St. Andrews, as the cathedral has been closed for a couple of years, given concerns for falling masonry. Ultimately, the cathedral may have to face demolition due to its dangerous state. The town of St. Andrews and the university itself would not retain its symbolic status without the cathedral. Historians and history enthusiasts would be able to have a physical reconstruction from the medieval period to today, aiding in research, education, and perhaps increasing visitations. According to the historicenvironment.scot website, the cathedral is one of “well-loved local landmarks... which add to [the Scottish] national identity” [3].]]></dcterms:description>
    <dcterms:date><![CDATA[1158]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/04/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kpf1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.historicenvironment.scot/visit-a-place/places/st-andrews-cathedral/]]></dcterms:references>
    <dcterms:extent><![CDATA[39100cm x 16100cm x 10000cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[600]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.339810958034306,-2.786601866682759;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1097">
    <dcterms:title><![CDATA[St. Andrews Cathedral]]></dcterms:title>
    <dcterms:description><![CDATA[Built in 1158 St Andrews Cathedral sits on the grounds of the oldest University in Scotland. Its value lies not only in tourism, but in the very foundation of the University. The cathedral has suffered from time and wear and was largely ignored in reconstruction and preservation efforts. With its proximity to the sea, coastal erosion caused by climate change poses a risk to this cathedral, thus the need for climate action and historical preservation. Students often wonder what the great cathedral might have looked like for the students who walked those same roads in the 1200s, the 1500s, the 1900s, and so on. Using drones, AI, and a bit of historical magic, the digital reconstruction of the cathedral can be imagined on the building itself, with a full audience of both cemetery bodies and the student body. In fact, this will be a unique opportunity for students, historians, and residents of St. Andrews, as the cathedral has been closed for a couple of years, given concerns for falling masonry. Ultimately, the cathedral may have to face demolition due to its dangerous state. The town of St. Andrews and the university itself would not retain its symbolic status without the cathedral. Historians and history enthusiasts would be able to have a physical reconstruction from the medieval period to today, aiding in research, education, and perhaps increasing visitations. According to the historicenvironment.scot website, the cathedral is one of “well-loved local landmarks... which add to [the Scottish] national identity” [3].]]></dcterms:description>
    <dcterms:date><![CDATA[2022:09:01 13:38:57]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/04/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kpf1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.historicenvironment.scot/visit-a-place/places/st-andrews-cathedral/]]></dcterms:references>
    <dcterms:extent><![CDATA[39100cm x 16100cm x 10000cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[601]]></dcterms:identifier>
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