<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1886">
    <dcterms:title><![CDATA[School of Computer Science, University of St Andrews]]></dcterms:title>
    <dcterms:description><![CDATA[This is the School of computer science at the University of St Andrews]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[21/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[927]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.34028255812844,-2.8087234497070317;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1887">
    <dcterms:title><![CDATA[Not in use]]></dcterms:title>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34.79576153473033,135.68115234375003;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1888">
    <dcterms:title><![CDATA[Not in use]]></dcterms:title>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1889">
    <dcterms:title><![CDATA[Not in use]]></dcterms:title>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34.79576153473033,135.68115234375003;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1890">
    <dcterms:title><![CDATA[Casa Vicens Gaud&iacute;]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Situated in the Gràcia district of Barcelona, Casa Vicens - Gaudí, 1883, the first significant architectural project by Gaudí represents the modernist style. Using digital technology, Casa Vicens offers virtual tours, allowing visitors to scan a QR code at the entrance for 3 guided floor tours and historical insights into each space.

Sustainable development target:
• SDG 16 (Peace, Justice and Strong Institutions), target 16.10 (public access to art archives through digitised collections) By digitising architectural archives, this approach contributes to SDG 16.10 by promoting public access to art archives through digitised collections. This approach not only preserves the architectural heritage of Casa Vicens but also makes it accessible to a broader audience, fostering transparency and public engagement.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1888]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[21/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jrg7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[82 metres (269 feet)cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://casavicens.org/]]></dcterms:medium>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[928]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.4035,2.1506;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[MoraBanc]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1891">
    <dcterms:title><![CDATA[Deans Court]]></dcterms:title>
    <dcterms:description><![CDATA[Deans Court is a student hall of residence at the University of St Andrews originating from the 12th century, thus, arguably, the oldest dwelling house in the town of St Andrews, Scotland. It stands at the east-end of St Andrews, where North street and South street converge. The entrance of the courtyard opens up to the ancient, ruined, St Andrews cathedral. The Hall is open exclusively to postgraduates, and comprises the main building and four annexes, two on North Street, two on South Street]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[21/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[929]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.3403°N,2.7893°W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1892">
    <dcterms:title><![CDATA[Deans Court]]></dcterms:title>
    <dcterms:description><![CDATA[Deans Court is a student hall of residence at the University of St Andrews originating from the 12th century, thus, arguably, the oldest dwelling house in the town of St Andrews, Scotland. It stands at the east-end of St Andrews, where North street and South street converge. The entrance of the courtyard opens up to the ancient, ruined, St Andrews cathedral. The Hall is open exclusively to postgraduates, and comprises the main building and four annexes, two on North Street, two on South Street.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1149]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[21/03/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/21/2024 12:15:23 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[930]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.3403,-2.7893;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1893">
    <dcterms:title><![CDATA[Tongariro National Park]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Tongariro National Park is a volcanic national park, awarded World Heritage Site in 1993.]]></dcterms:description>
    <dcterms:date><![CDATA[1993]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[21/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yx66@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[931]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-39.25671479372371,-184.45358276367188;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[New Zealand]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1894">
    <dcterms:title><![CDATA[Not in use]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[21/03/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[26/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[932]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1895">
    <dcterms:title><![CDATA[Screenshot_2024-03-21_at_12.11.40___PM.png]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[03/21/2024 12:13:07 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Soumya]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,57.42129439209407,-5.031738281250001;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1896">
    <dcterms:title><![CDATA[Gaelic Language]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Gaelic or Gàidhlig is an indigenous Celtic language spoken in Scotland, mainly in the Highlands and the Islands. The Gaelic language and literature embody a heritage of identity and culture springing from a centuries-old tradition, folklore, and collective memory.This language acts as a medium through which the people of Scotland can guard their intangible heritage that enhances and promotes their unique sense of cultural identity.]]></dcterms:description>
    <dcterms:creator><![CDATA[Scotland]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[21/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Soumya]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[933]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,57.52577841610689,-4.802742004394532;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1897">
    <dcterms:title><![CDATA[Cathedral Caverns State Park]]></dcterms:title>
    <dcterms:description><![CDATA[Originally called Bat Cave, Cathedral Caverns was opened to the public by Jacob Gurley in the 1950's. The cave was renamed because of its cathedral-like appearance.  Purchased by the state in 1987, it was opened as a State Park in the summer of 2000.  The first feature most people notice about Cathedral Caverns is its massive entrance. The huge opening measures 126 feet wide and 25 feet high, a possible world record for commercial caves. The grand entrance is only the beginning. Inside the cavern are some of the most beautiful formations Mother Nature has ever created including “Goliath”- one of the largest stalagmites in the world measuring 45 feet tall and 243 feet in circumference.   Cathedral Caverns features many amazing sites:  a "caveman" perched atop a flowstone wall, a "frozen" waterfall, a large stalagmite forest and a most improbable stone formation - a stalagmite that is 27 feet tall and 3 inches wide! -alapark.com]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[21/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mk289@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[934]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1899">
    <dcterms:title><![CDATA[Sagrada Fam&iacute;lia]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Basílica i Temple Expiatori de la Sagrada Família, otherwise known as Sagrada Família, is a church under construction in the Eixample district of Barcelona, Catalonia, Spain. (Wikipedia, 2023)]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[21/03/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/21/2024 12:24:01 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jrg7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[https://sagradafamilia.org/en/ ]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.4036,2.1744;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1900">
    <dcterms:title><![CDATA[Casa Batll&oacute;]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Located in Barcelona, Casa Batlló showcases Gaudí’s unique curves and modernist style.
The building incorporates augmented reality (AR) technology for guided tours, enhancing interactivity and engagement with the architecture through provided devices within the building.

Sustainable development target:
• SDG 4 (Quality Education), target 4.7 (equip learners with knowledge and appreciation of cultural diversity and culture’s contribution to SDGs) Empowering learners with knowledge and appreciation of cultural diversity. Using digitised cultural materials at Casa Batlló ensures students gain insights into the broader cultural context, fostering a global perspective.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1904]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[21/03/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/03/2024 10:10:50 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[jrg7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[32m highcm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://sagradafamilia.org/en/ ]]></dcterms:medium>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[936]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.4036,2.1744;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Bernat family]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1901">
    <dcterms:title><![CDATA[St Salvator's Quadrangle, St Andrews University]]></dcterms:title>
    <dcterms:description><![CDATA[historic site, educational facility, university, St Andrews]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[5 April 2018]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/21/2024 12:28:14 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1902">
    <dcterms:title><![CDATA[Kowloon Walled City]]></dcterms:title>
    <dcterms:description><![CDATA[Kowloon Walled City was an ungoverned settlement in British-occupied Hong Kong. It evolved from a Chinese military output during the Song Dynasty (960-1279) into a densely populated urban enclave due to ambiguous jurisdictional boundaries after the Second World War. Without effective governance from China or Britain, the Walled City developed organically, with buildings constructed without official permits and businesses operating independently. By the late 1980s, it housed over 50,000 in a labyrinthine network of high-rise buildings characterised by poverty and crime (Fraser & Cheuk-Yin Li, 2017). It was demolished in 1993.

The Walled City is portrayed in various video games such as Stray (2022) and Call of Duty: Black Ops (2010). Moreover, online archives of photographs and illustrations along with 3D digital reconstructions and animations continue to preserve its unique cultural legacy for audiences worldwide.

Awareness of the complexities of Kowloon Walled City provides lessons on urban living, community resilience, and the importance of sustainable city development - thus contributing to Goal 11: Sustainable Cities and Communities. Specifically, Target 11.4 can be addressed by ensuring continued recognition and appreciation of the site’s
historical significance]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[The Song Dynasty (960-1279)]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[21/03/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/19/2024 04:29:03 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:references><![CDATA[Fraser, A., & Cheuk-Yin Li, E. (2017). The second life of Kowloon Walled City: Crime, media and cultural memory. Crime, Media, Culture: An International Journal, 13(2). https://doi.org/10.1177/1741659017703681]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[937]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.33202991446202,114.19036781817341;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1903">
    <dcterms:title><![CDATA[Casa Batll&oacute;]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Casa Batlló is a building in the center of Barcelona, Spain. It was designed by Antoni Gaudí, and is considered one of his masterpieces. A remodel of a previously built house, it was redesigned in 1904 by Gaudí and has been refurbished several times after that. (Wikipedia, 2024)]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[21/03/2024]]></dcterms:date>
    <dcterms:contributor><![CDATA[jrg7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.casabatllo.es/en/online-tickets/?utm_medium=cpc&utm_source=google&utm_campaign=285106592&utm_term=casa%20batllo%20gaudi_p&gad_source=1&gclid=CjwKCAjwte-vBhBFEiwAQSv_xWm5kgTS2B4asnuCntepMkDRHsFrT-cTak8BKBezM0NgVo7kqbJlvBoCQSEQAvD_BwE]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.3917,2.1649;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1904">
    <dcterms:title><![CDATA[Kowloon Walled City - 1989 Aerial]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[An aerial photo of the Kowloon Walled City taken in 1989. The new park which was laid out at the site of the former Sai Tau Tsuen squatter settlement is visible at the south edge of the city.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1989]]></dcterms:date>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[http://cityofdarkness.co.uk/order-print/01-aerial-view/]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,22.332080528121605,114.19042920231574;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1905">
    <dcterms:title><![CDATA[Kowloon Walled City - 1989 Aerial]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[An aerial photo of the Kowloon Walled City taken in 1989. The new park which was laid out at the site of the former Sai Tau Tsuen squatter settlement is visible at the south edge of the city.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1989]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/21/2024 12:33:41 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[http://cityofdarkness.co.uk/order-print/01-aerial-view/]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,22.332080528121605,114.19042920231574;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1906">
    <dcterms:title><![CDATA[Morin Khuur]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[The Morin Khuur, Mongolia's traditional bowstring instrument, holds deep cultural significance,symbolizing the nation and recognized as vital intangible heritage by UNESCO. Its name originates from the horse's head shaped engraving at the head of the instrument. Crafted from wood and strung with horsetail or ox tendon, the Morin Khuur's tones are produced by the artist's skillful manipulation of tension and vibration patterns while playing with a bow.This unique instrument plays a pivotal role in Mongolian and Tuvan cult ures, frequently featured in folk performances and rituals.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[Xiaotong]]></dcterms:contributor>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.712289745340925,110.10058566927913;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1907">
    <dcterms:title><![CDATA[Angkor Wat]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Angkor Wat, located in the Siem Reap province of Cambodia, is one of the world's largest religious monuments and cultural heritage sites. It was constructed in the 12th century by the Khmer Empire and utilised as a Hindu temple followed by its utilisation as a Buddhist monastery. The temple structure spans over 400 square kilometers, showcasing magnicent architecture, detailed carvings, and deep connections to art, history and religion. Beyond its enormous physical structure, Angkor Wat incorporates signicant cultural, spiritual, and archaeological value. In addition to its reputation as a UNESCO World Heritage Site, it also holds great spiritual and cultural signicance for the people of the country and across the world.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1150]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[21/03/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/05/2024 05:11:21 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[mm594]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Cambodian]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[938]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,13,103;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Government of Cambodia]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1908">
    <dcterms:title><![CDATA[Morin Khuur]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[The Morin Khuur, Mongolia's traditional bowstring instrument, holds deep cultural significance,symbolizing the nation and recognized as vital intangible heritage by UNESCO. Its name originates from the horse's head shaped engraving at the head of the instrument. Crafted from wood and strung with horsetail or ox tendon, the Morin Khuur's tones are produced by the artist's skillful manipulation of tension and vibration patterns while playing with a bow.This unique instrument plays a pivotal role in Mongolian and Tuvan cult ures, frequently featured in folk performances and rituals.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/21/2024 12:39:30 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Xiaotong]]></dcterms:contributor>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.284410682371984,110.13574138283731;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1909">
    <dcterms:title><![CDATA[Casa Batll&oacute;]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Casa Batlló is a building in the center of Barcelona, Spain. It was designed by Antoni Gaudí, and is considered one of his masterpieces. A remodel of a previously built house, it was redesigned in 1904 by Gaudí and has been refurbished several times after that. (Wikipedia)]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[21/03/2024]]></dcterms:date>
    <dcterms:contributor><![CDATA[jrg7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.casabatllo.es/en/online-tickets/?utm_medium=cpc&utm_source=google&utm_campaign=285106592&utm_term=casa%20batllo_e&gad_source=1&gclid=CjwKCAjwte-vBhBFEiwAQSv_xR2viAn9av3UwPA62gjA1v9aPtIo-KDP7lliUE0ML9pH30InZXPskxoCrtYQAvD_BwE]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.3917,2.1649;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1910">
    <dcterms:title><![CDATA[Mongolian_Musician.jpg]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[The Morin Khuur, Mongolia's traditional bowstring instrument, holds deep cultural significance, symbolizing the nation and recognized as vital intangible heritage by UNESCO. Its name originates from the horse's head shaped engraving at the head of the instrument. Crafted from wood and strung with horsetail or ox tendon, the Morin Khuur's tones are produced by the artist's skillful manipulation of tension and vibration patterns while playing with a bow.This unique instrument plays a pivotal role in Mongolian and Tuvan cult ures, frequently featured in folk performances and rituals. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/21/2024 12:43:39 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Xiaotong]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.05947032705062,110.68066433072092;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1911">
    <dcterms:title><![CDATA[Kai Tak Airport]]></dcterms:title>
    <dcterms:description><![CDATA[Kai Tak Airport was Hong Kong's international airport from 1925 to 1998. It was surrounded by apartment complexes, mountains, and water such that only the most experienced pilots were allowed to land there (Villamizar, 2023). Upon approach, the pilot had to spot Checkboard Hill, before making a sharp 47-degree right turn above the Kowloon City district and touching down at the first section of the runway to avoid Victoria Harbour. This approach was one of the world’s last landing spots in which automated aircraft instruments could not fly and instead, relied on the pilot’s visual judgement.

Online archives of photographs depicting the approach along with documentaries on its history preserve the legacy of Kai Tak. Enthusiasts can also recreate the landing in flight simulator programs (i.e. Microsoft Flight Simulator, 2020) at home.

Although the airport is no longer operational, the redevelopment of its former site into a mixed-use district promotes compact, integrated, and resilient urban living - thus contributing to Goal 11: Sustainable Cities and Communities. Likewise, the digital preservation of the heritage can address Target 11.3 as urban planners can learn from the challenges and successes of Kai Tak's operation to enhance the sustainability and inclusivity of future urban developments.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1925]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[21/03/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/19/2024 04:40:52 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:references><![CDATA[Villamizar, H. (2023, March). Approaching Kai Tak on a Boeing 747: A Pilot’s Perspective. Airways. https://airwaysmag.com/kai-tak-approach-747-a-pilot/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[939]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.314098807783264,114.20509099960329;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1912">
    <dcterms:title><![CDATA[Hong Kong Kai Tak Airport 1971]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Hong Kong Kai Tak Airport in 1971]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1971]]></dcterms:date>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.flickr.com/photos/sillysocks/7504697144/]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1913">
    <dcterms:title><![CDATA[Murin Khuur]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[The Morin Khuur, Mongolia's traditional bowstring instrument, holds deep cultural significance, symbolizing the nation and recognized as vital intangible heritage by UNESCO. Its name originates from the horse's head shaped engraving at the head of the instrument. Crafted from wood and strung with horsetail or ox tendon, the Morin Khuur's tones are produced by the artist's skillful manipulation of tension and vibration patterns while playing with a bow.This unique instrument plays a pivotal role in Mongolian and Tuvan cult ures, frequently featured in folk performances and rituals.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/21/2024 12:55:48 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Xiaotong]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.953351273112844,110.61913982033731;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1914">
    <dcterms:title><![CDATA[Casa Batll&oacute;]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Casa Batlló is a building in the center of Barcelona, Spain. It was designed by Antoni Gaudí, and is considered one of his masterpieces. A remodel of a previously built house, it was redesigned in 1904 by Gaudí and has been refurbished several times after that. (Wikipedia)]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[21/03/2024]]></dcterms:date>
    <dcterms:contributor><![CDATA[jrg7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.casabatllo.es/en/online-tickets/?utm_medium=cpc&utm_source=google&utm_campaign=285106592&utm_term=casa%20batllo_e&gad_source=1&gclid=CjwKCAjwte-vBhBFEiwAQSv_xee5xyPZXbBJ09vLiSHh6oGnX-wF9i9u4mlW2JCsOD4SBTRzWkOYAxoCROoQAvD_BwE]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.3917,2.1649;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1915">
    <dcterms:title><![CDATA[Morin Khuur]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[The Morin Khuur, Mongolia's traditional bowstring instrument, holds deep cultural significance, symbolizing the nation and recognized as vital intangible heritage by UNESCO. Its name originates from the horse's head shaped engraving at the head of the instrument. Crafted from wood and strung with horsetail or ox tendon, the Morin Khuur's tones are produced by the artist's skillful manipulation of tension and vibration patterns while playing with a bow.This unique instrument plays a pivotal role in Mongolian and Tuvan cult ures, frequently featured in folk performances and rituals.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/21/2024 01:01:29 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Xiaotong]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.74508660110019,110.76855428516868;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1916">
    <dcterms:title><![CDATA[Morin Khuur]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[The Morin Khuur, Mongolia's traditional bowstring instrument, holds deep cultural significance, symbolizing the nation and recognized as vital intangible heritage by UNESCO. Its name originates from the horse's head shaped engraving at the head of the instrument. Crafted from wood and strung with horsetail or ox tendon, the Morin Khuur's tones are produced by the artist's skillful manipulation of tension and vibration patterns while playing with a bow.This unique instrument plays a pivotal role in Mongolian and Tuvan cult ures, frequently featured in folk performances and rituals.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/21/2024 01:01:32 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Xiaotong]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.74508660110019,110.76855428516868;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1917">
    <dcterms:title><![CDATA[Morin Khuur]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[The Morin Khuur, Mongolia's traditional bowstring instrument, holds deep cultural significance, symbolizing the nation and recognized as vital intangible heritage by UNESCO. Its name originates from the horse's head shaped engraving at the head of the instrument. Crafted from wood and strung with horsetail or ox tendon, the Morin Khuur's tones are produced by the artist's skillful manipulation of tension and vibration patterns while playing with a bow.This unique instrument plays a pivotal role in Mongolian and Tuvan cult ures, frequently featured in folk performances and rituals.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/21/2024 01:01:35 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Xiaotong]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.74508660110019,110.76855428516868;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1918">
    <dcterms:title><![CDATA[Khuur Morin]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[The Morin Khuur, Mongolia's traditional bowstring instrument, holds deep cultural significance, symbolizing the nation and recognized as vital intangible heritage by UNESCO. Its name originates from the horse's head shaped engraving at the head of the instrument. Crafted from wood and strung with horsetail or ox tendon, the Morin Khuur's tones are produced by the artist's skillful manipulation of tension and vibration patterns while playing with a bow.This unique instrument plays a pivotal role in Mongolian and Tuvan cult ures, frequently featured in folk performances and rituals.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[21/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Xiaotong]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[940]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.62694052470345,109.88085910677913;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1919">
    <dcterms:title><![CDATA[Casa Batll&oacute;]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Located in Barcelona, Casa Batlló showcases Gaudí’s unique curves and modernist style.
The building incorporates augmented reality (AR) technology for guided tours, enhancing interactivity and engagement with the architecture through provided devices within the building.

Sustainable development target:
• SDG 4 (Quality Education), target 4.7 (equip learners with knowledge and appreciation of cultural diversity and culture’s contribution to SDGs) Empowering learners with knowledge and appreciation of cultural diversity. Using digitised cultural materials at Casa Batlló ensures students gain insights into the broader cultural context, fostering a global perspective.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[21/03/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/03/2024 10:13:18 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[jrg7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[32m highcm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.casabatllo.es/en/antoni-gaudi/casa-batllo/history/]]></dcterms:medium>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[941]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.3917,2.1649;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Bernat family]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1920">
    <dcterms:title><![CDATA[The Bayeux Tapestry, France]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/28/2024 02:43:03 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hp69@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1921">
    <dcterms:title><![CDATA[The Bayeux Tapestry, France]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Bayeux Tapestry is an iconic historical artifact that vividly narrates the events leading up to the Norman Conquest of England in 1066. Despite its name, the tapestry was likely created in England shortly after the conquest, possibly in Canterbury. It measures approximately 70 meters long and is embroidered on linen cloth in colored wool yarns.
The tapestry depicts scenes of battles, coronations, and daily life, providing valuable insights into the political and cultural dynamics of the time. Its intricate detail and skilled craftsmanship make it a masterpiece of medieval art.
Although the tapestry's precise origins and purpose remain subject to debate among scholars, it is widely believed to have been commissioned by Bishop Odo of Bayeux, half-brother to William the Conqueror, or by William's wife, Queen Matilda.
Today, the Bayeux Tapestry is housed in the Bayeux Museum in Normandy, France, where it attracts thousands of visitors annually. It serves as a crucial historical record, offering a unique glimpse into the medieval period and the Norman Conquest, and continues to inspire fascination and study among historians, artists, and enthusiasts worldwide.]]></dcterms:description>
    <dcterms:creator><![CDATA[Unknown]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[11th century AD (estimated)]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[28/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hp69@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA["The Bayeux Tapestry: https://en.wikipedia.org/wiki/Bayeux_Tapestry"]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Bayeux Museum, Bayeux, France  (https://www.bayeuxmuseum.com/en/the-bayeux-tapestry/)]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[942]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,49.2708° N,0.7031° W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1922">
    <dcterms:title><![CDATA[The Way of Saint James, Spain]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Way of Saint James is a network of pilgrimage routes leading to the Cathedral of Santiago de Compostela in northwestern Spain, traditionally believed to be the burial site of the apostle Saint James.  This pilgrimage tradition has been practiced for centuries, fostering cultural exchange and spiritual exploration.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2020:02:26 15:21:50]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/28/2024 03:06:45 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hp69@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,42° 27' 32.40" N,-5° 52' 58.80" W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1923">
    <dcterms:title><![CDATA[The Way of Saint James, Spain]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Way of Saint James is a network of pilgrimage routes leading to the Cathedral of Santiago de Compostela in northwestern Spain, traditionally believed to be the burial site of the apostle Saint James.  This pilgrimage tradition has been practiced for centuries, fostering cultural exchange and spiritual exploration.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2020:02:26 15:21:50]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/28/2024 03:06:50 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hp69@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,42° 27' 32.40" N,-5° 52' 58.80" W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1924">
    <dcterms:title><![CDATA[The Way of Saint James, Spain]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Sustainable Development Goal:
Goal 12: Responsible Consumption and Production: Digital interpretation of the Camino de Santiago can promote sustainable tourism practices. Educational resources can highlight the importance of respecting local communities and the environment while supporting local businesses along the pilgrimage route.

Hotspot:
This hotspot would link to a webpage showcasing different routes of the Camino, practical information for pilgrims, and the cultural significance of this tradition.  The page could also feature interviews with contemporary pilgrims and information about eco-friendly travel options.]]></dcterms:description>
    <dcterms:creator><![CDATA[Established organically through centuries of pilgrimage]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[Middle Ages (origins can be traced back to the 9th century)]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[28/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hp69@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[Camino de Santiago: https://en.wikipedia.org/wiki/Camino_de_Santiago]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.caminodesantiago.gal/es]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[943]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,42°27'32.40" N,-5° 52' 58.80" W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1925">
    <dcterms:title><![CDATA[Gagaku: Court Music and Dance of Japan]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Gagaku, meaning "elegant music," is a traditional form of Japanese court music and dance with a rich history dating back centuries.  This ancient art form encompasses a diverse range of instruments, dance styles, and repertoire, reflecting the cultural influences that shaped Japan throughout its history. Gagaku performances combine music played on instruments like the sho (bamboo flute) and hichiriki (oboe) with elegant, restrained dance movements. The costumes, often vibrant and elaborately decorated, further enhance the visual spectacle.  Traditionally performed for the Imperial Court, Gagaku is now also presented in concert halls and festivals, offering a glimpse into Japan's refined cultural heritage.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/28/2024 03:41:51 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hp69@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,36.2048° N,138.2529° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1926">
    <dcterms:title><![CDATA[Gagaku: Court Music and Dance of Japan]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Gagaku, meaning "elegant music," is a traditional form of Japanese court music and dance with a rich history dating back centuries.  This ancient art form encompasses a diverse range of instruments, dance styles, and repertoire, reflecting the cultural influences that shaped Japan throughout its history. Gagaku performances combine music played on instruments like the sho (bamboo flute) and hichiriki (oboe) with elegant, restrained dance movements. The costumes, often vibrant and elaborately decorated, further enhance the visual spectacle.  Traditionally performed for the Imperial Court, Gagaku is now also presented in concert halls and festivals, offering a glimpse into Japan's refined cultural heritage.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/28/2024 03:41:56 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hp69@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,36.2048° N,138.2529° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1927">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Sustainable Development Goal:

Goal 11: Sustainable Cities and Communities: Digital interpretation of Gagaku can promote cultural appreciation and understanding, fostering a sense of community and social cohesion. Interactive features and educational resources can showcase the importance of preserving traditional art forms like Gagaku. By highlighting the collaborative nature of Gagaku performances, with musicians and dancers working together in harmony, the art form can serve as a model for fostering cultural exchange and building strong communities.

Hotspot:
This hotspot on the World Heritage map would link to a dedicated webpage with comprehensive information about Gagaku. The page could feature:

Audio recordings and video clips of Gagaku performances, allowing viewers to experience the music and dance firsthand.
Detailed explanations of the different instruments and dance styles used in Gagaku.
Historical background on the development and evolution of Gagaku over time.
Information about the cultural significance of Gagaku in Japanese society.
Links to educational resources for teachers and students interested in learning more about Gagaku.
A calendar of upcoming Gagaku performances in Japan and around the world.
This digital experience would not only raise awareness of this unique art form but also encourage cultural appreciation and understanding, contributing to the goal of sustainable cities and communities.]]></dcterms:description>
    <dcterms:creator><![CDATA[Various court musicians and dancers over centuries]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[Origins date back to the 6th century AD]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[28/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hp69@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[Gagaku: https://en.wikipedia.org/wiki/Gagaku]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Agency for Cultural Affairs, Government of Japan (https://www.bunka.go.jp/english/)]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[944]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,36.2048° N,138.2529° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1928">
    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By ChristianSchd - This file was derived from: Casa Batllo Overview Barcelona Spain.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=41698940 ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[19 July 2015]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/08/2024 11:35:20 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia Commons]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.3917,2.1649;]]></dcterms:spatial>
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    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By ChristianSchd - This file was derived from: Casa Batllo Overview Barcelona Spain.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=41698940 ]]></dcterms:description>
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    <dcterms:date><![CDATA[19 July 2015]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/08/2024 11:35:26 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia Commons]]></dcterms:medium>
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    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By ChristianSchd - This file was derived from: Casa Batllo Overview Barcelona Spain.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=41698940 ]]></dcterms:description>
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    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
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    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By ChristianSchd - This file was derived from: Casa Batllo Overview Barcelona Spain.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=41698940 ]]></dcterms:description>
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    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
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    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By ChristianSchd - This file was derived from: Casa Batllo Overview Barcelona Spain.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=41698940 ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
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    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
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    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By ChristianSchd - This file was derived from: Casa Batllo Overview Barcelona Spain.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=41698940 ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[19 July 2015]]></dcterms:date>
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    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
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    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By ChristianSchd - This file was derived from: Casa Batllo Overview Barcelona Spain.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=41698940 ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[19 July 2015]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/08/2024 11:35:55 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
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    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By ChristianSchd - This file was derived from: Casa Batllo Overview Barcelona Spain.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=41698940 ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[19 July 2015]]></dcterms:date>
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    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
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    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By ChristianSchd - This file was derived from: Casa Batllo Overview Barcelona Spain.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=41698940 ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[19 July 2015]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/08/2024 11:36:06 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
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    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By ChristianSchd - This file was derived from: Casa Batllo Overview Barcelona Spain.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=41698940 ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[19 July 2015]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/08/2024 11:36:13 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
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    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By ChristianSchd - This file was derived from: Casa Batllo Overview Barcelona Spain.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=41698940 ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[19 July 2015]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/08/2024 11:36:18 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia Commons]]></dcterms:medium>
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    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By ChristianSchd - This file was derived from: Casa Batllo Overview Barcelona Spain.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=41698940 ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[19 July 2015]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/08/2024 11:36:25 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia Commons]]></dcterms:medium>
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    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain]]></dcterms:title>
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    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain]]></dcterms:title>
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    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain]]></dcterms:title>
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    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain]]></dcterms:title>
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    <dcterms:description><![CDATA[By ChristianSchd - This file was derived from: Casa Batllo Overview Barcelona Spain.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=41698940 ]]></dcterms:description>
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    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain]]></dcterms:title>
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    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By ChristianSchd - This file was derived from: Casa Batllo Overview Barcelona Spain.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=41698940 ]]></dcterms:description>
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    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain]]></dcterms:title>
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    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain]]></dcterms:title>
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    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain]]></dcterms:title>
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    <dcterms:description><![CDATA[By ChristianSchd - This file was derived from: Casa Batllo Overview Barcelona Spain.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=41698940 ]]></dcterms:description>
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    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain (23/24)]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By ChristianSchd - This file was derived from: Casa Batllo Overview Barcelona Spain.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=41698940 ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[19 July 2015]]></dcterms:date>
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    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
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    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain (23/24)]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By ChristianSchd - This file was derived from: Casa Batllo Overview Barcelona Spain.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=41698940 ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
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    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
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    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain (23/24)]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By ChristianSchd - This file was derived from: Casa Batllo Overview Barcelona Spain.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=41698940 ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[19 July 2015]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/08/2024 11:46:42 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia Commons]]></dcterms:medium>
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    <dcterms:title><![CDATA[Barcelona - Casa Battl&oacute;]]></dcterms:title>
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    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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    <dcterms:title><![CDATA[Barcelona - Casa Battl&oacute; (23/24)]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By Fred Romero - https://www.flickr.com/photos/129231073@N06/36949300460/in/album-72157686935057113/, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=76734067]]></dcterms:description>
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    <dcterms:date><![CDATA[20 February 2020]]></dcterms:date>
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    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
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    <dcterms:title><![CDATA[Casa Battl&oacute; (23/24)]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Casa Batlló is a house designed by Antoni Gaudí, situated at 43 Paseo de Gracia in Barcelona, Spain. It is one of seven of Gaudí’s buildings to be on a UNESCO World Heritage site. Casa Batlló was originally built in 1877 by Emilio Sala Cortés, and purchased in 1907 by Josep Batlló y Casanovas. Batlló offered architect Antoni Gaudí complete creative freedom to re-design the house. The house comprises of seven floors, including a basement and noble floor, a loft, roof terrace, atrium and garden. The house features Gaudí’s distinct style blending traditional Catalan motifs and inspirations from the Arts and Crafts movement, Symbolism, and Art Nouveau. The colourful facade has balconies and a tilled roof, made using stone, glass and ceramics. Gaudí worked with artisan to build and furnish the interior of the house, with works in wrought iron, wood, stained glass, ceramic and stone. Digital interpretations from Casa Batlló include augmented reality, digital artworks and display, and an online 360 tour. These interpretations contributes to SDG11: Sustainable Cities, target 11.4, for its efforts to “protect and safeguard the world’s cultural (...) heritage.”]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1877]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[08/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/08/2024 12:15:28 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.casabatllo.es/en/	; https://en.wikiarquitectura.com/building/batllo-house/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x 3200cm x 1450cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.casabatllo.es/en/]]></dcterms:medium>
    <dcterms:language><![CDATA[Spanish, Catalan, English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[946]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.3917,2.1649;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Bernat family]]></dcterms:provenance>
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    <dcterms:title><![CDATA[Fachada do Obradoiro e parte traseira do Pazo de Raxoi Santiago de Compostela (23/24)]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By Luis Miguel Bugallo Sánchez (Lmbuga) - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=26084647]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[14 May 2013]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/08/2024 12:33:06 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia Commons]]></dcterms:medium>
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    <dcterms:title><![CDATA[Monasterio de San Martín, Santiago de Compostela]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By Diego Delso, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=43803833]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[4 October 2015]]></dcterms:date>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia Commons]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1958">
    <dcterms:title><![CDATA[Monasterio de San Mart&iacute;n, Santiago de Compostela]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By Diego Delso, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=43803827]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[4 October 2015]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/08/2024 12:40:25 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/w/index.php?curid=43803827]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,42.8769,-8.5442;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1959">
    <dcterms:title><![CDATA[Routes of Santiago de Compostella (23/24)]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Route of Santiago de Compostela are a network of Christian Pilgrimage routes leading to Santiago de Compostela, Spain. Both French and Spanish portions of the Route are UNESCO world heritage sites. Pilgrimage to Santiago de Compostela started in the 9th century after the discovery of the Apostle James the Greater’s tomb in the Spanish city. Across their 12 centuries of history, the pilgrimage routes of Santiago de Compostela have become a fruitful place for cultural exchange, and the union of multiple forms of heritage. The pilgrimage routes feature a range of immovable cultural heritage sites, including churches, cathedrals, and sites related to the practice of pilgrimage. The routes are also a natural heritage of Southern Europe, with routes going through France, Spain, Italy and Portugal. The routes are not represented by a singular body, though many organisations are dedicated to it. Digital interpretations include online photographic galleries, blogs and forums, 360 and Virtual Reality tours, interactive games and apps. These interpretations contribute to SDG11: Sustainable Cities, target 11.4, through their effort to preserve the “world’s cultural and natural heritage."]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[9th century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[08/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/22/2024 04:40:36 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/en/list/868 ; https://whc.unesco.org/en/list/669/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://whc.unesco.org/en/list/868 ; https://whc.unesco.org/en/list/669/]]></dcterms:medium>
    <dcterms:language><![CDATA[Spanish, French]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[947]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,42.8769,-8.5442;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1961">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[14/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[948]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1963">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[14/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[950]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1965">
    <dcterms:title><![CDATA[Hong Kong-style Milk Tea]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Hong Kong-style milk tea consists of Ceylon black tea, evaporated milk, and sugar. During the British colonial rule of Hong Kong, English-style tea was expensive and served exclusively in upscale establishments (Chan, 2018). After the Second World War, tea houses began adapting the recipe to better cater to local tastes. Namely, a stronger blend of Ceylon tea leaves was created. Following infusion, the tea is poured from pot to pot and filtered through a sackcloth bag four times to achieve the optimal aroma, colour, and flavour. Evaporated milk is then added instead of regular milk for its affordability and smoother taste. This beverage is deeply ingrained in the identity of Hong Kong and symbolises the fusion of Cantonese and British cultures characteristic of the region. 

Simplified recipes for Hong Kong-style milk tea are available across social media and its unique brewing process is also chronicled through online short documentaries and interviews with tea masters. Such digital interpretations increase awareness which can drive tourism to the area. The preparation and sale of Hong Kong-style milk tea can support employment opportunities to contribute to Goal 8: Decent Work and Economic Growth. Specifically, Target 8.3 can be addressed as this increased demand can lead to the expansion of tea houses, entrepreneurship opportunities, and preservation of traditional tea-making techniques.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[19/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[19/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:references><![CDATA[Chan, S. C. (2019). Tea cafés and the Hong Kong identity: Food culture and hybridity. China Information, 33(3), 311-328. https://doi.org/10.1177/0920203X18773409]]></dcterms:references>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[952]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.402141247307856,114.14451599121095;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1966">
    <dcterms:title><![CDATA[Hong Kong-style Milk Tea]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Hong Kong-style milk tea consists of Ceylon black tea, evaporated milk, and sugar. During the British colonial rule of Hong Kong, English-style tea was expensive and served exclusively in upscale establishments (Chan, 2018). After the Second World War, tea houses began adapting the recipe to better cater to local tastes. Namely, a stronger blend of Ceylon tea leaves was created. Following infusion, the tea is poured from pot to pot and filtered through a sackcloth bag four times to achieve the optimal aroma, colour, and flavour - speed, force, and drop height are crucial factors during this process. Evaporated milk is then added instead of regular milk for its affordability and smoother taste.

This beverage is deeply ingrained in the identity of Hong Kong and symbolises the fusion of Cantonese and British cultures characteristic of the region. Its popularity evokes a sense of nostalgia and belonging among locals and serves as an ambassador for Hong Kong's culinary heritage worldwide (Mak, 2021).

Simplified recipes for Hong Kong-style milk tea are available across social media, allowing enthusiasts worldwide to make it at home. Its unique brewing process is also chronicled through online short documentaries and interviews with tea masters. Such digital interpretations increase awareness which can drive tourism to the area. In turn, by supporting local tea houses and businesses that serve this beverage, economic opportunities are created to help address Goal 1: No Poverty.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[19/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[19/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:references><![CDATA[Mak, V. S. W. (2021). The heritagization of milk tea: Cultural governance and placemaking in Hong Kong. Asian Anthropology, 20(1), 30-46. https://doi.org/10.1080/1683478X.2020.1773616]]></dcterms:references>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[953]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.402141247307856,114.14451599121095;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1967">
    <dcterms:title><![CDATA[Hong Kong-style Milk Tea]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Hong Kong-style milk tea consists of Ceylon black tea, evaporated milk, and sugar. During the British colonial rule of Hong Kong, English-style tea was expensive and served exclusively in upscale establishments (Chan, 2018). After the Second World War, tea houses began adapting the recipe to better cater to local tastes. Namely, a stronger blend of Ceylon tea leaves was created. Following infusion, the tea is poured from pot to pot and filtered through a sackcloth bag four times to achieve the optimal aroma, colour, and flavour - speed, force, and drop height are crucial factors during this process. Evaporated milk is then added instead of regular milk for its affordability and smoother taste.

This beverage is deeply ingrained in the identity of Hong Kong and symbolises the fusion of Cantonese and British cultures characteristic of the region. Its popularity evokes a sense of nostalgia and belonging among locals and serves as an ambassador for Hong Kong's culinary heritage worldwide (Mak, 2021).

Simplified recipes for Hong Kong-style milk tea are available across social media, allowing enthusiasts worldwide to make it at home. Its unique brewing process is also chronicled through online short documentaries and interviews with tea masters. Such digital interpretations increase awareness which can drive tourism to the area. In turn, by supporting local tea houses and businesses that serve this beverage, economic opportunities are created to help address Goal 1: No Poverty.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[19/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[19/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:references><![CDATA[Mak, V. S. W. (2021). The heritagization of milk tea: Cultural governance and placemaking in Hong Kong. Asian Anthropology, 20(1), 30-46. https://doi.org/10.1080/1683478X.2020.1773616]]></dcterms:references>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[954]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.402141247307856,114.14451599121095;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1968">
    <dcterms:title><![CDATA[Milk Tea 7262]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A cup of milk tea in cha chaan teng of Hong Kong]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2011]]></dcterms:date>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1969">
    <dcterms:title><![CDATA[Making Hong Kong Style Milk Tea]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Image depicting the preparation technique of Hong Kong-style milk tea using the sackcloth bag.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2006]]></dcterms:date>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1970">
    <dcterms:title><![CDATA[Former Yamen Building of Kowloon Walled City, Kowloon Walled City Park (Hong Kong)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The restored former yamen building of Kowloon Walled City in Kowloon Walled City Park, Hong Kong.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[4th August 2014]]></dcterms:date>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1971">
    <dcterms:title><![CDATA[Checkboard Hill]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Photo of Korean Air Cargo Boeing airplane turning with Checkboard hill in the background in 1995]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1995]]></dcterms:date>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1972">
    <dcterms:title><![CDATA[Kai Tak Airport]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Kai Tak Airport was Hong Kong's international airport from 1925 to 1998. It was surrounded by apartment complexes, mountains, and water such that only the most experienced pilots were allowed to land there (Villamizar, 2023). Upon approach, the pilot had to spot Checkboard Hill, before making a sharp 47-degree right turn above the Kowloon City district and touching down at the first section of the runway to avoid Victoria Harbour. This approach was one of the world’s last landing spots in which automated aircraft instruments could not fly and instead, relied on the pilot’s visual judgement.

Online archives of photographs depicting the approach along with documentaries on its history preserve the legacy of Kai Tak. Enthusiasts can also recreate the landing in flight simulator programs (i.e. Microsoft Flight Simulator, 2020) at home.

Although the airport is no longer operational, the redevelopment of its former site into a mixed-use district promotes compact, integrated, and resilient urban living - thus addressing Goal 11: Sustainable Cities and Communities.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1925]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[19/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/19/2024 04:19:19 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:references><![CDATA[Villamizar, H. (2023, March). Approaching Kai Tak on a Boeing 747: A Pilot’s Perspective. Airways. https://airwaysmag.com/kai-tak-approach-747-a-pilot/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[955]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.314098807783264,114.20509099960329;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1973">
    <dcterms:title><![CDATA[Kowloon Walled City]]></dcterms:title>
    <dcterms:description><![CDATA[Kowloon Walled City was an ungoverned settlement in British-occupied Hong Kong. It evolved from a Chinese military output during the Song Dynasty (960-1279) into a densely populated urban enclave due to ambiguous jurisdictional boundaries after the Second World War. Without effective governance from China or Britain, the Walled City developed organically, with buildings constructed without official permits and businesses operating independently. By the late 1980s, it housed over 50,000 in a labyrinthine network of high-rise buildings characterised by poverty and crime (Fraser & Cheuk-Yin Li, 2017). It was demolished in 1993.

The Walled City is portrayed in various video games such as Stray (2022) and Call of Duty: Black Ops (2010). Moreover, online archives of photographs and illustrations along with 3D digital reconstructions and animations continue to preserve its unique cultural legacy for audiences worldwide.

Studying the social structures and informal governance systems within Kowloon Walled City can shed light on addressing inequalities and promoting inclusion in urban settings to address Goal 10: Reduced Inequalities.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[The Song Dynasty (960-1279)]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[19/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/19/2024 04:19:56 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:references><![CDATA[Fraser, A., & Cheuk-Yin Li, E. (2017). The second life of Kowloon Walled City: Crime, media and cultural memory. Crime, Media, Culture: An International Journal, 13(2). https://doi.org/10.1177/1741659017703681]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[956]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.33202991446202,114.19036781817341;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1974">
    <dcterms:title><![CDATA[Historic Centre of Macao]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The historic center of Macau perfectly showcases the fruits of centuries of integration and coexistence between Chinese and Western cultures. From the mid-16th century until 1999, Macau remained under Portuguese rule, leaving behind a rich legacy of Sino-Portuguese architecture, including streets, residences, religious, and public buildings. These structures not only bear witness to the exchange of aesthetics, culture,
architecture, and technology between the East and the West but also demonstrate their fusion.
Digital technologies, such as virtual reality (VR), have opened up new pathways for the preservation and promotion of Macau's cultural heritage. Through these technologies, audiences from around the world can embark on virtual journeys across different cultural backgrounds, thus gaining a deeper understanding and appreciation of Macau's unique history and cultural heritage.
The conservation and revitalization efforts of the historic center of Macau play a significant role in achieving the following United Nations Sustainable Development Goals (SDGs):
• SDG 4 Quality Education
• SDG 8 Decent Work and Economic Growth
• SDG 9 Industry, Innovation, and Infrastructure
• SDG 11 Sustainable Cities and Communities

Echoes Of Heritage: Preserving Macao In The Climate Era
https://stage.openvirtualworlds.org/worldheritage2024/historic-centre-of-macao/]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[Mid-16th century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[20/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/07/2024 11:31:46 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[957]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.197034079603032,113.54228504831843;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1975">
    <dcterms:title><![CDATA[Ruins of Saint Paul's ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Ruins of Saint Paul's (Ruínas de São Paulo) , Macau]]></dcterms:description>
    <dcterms:date><![CDATA[November 20, 2023]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Own work]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,22.18459948743788,473.53303716515046;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1976">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1977">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1978">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1979">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1980">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1981">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1982">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1983">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1984">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1985">
    <dcterms:title><![CDATA[Chengjiang Fossil Site]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site in Yunnan Province is a renowned location for early
Cambrian marine life fossils. These fossils, dating back approximately 530 million
years, are key evidence for understanding the rapid diversification of life. The site
exhibits fossils of up to 196 species spanning at least 16 categories, ranging from algae
to primitive chordates, encompassing almost all major animal groups' origins.
To protect and study these valuable fossils, the local government established the
Chengjiang Fossil Natural History Museum. The museum features an online digital
exhibition hall, with over 200 video clips narrating the stories of fossil discoveries and
life evolution for the public.
The research conducted at the Chengjiang Fossil Site has significantly contributed to
enhancing our understanding of early life development while also contributing
significantly to achieving the SDGs. Specifically, it supports SDG 4 (Quality Education)
and SDG 15 (Ecosystems and Biodiversity Conservation) by emphasizing the
importance of preserving Earth's biodiversity through educational and research
activities.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[20/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/20/2024 12:56:17 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[958]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,24.644614400162602,1182.9577388742475;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1986">
    <dcterms:title><![CDATA[Cultural Landscape of Honghe Hani Rice Terraces]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Honghe Hani Rice Terraces, located in Yunnan Province, China, are a spectacular
landscape meticulously carved by the Hani people over more than 1300 years. These
terraces sprawl across the slopes of the Ailao Mountains, covering an area of 17,000
hectares. In 2013, this unique agricultural cultural landscape was recognized as a
UNESCO World Cultural Heritage Site, serving as a model of harmonious coexistence
between humans and nature.
The presence and sustainable development of the Terraces are of great significance
for achieving the SDGs. They not only contribute to ecosystem and biodiversity
conservation (SDG 15) but also directly relate to achieving zero hunger and food
security (SDG 2) and ensuring sustainable management of water resources and
sanitation facilities (SDG 6). ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[The 8th century AD]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[20/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/20/2024 01:26:52 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[959]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,23.108659893402407,102.78506468050183;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1987">
    <dcterms:title><![CDATA[Chengjiang Fossil Site]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site in Yunnan Province is a renowned location for early
Cambrian marine life fossils. These fossils, dating back approximately 530 million
years, are key evidence for understanding the rapid diversification of life. The site
exhibits fossils of up to 196 species spanning at least 16 categories, ranging from algae
to primitive chordates, encompassing almost all major animal groups' origins.
The research conducted at the Chengjiang Fossil Site has significantly contributed to
enhancing our understanding of early life development while also contributing
significantly to achieving the SDGs. Specifically, it supports SDG 4 (Quality Education)
and SDG 15 (Ecosystems and Biodiversity Conservation) by emphasizing the
importance of preserving Earth's biodiversity through educational and research
activities.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[20/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/20/2024 01:30:16 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[960]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,24.683895321674658,102.92284914871296;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1988">
    <dcterms:title><![CDATA[Terrace field yunnan china denoised]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[(Honghe Hani Rice Terraces) in Yunnan Province, China.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[March 2003]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/20/2024 01:19:32 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Original Photograph]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1989">
    <dcterms:title><![CDATA[Apidima Cave]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Apidima cave is located in Southern Greece and was discovered in the 1970s. Since 2019, the site has gained a lot of significance due to its contribution in world history. More specifically, human skulls that were found in the cave have indicated that human populations arrived in Eurasia much earlier that originally hypothesized, a difference of around 150,00 years. New age technologies were used to date these findings, such as extremely accurate radiometric dating techniques. Taking this into account, this site makes significant contributions of the UN's 4th sustainable development goal, "Quality Education". The site has helped deepen our understanding of our world history and has been a tremendous addition to world education.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:><![CDATA[04/21/2024 04:17:24 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[np77@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.nhm.ac.uk/press-office/press-releases/apidima-cave-fossils-provide-earliest-known-evidence-of-homo-sap.html]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.nhm.ac.uk/press-office/press-releases/apidima-cave-fossils-provide-earliest-known-evidence-of-homo-sap.html]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[961]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,36.661389,22.363333;]]></dcterms:spatial>
</rdf:Description></rdf:RDF>