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<rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1990">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[21/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[np77@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[962]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,36° 39′ 41″,22° 21′ 48″;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1991">
    <dcterms:title><![CDATA[The-depositional-setting-of-the-Apidima1-and-Apidima2-specimens-a-The-interior-of.jpg]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A picture of the location where the prehistoric skulls were found.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2019:06:25 12:05:51]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/21/2024 04:14:13 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[np77@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.researchgate.net/figure/The-depositional-setting-of-the-Apidima1-and-Apidima2-specimens-a-The-interior-of_fig1_334380253]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,36.661389, 22.363333;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1992">
    <dcterms:title><![CDATA[Acheron River]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Acheron River holds significant cultural value in Greece. Starting from the top of Tomaros Mountains in Ioannina and ending in the Ionian Sea, in Homer's Odyssey, it was the river used to travel to the underworld. Due to this nature of the river, the Nekromanteion is also located in the area, which is an ancient Greek temple dedicated to Hades (the god of death) and Persephone (his wife). The river is also well-known for its unique ecosystem, which is home to endangered flora and fauna, which attracts tourists from all over the world. All of these attributes denote the site's contribution to many of the UN's sustainable development goals. Namely, goal number 4, Quality Education, since preserving the site provides a unique opportunity for its visitors to understand Greek culture and its mythology. Goals eight, fourteen and fifteen are also relevant to the site, due to its environment (being able to preserve it and allow it to flourish), but also its ability to attract tourism.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[21/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/21/2024 05:44:58 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[np77@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.nationalgeographic.com/travel/article/greece-river-to-underworld-now-lures-adventure-travelers]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x 52,000cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.nationalgeographic.com/travel/article/greece-river-to-underworld-now-lures-adventure-travelers]]></dcterms:medium>
    <dcterms:language><![CDATA[Greek]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[963]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.236111,20.476111;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1993">
    <dcterms:title><![CDATA[Acheron River Picture]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A picture of walkable portion of the Acheron river.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[np77@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://i.natgeofe.com/n/ed2443bd-9951-4fe0-8756-7d8f36bbd501/GettyImages-1314823651_3x2.jpg?w=718&h=479]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.236111,20.476111;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1994">
    <dcterms:title><![CDATA[Acheron River]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:date><![CDATA[May 2005]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/21/2024 05:44:10 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[np77@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[ [[File:Acheron river 3.jpg|Acheron_river_3]]]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1995">
    <dcterms:title><![CDATA[Underwater Museum of Peristera]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2021:01:21 10:19:14]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/21/2024 06:55:09 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[np77@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1996">
    <dcterms:title><![CDATA[Alonissos Underwater Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The Alonissos underwater museum is a spectacular underwater site, accessible via scuba diving, where divers can experience the shipwreck of Peristera. The wreck is dated over 2000 years old, and while after its discovery it was only open to archeologists, in 2020 it was opened up to the public. This has brought a surge of tourism to the island of Alonissos, which has helped its economy tremendously. The site tremendously contributes to the UN's sustainable development goal #4, Quality education, by providing a great opportunity of seeing a shipwreck up close and how the sea has affected it. In addition, goals #8 (Decent Work and Economic Growth) and #14 (Life Below Water) are furthered, by increasing tourism and spreading awareness to divers of how to be respectful while visiting underwater sites.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[21/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/07/2024 08:04:14 am]]></dcterms:>
    <dcterms:contributor><![CDATA[np77@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.nationalgeographic.com/travel/article/diving-into-the-first-underwater-museum-in-greece]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.nationalgeographic.com/travel/article/diving-into-the-first-underwater-museum-in-greece]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[964]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.1478,23.8436;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1997">
    <dcterms:title><![CDATA[Dunhuang Mogao Caves]]></dcterms:title>
    <dcterms:description><![CDATA[The Mogao Caves in Dunhuang are a world-renowned holy site of Buddhist art, located under the Mingsha Mountain in the southeast of Dunhuang City, Gansu Province, China. As one of China's four great grottoes, Mogao Grottoes are renowned for their exquisite murals and sculptures, and are a treasure of ancient Chinese Buddhist culture. However, this thousand-year-old cultural heritage is facing unprecedented threats from climate change.

Rising temperatures and frequent extreme weather events due to climate change have had both direct and indirect impacts on the Mogao Grottoes. Rising temperatures accelerate the weathering process of the murals, putting these precious works of art at risk of fading and flaking. At the same time, extreme weather events such as heavy rains and sandstorms also pose a threat to the structural safety of the Mogao Caves. Heavy rains may cause the humidity inside the caves to rise, further affecting the state of preservation of the murals. On the other hand, sand and dust storms may erode the external structures of the caves, causing physical damage to the sculptures and murals.

In addition, climate change may exacerbate regional water stress, affecting the groundwater system on which the Mogao Grottoes depend, and in turn affecting the stability of humidity and temperature inside the caves, which would be extremely detrimental to the long-term conservation of the murals and sculptures.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2014:11:11 21:02:34]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/22/2024 12:05:00 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.037245,94.804455;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1998">
    <dcterms:title><![CDATA[Dunhuang Mogao Caves]]></dcterms:title>
    <dcterms:description><![CDATA[The Mogao Caves in Dunhuang are a world-renowned holy site of Buddhist art, located under the Mingsha Mountain in the southeast of Dunhuang City, Gansu Province, China. As one of China's four great grottoes, Mogao Grottoes are renowned for their exquisite murals and sculptures, and are a treasure of ancient Chinese Buddhist culture. However, this thousand-year-old cultural heritage is facing unprecedented threats from climate change.

Rising temperatures and frequent extreme weather events due to climate change have had both direct and indirect impacts on the Mogao Grottoes. Rising temperatures accelerate the weathering process of the murals, putting these precious works of art at risk of fading and flaking. At the same time, extreme weather events such as heavy rains and sandstorms also pose a threat to the structural safety of the Mogao Caves. Heavy rains may cause the humidity inside the caves to rise, further affecting the state of preservation of the murals. On the other hand, sand and dust storms may erode the external structures of the caves, causing physical damage to the sculptures and murals.

In addition, climate change may exacerbate regional water stress, affecting the groundwater system on which the Mogao Grottoes depend, and in turn affecting the stability of humidity and temperature inside the caves, which would be extremely detrimental to the long-term conservation of the murals and sculptures.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2014:11:11 21:02:34]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/22/2024 12:05:06 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.037245,94.804455;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1999">
    <dcterms:title><![CDATA[GSL_-_Keeping_the_Seeds_-_Galgael_-_Sep_2023_-_Photo_by_Rowan_Lear_5216__1_.JPG]]></dcterms:title>
    <dcterms:date><![CDATA[2023:09:16 15:14:56]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/22/2024 03:54:51 pm]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/22/2024 04:10:11 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[myms1@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Collection]]></dcterms:type>
    <dcterms:identifier><![CDATA[965]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2000">
    <dcterms:title><![CDATA[Glasgow Seed Library]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Glasgow Seed Library (GSL) is an open-access community-run seed library hosted by the Centre for Contemporary Arts (CCA) in Glasgow, UK. GSL catalogues and lends seeds for vegetable, herbs and flowers that can be cultivated in Scotland. GSL also runs free workshops, talks and events throughout the year, on topics such as seed conservation, seed growing, food sovereignty and climate change. They use social media channel to share information about their programme, current library provision, and create dedicated content to engage audiences further with issues surrounding food access and climate change. GSL have outlined a ten years goals which includes the creation a Scottish network of seed libraries. Digital interpretations from GSL address SDG4: Quality Education, target 4.7, as they provide “knowledge and skills needed to promote sustainable development.” They also address SDG13: Climate Action, target 13.3, which seeks to provide “education, awareness-raising and human and institutional capacity on climate change.”]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2019]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[22/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/22/2024 04:22:36 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.cca-glasgow.com/projects/glasgow-seed-library https://glasgowfood.net/projects/projects-past/glasgow-seed-library  https://www.cca-glasgow.com/accessibility/ground-floor]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.cca-glasgow.com/projects/glasgow-seed-library]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[966]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.8658,-4.2651;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Community-owned]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2001">
    <dcterms:title><![CDATA[Image copyright: Rowan Lear, courtesy of Glasgow Seed Library]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Image obtained from Rowan Lear at the Glasgow Seed Library for completion of Practical 2, for the class IS51100 at the University of St Andrews, 2023/24.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2023:09:16 15:14:56]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/22/2024 04:21:26 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Image copyright: Rowan Lear, courtesy of Glasgow Seed Library]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,55.8658,-4.2651;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2002">
    <dcterms:title><![CDATA[Image copyright: Rowan Lear, courtesy of Glasgow Seed Library]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Image obtained from Rowan Lear at the Glasgow Seed Library for completion of Practical 2, for the class IS51100 at the University of St Andrews, 2023/24.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2023:09:16 15:14:56]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/22/2024 04:21:33 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Image copyright: Rowan Lear, courtesy of Glasgow Seed Library]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,55.8658,-4.2651;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2003">
    <dcterms:title><![CDATA[Image copyright: Rowan Lear, courtesy of Glasgow Seed Library]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Image obtained from Rowan Lear at the Glasgow Seed Library for completion of Practical 2, for the class IS51100 at the University of St Andrews, 2023/24.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2023:09:16 15:14:56]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/22/2024 04:21:41 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Image copyright: Rowan Lear, courtesy of Glasgow Seed Library]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,55.8658,-4.2651;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2004">
    <dcterms:title><![CDATA[123Dunhuang Mogao Caves]]></dcterms:title>
    <dcterms:description><![CDATA[Located beneath the Mingsha Mountains in Dunhuang, Gansu Province, China, the Mogao Caves are a testament to ancient Chinese Buddhist art and are home to spectacular murals and sculptures. However, these millennia-old cultural treasures are threatened by climate change. Rising temperatures are accelerating the degradation of the exquisite murals, while weather extremes such as heavy rainfall and sandstorms jeopardize the structural integrity of the grottoes. Increased humidity caused by rainfall threatens the preservation of works of art, while sandstorms can cause physical damage to external structures. In addition, climate change-induced water stresses may disrupt the grotto's groundwater system, which is critical to maintaining stable humidity and temperature conditions inside the grotto, posing a significant risk to the long-term preservation of these valuable artistic and historical artifacts.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[31 December 2013, 12:30:18]]></dcterms:date>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.037245,94.804455;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2005">
    <dcterms:title><![CDATA[Terracotta Warriors]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Terracotta Warriors, a stunning group of life-size sculptures located in Xi'an, China, is one of the most significant archaeological discoveries of the 20th century. Made more than 2,200 years ago to guard the tomb of China's Qin Shi Huang, these sculptures have stood the test of time, immortalized over millennia. However, they now face a modern threat: climate change. Increasingly extreme weather patterns, such as increased rainfall, fluctuating temperatures and rising humidity, pose significant risks to the preservation of these ancient artifacts. These climate changes have accelerated the aging of the Terracotta Warriors, leading to problems such as color fading, material erosion, and potential structural damage. Conservation efforts are being continuously adapted to mitigate these effects, highlighting the urgent need for sustainable measures to protect this valuable human heritage in order to meet the continuing challenges posed by climate change.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[20 April 2012, 12:43:46]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/22/2024 05:21:19 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34.38500833333333,109.280180555;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2006">
    <dcterms:title><![CDATA[Terracotta Warriors]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Terracotta Army in Xi'an, China]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[20 April 2012, 12:43:46]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/22/2024 05:50:33 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2007">
    <dcterms:title><![CDATA[Terracotta Warriors]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Terracotta Warriors, a stunning group of life-size sculptures located in Xi'an, China, is one of the most significant archaeological discoveries of the 20th century. Made more than 2,200 years ago to guard the tomb of China's Qin Shi Huang, these sculptures have stood the test of time, immortalized over millennia. However, they now face a modern threat: climate change. Increasingly extreme weather patterns, such as increased rainfall, fluctuating temperatures and rising humidity, pose significant risks to the preservation of these ancient artifacts. These climate changes have accelerated the aging of the Terracotta Warriors, leading to problems such as color fading, material erosion, and potential structural damage. Conservation efforts are being continuously adapted to mitigate these effects, highlighting the urgent need for sustainable measures to protect this valuable human heritage in order to meet the continuing challenges posed by climate change.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2012:09:15 05:58:01]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/22/2024 05:58:25 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34.385008,109.280180555;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2008">
    <dcterms:title><![CDATA[Dunhuang Mogao Caves 2024]]></dcterms:title>
    <dcterms:description><![CDATA[Located beneath the Mingsha Mountains in Dunhuang, Gansu Province, China, the Mogao Caves are a testament to ancient Chinese Buddhist art and are home to spectacular murals and sculptures. However, these millennia-old cultural treasures are threatened by climate change. Rising temperatures are accelerating the degradation of the exquisite murals, while weather extremes such as heavy rainfall and sandstorms jeopardize the structural integrity of the grottoes. Increased humidity caused by rainfall threatens the preservation of works of art, while sandstorms can cause physical damage to external structures. In addition, climate change-induced water stresses may disrupt the grotto's groundwater system, which is critical to maintaining stable humidity and temperature conditions inside the grotto, posing a significant risk to the long-term preservation of these valuable artistic and historical artifacts.]]></dcterms:description>
    <dcterms:source><![CDATA[,is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[22/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[967]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.037245,94.804455;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2009">
    <dcterms:title><![CDATA[Dunhuang Mogao Caves]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2014:11:11 21:02:34]]></dcterms:date>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.037245,94.804455;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2010">
    <dcterms:title><![CDATA[Terracotta Warriors 2024]]></dcterms:title>
    <dcterms:description><![CDATA[The Terracotta Warriors, a stunning group of life-size sculptures located in Xi'an, China, is one of the most significant archaeological discoveries of the 20th century. Made more than 2,200 years ago to guard the tomb of China's Qin Shi Huang, these sculptures have stood the test of time, immortalized over millennia. However, they now face a modern threat: climate change. Increasingly extreme weather patterns, such as increased rainfall, fluctuating temperatures and rising humidity, pose significant risks to the preservation of these ancient artifacts. These climate changes have accelerated the aging of the Terracotta Warriors, leading to problems such as color fading, material erosion, and potential structural damage. Conservation efforts are being continuously adapted to mitigate these effects, highlighting the urgent need for sustainable measures to protect this valuable human heritage in order to meet the continuing challenges posed by climate change.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[22/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[968]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,34.38500833333333,109.280180555;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2011">
    <dcterms:title><![CDATA[Terracotta Warriors]]></dcterms:title>
    <dcterms:description><![CDATA[Pit one, which is 230 metres (750 ft) long and 62 metres (203 ft) wide,[30] contains the main army of more than 6,000 figures.[31] Pit one has 11 corridors, most of which are more than 3 metres (9.8 ft) wide and paved with small bricks with a wooden ceiling supported by large beams and posts. This design was also used for the tombs of nobles and would have resembled palace hallways when built. The wooden ceilings were covered with reed mats and layers of clay for waterproofing, and then mounded with more soil raising them about 2 to 3 metres (6 ft 7 in to 9 ft 10 in) above the surrounding ground level when completed. (cc) Wikipedia]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[19 April 2015, 10:44:47]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/22/2024 07:06:57 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34.384615,109.27294499999999;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2012">
    <dcterms:title><![CDATA[The Leshan Giant Buddha]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Standing on the cliffs of Lingyun Mountain in Sichuan Province, China, the Leshan Giant Buddha is a monumental statue of Maitreya Buddha. At 71 meters tall, it is the largest stone Buddha in the world and a masterpiece of Buddhist art dating back to the Tang Dynasty (618-907 AD). However, this awe-inspiring cultural icon is facing the adverse effects of climate change. Rising temperatures and erratic weather patterns have accelerated erosion of the statue's sandstone structure, while increased rainfall has heightened the risk of water damage. In addition, fluctuations in the water levels of nearby rivers have been exacerbated by climate change, threatening the stability of the cliffs on which the statues were carved. The challenges of preserving this ancient monument in the face of climate change underscore the vulnerability of even the most massive monuments to our changing environment. Conservation is now more important than ever to preserve this valuable cultural heritage for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[22/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[969]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29.553613,103.767838;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2013">
    <dcterms:title><![CDATA[36275-Leshan__49067653383_.jpg]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[36275-Leshan]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[23 May 2018, 14:46]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/22/2024 07:21:12 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2014">
    <dcterms:title><![CDATA[Sanxingdui]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Movable Cultural Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Sanxingdui is an archaeological site located in Sichuan Province, China, known as its discoveries of ancient artifacts dating back over 3,000 years. These artifacts include bronze sculptures, jade artifacts, and gold masks. The site was first unearthed in 1929 but gained worldwide attention in 1986 when two large pits were discovered, revealing a wealth of artifacts from the mysterious Shu civilization. The artifacts found at Sanxingdui have provided valuable insights into ancient Chinese culture and history, challenging previous understandings of the region's early civilizations. The enigmatic nature of the artifacts, including their unique artistic style and unknown cultural origins, continues to fascinate archaeologists and historians alike, making Sanxingdui a significant site for understanding the ancient past of China.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[23/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/23/2024 12:34:30 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[sz83@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Sanxingdui]]></dcterms:references>
    <dcterms:extent><![CDATA[10000" x 10000" x 10000"]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Sanxingdui]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[970]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,32.54986384864293,104.16012672829658;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Chinese government]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2015">
    <dcterms:title><![CDATA[The Lost Ancient Civilization of Sanxingdui]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/23/2024 12:03:58 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shiwen]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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    <dcterms:medium><![CDATA[YouTube]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2016">
    <dcterms:title><![CDATA[Sanxingdui]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/23/2024 12:28:57 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shiwen]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2017">
    <dcterms:title><![CDATA[Sanxingdui]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/23/2024 12:29:01 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shiwen]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2018">
    <dcterms:title><![CDATA[231019094240-01-sanxingdui-masks-hong-kong-exhibit-3.webp]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/23/2024 12:34:13 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shiwen]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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    <dcterms:type><![CDATA[Sound]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2019">
    <dcterms:title><![CDATA[Tiananmen-end-Beijing.webp]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[04/23/2024 12:38:18 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shiwen]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2020">
    <dcterms:title><![CDATA[Tiananmen]]></dcterms:title>
    <dcterms:description><![CDATA[Tiananmen, located in the heart of Beijing, China, is a historic landmark with profound cultural and political significance. The name "Tiananmen" translates to "Gate of Heavenly Peace." The focal point of Tiananmen Square, it stands as the entrance to the Forbidden City, once the imperial palace of China's emperors. Tiananmen witnessed pivotal moments in Chinese history, including the founding of the People's Republic of China in 1949 and the 1989 student-led protests for democracy and freedom. Despite its turbulent past, Tiananmen remains an enduring symbol of China's rich heritage and the aspirations of its people.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[23/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/23/2024 12:43:08 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[Shiwen]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[971]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.9,116.3;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2021">
    <dcterms:title><![CDATA[gettyimages-522659842-612x612.jpg]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/23/2024 12:42:40 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shiwen]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2022">
    <dcterms:title><![CDATA[gettyimages-522659842-612x612-1.jpg]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/23/2024 12:42:45 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shiwen]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2023">
    <dcterms:title><![CDATA[Yuanmingyuan_Ruins_of_Dashuifa_20120715.jpg]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2012:07:19 00:29:32]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/23/2024 12:45:00 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shiwen]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2024">
    <dcterms:title><![CDATA[Old Summer Palace]]></dcterms:title>
    <dcterms:description><![CDATA[The Old Summer Palace, also known as the Yuanmingyuan, was a complex of palaces and gardens located in Beijing, China. Built during the Qing Dynasty, it served as the primary imperial residence for emperors during the summer months. The palace complex was renowned for its exquisite architecture, expansive gardens, and extensive collection of artworks and treasures. Tragically, the Old Summer Palace was ransacked and destroyed by British and French forces during the Second Opium War in 1860, resulting in significant loss of cultural heritage. Despite its ruinous state, the site remains a poignant symbol of China's history and the enduring legacy of its imperial past.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[23/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/23/2024 12:46:42 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[Shiwen]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[972]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40,116.3;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2025">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:description><![CDATA[域跨东经103°46'~104°4'；北纬32°54'~33°19']]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[04/24/2024 01:17:32 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xm31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,103°46'~104°4',32°54'~33°19';]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2026">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:description><![CDATA[32°54'~33°19' 103°46']]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[04/24/2024 01:18:35 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xm31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,103.46,33.635480403900154;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2027">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[04/24/2024 01:19:06 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xm31@st-andrews.ac.uk]]></dcterms:contributor>
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    <dcterms:type><![CDATA[Sound]]></dcterms:type>
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    <dcterms:title><![CDATA[Not in use]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2029">
    <dcterms:title><![CDATA[Noh]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Noh (能, Nō), a traditional Japanese art form originating in the 14th century, uniquely combines music, dance, and drama. Recognized as an Intangible Cultural Heritage by UNESCO, noh, together with its comedic counterpart kyogen, forms nogaku theater.

]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.youtube.com/embed/88v-HYGAKMQ]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,35.016,135.7824;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2030">
    <dcterms:title><![CDATA[Te Wāhipounamu - South West New Zealand World Heritage Area]]></dcterms:title>
    <dcterms:subject><![CDATA[Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The World Heritage Site Te Wāhipounamu is located on the South Island of New Zealand. It occupied approximately 10% of New Zealand's land. It is an extensive natural heritage area which contains valleys, peaks, lakes, glaciers and other various natural features. There are four national parks in Te Wāhipounamu, which are Mount Cook, Westland Tai Poutini, Mount Aspiring and Fiordland. Since they are located close together, the scenery density in this area is significantly high. Despite its stunning scenery, it is special because of its unique New Zealand ecological system. Endangered birds, the kea and takahē, can be found in this area. The national symbol of New Zealand, the kiwi bird, is visible as well. In addition, regarding trees, the southern beech also lives here. 

Digital interpretation can address the Goal 13: Take urgent action to combat climate change and its impacts. By doing so, the natural landscape, features, e.g. glaciers, and the unique ecological system can be protected and preserved.

]]></dcterms:description>
    <dcterms:date><![CDATA[2016:01:16 13:54:58]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[24/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx66@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://latitude.to/articles-by-country/nz/new-zealand/44435/te-wahipounamu  https://www.doc.govt.nz/about-us/international-agreements/world-heritage/te-wahipounamu/  https://www.un.org/sustainabledevelopment/climate-change/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[973]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-45.036,167.32;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[The Government and People of New Zealand]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2031">
    <dcterms:title><![CDATA[Te Wahipounamu &ndash; South West New Zealand]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[24/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx66@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[974]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2032">
    <dcterms:title><![CDATA[Te Wahipounamu &ndash; South West New Zealand]]></dcterms:title>
    <dcterms:subject><![CDATA[Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The World Heritage Site, Te Wahipounamu, is located on the South Island of New Zealand. It is a massive natural area that covers approximately 10% of New Zealand's land. Stunning views and various natural features are included in this area, e.g. valleys, glaciers, lakes, peaks etc. It is special because it has New Zealand's local unique ecological environment. Endangered birds, e.g., the special parrot, the kea, and the tekeha, live in the area. Kiwi birds, the symbol of New Zealand, also can be found there. The southern beaches are visible as well.

Technological interpretation can be used to address Goal 13: Take urgent action to combat climate change and its impacts. By doing so, the unique natural heritage, such as glaciers and lakes, can be well preserved, and the untouched ecological system can be well protected.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[24/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/24/2024 07:07:12 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[yx66@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.doc.govt.nz/about-us/international-agreements/world-heritage/te-wahipounamu/ https://sdgs.un.org/goals/goal13]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[975]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-45.036,167.32;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[The Government and People of New Zealand]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2033">
    <dcterms:title><![CDATA[The Fiordland National Park, Te Wāhipounamu - South West New Zealand World Heritage Area]]></dcterms:title>
    <dcterms:subject><![CDATA[Tourism]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2016:01:16 13:54:58]]></dcterms:date>
    <dcterms:contributor><![CDATA[yx66@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://upload.wikimedia.org/wikipedia/commons/b/b3/The_Fiordland_National_Park._%288366209611%29.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-45.4085,167.3591;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2034">
    <dcterms:title><![CDATA[Tongariro National Park, North Island, New Zealand]]></dcterms:title>
    <dcterms:subject><![CDATA[Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Tongariro National Park is a World Heritage Site located on the North Island of New Zealand. It is famous for its volcanic scenery. The park has three major volcanos: Mount Ruapehu, the highest peak of the North Island, Mount Tongariro, and Mount Ngauruhoe. They are all part of the Pacific Ring of Fire. All of the volcanos are still classified as active, so there is a reasonable possibility that they may erupt. Statistics data show that Mount Ngauruhoe erupts every nine years. Unique local birds and vegetation can be found in Tongariro, e.g. whio, kiwi birds, and a large number of alpine plant species.

The area is significantly important to the local Maori people as a spiritual link between the people and nature. Preserving the culture is essential.

Technological interpretation will address Goal 13: Take urgent action to combat climate change and its impacts and Goal 15:
Protect, restore and promote sustainable use of terrestrial ecosystems, sustainably manage forests, combat desertification, and halt and reverse land degradation and halt biodiversity loss. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[24/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx66@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.doc.govt.nz/parks-and-recreation/places-to-go/central-north-island/places/tongariro-national-park/about-tongariro-national-park/ https://www.un.org/sustainabledevelopment/climate-change/ https://sdgs.un.org/goals/goal15]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[976]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-39.1928,175.5938;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[The Government and People of New Zealand]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2035">
    <dcterms:title><![CDATA[Tongariro National Park Volcano Sunrise]]></dcterms:title>
    <dcterms:subject><![CDATA[Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[This is the photo taken by yx66 in Tongariro National Park, New Zealand.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2019:04:17 06:55:35]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/24/2024 05:29:53 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx66@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-39.25175,175.5607138888889;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2036">
    <dcterms:title><![CDATA[Maritime Greenwich]]></dcterms:title>
    <dcterms:description><![CDATA[Maritime Greenwich is a World Heritage Site located in London, United Kingdom. ]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[24/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx66@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[977]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.45,0.000;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2037">
    <dcterms:title><![CDATA[Maritime Greenwich, United Kingdom]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Maritime Greenwich is located along the bank of the River Thames in the Royal Borough of Greenwich, London, United Kingdom. It has been a World Heritage Site since 1997. The site contains a rich royal history, with various heritage buildings in Royal Greenwich Park, including the Royal Observatory, the Queen’s House, and the Old Royal Naval College. 

Maritime Greenwich has a significant impact on the world. The most important one is the Greenwich Mean Time (GMT). It used to be the standard time worldwide. Although it has now been replaced by UTC, it is still being used in the UK, e.g. Royal Navy. The Greenwich Park is beautiful in the city. It provides a great environment for people to enjoy the view and appreciate the surrounding heritages. 

Maritime Greenwich's technological interpretation will address Goal 11: Make cities and human settlements inclusive, safe, resilient and sustainable. Goal 13: Take urgent action to combat climate change and its impacts. Goal 15: Protect, restore and promote sustainable use of terrestrial ecosystems, sustainably manage forests, combat desertification, and halt and reverse land degradation and halt biodiversity loss. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[24/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx66@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/en/list/795/ https://www.greenwichworldheritage.org/maritime-greenwich/outstanding-universal-value https://www.rmg.co.uk/stories/topics/greenwich-mean-time-gmt  https://sdgs.un.org/goals]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[978]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.4810,0.000;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[The Crown]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2038">
    <dcterms:title><![CDATA[Greenwich Park, Maritime Greenwich View]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a photo taken by yx66 about the view of Maritime Greenwich]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2022:03:27 14:02:35]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/24/2024 07:13:12 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx66@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,51.477961111111114,-0.0007666666666666666;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2039">
    <dcterms:title><![CDATA[Jiuzhaigou2]]></dcterms:title>
    <dcterms:description><![CDATA[Fairytale setting, numerous lakes, waterfalls, limestone terraces, and clear mineral-rich waters are nestled in the spectacular alpine mountains. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2023/4/18]]></dcterms:date>
    <dcterms:contributor><![CDATA[xm31]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:medium><![CDATA[As a UNESCO site, Jiuzhaigou is renowned for its scenic and aesthetic majesty & forest ecosystem.]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,33.115124501496865,103.88397216796876;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2040">
    <dcterms:title><![CDATA[Jiuzhai Valley National Park]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Jiuzhai Valley National Park is a nature reserve located in the north of Sichuan Province in southwestern China. A long valley running north to south, Jiuzhaigou was inscribed by UNESCO as a World Heritage Site in 1992 and a World Biosphere Reserve in 1997. It belongs to category V (Protected Landscape) in the IUCN system of protected area categorization.

The Jiuzhai Valley is part of the Min Mountains on the edge of the Tibetan Plateau and stretches over 72,000 hectares (180,000 acres). It has an altitude of over 4800 meters and is composed of diverse forest ecosystems. It is known for its many multi-level waterfalls, colourful lakes, and snow-capped peaks. Its elevation ranges from 2,000 to 4,500 metres (6,600 to 14,800 ft).

Digital interpretation can effectively address Sustainable Development Goal (SDG) 15.1, which focuses on ensuring the conservation, restoration, and sustainable use of terrestrial and inland freshwater ecosystems and their services.

Jiuzhai Valley is prone to natural disasters such as earthquakes and landslides. Digital interpretation systems can include features that educate and inform visitors about what to do in case of emergencies, thereby enhancing safety. Additionally, these systems can be used to monitor the park’s condition in real-time, aiding in quick response and recovery efforts following natural disasters.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[24/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/05/2024 12:11:29 am]]></dcterms:>
    <dcterms:contributor><![CDATA[xm31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[979]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,33.115124501496865,103.88397216796876;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2041">
    <dcterms:title><![CDATA[Jiuzhaigou National Park ]]></dcterms:title>
    <dcterms:description><![CDATA[Features the mystical National Park in Sichuan Province located near Tibet in central China. 
Features clear blue lakes on top of waterfalls, Tibetan villages, tall mountains, trees, rivers, canyons, ancient town.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2017/7/20]]></dcterms:date>
    <dcterms:contributor><![CDATA[xm31]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:medium><![CDATA[Mystical Jiu Zhai Gou, Central China - 4K Drone]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2042">
    <dcterms:title><![CDATA[[Untitled]]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:dateSubmitted><![CDATA[25/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[25/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[980]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2043">
    <dcterms:title><![CDATA[Mona Lisa]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Mona Lisa, painted by Leonardo da Vinci in the early 1500s, is considered the most famous painting in the world. The painting depicts a young woman with an intriguing smile and is currently housed in the Louvre Museum in Paris. Millions of people visit the Louvre each year, and it is estimated that 80% of them visit for the Mona Lisa itself. An exemplification of the Italian Renaissance, the painting became globally known after it was stolen twice, in the late 19th and early 20th centuries. While extremely valuable, this painting is now the property of France and has been in the Louvre since 1797. 

This moveable heritage addresses Quality Education 4.7 and Climate Action 13.]]></dcterms:description>
    <dcterms:creator><![CDATA[Leonardo da Vinci]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1503-1506]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[27/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[77cm x 53cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Mona_Lisa]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[981]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,48.860294,2.338629;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2044">
    <dcterms:title><![CDATA[Mona Lisa]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[04/25/2024 03:30:44 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Mona_Lisa]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2045">
    <dcterms:title><![CDATA[Mona Lisa]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[04/25/2024 03:30:48 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Mona_Lisa]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2046">
    <dcterms:title><![CDATA[Mona Lisa]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[04/25/2024 03:30:53 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Mona_Lisa]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2047">
    <dcterms:title><![CDATA[Images of Memorial Sites of the Genocide: Nyamata, Murambi, Gisozi and Bisesero ]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Images of Memorial Sites of the Genocide: Nyamata, Murambi, Gisozi and Bisesero ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[25/04/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/25/2024 09:03:20 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-1.9445,30.0820;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2048">
    <dcterms:title><![CDATA[Images of Memorial Sites of the Genocide: Nyamata, Murambi, Gisozi and Bisesero ]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Images of Memorial Sites of the Genocide: Nyamata, Murambi, Gisozi and Bisesero ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[25/04/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/25/2024 09:03:25 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-1.9445,30.0820;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2049">
    <dcterms:title><![CDATA[Images of Memorial Sites of the Genocide: Nyamata, Murambi, Gisozi and Bisesero ]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Images of Memorial Sites of the Genocide: Nyamata, Murambi, Gisozi and Bisesero ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[25/04/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/25/2024 09:03:29 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-1.9445,30.0820;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2050">
    <dcterms:title><![CDATA[Rwanda Memorial sites of the Tutsi Genocide: Nyamata, Murambi, Gisozi and Bisesero ]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[In Rwanda, four stark memorials serve as chilling reminders of the 1994 genocide against Tutsi. These sites are: Nyamata, Murambi, Gisozi, and Bisesero. In 2023, these sites were inscribed on the UNESCO World Heritage List. 

Nyamata and Murambi were places of refuge that turned into killing grounds.  

Gisozi, located in Kigali, is the largest memorial, containing the final resting place of over 250,000 victims. 

Bisesero stands apart, commemorating the resistance of Tutsis who fought back against the killers.  

These Rwandan memorials serve as burial grounds and powerful tools for education, remembrance, and reconciliation. They ensure that the voices of the victims are not silenced, and the horrors of the past are never forgotten. 

Contribution to SDGs: The primary Sustainable Development Goal (SDG) addressed by digital interpretation in the UNESCO Rwanda Tutsi Genocide Memorial Sites is SDG 16: Peace, Justice, and Strong Institutions Target 16.a: Promote peaceful and inclusive societies for sustainable development, provide access to justice for all, and build effective, accountable, and inclusive institutions at all levels. 

Additionally, digital interpretation aligns with aspects of SDG 4 by providing educational resources and promoting lifelong learning. Interactive exhibits and online resources enhance visitors understanding of the genocide and its historical context.]]></dcterms:description>
    <dcterms:creator><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[25/04/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[27/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/en/list/1586/gallery/&maxrows=14]]></dcterms:references>
    <dcterms:medium><![CDATA[https://kgm.rw/]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[982]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-1.9482278584891548,30.08142471313477;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2051">
    <dcterms:title><![CDATA[Sagrada Familia_1]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2023:11:08 22:18:07]]></dcterms:date>
    <dcterms:contributor><![CDATA[xm31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[The Sagrada Família and the Barcelona skyline]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.4036,2.1744;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2052">
    <dcterms:title><![CDATA[familia2]]></dcterms:title>
    <dcterms:contributor><![CDATA[xm31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[The Temple of light]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2053">
    <dcterms:title><![CDATA[La Sagrada Fam&iacute;lia]]></dcterms:title>
    <dcterms:description><![CDATA[Nestled in the heart of Barcelona, the Basilica de la Sagrada Familia stands as a monumental testament to the genius of Antoni Gaudí, one of the most innovative architects of the modern era. Conceived in 1882 and still under construction, this majestic structure embodies Gaudí's unique approach to Art Nouveau, merging Gothic and curvilinear Art Nouveau forms. In 1984, it was registered as a United Nations World Heritage under the name "Works of Antoni Gaudí".

The Sagrada Familia is not merely a church but a canvas of Christian narrative and Catalan identity carved into stone and glass. Gaudí's design is replete with curves that defy traditional architectural lines, reflecting his belief that there are no straight lines or sharp corners in nature. Through these sinuous forms, often referred to as "curves for God," Gaudí sought to bring a slice of the divine to earth, capturing the essence of sacred geometry and the organic patterns of nature.

Digital interpretation can significantly address the Sustainable Development Goal (SDG) 11.4, which is Enhancing Accessibility and Education. Via Digital tools and platforms, such as virtual tours, augmented reality (AR), and interactive apps,  La Sagrada Familia can be more accessible to a global audience. People who cannot physically visit the site due to geographic, economic, or physical constraints can still explore its architectural beauty and historical significance. This increased accessibility helps educate a broader audience about the importance of cultural preservation and the architectural innovations of Antoni Gaudí.

Digital interpretation tools can also promote the integration of cultural heritage into sustainable urban development plans. They allow policymakers, educators, and tourists to recognize the value of cultural heritage, encouraging more responsible tourism and sustainable management practices that respect and preserve historic sites.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/04/2024 11:05:09 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[xm31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[La Sagrada Familia]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[983]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.40369,2.17433;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2054">
    <dcterms:title><![CDATA[Bronze statue of Eros sleeping]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Photograph of a bronze statue of Eros sleeping ]]></dcterms:description>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.metmuseum.org/art/collection/search/254502]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.779434,-73.963402;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2055">
    <dcterms:title><![CDATA[Bronze statue of Eros sleeping]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This bronze statue of a sleeping Eros, the Roman god of love, is at the pinnacle of Hellenistic sculpture work. The Hellenistic period ushered in the "accurate characterisation of age," which this sculpture exemplifies through the depiction of Eros as a baby. The importance of this statue can be understood through the sheer number of replicas of it – the Roman period was rich with sleeping baby Eros statues throughout public spaces. This sculpture also reframes the narrative around Eros; his softness and vulnerability as depicted here is contrasted with the powerful and cruel characteristic he displays in the poetry of the time. 

This moveable heritage addresses Quality Education 4.7 and Climate Action 13.]]></dcterms:description>
    <dcterms:creator><![CDATA[The Met Museum ]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[3rd–2nd century BCE]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[26/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[27/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.metmuseum.org/art/collection/search/254502]]></dcterms:references>
    <dcterms:extent><![CDATA[41.9cm x 35.6cm x 85.2cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Met Museum ]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[984]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.7794,-73.9632;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2056">
    <dcterms:title><![CDATA[Huangshan VIDEO]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2023/2/23]]></dcterms:date>
    <dcterms:contributor><![CDATA[xm31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:medium><![CDATA[Awesome Scenery of Mount Huangshan in Spring and Winter]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2057">
    <dcterms:title><![CDATA[HUangshan image]]></dcterms:title>
    <dcterms:date><![CDATA[2017-06-09]]></dcterms:date>
    <dcterms:contributor><![CDATA[xm31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[Huangshan's sea of clouds]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2058">
    <dcterms:title><![CDATA[The Younger Memnon]]></dcterms:title>
    <dcterms:description><![CDATA[Photograph of the Younger Memnon ]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[04/26/2024 01:40:41 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[The British Museum ]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,51.518757,-0.126168;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2059">
    <dcterms:title><![CDATA[Huangshan]]></dcterms:title>
    <dcterms:description><![CDATA[As a world cultural and natural heritage site, Mount Huangshan is claimed to be a Global Geopark, National Scenic Spot, National Civilized Scenery Tourist Area, and National AAAAA Level Tourist Attraction. It is an outstanding representation of the magnificent mountains and rivers and the splendid culture of China. Known as Wonderland on Earth and The First Strange Mountain in the World, it is famous for its Unique Scenery, including strange pines, stones, seas of clouds, and hot springs.

Digital interpretation can effectively address Sustainable Development Goal (SDG) 15.4, which aims to conserve mountain ecosystems, including their biodiversity.

Digital tools such as interactive apps, virtual tours, and augmented reality experiences can provide detailed information about the biodiversity of Mount Huangshan. These platforms can educate users about the unique flora and fauna of the region, as well as the ecological significance of mountain ecosystems. By increasing awareness, digital interpretation encourages a deeper appreciation and a stronger commitment to conserving these natural resources.

Digital tools can also aid in researching and monitoring ecological changes on Mount Huangshan. By integrating data collection features in apps or other digital platforms, researchers can gather valuable data about climate conditions, species distribution, and environmental impacts over time. This data is crucial for making informed decisions about conservation strategies and managing the mountain ecosystem sustainably.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[26/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/05/2024 12:06:02 am]]></dcterms:>
    <dcterms:contributor><![CDATA[xm31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[985]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,30.175340437437512,118.1739315390587;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2060">
    <dcterms:title><![CDATA[The Younger Memnon]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Younger Memnon is a statue of the upper body and head of Ramses II that originally adorned the entrance of the Ramesseum, Ramses Ii's mortuary temple. Originally this statue was part of a pair, but the other statue has been lost. This artefact has traveled the globe – now situated in the British Museum, the hieroglyphs reflect the name and titles of Ramses II, along with part of a dedication to the god Amun-Ra, which situates the statue's religious and cultural significance. In 1817, historians recorded traces of colour on the statue, which suggests that during antiquity the statue may have been painted red. 

This moveable heritage addresses Quality Education 4.7 and Climate Action 13.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[26/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[27/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.britishmuseum.org/collection/object/Y_EA19?_gl=1%2akqs80a%2a_up%2aMQ..%2a_ga%2aNDIwMTIwNTcwLjE3MTQxMzUwMjM.%2a_ga_08TLB9R8X1%2aMTcxNDEzNTAyMi4xLjEuMTcxNDEzNTAzMi4wLjAuMA..]]></dcterms:references>
    <dcterms:extent><![CDATA[203.30cm x 266.80cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[The British Museum ]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[986]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.518757,-0.126168;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2061">
    <dcterms:title><![CDATA[Petra Archaeological Park, Jordan ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Unearthed from Jordan's rose-red sandstone cliffs, Petra, a UNESCO World Heritage Site, whispers the tales of a lost civilization. This ancient Nabataean city, flourishing over 2,000 years ago, boasts unique architecture carved directly into the rock face. Nicknamed the "Rose City" for its natural hues, Petra is a testament to the Nabataeans' remarkable engineering and artistry. 

Beyond the iconic Treasury, with its intricate facade seemingly rising magically from the mountain, lies a network of passageways, tombs, temples, and an amphitheater. Here, the ingenuity of the Nabataeans is evident in their complex water management system, allowing this desert city to thrive for centuries. 

Digital interpretation in Petra Archaeological Park to be addressed is SDG 11: Sustainable Cities and Communities, particularly by protecting cultural heritage (Target 11.4) through reduced wear and tear from virtual tours, and by promoting sustainable tourism practices (Target 11.b) through enhanced visitor flow management, improved accessibility with VR/AR for all, and increased visitor awareness and education about the site's significance. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/27/2024 12:16:42 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[987]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,30.56063498633056,35.79895019531251;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2062">
    <dcterms:title><![CDATA[Petra ancient-civilization-exploration-background]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Petra ancient-civilization-exploration-background]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/27/2024 12:45:17 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2063">
    <dcterms:title><![CDATA[Rwanda Ethnographic Museum ]]></dcterms:title>
    <dcterms:description><![CDATA[The Rwanda Ethnographic Museum, located in Huye, Rwanda, is a treasure trove of the country's rich history. Walk through its seven galleries and discover Rwanda's story, from its unique landscapes to the lives of its people. See displays of traditional tools, clothing, and even models of homes, offering a window into Rwandan culture, past and present. There's even a section dedicated to the Rwandan monarchy, where you can learn about the role of kings and see historical artifacts. More than just a museum, it's a place to celebrate Rwanda's enduring cultural heritage and connect with its past.  

By implementing digital interpretation with features like online resources, virtual tours, and 3D scans, the Rwanda Ethnographic Museum can address two Sustainable Development Goals (SDGs). Firstly, it supports SDG 4: Quality Education by promoting cultural diversity through broader access to Rwandan history and culture, aligning with Target 4.7. Secondly, digital preservation efforts contribute to SDG 11: Sustainable Cities and Communities by safeguarding cultural heritage through digital archives, as highlighted in Target 11.4. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[27/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[988]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-2.7016350479445204,29.630126953125004;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2064">
    <dcterms:title><![CDATA[Gwacheon National Science Museum]]></dcterms:title>
    <dcterms:description><![CDATA[Image of Gwacheon National Science Museum, South Korea]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/27/2024 03:26:30 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,37.43924000,127.00535000;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2065">
    <dcterms:title><![CDATA[Gwacheon National Science Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Gwacheon National Science Museum in South Korea is a heritage institution committed to scientific education, exploration, and discovery. Opened in 2008, it stands as a testament to the country`s dedication to scientific exploration and sustainable development. The museum's undertaking is to encourage curiosity, foster scientific literacy, and promote innovation amongst site visitors of all ages. 

The Museum boasts numerous famous and interactive displays showcasing numerous scientific disciplines, along with physics, biology, astronomy, and technology. 

Digital interpretation at the Gwacheon National Science Museum can significantly contribute to achieving SDG 4: Quality Education. This SDG focuses on ensuring inclusive and equitable access to quality education at all levels. By providing digital exhibits, virtual tours, and online resources, the museum can extend its educational reach beyond physical limitations or geographical barriers. This allows people from all over the world, including those in remote areas or with mobility challenges, to learn about science and technology in an engaging and interactive way. Furthermore, digital interpretation can be translated into multiple languages, promoting inclusivity and knowledge sharing on a global scale. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/29/2024 05:22:49 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[989]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.43924,127.00535;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2066">
    <dcterms:title><![CDATA[The Rwanda Ethnographic Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The Rwanda Ethnographic Museum Image]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[04/27/2024 04:38:17 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2067">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wz44@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[990]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-13.1633,-72.5456;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2068">
    <dcterms:title><![CDATA[Machu Picchu Ancient Temple]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Machu Picchu is a renowned archaeological site of the pre-Columbian Inca Empire, built in the 15th century in Peru. It is also one of the New Seven Wonders of the World and was inscribed as a mixed cultural and natural heritage site in the UNESCO World Heritage List in 1983. Due to its unique geographical location, mysterious religious ceremonies, and advanced architectural techniques, it is one of the most significant archaeological centers in South America. SDG 11 Sustainable Cities and Communities: As a world-famous tourist destination, Machu Picchu faces challenges of tourist pressure and environmental conservation. Leveraging technologies such as virtual tours and 3D models enables individuals to delve deeper into aspects like the structure, history, and cultural significance of historical relics, thereby enhancing historical understanding. Additionally, documenting detailed information and conditions of historical sites aids in their protection and conservation efforts. This approach helps reduce physical visitations to the sites, thereby minimizing human-induced damage and environmental pressures, thus fostering the sustainable development of historical relics.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/28/2024 09:04:56 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[wz44@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.machupicchu.gob.pe/?lang=en]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.machupicchu.gob.pe/?lang=en]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[991]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-13.162814729637555,-72.54530221223833;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Peru]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2069">
    <dcterms:title><![CDATA[The Mona Lisa]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Mona Lisa, arguably the most famous painting in the world, resides in the Louvre Museum in Paris, France. Painted by Leonardo da Vinci, this enigmatic portrait of Lisa Gherardini captivates viewers with her subtle smile and mysterious gaze.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[28/04/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/28/2024 06:24:21 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,48.8606°,2.3376°;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2070">
    <dcterms:title><![CDATA[The Mona Lisa]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Mona Lisa, arguably the most famous painting in the world, resides in the Louvre Museum in Paris, France. Painted by Leonardo da Vinci, this enigmatic portrait of Lisa Gherardini captivates viewers with her subtle smile and mysterious gaze.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[28/04/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/28/2024 06:24:39 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,48.8606°,2.3376°;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2071">
    <dcterms:title><![CDATA[The Mona Lisa]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Mona Lisa, arguably the most famous painting in the world, resides in the Louvre Museum in Paris, France. Painted by Leonardo da Vinci, this enigmatic portrait of Lisa Gherardini captivates viewers with her subtle smile and mysterious gaze. The painting's exquisite details, including its use of sfumato technique and lifelike portrayal, have earned it a revered status in the art world. Protected behind bulletproof glass and surrounded by throngs of admirers, the Mona Lisa continues to fascinate and inspire countless individuals from around the globe. 
Digital interpretation of the Mona Lisa addresses several Sustainable Development Goals (SDGs). By leveraging digital platforms, it promotes quality education (SDG 4) by offering insights into the artwork's historical context and artistic significance. Furthermore, it contributes to sustainable cities and communities (SDG 11) by reducing the need for physical travel to museums, thereby mitigating carbon emissions. Additionally, it supports industry, innovation, and infrastructure (SDG 9) by driving technological advancements in the cultural sector. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Leonardo da Vinci]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[Estimated around 1503-1506]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[28/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:extent><![CDATA[53cm x 77cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Leonardo da Vinci created the Mona Lisa during the Italian Renaissance]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[992]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,48.8606,2.3376;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2072">
    <dcterms:title><![CDATA[The Great Wall of China]]></dcterms:title>
    <dcterms:description><![CDATA[The Great Wall of China stands as an extraordinary feat of ancient engineering and a symbol of China's rich history and culture. Stretching over 13,000 miles across various landscapes, it was built to protect Chinese states and empires from invasions and raids. Constructed and reconstructed over centuries, it embodies the collective efforts of numerous dynasties. Made primarily of stone, brick, tamped earth, wood, and other materials, the wall is an architectural marvel, offering breathtaking views of China's diverse terrain.]]></dcterms:description>
    <dcterms:date><![CDATA[28/04/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/28/2024 06:52:53 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.4319°,116.5704°;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2073">
    <dcterms:title><![CDATA[The Great Wall of China]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Great Wall of China stands as an extraordinary feat of ancient engineering and a symbol of China's rich history and culture. Stretching over 13,000 miles across various landscapes, it was built to protect Chinese states and empires from invasions and raids. Constructed and reconstructed over centuries, it embodies the collective efforts of numerous dynasties. Made primarily of stone, brick, tamped earth, wood, and other materials, the wall is an architectural marvel, offering breathtaking views of China's diverse terrain. By leveraging digital platforms, it promotes quality education (SDG 4) by offering insights into the historical significance and architectural marvels of the Great Wall. Furthermore, it contributes to sustainable cities and communities (SDG 11) by reducing the need for physical travel to the site, thereby mitigating carbon emissions. Additionally, it supports industry, innovation, and infrastructure (SDG 9) by driving technological advancements in the preservation and interpretation of cultural heritage sites.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/28/2024 11:35:31 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:extent><![CDATA[21,196,000cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[993]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.4319,116.5704;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Owned by the Chinese government]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2074">
    <dcterms:title><![CDATA[Flamenco Music and Dance]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Flamenco is a passionate and expressive art form originating from the Andalusian region of Spain. It encompasses various elements, including singing (cante), guitar playing (toque), dance (baile), handclaps (palmas), and finger snapping (pitos). With roots in the diverse cultural traditions of Spain, including Romani, Moorish, Jewish, and Andalusian influences, flamenco is a vibrant and dynamic expression of emotion, storytelling, and cultural identity. Through intricate footwork, intricate rhythms, and soulful melodies, flamenco performers convey a wide range of emotions, from joy and love to sorrow and longing.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[28/04/2024]]></dcterms:date>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,37.3886,-5.9826;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2075">
    <dcterms:title><![CDATA[Flamenco Music and Dance]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Flamenco is a passionate and expressive art form originating from the Andalusian region of Spain. It encompasses various elements, including singing (cante), guitar playing (toque), dance (baile), handclaps (palmas), and finger snapping (pitos). With roots in the diverse cultural traditions of Spain, including Romani, Moorish, Jewish, and Andalusian influences, flamenco is a vibrant and dynamic expression of emotion, storytelling, and cultural identity. Through intricate footwork, intricate rhythms, and soulful melodies, flamenco performers convey a wide range of emotions, from joy and love to sorrow and longing. By leveraging digital platforms, it promotes quality education (SDG 4) by offering insights into the cultural heritage, history, and significance of Flamenco. Furthermore, it contributes to sustainable cities and communities (SDG 11) by providing access to Flamenco performances and educational resources online, reducing the need for physical travel and thus decreasing carbon emissions. Additionally, it supports industry, innovation, and infrastructure (SDG 9) by driving technological advancements in the dissemination and preservation of Flamenco art forms. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[28/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[994]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.3886,-5.9826;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2076">
    <dcterms:title><![CDATA[Flamenco Music and Dance]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Flamenco is a passionate and expressive art form originating from the Andalusian region of Spain. It encompasses various elements, including singing (cante), guitar playing (toque), dance (baile), handclaps (palmas), and finger snapping (pitos). With roots in the diverse cultural traditions of Spain, including Romani, Moorish, Jewish, and Andalusian influences, flamenco is a vibrant and dynamic expression of emotion, storytelling, and cultural identity. Through intricate footwork, intricate rhythms, and soulful melodies, flamenco performers convey a wide range of emotions, from joy and love to sorrow and longing.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[995]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.3886°,5.9826°;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2077">
    <dcterms:title><![CDATA[Flamenco Music and Dance]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Flamenco is a passionate and expressive art form originating from the Andalusian region of Spain. It encompasses various elements, including singing (cante), guitar playing (toque), dance (baile), handclaps (palmas), and finger snapping (pitos). With roots in the diverse cultural traditions of Spain, including Romani, Moorish, Jewish, and Andalusian influences, flamenco is a vibrant and dynamic expression of emotion, storytelling, and cultural identity. Through intricate footwork, intricate rhythms, and soulful melodies, flamenco performers convey a wide range of emotions, from joy and love to sorrow and longing.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[996]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.3886°,-5.9826° ;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2078">
    <dcterms:title><![CDATA[Flamenco Music and Dance]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Flamenco is a passionate and expressive art form originating from the Andalusian region of Spain. It encompasses various elements, including singing (cante), guitar playing (toque), dance (baile), handclaps (palmas), and finger snapping (pitos). With roots in the diverse cultural traditions of Spain, including Romani, Moorish, Jewish, and Andalusian influences, flamenco is a vibrant and dynamic expression of emotion, storytelling, and cultural identity. Through intricate footwork, intricate rhythms, and soulful melodies, flamenco performers convey a wide range of emotions, from joy and love to sorrow and longing.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[997]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.3886°,-5.9826° ;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2079">
    <dcterms:title><![CDATA[Flamenco Music and Dance]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Flamenco is a passionate and expressive art form originating from the Andalusian region of Spain. It encompasses various elements, including singing (cante), guitar playing (toque), dance (baile), handclaps (palmas), and finger snapping (pitos). With roots in the diverse cultural traditions of Spain, including Romani, Moorish, Jewish, and Andalusian influences, flamenco is a vibrant and dynamic expression of emotion, storytelling, and cultural identity. Through intricate footwork, intricate rhythms, and soulful melodies, flamenco performers convey a wide range of emotions, from joy and love to sorrow and longing.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[998]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.3886°,-5.9826° ;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2080">
    <dcterms:title><![CDATA[Flamenco Music and Dance]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Flamenco is a passionate and expressive art form originating from the Andalusian region of Spain. It encompasses various elements, including singing (cante), guitar playing (toque), dance (baile), handclaps (palmas), and finger snapping (pitos). With roots in the diverse cultural traditions of Spain, including Romani, Moorish, Jewish, and Andalusian influences, flamenco is a vibrant and dynamic expression of emotion, storytelling, and cultural identity. Through intricate footwork, intricate rhythms, and soulful melodies, flamenco performers convey a wide range of emotions, from joy and love to sorrow and longing.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[999]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.3886°,-5.9826°;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2081">
    <dcterms:title><![CDATA[Machu Picchu and Waynapicchu (Portrait)]]></dcterms:title>
    <dcterms:description><![CDATA[View of Waynapicchu Mountain from Machu Picchu.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[May 28, 2015]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/28/2024 09:45:48 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wz44@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2082">
    <dcterms:title><![CDATA[Machu Picchu with Huayna Picchu 16 novembre 2011]]></dcterms:title>
    <dcterms:description><![CDATA[This is a photo of a monument in Peru, identified by ID CUS-125.]]></dcterms:description>
    <dcterms:date><![CDATA[16 November 2011]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/28/2024 09:55:20 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wz44@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-13.164277777777778,-72.54511111111111;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2083">
    <dcterms:title><![CDATA[Great Barrier Reef]]></dcterms:title>
    <dcterms:subject><![CDATA[Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Great Barrier Reef, located off the northeast coast of Australia, is the world's largest coral reef system, comprising over 600 types of coral, 1,500 species of fish, and 4,000 species of mollusks. It hosts rich ecosystems and biodiversity, crucial for the stability of global ecosystems, and was inscribed on the UNESCO World Heritage List in 1981.It makes direct contributions to achieving the United Nations' 2030 Sustainable Development Goals (SDGs), such as SDG 13 (Climate Action): By monitoring and showcasing the climate change challenges facing the Great Barrier Reef, it promotes global climate action. SDG 14 (Life Below Water): It supports efforts to conserve marine biodiversity.Digitization can utilize drone technology for aerial photography and remote sensing, providing high-resolution imagery data to help scientists gain a more comprehensive understanding of the geographic features and trends of the Great Barrier Reef. Additionally, employing sonar technology and underwater robotic detectors allows for precise monitoring and assessment of the growth status of coral reefs, fish habitats, and marine pollution deep underwater. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wz44@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Great_Barrier_Reef]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1000]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-18.230125805271264,146.79813623428348;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2084">
    <dcterms:title><![CDATA[The Great Barrier Reef, Queensland, Cairns (Ank kumar)]]></dcterms:title>
    <dcterms:description><![CDATA[The Great Barrier Reef, Queensland, Cairns]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[10 October 2016]]></dcterms:date>
    <dcterms:contributor><![CDATA[wz44@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2085">
    <dcterms:title><![CDATA[The Nok Terracota Sculptures]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Nok terracotta sculptures, discovered in Nigeria, represent one of the earliest known examples of African figurative art dating back to around 500 BCE to 200 CE. Crafted primarily from terracotta clay, these remarkable sculptures depict human figures, human heads and animals, offering valuable insights into the cultural and artistic traditions of ancient West Africa. Crafted with exquisite detail and finesse, the Nok terracotta sculptures showcase the advanced sculptural techniques and artistic prowess of their creators. The production process of these sculptures involved the shaping the clay by hand or using basic tools, followed by firing in kilns to harden the material. As archaeological treasures, the Nok terracotta sculptures serve as a testament to the rich artistic heritage of Nigeria.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[29/04/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/29/2024 05:09:55 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cje5@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,9.7264° N,8.9107° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2086">
    <dcterms:title><![CDATA[The Nok Terracotta Heritage]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Nok Terracotta stands as a testament to the rich cultural heritage of the Nok people of Nigeria, dating back to 500 B.C.E. Crafted with clay, these sculptures represent a significant milestone in early pottery art within sub-Saharan Africa. These artefacts offer invaluable insights into the skilled craftsmanship and cultural traditions of the ancient 'Nok' city. These sculptures with distinct triangular or oval shapes on human faces have emerged as iconic symbols of Nok Art, showcasing the culture's unique stylistic elements. Digital interpretation efforts, including virtual reality experiences, immersive, and interactive learning, have provided unprecedented access to these artefacts for global audience, thereby fostering a deeper appreciation for cultural diversity, heritage preservation, and promoting sustainable development. This engagement advances SDG 4.7's goal of ensuring that all learners acquire the knowledge and skills needed to promote sustainable development. However, despite their historical significance, Nok Terracotta faces notable threats to its preservation. Factors such as environmental degradation, including erosion and climate change, pose significant risks to the integrity of these artefacts. Additionally, looting and illegal trade of cultural heritage items contribute to the loss and destruction of Nok Terracotta sculptures. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Nok People, Nigeria ]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[500 B.C.E.]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[29/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:medium><![CDATA[Nok Culture, Nigeria]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[1001]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,9.7264,8.9107;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2087">
    <dcterms:title><![CDATA[Classical Gardens of Suzhou_Humble Administrators Garden]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Xiangzhou of Humble Administrators Garden Suzhou]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[23 October 2009]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/29/2024 06:23:04 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yh82@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Xiangzhou_of_Zhuozhengyuan_Suzhou_4th_Aug_2006.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,31.32624102091559,120.62406128738078;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2088">
    <dcterms:title><![CDATA[Classical Gardens of Suzhou]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Classical Gardens of Suzhou exemplify ancient Chinese garden art, merging aesthetic design with cultural depth and architectural skill. These gardens embody Chinese philosophical, literary, and artistic traditions, demonstrating an integration of natural beauty and humanistic values.
To preserve and showcase these gardens, the Suzhou Classical Garden Database was established, cataloging over 5,000 elements from 19 gardens. Additionally, the "Digital Gardens" online platform provides interactive digital models, enhancing accessibility and engagement globally.
The conservation of these gardens supports Sustainable Development Goals, particularly Goal 11 (Sustainable Cities and Communities) by protecting cultural diversity and natural heritage. Under Goal 4 (Quality Education), digital tools promote educational opportunities, allowing broad access to the gardens' rich historical and cultural narratives, thereby encouraging lifelong learning and appreciation of cultural heritage.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yh82@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1002]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,31.309112215421475,120.61838150024415;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2089">
    <dcterms:title><![CDATA[Classical Gardens of Suzhou]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Classical Gardens of Suzhou exemplify ancient Chinese garden art, merging aesthetic design with cultural depth and architectural skill. These gardens embody Chinese philosophical, literary, and artistic traditions, demonstrating an integration of natural beauty and humanistic values.
To preserve and showcase these gardens, the Suzhou Classical Garden Database was established, cataloging over 5,000 elements from 19 gardens. Additionally, the "Digital Gardens" online platform provides interactive digital models, enhancing accessibility and engagement globally.
The conservation of these gardens supports Sustainable Development Goals, particularly Goal 11 (Sustainable Cities and Communities) by protecting cultural diversity and natural heritage. Under Goal 4 (Quality Education), digital tools promote educational opportunities, allowing broad access to the gardens' rich historical and cultural narratives, thereby encouraging lifelong learning and appreciation of cultural heritage.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yh82@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.m.wikipedia.org/wiki/Classical_Gardens_of_Suzhou]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://whc.unesco.org/en/list/813/]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1003]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,31.30890138655634,120.61815083026887;]]></dcterms:spatial>
</rdf:Description></rdf:RDF>