<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1735">
    <dcterms:title><![CDATA[Stone Slab House]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:date><![CDATA[4th Sep 2019]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 06:58:14 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mis25000@gmail.com]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://zh.m.wikipedia.org/zh-tw/File:%E5%B1%8F%E6%9D%B1%E6%8E%92%E7%81%A3%E6%97%8F%E8%80%81%E4%B8%83%E4%BD%B3%E7%9F%B3%E6%9D%BF%E5%B1%8B.jpg]]></dcterms:medium>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1736">
    <dcterms:title><![CDATA[Pingtung Stone Slab House]]></dcterms:title>
    <dcterms:description><![CDATA[The stone slab house is a traditional house type of some Taiwanese Indigenous tribes, such as Rukai, Paiwan, Bunun, and Atayal. The house is built on rocks that were handy to them. One layer by a layer, the layers of stone slab are able to prevent rain from dripping into the interior.
The climate threat that this kind of house faces is the acid rain. Acid rain has very strong ability of corrosion. If the stone slabs have long-term contact with it, their surfaces may start to be corroded and thus the stone slabs will be greatly damaged.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mis25000@gmail.com]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[812]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.4488489301393,120.71158133214931;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1737">
    <dcterms:title><![CDATA[stone slab house]]></dcterms:title>
    <dcterms:date><![CDATA[4th Sep 2019]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 07:04:59 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mis25000@gmail.com]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,22.4488489301393,120.71158133214931;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1738">
    <dcterms:title><![CDATA[Pingtung Stone Slab House]]></dcterms:title>
    <dcterms:description><![CDATA[The stone slab house is a traditional house type of some Taiwanese Indigenous tribes, such as Rukai, Paiwan, Bunun, and Atayal. The house is built on rocks that were handy to them. One layer by a layer, the layers of stone slab are able to prevent rain from dripping into the interior.
The climate threat that this kind of house faces is the acid rain. Acid rain has very strong ability of corrosion. If the stone slabs have long-term contact with it, their surfaces may start to be corroded and thus the stone slabs will be greatly damaged.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mis25000@gmail.com]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[813]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.4488489301393,120.71158133214931;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1739">
    <dcterms:title><![CDATA[Pingtung Stone Slab House]]></dcterms:title>
    <dcterms:description><![CDATA[The stone slab house is a traditional house type of some Taiwanese Indigenous tribes, such as Rukai, Paiwan, Bunun, and Atayal. The house is built on rocks that were handy to them. One layer by a layer, the layers of stone slab are able to prevent rain from dripping into the interior.
The climate threat that this kind of house faces is the acid rain. Acid rain has very strong ability of corrosion. If the stone slabs have long-term contact with it, their surfaces may start to be corroded and thus the stone slabs will be greatly damaged.
]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mis25000@gmail.com]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[814]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.4488489301393,120.71158133214931;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1740">
    <dcterms:title><![CDATA[Castel del Monte, Apulia]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Castel del Monte, translated from Italian, means "castle on a hill". Built in the 13th century by King Frederick II and said to be inspired by Greco-Roman architecture, it is located in the Apulia region of Italy and is protected as a World Heritage Site. It was also printed on the Italian version of the euro penny.

Throughout history, the castle has served not only as a hunting house for kings, a refuge in times of plague, and even as a prison for generals. Modern scholars disagree on whether to classify it as a cottage or a castle, though it has since been confirmed that it was a castle, as it originally had a curtain wall.

Because of the mathematical rules and beauty of its construction, it was once considered very mysterious by historians, and was the inspiration for Umberto Eco's novel The Name of the Rose.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[AD 1240]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jn73@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/en/list/398/]]></dcterms:references>
    <dcterms:extent><![CDATA[The diameter of the castle is 56m in diameter.cm x The main wall is 25 m high.cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[UNESCO (Home page: https://whc.unesco.org/)]]></dcterms:medium>
    <dcterms:language><![CDATA[English / Italiano (Italian)]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[815]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.0847439,16.2709412;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[the Emperor Frederick II ]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1741">
    <dcterms:title><![CDATA[Pingtung Stone Slab House]]></dcterms:title>
    <dcterms:description><![CDATA[120.71158133214931]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mis25000@gmail.com]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[816]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.4488489301393,120.71158133214931;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1742">
    <dcterms:title><![CDATA[Qian_gu.jpg]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 07:33:13 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mis25000@gmail.com]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,22.005260752288446,120.750390067386731;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1743">
    <dcterms:title><![CDATA[Qian Gu - Ghost Grabbing]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a traditional event held in July of Lunar Calendar. Participants will climb up to the 10 meters high tower supported by bamboo poles to compete the prize hung on the top. The poles will be fully covered in animal grease that this increases the difficulty of getting the prize. The participants represent hungry ghosts, and their competition is for freaking out those real ghosts.
The climate threats this event faces are rising sea level. Because Taiwan is a small island that it always has the potential risk of being flooded. If the region is flooded, the intangible heritage will have the possibility of disappearing.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mis25000@gmail.com]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[817]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.005260752288446,120.750390067386731;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1744">
    <dcterms:title><![CDATA[Penghu Basalt Columns]]></dcterms:title>
    <dcterms:description><![CDATA[It is a special form of rocks. It was formed by the leaked lava 17 million years ago due to inconsecutive volcano activities. The feature of the basalt columns is that each piece aligns parallelly to one another.
The climate threats the basalt columns encounter are the acid rain and the rising sea level. The acid rain will wash off the surface of the basalt more than usual rain will. This causes the damage to the structure of the stones. Once the structure of them is no longer sound, the columns may fall off someday.
On the other hand, if the sea level continues rising, the sea may someday submerge the basalt columns.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/09/2023 07:48:31 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[mis25000@gmail.com]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[818]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,23.678262456324028,119.66811594585374;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1745">
    <dcterms:title><![CDATA[ karst peaks]]></dcterms:title>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[2009:07:18 13:08:16]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 07:46:12 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[th211]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Karst_peaks_and_bamboo_forest.jpg#metadata]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1746">
    <dcterms:title><![CDATA[penghu-3.jpg]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 07:48:14 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mis25000@gmail.com]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,23° 36′ 12.59″ N,119° 30′ 08.73″ E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1747">
    <dcterms:title><![CDATA[Champurrado]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kpf1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[819]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,18.465281184428164 N,99.43313598632814 W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1748">
    <dcterms:title><![CDATA[Champurrado]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kpf1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[820]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,18.4652N,99.43313598632814W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1749">
    <dcterms:title><![CDATA[Champurrado]]></dcterms:title>
    <dcterms:description><![CDATA[Champurrado is a thick Mexican beverage that is a chocolate atole, a drink made with corn flour. Champurrado is a winter beverage—traditionally drunk during Day of the Dead in November and the Christmas Posadas. Served alongside other winter foods, like tamales, champurrado is a symbol of Mexicanidad, or Mexican Identity. Champurrado and Tamales are even served during week-long funeral events at night, as it is a comfort food during time of grief. Atole has been popular in Mexico, long before the Spanish conquistadors—in fact, archaeologists have proven it continues to be made the exact same way, especially when using clay pots and the traditional molinillo (a wooden tool for mixing). Though today, most of the corn flour is ground using electric grinders, or manual steel grinders if still done by hand, some rural communities continue to grind the corn kernels on a block of cured volcanic rock, just like in pre-colonised Mexico. The drink does not use normal sugar, but with unrefined sugar cane called piloncillo [8]. It was thought by the Mayans that champurrado would bring strength to its drinker, perhaps the true endurance of the drink is the comfort and its community-building capabilities. Many things were lost to the Spanish Conquistadores, entire generations of family, language, song, laughter, inventions, science, but not Champurrado. Aside from the human threat, cacao trees are threatened by deforestation, mineral depletion in soil, and fungal disease. Preserving champurrado is synonymous with preserving native indigenous culture, and even the Nahuatl language.	]]></dcterms:description>
    <dcterms:><![CDATA[09/05/2023]]></dcterms:>
    <dcterms:contributor><![CDATA[kpf1]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[821]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,18.4631,-99.4145;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1750">
    <dcterms:title><![CDATA[Untitled_design.gif]]></dcterms:title>
    <dcterms:description><![CDATA[Champurrado is a thick Mexican beverage that is a chocolate atole, a drink made with corn flour. Champurrado is a winter beverage—traditionally drunk during Day of the Dead in November and the Christmas Posadas. Served alongside other winter foods, like tamales, champurrado is a symbol of Mexicanidad, or Mexican Identity. Champurrado and Tamales are even served during week-long funeral events at night, as it is a comfort food during time of grief. Atole has been popular in Mexico, long before the Spanish conquistadors—in fact, archaeologists have proven it continues to be made the exact same way, especially when using clay pots and the traditional molinillo (a wooden tool for mixing). Though today, most of the corn flour is ground using electric grinders, or manual steel grinders if still done by hand, some rural communities continue to grind the corn kernels on a block of cured volcanic rock, just like in pre-colonised Mexico. The drink does not use normal sugar, but with unrefined sugar cane called piloncillo [8]. It was thought by the Mayans that champurrado would bring strength to its drinker, perhaps the true endurance of the drink is the comfort and its community-building capabilities. Many things were lost to the Spanish Conquistadores, entire generations of family, language, song, laughter, inventions, science, but not Champurrado. Aside from the human threat, cacao trees are threatened by deforestation, mineral depletion in soil, and fungal disease. Preserving champurrado is synonymous with preserving native indigenous culture, and even the Nahuatl language.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 08:19:13 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kpf1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,18.4631N,-99.40526917576791;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1751">
    <dcterms:title><![CDATA[Champurrado]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kpf1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[822]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,18.4631,-99.4145;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1752">
    <dcterms:title><![CDATA[Champurrado]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kpf1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[823]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,18.4631N,99.4145W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1753">
    <dcterms:title><![CDATA[Untitled_design-1.gif]]></dcterms:title>
    <dcterms:description><![CDATA[Champurrado is a thick Mexican beverage that is a chocolate atole, a drink made with corn flour. Champurrado is a winter beverage—traditionally drunk during Day of the Dead in November and the Christmas Posadas. Served alongside other winter foods, like tamales, champurrado is a symbol of Mexicanidad, or Mexican Identity. Champurrado and Tamales are even served during week-long funeral events at night, as it is a comfort food during time of grief. Atole has been popular in Mexico, long before the Spanish conquistadors—in fact, archaeologists have proven it continues to be made the exact same way, especially when using clay pots and the traditional molinillo (a wooden tool for mixing). Though today, most of the corn flour is ground using electric grinders, or manual steel grinders if still done by hand, some rural communities continue to grind the corn kernels on a block of cured volcanic rock, just like in pre-colonised Mexico. The drink does not use normal sugar, but with unrefined sugar cane called piloncillo [8]. It was thought by the Mayans that champurrado would bring strength to its drinker, perhaps the true endurance of the drink is the comfort and its community-building capabilities. Many things were lost to the Spanish Conquistadores, entire generations of family, language, song, laughter, inventions, science, but not Champurrado. Aside from the human threat, cacao trees are threatened by deforestation, mineral depletion in soil, and fungal disease. Preserving champurrado is synonymous with preserving native indigenous culture, and even the Nahuatl language.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 08:23:44 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kpf1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,18.4631N,-99.40526917576791;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1754">
    <dcterms:title><![CDATA[Champurrado]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kpf1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[824]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-18.4631N,-99.4145W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1755">
    <dcterms:title><![CDATA[Champurrado]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kpf1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[825]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-18.4631N,99.4145W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1756">
    <dcterms:title><![CDATA[Untitled_design-2.gif]]></dcterms:title>
    <dcterms:description><![CDATA[Champurrado is a thick Mexican beverage that is a chocolate atole, a drink made with corn flour. Champurrado is a winter beverage—traditionally drunk during Day of the Dead in November and the Christmas Posadas. Served alongside other winter foods, like tamales, champurrado is a symbol of Mexicanidad, or Mexican Identity. Champurrado and Tamales are even served during week-long funeral events at night, as it is a comfort food during time of grief. Atole has been popular in Mexico, long before the Spanish conquistadors—in fact, archaeologists have proven it continues to be made the exact same way, especially when using clay pots and the traditional molinillo (a wooden tool for mixing). Though today, most of the corn flour is ground using electric grinders, or manual steel grinders if still done by hand, some rural communities continue to grind the corn kernels on a block of cured volcanic rock, just like in pre-colonised Mexico. The drink does not use normal sugar, but with unrefined sugar cane called piloncillo [8]. It was thought by the Mayans that champurrado would bring strength to its drinker, perhaps the true endurance of the drink is the comfort and its community-building capabilities. Many things were lost to the Spanish Conquistadores, entire generations of family, language, song, laughter, inventions, science, but not Champurrado. Aside from the human threat, cacao trees are threatened by deforestation, mineral depletion in soil, and fungal disease. Preserving champurrado is synonymous with preserving native indigenous culture, and even the Nahuatl language.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 08:28:18 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kpf1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,18.4631N,-99.40526917576791;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1757">
    <dcterms:title><![CDATA[tulou.JPG]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 08:28:44 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yw232@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,25.024224927984747,117.01904291287066;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1758">
    <dcterms:title><![CDATA[Fujian Tulou]]></dcterms:title>
    <dcterms:description><![CDATA[Fujian Tulou, also known as the Hakka earthen buildings, are a unique architectural style of residential buildings found in Fujian Province. These structures, which date back to the 12th century, are characterized by their circular or rectangular shape and thick earth walls. Designed for communal living and protection, these buildings can house up to 800 people. They have been designated as UNESCO World Heritage sites for their architectural, historical, and cultural significance.]]></dcterms:description>
    <dcterms:date><![CDATA[1403]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yw232@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[826]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,24.946219074360084,117.00439184904101;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1759">
    <dcterms:title><![CDATA[tulou-1.JPG]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 08:33:35 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yw232@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1760">
    <dcterms:title><![CDATA[Fujian Tulou]]></dcterms:title>
    <dcterms:description><![CDATA[Description: Heritage - Fujian Tulou, also known as the Hakka earthen buildings, are a unique architectural style of residential buildings found in Fujian Province. These structures, which date back to the 12th century, are characterized by their circular or rectangular shape and thick earth walls. Designed for communal living and protection, these buildings can house up to 800 people. They have been designated as UNESCO World Heritage sites for their architectural, historical, and cultural significance.

Climate - Fujian Province has a subtropical maritime climate, with mild winters, hot summers, and abundant rainfall. The region experiences an annual average temperature of 17-21°C (62.6-69.8°F) and an annual precipitation of 1,400-2,000 mm.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[1403]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yw232@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[827]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,25.08062377244484,117.01172031462194;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1761">
    <dcterms:title><![CDATA[ccbee4fa55df60ddbe9636dfdeb79831.mp4]]></dcterms:title>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 08:42:14 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yw232@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1762">
    <dcterms:title><![CDATA[Fujian Puppetry]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Description: Heritage - Fujian Puppetry, also known as the Min Puppetry or Marionette, is a traditional Chinese performing art that originated in Fujian Province. This art form has a history of more than 2,000 years and is deeply rooted in the local culture. Fujian Puppetry encompasses various performance styles, including string puppetry, rod puppetry, and glove puppetry. Performances often convey historical events, legends, and moral stories through intricate movements, music, and singing.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yw232@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[828]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,24.447149284514424,117.65991241671148;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1763">
    <dcterms:title><![CDATA[21a4462309f790528f2e689e00f3d7ca7bcbd558.jpg]]></dcterms:title>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 08:49:38 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yw232@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1764">
    <dcterms:title><![CDATA[Fujian Lacquerware]]></dcterms:title>
    <dcterms:description><![CDATA[Description: Heritage - Fujian Lacquerware is a traditional Chinese art form originating in Fujian Province, known for its exquisite craftsmanship and intricate design. Fujian lacquerware uses raw lacquer, a natural resin obtained from the lacquer tree, as its primary material. The lacquer is applied in multiple layers and then polished to create a durable, glossy surface that is resistant to moisture and wear. The art of lacquerware includes a variety of objects such as furniture, boxes, trays, and decorative items.

Climate Threats - Due to the region's subtropical maritime climate, Fujian Province is subject to high humidity and frequent rainfall. Over time, these conditions can cause damage to Fujian Lacquerware by promoting mold growth, causing the lacquer to crack or peel, or affecting the structural integrity of wooden components. Additionally, climate change-induced increases in temperature and humidity can accelerate the deterioration process. Proper storage, display, and maintenance are essential to preserving these valuable cultural artifacts.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[1200]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yw232@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[829]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,26.03868722226653,119.30511469719933;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1765">
    <dcterms:title><![CDATA[t018f5556dd64adea28.png]]></dcterms:title>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 08:54:17 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yw232@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1766">
    <dcterms:title><![CDATA[017ae75e1eaf79a80120a895740be1.jpg_1280w_1l_2o_100sh.jpg]]></dcterms:title>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 08:54:38 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yw232@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1767">
    <dcterms:title><![CDATA[Zhejiang Wuzhen]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yw232@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[830]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,30.744786460558224,120.4813384730369;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1768">
    <dcterms:title><![CDATA[t018f5556dd64adea28-2.png]]></dcterms:title>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 08:57:36 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yw232@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1769">
    <dcterms:title><![CDATA[t018f5556dd64adea28-3.png]]></dcterms:title>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 08:57:41 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yw232@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1770">
    <dcterms:title><![CDATA[Zhejiang wuzhen]]></dcterms:title>
    <dcterms:description><![CDATA[Description: Heritage - Wuzhen is an ancient water town located in Zhejiang Province, China. With a history of over 1,300 years, the town is renowned for its well-preserved architecture, picturesque canals, and traditional Chinese wooden buildings. The beauty of Wuzhen's landscape is further enhanced by its stone bridges, narrow cobblestone streets, and vibrant cultural scene. As a living heritage site, Wuzhen offers a glimpse into China's rich history and traditional way of life.

Climate Threats - Wuzhen's climate is characterized by a subtropical monsoon climate, with hot, humid summers and cool winters. The region is prone to seasonal flooding and typhoons, which can cause significant damage to the ancient buildings and infrastructure. In addition, the effects of climate change, such as rising temperatures, increased rainfall, and more frequent extreme weather events, exacerbate the risks to Wuzhen's cultural heritage. Measures such as flood control infrastructure, proper maintenance, and regular monitoring are essential to preserving the town's historic structures and preventing damage from climate-related threats.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yw232@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[831]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,30.74222914946442,120.48385606147349;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1771">
    <dcterms:title><![CDATA[Zhejiang wuzhen]]></dcterms:title>
    <dcterms:description><![CDATA[Description: Heritage - Wuzhen is an ancient water town located in Zhejiang Province, China. With a history of over 1,300 years, the town is renowned for its well-preserved architecture, picturesque canals, and traditional Chinese wooden buildings. The beauty of Wuzhen's landscape is further enhanced by its stone bridges, narrow cobblestone streets, and vibrant cultural scene. As a living heritage site, Wuzhen offers a glimpse into China's rich history and traditional way of life.

Climate Threats - Wuzhen's climate is characterized by a subtropical monsoon climate, with hot, humid summers and cool winters. The region is prone to seasonal flooding and typhoons, which can cause significant damage to the ancient buildings and infrastructure. In addition, the effects of climate change, such as rising temperatures, increased rainfall, and more frequent extreme weather events, exacerbate the risks to Wuzhen's cultural heritage. Measures such as flood control infrastructure, proper maintenance, and regular monitoring are essential to preserving the town's historic structures and preventing damage from climate-related threats.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yw232@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[832]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,30.74222914946442,120.48385606147349;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1772">
    <dcterms:title><![CDATA[Cave]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/15/2023 10:52:04 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sz78@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Panorama]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1773">
    <dcterms:title><![CDATA[Mogao Caves]]></dcterms:title>
    <dcterms:description><![CDATA[Hertitage, Climate
The Mogao Caves, also known as the Thousand Buddha Grottoes or Caves of the Thousand Buddhas, form a system of 500 temples.25 km (16 mi) southeast of the center of Dunhuang, an oasis located at a religious and cultural crossroads on the Silk Road, in Gansu province, China. The caves may also be known as the Dunhuang Caves; however, this term is also used as a collective term to include other Buddhist cave sites in and around the Dunhuang area, such as the Western Thousand Buddha Caves, Eastern Thousand Buddha Caves, Yulin Caves, and Five Temple Caves. The caves contain some of the finest examples of Buddhist art spanning a period of 1,000 years.The first caves were dug out in AD 366 as places of Buddhist meditation and worship; later the caves became a place of pilgrimage and worship, and caves continued to be built at the site until the 14th century.The Mogao Caves are the best known of the Chinese Buddhist grottoes and, along with Longmen Grottoes and Yungang Grottoes, are one of the three famous ancient Buddhist sculptural sites of China.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[15/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sz78@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[833]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[find,40° 2′ 14″ N,94° 48′ 15″ E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1774">
    <dcterms:title><![CDATA[Longmen Grottoes]]></dcterms:title>
    <dcterms:description><![CDATA[The Longmen Grottoes (simplified Chinese: 龙门石窟; traditional Chinese: 龍門石窟; pinyin: Lóngmén Shíkū; lit. 'Dragon's Gate Grottoes') or Longmen Caves are some of the finest examples of Chinese Buddhist art. Housing tens of thousands of statues of Shakyamuni Buddha and his disciples, they are located 12 kilometres (7.5 mi) south of present-day Luoyang in Henan province, China. The images, many once painted, were carved as outside rock reliefs and inside artificial caves excavated from the limestone cliffs of the Xiangshan (香山) and Longmenshan, running east and west. The Yi River (Chinese: 伊河) flows northward between them and the area used to be called Yique (伊阙; 'The Gate of the Yi River').]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[15/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sz78@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[834]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[find,34° 33′ 20″ N,112° 28′ 11″ E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1775">
    <dcterms:title><![CDATA[ShowPic__2_.gif]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/15/2023 10:56:56 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sz78@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1776">
    <dcterms:title><![CDATA[ShowPic__2_-1.gif]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/15/2023 10:57:01 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sz78@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1777">
    <dcterms:title><![CDATA[Yungang Grottoes]]></dcterms:title>
    <dcterms:description><![CDATA[The Yungang Grottoes (Chinese: 云冈石窟; pinyin: Yúngāng shíkū), formerly the Wuzhoushan Grottoes (Chinese: 武州山 / 武周山; pinyin: Wǔzhōushān), are ancient Chinese Buddhist temple grottoes near the city of Datong, then called Pingcheng, in the province of Shanxi. They are excellent examples of rock-cut architecture and one of the three most famous ancient Buddhist sculptural sites of China. The others are Longmen and Mogao.

The site is located about 16 km west of the city of Datong, in the valley of the Shi Li river at the base of the Wuzhou Shan mountains. They are an outstanding example of the Chinese stone carvings from the 5th and 6th centuries. There are 53 major caves, along with 51,000 niches housing the same number of Buddha statues. Additionally, there are around 1,100 minor caves. A Ming dynasty-era fort is still located on top of the cliff housing the Yungang Grottoes.]]></dcterms:description>
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    <dcterms:title><![CDATA[Mogao Caves]]></dcterms:title>
    <dcterms:description><![CDATA[The Mogao Caves, also known as the Thousand Buddha Grottoes or Caves of the Thousand Buddhas, form a system of 500 temples[1] 25 km (16 mi) southeast of the center of Dunhuang, an oasis located at a religious and cultural crossroads on the Silk Road, in Gansu province, China. The caves may also be known as the Dunhuang Caves; however, this term is also used as a collective term to include other Buddhist cave sites in and around the Dunhuang area, such as the Western Thousand Buddha Caves, Eastern Thousand Buddha Caves, Yulin Caves, and Five Temple Caves. The caves contain some of the finest examples of Buddhist art spanning a period of 1,000 years. The first caves were dug out in AD 366 as places of Buddhist meditation and worship; later the caves became a place of pilgrimage and worship, and caves continued to be built at the site until the 14th century. The Mogao Caves are the best known of the Chinese Buddhist grottoes and, along with Longmen Grottoes and Yungang Grottoes, are one of the three famous ancient Buddhist sculptural sites of China.]]></dcterms:description>
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    <dcterms:title><![CDATA[Longmen Grottoes]]></dcterms:title>
    <dcterms:description><![CDATA[The Longmen Grottoes (simplified Chinese: 龙门石窟; traditional Chinese: 龍門石窟; pinyin: Lóngmén Shíkū; lit. 'Dragon's Gate Grottoes') or Longmen Caves are some of the finest examples of Chinese Buddhist art. Housing tens of thousands of statues of Shakyamuni Buddha and his disciples, they are located 12 kilometres (7.5 mi) south of present-day Luoyang in Henan province, China. The images, many once painted, were carved as outside rock reliefs and inside artificial caves excavated from the limestone cliffs of the Xiangshan (香山) and Longmenshan, running east and west. The Yi River (Chinese: 伊河) flows northward between them and the area used to be called Yique (伊阙; 'The Gate of the Yi River'). The alternative name of "Dragon's Gate Grottoes" derives from the resemblance of the two hills that check the flow of the Yi River to the typical "Chinese gate towers" that once marked the entrance to Luoyang from the south.[4] There are as many as 100,000 statues within the 2,345 caves, ranging from 1 inch (25 mm) to 57 feet (17 m) in height. The area also contains nearly 2,500 stelae and inscriptions, hence the name "Forest of Ancient Stelae", as well as over sixty Buddhist pagodas. Situated in a scenic natural environment, the caves were dug from a 1 kilometre (0.62 mi) stretch of cliff running along both banks of the river. 30% date from the Northern Wei and 60% from the Tang dynasty, caves from other periods accounting for less than 10% of the total.[3] Starting with the Northern Wei dynasty in 493 AD, patrons and donors included emperors, Wu Zetian, members of the royal family, other rich families, generals, and religious groups.]]></dcterms:description>
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    <dcterms:title><![CDATA[Longmen Grottoes]]></dcterms:title>
    <dcterms:description><![CDATA[The Longmen Grottoes (simplified Chinese: 龙门石窟; traditional Chinese: 龍門石窟; pinyin: Lóngmén Shíkū; lit. 'Dragon's Gate Grottoes') or Longmen Caves are some of the finest examples of Chinese Buddhist art. Housing tens of thousands of statues of Shakyamuni Buddha and his disciples, they are located 12 kilometres (7.5 mi) south of present-day Luoyang in Henan province, China. The images, many once painted, were carved as outside rock reliefs and inside artificial caves excavated from the limestone cliffs of the Xiangshan (香山) and Longmenshan, running east and west. The Yi River (Chinese: 伊河) flows northward between them and the area used to be called Yique (伊阙; 'The Gate of the Yi River'). The alternative name of "Dragon's Gate Grottoes" derives from the resemblance of the two hills that check the flow of the Yi River to the typical "Chinese gate towers" that once marked the entrance to Luoyang from the south.[4] There are as many as 100,000 statues within the 2,345 caves, ranging from 1 inch (25 mm) to 57 feet (17 m) in height. The area also contains nearly 2,500 stelae and inscriptions, hence the name "Forest of Ancient Stelae", as well as over sixty Buddhist pagodas. Situated in a scenic natural environment, the caves were dug from a 1 kilometre (0.62 mi) stretch of cliff running along both banks of the river. 30% date from the Northern Wei and 60% from the Tang dynasty, caves from other periods accounting for less than 10% of the total.[3] Starting with the Northern Wei dynasty in 493 AD, patrons and donors included emperors, Wu Zetian, members of the royal family, other rich families, generals, and religious groups.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[15/05/2023]]></dcterms:dateSubmitted>
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    <dcterms:title><![CDATA[Longmen Grottoes]]></dcterms:title>
    <dcterms:description><![CDATA[The Longmen Grottoes (simplified Chinese: 龙门石窟; traditional Chinese: 龍門石窟; pinyin: Lóngmén Shíkū; lit. 'Dragon's Gate Grottoes') or Longmen Caves are some of the finest examples of Chinese Buddhist art. Housing tens of thousands of statues of Shakyamuni Buddha and his disciples, they are located 12 kilometres (7.5 mi) south of present-day Luoyang in Henan province, China. The images, many once painted, were carved as outside rock reliefs and inside artificial caves excavated from the limestone cliffs of the Xiangshan (香山) and Longmenshan, running east and west. The Yi River (Chinese: 伊河) flows northward between them and the area used to be called Yique (伊阙; 'The Gate of the Yi River'). The alternative name of "Dragon's Gate Grottoes" derives from the resemblance of the two hills that check the flow of the Yi River to the typical "Chinese gate towers" that once marked the entrance to Luoyang from the south.[4] There are as many as 100,000 statues within the 2,345 caves, ranging from 1 inch (25 mm) to 57 feet (17 m) in height. The area also contains nearly 2,500 stelae and inscriptions, hence the name "Forest of Ancient Stelae", as well as over sixty Buddhist pagodas. Situated in a scenic natural environment, the caves were dug from a 1 kilometre (0.62 mi) stretch of cliff running along both banks of the river. 30% date from the Northern Wei and 60% from the Tang dynasty, caves from other periods accounting for less than 10% of the total.[3] Starting with the Northern Wei dynasty in 493 AD, patrons and donors included emperors, Wu Zetian, members of the royal family, other rich families, generals, and religious groups.]]></dcterms:description>
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    <dcterms:title><![CDATA[Longmen Grottoes]]></dcterms:title>
    <dcterms:description><![CDATA[The Longmen Grottoes (simplified Chinese: 龙门石窟; traditional Chinese: 龍門石窟; pinyin: Lóngmén Shíkū; lit. 'Dragon's Gate Grottoes') or Longmen Caves are some of the finest examples of Chinese Buddhist art. Housing tens of thousands of statues of Shakyamuni Buddha and his disciples, they are located 12 kilometres (7.5 mi) south of present-day Luoyang in Henan province, China. The images, many once painted, were carved as outside rock reliefs and inside artificial caves excavated from the limestone cliffs of the Xiangshan (香山) and Longmenshan, running east and west. The Yi River (Chinese: 伊河) flows northward between them and the area used to be called Yique (伊阙; 'The Gate of the Yi River'). The alternative name of "Dragon's Gate Grottoes" derives from the resemblance of the two hills that check the flow of the Yi River to the typical "Chinese gate towers" that once marked the entrance to Luoyang from the south.[4] There are as many as 100,000 statues within the 2,345 caves, ranging from 1 inch (25 mm) to 57 feet (17 m) in height. The area also contains nearly 2,500 stelae and inscriptions, hence the name "Forest of Ancient Stelae", as well as over sixty Buddhist pagodas. Situated in a scenic natural environment, the caves were dug from a 1 kilometre (0.62 mi) stretch of cliff running along both banks of the river. 30% date from the Northern Wei and 60% from the Tang dynasty, caves from other periods accounting for less than 10% of the total.[3] Starting with the Northern Wei dynasty in 493 AD, patrons and donors included emperors, Wu Zetian, members of the royal family, other rich families, generals, and religious groups.]]></dcterms:description>
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    <dcterms:title><![CDATA[The Scottish Association for Marine Science ]]></dcterms:title>
    <dcterms:description><![CDATA[The Scottish Association for Marine Science (SAMS) is a prominent research institution in Oban, Scotland, focusing on marine science, biodiversity, and ecosystem dynamics. With interdisciplinary research spanning marine biology, oceanography, and environmental science, SAMS collaborates nationally and internationally to provide insights into marine ecosystems, biodiversity, and human impact on oceans. SAMS contributes significantly to marine conservation, sustainable resource management, and policy decisions.]]></dcterms:description>
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    <dcterms:title><![CDATA[Harbour porpoise]]></dcterms:title>
    <dcterms:source><![CDATA[c]]></dcterms:source>
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    <dcterms:title><![CDATA[Marine Scotland Science]]></dcterms:title>
    <dcterms:description><![CDATA[Marine Scotland Science is a government organization based in Scotland that focuses on scientific research, monitoring, and management of marine and freshwater environments. It plays a crucial role in studying marine ecosystems, fisheries, aquaculture, and environmental impacts to ensure sustainable and responsible use of Scotland’s marine resources.]]></dcterms:description>
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The Scottish Oceans Institute (SOI) is a renowned research institute based at the University of St Andrews, Scotland. SOI specializes in multidisciplinary marine research, and conducts cutting-edge studies on marine ecosystems, biodiversity, and the impacts of environmental changes. Through collaborations and partnerships, SOI contributes valuable insights into the complex interactions within oceans, advancing scientific understanding and supporting the conservation of marine environments.]]></dcterms:description>
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    <dcterms:dateSubmitted><![CDATA[08/04/2023 10:39:28 pm]]></dcterms:dateSubmitted>
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    <dcterms:title><![CDATA[Lophelia reefs]]></dcterms:title>
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    <dcterms:contributor><![CDATA[Peiwei Li]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[845]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1798">
    <dcterms:title><![CDATA[Berwickshire Marine Reserve]]></dcterms:title>
    <dcterms:description><![CDATA[Situated between historic Eyemouth and St Abbs, Berwickshire Marine Reserve was established by the local community to protect its habitats and species and to ensure that all users can carry out their activities responsibly. Berwickshire’s coastal waters are home to unique marine life found nowhere else in the UK. For example grey seals, broad-snouted dolphins and minke whales can all be seen here.]]></dcterms:description>
    <dcterms:source><![CDATA[collaborations,c]]></dcterms:source>
    <dcterms:type><![CDATA[Museum]]></dcterms:type>
    <dcterms:identifier><![CDATA[846]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.873185,-2.1174;]]></dcterms:spatial>
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    <dcterms:title><![CDATA[Berwickshire_Marine_Reserve.jpg]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[08/16/2023 01:28:01 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Peiwei Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[08/23/2023 12:03:05 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[PEIWEI LI]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
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    <dcterms:title><![CDATA[IS5110 2024]]></dcterms:title>
    <dcterms:type><![CDATA[Museum]]></dcterms:type>
    <dcterms:identifier><![CDATA[847]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1802">
    <dcterms:title><![CDATA[The Metropolitan Museum of Art (The Met)]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[22/02/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Sinan]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[848]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40°46′45.71″N,73°57′47.95″W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1803">
    <dcterms:title><![CDATA[The Metropolitan Museum of Art (The Met)]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[22/02/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Sinan]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
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    <dcterms:title><![CDATA[The Metropolitan Museum of Art (The Met)]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[22/02/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Sinan]]></dcterms:contributor>
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    <dcterms:identifier><![CDATA[850]]></dcterms:identifier>
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    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
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    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
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    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
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    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
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    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
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    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[22/02/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Sinan]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1812">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[22/02/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Sinan]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1864">
    <dcterms:title><![CDATA[The Met's Great Hall was built to inspire awe and a sense of arrival | Art, Explained]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Video tour]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[8/11/2013]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/25/2024 06:36:43 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Sinan]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:medium><![CDATA[The Metropolitan Museum of Art (The Met) Official website]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1865">
    <dcterms:title><![CDATA[The Metropolitan Museum of Art (The Met)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Metropolitan Museum of Art, located next to Central Park in Manhattan, New York, New York, United States, and founded in New York City in 1870, is one of the world's largest, most visited, and most comprehensive art museums, with more than 2 million exhibits spanning 5,000 years of world history. Its global art collection helps educate and preserve cultures by revealing the richness of creative expression across many cultures and eras. The Met attracts millions of visitors, contributing to New York City's tourism industry and creating jobs. In addition, the Museum's vast collection inspires artists and creative workers around the world, influencing modern culture and the creative economy. The Met must balance worldwide relevance and accessibility with the convergence of current technologies and the ethical issues of art restitution and cultural heritage in the digital age.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1870]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/02/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Sinan]]></dcterms:contributor>
    <dcterms:references><![CDATA[Jacknis, 2022, p. 21; Navarrete and Villaespesa, 2020, p. 235; Garthe, 2022]]></dcterms:references>
    <dcterms:extent><![CDATA[50000cm x 50000cm x 10000cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Metropolitan_Museum_of_Art]]></dcterms:medium>
    <dcterms:language><![CDATA[English （US）]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[910]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.779371557459726,-73.96339416503908;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Owned by a non-profit organization]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1866">
    <dcterms:title><![CDATA[Introduction to the Vatican]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Introduction to the Vatican]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[05/2023]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/14/2024 01:14:37 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sl360@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:medium><![CDATA[https://youtu.be/dx5reuzkr48?si=M1wa0cPanVugGTWY]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.9022,12.4533;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1867">
    <dcterms:title><![CDATA[Vatican City]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Vatican City is a sovereign city-state located in Rome, Italy, and even more so, the sovereign city-state and spiritual centre of the Roman Catholic Church, known for its important collection of art, manuscripts and historical artefacts (Melloni, 2022, p. 432). As the spiritual and administrative headquarters of the Roman Catholic Church, Vatican City boasts centuries of history and is home to the Apostolic Palace, where the Pope resides, important works of Renaissance art (including Michelangelo's Sistine Chapel ceiling), and St Peter's Basilica, which is built over the tomb of St Peter. Its cultural heritage is of worldwide significance.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1929 (as an independent city-state recognized by the Lateran Treaty)]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[14/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sl360@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Vatican_City]]></dcterms:references>
    <dcterms:extent><![CDATA[50000cm x 50000cm x 100000cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Vatican_City]]></dcterms:medium>
    <dcterms:language><![CDATA[Italian, Latin]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[911]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.9022,12.4533;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Holy See]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1868">
    <dcterms:title><![CDATA[Indonesian Batik Production Process]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Indonesian Batik Production Process]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2016]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/14/2024 01:56:55 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sl360@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.youtube.com/watch?v=PLTmu5m5bFU]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-6.2088,106.8456;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1869">
    <dcterms:title><![CDATA[The Traditional Art of Batik Making in Indonesia]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The art of Batik making is an Indonesian heritage that involves wax-resist dyeing applied to the whole cloth. Batik is known for its intricate patterns and is deeply interwoven with Indonesian cultural identity. Recognized by UNESCO as a Masterpiece of Oral and Intangible Heritage of Humanity, Batik reflects Indonesian creativity and spirituality through its diverse patterns influenced by various cultures.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[5th Century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[14/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sl360@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Batik#Kawung]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Batik#Kawung]]></dcterms:medium>
    <dcterms:language><![CDATA[Indonesian]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[912]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-6.2088,106.8456;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Cultural heritage of Indonesia]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1870">
    <dcterms:title><![CDATA[Sagrada Fam&iacute;lia]]></dcterms:title>
    <dcterms:date><![CDATA[14/03/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/14/2024 01:00:09 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jrg7]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.403706,2.173504;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1871">
    <dcterms:title><![CDATA[Sagrada Fam&iacute;lia]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The unfinished Sagrada Família, located in Barcelona, Spain, employs digital technology by developing a free app for download. This digital approach also establishes an online donation platform, thereby increasing global support for constructing this iconic building.

Sustainable development target:
• SDG 4 (Quality Education), target 4.1 (providing quality secondary education through an art archive) The digitisation of cultural archives and the incorporation of diverse materials contribute to providing quality secondary education through an art archive. By engaging students with the rich history and architectural evolution of Sagrada Família, this approach enriches the educational experience, fostering a deeper understanding of artistic and cultural nuances.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[19 March 1882; 141 years ago]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[14/03/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/21/2024 12:13:12 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[jrg7]]></dcterms:contributor>
    <dcterms:extent><![CDATA[Height: 172 mcm x Spire height: 170 m (560 ft) (planned)cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://sagradafamilia.org/en/ ]]></dcterms:medium>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[913]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.403706,2.173504;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[the Catholic archbishop of Barcelona]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1872">
    <dcterms:title><![CDATA[Moss Farm Road Stone Circle]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A collection of 7 upright stones and 5 on their side. The stone circle has been disrupted by a road and fencing erected through it.

Climate Impacts: groundwater flooding, slope instability]]></dcterms:description>
    <dcterms:date><![CDATA[2012:10:13 16:25:55]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[14/03/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/14/2024 04:38:09 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[SharonPisani]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[914]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.54227392930117,-5.328990480192503;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1873">
    <dcterms:title><![CDATA[Machrie Moor Standing Stones]]></dcterms:title>
    <dcterms:description><![CDATA[Several stone circles in the area, one of them linked to Fingal the giant. A 2016 grass fire threatened to destroy the stones.

Climate Impacts: groundwater flooding, slope instability]]></dcterms:description>
    <dcterms:source><![CDATA[glasgow heritage sites]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[14/03/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/14/2024 05:01:29 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[SharonPisani]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[915]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.54077460249675,-5.311448406471114;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1874">
    <dcterms:title><![CDATA[Machrie Moor Standing Stones]]></dcterms:title>
    <dcterms:description><![CDATA[Several stone circles in the area, one of them linked to Fingal the giant. A 2016 grass fire threatened to destroy the stones.

Climate Impacts: groundwater flooding, slope instability]]></dcterms:description>
    <dcterms:source><![CDATA[glasgow heritage sites]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[14/03/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/14/2024 05:00:51 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[SharonPisani]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[916]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.54078067308192,-5.311105083729234;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1875">
    <dcterms:title><![CDATA[St Blane's Church]]></dcterms:title>
    <dcterms:description><![CDATA[One of the stone walls of a church first built in 500-790 remains along with a well and foundations. This site is at very high risk of deterioration.

Climate Impact: Slope Instability]]></dcterms:description>
    <dcterms:source><![CDATA[glasgow heritage sites]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[14/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[SharonPisani]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[917]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.73694069796143,-5.035719637145921;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1876">
    <dcterms:title><![CDATA[Dundonald Castle]]></dcterms:title>
    <dcterms:description><![CDATA[First built in 1371, a 3-storey high tower house remains. This site is at high risk of deterioration.

Climate Impact: Groundwater flooding, slope instability, fluvial flooding]]></dcterms:description>
    <dcterms:source><![CDATA[glasgow heritage sites]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[14/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[SharonPisani]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[918]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.5768407532786,-4.5966330794832215;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1877">
    <dcterms:title><![CDATA[Newark Castle]]></dcterms:title>
    <dcterms:description><![CDATA[A 1478 tower house and gatehouse. James IV stayed before going to the Hebrides.

Climate Impacts: Coastal erosion, groundwater flooding, coastal flooding
]]></dcterms:description>
    <dcterms:source><![CDATA[glasgow heritage sites]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[14/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[SharonPisani]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[919]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.947999179135, -4.591508985782362;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1878">
    <dcterms:title><![CDATA[Skelmorlie Aisle]]></dcterms:title>
    <dcterms:description><![CDATA[Built in 1636 as a private tomb, it is adorned with paintings depicted the relationship between land and sea.

Climate Impacts: Groundwater flooding, coastal erosion, slope instability
]]></dcterms:description>
    <dcterms:source><![CDATA[glasgow heritage sites]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[14/03/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/14/2024 05:13:36 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[SharonPisani]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[920]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.7947242810751,-4.868562856423398;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1879">
    <dcterms:title><![CDATA[Dumbarton Castle]]></dcterms:title>
    <dcterms:description><![CDATA[Considered to be the old capital of Strathclyde, this was a strong Dark Ages fort, later changed to a Medieval castle which had its fortifications modernised in 1600-1700.

Climate Impacts: Coastal erosion, fluvial flooding, coastal flooding, groundwater flooding, slope instability
]]></dcterms:description>
    <dcterms:source><![CDATA[glasgow heritage sites]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[14/03/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/14/2024 05:39:53 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[SharonPisani]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[921]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.93710787684866,-4.562684281313427;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1880">
    <dcterms:title><![CDATA[Glasgow Cathedral]]></dcterms:title>
    <dcterms:description><![CDATA[First built in the 1100s, it is one of the only major cathedrals which remained virtually intact after the Reformation.

Climate Impact: Groundwater flooding, slope instability]]></dcterms:description>
    <dcterms:source><![CDATA[glasgow heritage sites]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[14/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[SharonPisani]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[922]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.863104725557434, -4.2341531487821715;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1881">
    <dcterms:title><![CDATA[Lochranza Castle]]></dcterms:title>
    <dcterms:description><![CDATA[A 13th-14th century medieval hall-house turned tower house on a peninsula very close to the coast.

Climate Impact: Coastal erosion, fluvial flooding, coastal flooding, groundwater flooding, slope instability]]></dcterms:description>
    <dcterms:source><![CDATA[glasgow heritage sites]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[14/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[SharonPisani]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[923]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.707094819549404, -5.273251275204403;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1882">
    <dcterms:title><![CDATA[Rothesay Castle]]></dcterms:title>
    <dcterms:description><![CDATA[A 12th-century castle with one of the first examples of a circular curtain wall.

Climate Impacts: Groundwater flooding, slope instability, coastal flooding, coastal erosion]]></dcterms:description>
    <dcterms:source><![CDATA[glasgow heritage sites]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[14/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[SharonPisani]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[924]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.836640119479505, -5.055698557488122;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1883">
    <dcterms:title><![CDATA[Bothwell Castle]]></dcterms:title>
    <dcterms:description><![CDATA[A Medieval castle, central to the Scottish Wars of Independence.

Climate Impacts: Groundwater flooding, slope instability, fluvial flooding]]></dcterms:description>
    <dcterms:source><![CDATA[glasgow heritage sites]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[14/03/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/14/2024 05:33:14 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[SharonPisani]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[925]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.80954983756387,-4.094270143235752;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1884">
    <dcterms:title><![CDATA[Little Cumbrae Castle]]></dcterms:title>
    <dcterms:description><![CDATA[This square keep castle sits on the tidal island "Castle Island".

Climate Impacts: Coastal erosion, fluvial flooding, coastal flooding, groundwater flooding, slope instability]]></dcterms:description>
    <dcterms:source><![CDATA[glasgow heritage sites]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[14/03/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/14/2024 05:40:35 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[SharonPisani]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[926]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.720206488400024,-4.942242544318185;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1885">
    <dcterms:title><![CDATA[Casa Vicens]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Casa Vicens is a modernist building situated in the Gràcia neighbourhood of Barcelona. It is the work of architect Antoni Gaudí and is considered to be his first major project. (Wikipedia, 2024)]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[21/03/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/21/2024 11:29:20 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jrg7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Casa_Vicens]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.4035,2.1506;]]></dcterms:spatial>
</rdf:Description></rdf:RDF>