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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
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    <dcterms:date><![CDATA[2008:03:09 12:27:08]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 02:05:20 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr (Creative Commons)]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.0450, 94.8092;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3434">
    <dcterms:title><![CDATA[Mogao Mural]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This image shows a mural exhibit from the Mogao Caves in Dunhuang, on display at the National Art Museum of China. The original mural is part of a vast collection of Buddhist wall paintings created between the 4th and 14th centuries, located in grottoes carved into the cliffs along the ancient Silk Road. These artworks reflect the spiritual and artistic exchanges between Chinese, Central Asian, and Indian cultures.

The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2008:03:09 12:27:08]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 02:05:25 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr (Creative Commons)]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.0450, 94.8092;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3435">
    <dcterms:title><![CDATA[Mogao Mural]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This image shows a mural exhibit from the Mogao Caves in Dunhuang, on display at the National Art Museum of China. The original mural is part of a vast collection of Buddhist wall paintings created between the 4th and 14th centuries, located in grottoes carved into the cliffs along the ancient Silk Road. These artworks reflect the spiritual and artistic exchanges between Chinese, Central Asian, and Indian cultures.

The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2008:03:09 12:27:08]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 02:05:29 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr (Creative Commons)]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.0450, 94.8092;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3436">
    <dcterms:title><![CDATA[Mogao Mural]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This image shows a mural exhibit from the Mogao Caves in Dunhuang, on display at the National Art Museum of China. The original mural is part of a vast collection of Buddhist wall paintings created between the 4th and 14th centuries, located in grottoes carved into the cliffs along the ancient Silk Road. These artworks reflect the spiritual and artistic exchanges between Chinese, Central Asian, and Indian cultures.

The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2008:03:09 12:27:08]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 02:05:34 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr (Creative Commons)]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.0450, 94.8092;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3437">
    <dcterms:title><![CDATA[Mogao Mural]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This image shows a mural exhibit from the Mogao Caves in Dunhuang, on display at the National Art Museum of China. The original mural is part of a vast collection of Buddhist wall paintings created between the 4th and 14th centuries, located in grottoes carved into the cliffs along the ancient Silk Road. These artworks reflect the spiritual and artistic exchanges between Chinese, Central Asian, and Indian cultures.

The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2008:03:09 12:27:08]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 02:05:40 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr (Creative Commons)]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.0450, 94.8092;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3438">
    <dcterms:title><![CDATA[Mogao Mural]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This image shows a mural exhibit from the Mogao Caves in Dunhuang, on display at the National Art Museum of China. The original mural is part of a vast collection of Buddhist wall paintings created between the 4th and 14th centuries, located in grottoes carved into the cliffs along the ancient Silk Road. These artworks reflect the spiritual and artistic exchanges between Chinese, Central Asian, and Indian cultures.

The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2008:03:09 12:27:08]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 02:05:45 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr (Creative Commons)]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.0450, 94.8092;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3439">
    <dcterms:title><![CDATA[Mogao Mural]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This image shows a mural exhibit from the Mogao Caves in Dunhuang, on display at the National Art Museum of China. The original mural is part of a vast collection of Buddhist wall paintings created between the 4th and 14th centuries, located in grottoes carved into the cliffs along the ancient Silk Road. These artworks reflect the spiritual and artistic exchanges between Chinese, Central Asian, and Indian cultures.

The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2008:03:09 12:27:08]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 02:05:50 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr (Creative Commons)]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.0450, 94.8092;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3440">
    <dcterms:title><![CDATA[Mogao Mural]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This image shows a mural exhibit from the Mogao Caves in Dunhuang, on display at the National Art Museum of China. The original mural is part of a vast collection of Buddhist wall paintings created between the 4th and 14th centuries, located in grottoes carved into the cliffs along the ancient Silk Road. These artworks reflect the spiritual and artistic exchanges between Chinese, Central Asian, and Indian cultures.

The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2008:03:09 12:27:08]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 02:05:55 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr (Creative Commons)]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.0450, 94.8092;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3443">
    <dcterms:title><![CDATA[Mogao Mural]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This image shows a mural exhibit from the Mogao Caves in Dunhuang, on display at the National Art Museum of China. The original mural is part of a vast collection of Buddhist wall paintings created between the 4th and 14th centuries, located in grottoes carved into the cliffs along the ancient Silk Road. These artworks reflect the spiritual and artistic exchanges between Chinese, Central Asian, and Indian cultures.

The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[9 March 2008]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 02:11:38 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr (Creative Commons)]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.0450, 94.8092;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3446">
    <dcterms:title><![CDATA[Mogao Mural]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This mural is a replica exhibit based on the original Buddhist wall paintings found in the Mogao Caves, also known as the Thousand Buddha Grottoes, located near Dunhuang, China.
The original murals were created between the 4th and 14th centuries, featuring rich iconography of Buddhist narratives, devotional figures, and multicultural artistic influences from the Silk Road.
This replica was produced for educational and exhibition purposes to promote awareness of Dunhuang’s cultural significance. While the physical replica is movable, the original artworks are considered immovable cultural heritage and are part of a UNESCO World Heritage Site.]]></dcterms:description>
    <dcterms:creator><![CDATA[Generations of Buddhist monks and artisans along the Silk Road]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[4th to 14th century CE]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[25/03/2025]]></dcterms:>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Mogao_Caves]]></dcterms:references>
    <dcterms:extent><![CDATA[300cm x 80cm x 0cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Dunhuang Research Academy]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[1334]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.0450,94.8092;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3449">
    <dcterms:title><![CDATA[Mogao Mural]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This image shows a mural exhibit from the Mogao Caves in Dunhuang, on display at the National Art Museum of China. The original mural is part of a vast collection of Buddhist wall paintings created between the 4th and 14th centuries, located in grottoes carved into the cliffs along the ancient Silk Road. These artworks reflect the spiritual and artistic exchanges between Chinese, Central Asian, and Indian cultures.

The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[9 March 2008]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 02:21:41 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr (Creative Commons)]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.0450, 94.8092;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/270">
    <dcterms:title><![CDATA[Mohenjo Daro]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Indus Valley Civilization]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[23/04/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[24/04/2021]]></dcterms:>
    <dcterms:contributor><![CDATA[Apeksha]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[244]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,27,68;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/277">
    <dcterms:title><![CDATA[Mohenjo Daro]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Mohenjo Daro is the best preserved city of the great ancient culture of Indus Valley Civilization. A miniature bronze statuette of a nude female, known as "The Dancing girl" artifact found in Mohenjo daro reveals that the Indus Valley civilization is more than 4500 years old, contemporaneous with Egyptian and Mesopotamian civilizations. On the UNESCO World Heritage List, Mohenjo Daro has been listed as an archaeological site of immense historical significance. A well-planned street grid and an elaborate drainage system hint that the occupants of the ancient Indus civilization city of Mohenjo Daro were skilled urban planners with a reverence for the control of water. The Great Bath of Mohenjo Daro is referred to as the "earliest public water tank of the ancient world". The awe-inspiring archaeological site of Mohenjo Daro is nothing less than an absolutely thrilling and amazing walk through the 5,000-year-old culture.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[24/04/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/01/2021 02:14:51 am]]></dcterms:>
    <dcterms:contributor><![CDATA[Apeksha]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[246]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,27,68;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2043">
    <dcterms:title><![CDATA[Mona Lisa]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Mona Lisa, painted by Leonardo da Vinci in the early 1500s, is considered the most famous painting in the world. The painting depicts a young woman with an intriguing smile and is currently housed in the Louvre Museum in Paris. Millions of people visit the Louvre each year, and it is estimated that 80% of them visit for the Mona Lisa itself. An exemplification of the Italian Renaissance, the painting became globally known after it was stolen twice, in the late 19th and early 20th centuries. While extremely valuable, this painting is now the property of France and has been in the Louvre since 1797. 

This moveable heritage addresses Quality Education 4.7 and Climate Action 13.]]></dcterms:description>
    <dcterms:creator><![CDATA[Leonardo da Vinci]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1503-1506]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[27/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[77cm x 53cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Mona_Lisa]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[981]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,48.860294,2.338629;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2044">
    <dcterms:title><![CDATA[Mona Lisa]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[04/25/2024 03:30:44 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Mona_Lisa]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2045">
    <dcterms:title><![CDATA[Mona Lisa]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[04/25/2024 03:30:48 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Mona_Lisa]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2046">
    <dcterms:title><![CDATA[Mona Lisa]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[04/25/2024 03:30:53 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Mona_Lisa]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2147">
    <dcterms:title><![CDATA[Mona Lisa]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Mona Lisa, also known as "La Gioconda," is a renowned oil painting created by the Italian Renaissance artist Leonardo da Vinci. Crafted in the early 16th century, it stands as one of da Vinci's masterpieces and one of the most famous and enigmatic artworks in the world.
In the painting, a mysterious woman is depicted with a serene and inscrutable expression, her smile seeming to endure through the ages, inviting contemplation. Her eyes appear to gaze into the distance, evoking a sense of depth and mystery, leaving viewers intrigued by the enigma of her inner thoughts. Draped in a simple, dark garment and adorned with an elegant headscarf, she is set against a backdrop of hazy mountains and lakes.
The Mona Lisa's smile is regarded as one of da Vinci's remarkable artistic achievements, showcasing his unparalleled skill in capturing human emotions and expressions. Yet, the true intention behind the painting and the identity of the Mona Lisa remain subjects of historical and artistic speculation, adding to the allure and fascination surrounding her image.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/01/2024 08:34:55 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[dz35@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Collection]]></dcterms:type>
    <dcterms:identifier><![CDATA[1030]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,48.8606,2.3376;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2148">
    <dcterms:title><![CDATA[Mona Lisa]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Mona Lisa, also known as "La Gioconda," is a renowned oil painting created by the Italian Renaissance artist Leonardo da Vinci. Crafted in the early 16th century, it stands as one of da Vinci's masterpieces and one of the most famous and enigmatic artworks in the world.
In the painting, a mysterious woman is depicted with a serene and inscrutable expression, her smile seeming to endure through the ages, inviting contemplation. Her eyes appear to gaze into the distance, evoking a sense of depth and mystery, leaving viewers intrigued by the enigma of her inner thoughts. Draped in a simple, dark garment and adorned with an elegant headscarf, she is set against a backdrop of hazy mountains and lakes.
The Mona Lisa's smile is regarded as one of da Vinci's remarkable artistic achievements, showcasing his unparalleled skill in capturing human emotions and expressions. Yet, the true intention behind the painting and the identity of the Mona Lisa remain subjects of historical and artistic speculation, adding to the allure and fascination surrounding her image.]]></dcterms:description>
    <dcterms:creator><![CDATA[Leonardo da Vinci]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[Around 1503 to 1506]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/01/2024 09:02:05 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[dz35@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Collection]]></dcterms:type>
    <dcterms:identifier><![CDATA[1031]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,48.8606,2.3376;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2149">
    <dcterms:title><![CDATA[Mona Lisa]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Mona Lisa, also known as "La Gioconda," is a renowned oil painting created by the Italian Renaissance artist Leonardo da Vinci. Crafted in the early 16th century, it stands as one of da Vinci's masterpieces and one of the most famous and enigmatic artworks in the world.
In the painting, a mysterious woman is depicted with a serene and inscrutable expression, her smile seeming to endure through the ages, inviting contemplation. Her eyes appear to gaze into the distance, evoking a sense of depth and mystery, leaving viewers intrigued by the enigma of her inner thoughts. Draped in a simple, dark garment and adorned with an elegant headscarf, she is set against a backdrop of hazy mountains and lakes.
The Mona Lisa's smile is regarded as one of da Vinci's remarkable artistic achievements, showcasing his unparalleled skill in capturing human emotions and expressions. Yet, the true intention behind the painting and the identity of the Mona Lisa remain subjects of historical and artistic speculation, adding to the allure and fascination surrounding her image.]]></dcterms:description>
    <dcterms:creator><![CDATA[Leonardo da Vinci]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[Around 1503 to 1506]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/01/2024 09:08:23 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[dz35@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:language><![CDATA[English]]></dcterms:language>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2150">
    <dcterms:title><![CDATA[Mona Lisa]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Mona Lisa, famously known as "La Gioconda," is an iconic masterpiece painted by the legendary artist Leonardo da Vinci during the Italian Renaissance. Completed around the early 16th century, this portrait has become one of the most celebrated and mysterious artworks in history.
The painting depicts a woman with an enigmatic smile and captivating gaze, which has intrigued viewers for centuries. Her expression seems to convey an elusive combination of serenity, intrigue, and perhaps even a hint of melancholy, leaving observers captivated by the depth of emotion captured in her features.
Adorned in a simple yet elegant attire, Mona Lisa's pose against a distant landscape adds to the allure of the painting, creating a sense of timeless beauty and intrigue. Leonardo da Vinci's meticulous attention to detail, subtle use of light and shadow, and mastery of perspective are evident in every stroke, making the Mona Lisa a testament to his unparalleled artistic genius.
The Mona Lisa's smile, in particular, has sparked countless interpretations and theories, further shrouding the painting in mystery. Despite the passage of centuries, it continues to mesmerize art lovers and scholars alike, cementing its place as an enduring symbol of artistic excellence and human fascination.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/01/2024 09:20:26 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[dz35]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2152">
    <dcterms:title><![CDATA[Mona Lisa]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Mona Lisa, famously known as "La Gioconda," is an iconic masterpiece painted by the legendary artist Leonardo da Vinci during the Italian Renaissance. Completed around the early 16th century, this portrait has become one of the most celebrated and mysterious artworks in history.
The painting depicts a woman with an enigmatic smile and captivating gaze, which has intrigued viewers for centuries. Her expression seems to convey an elusive combination of serenity, intrigue, and perhaps even a hint of melancholy, leaving observers captivated by the depth of emotion captured in her features.
Adorned in a simple yet elegant attire, Mona Lisa's pose against a distant landscape adds to the allure of the painting, creating a sense of timeless beauty and intrigue. Leonardo da Vinci's meticulous attention to detail, subtle use of light and shadow, and mastery of perspective are evident in every stroke, making the Mona Lisa a testament to his unparalleled artistic genius.
The Mona Lisa's smile, in particular, has sparked countless interpretations and theories, further shrouding the painting in mystery. Despite the passage of centuries, it continues to mesmerize art lovers and scholars alike, cementing its place as an enduring symbol of artistic excellence and human fascination.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[01/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[dz35]]></dcterms:contributor>
    <dcterms:extent><![CDATA[77cm x 53cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1033]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,48.86156928847721,2.333224201574922;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3847">
    <dcterms:title><![CDATA[Mona Lisa]]></dcterms:title>
    <dcterms:description><![CDATA[Leonardo da Vinci created the Mona Lisa, one of the most well-known and mysterious pieces of art in history, between 1503 and 1519. Known for its exquisite use of sfumato, a technique that produces subtle color and tone changes that give her expression an almost lifelike appearance. Viewers have been captivated by the painting's enigmatic smile and direct gaze for decades, leading to several speculations regarding the subject's identity, feelings, and hidden meanings. The Mona Lisa is more than just a portrait thanks to Leonardo's painstaking attention to anatomical detail and light manipulation; it is a representation of the Italian Renaissance's creative inventiveness. The Mona Lisa, which is currently on display at the Louvre Museum, is a timeless cultural symbol that welcomes millions of tourists each year. Its significance goes beyond art; it is a symbol of inventiveness, scientific inquiry, and the enduring strength of human imagination. High-resolution photography and digital preservation initiatives enable both the public and scholars to study the masterpiece in previously unheard-of detail, guaranteeing that its legacy will live on for many more centuries.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/28/2025 10:22:43 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[concretedetails]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,48.8606° N,2.3376° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3869">
    <dcterms:title><![CDATA[Mona Lisa]]></dcterms:title>
    <dcterms:description><![CDATA[Leonardo da Vinci created the Mona Lisa, one of the most well-known and mysterious pieces of art in history, between 1503 and 1519. Known for its exquisite use of sfumato, a technique that produces subtle color and tone changes that give her expression an almost lifelike appearance. Viewers have been captivated by the painting's enigmatic smile and direct gaze for decades, leading to several speculations regarding the subject's identity, feelings, and hidden meanings. The Mona Lisa is more than just a portrait thanks to Leonardo's painstaking attention to anatomical detail and light manipulation; it is a representation of the Italian Renaissance's creative inventiveness. The Mona Lisa, which is currently on display at the Louvre Museum, is a timeless cultural symbol that welcomes millions of tourists each year. Its significance goes beyond art; it is a symbol of inventiveness, scientific inquiry, and the enduring strength of human imagination. High-resolution photography and digital preservation initiatives enable both the public and scholars to study the masterpiece in previously unheard-of detail, guaranteeing that its legacy will live on for many more centuries.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/29/2025 07:58:00 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[concretedetails]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Mona_Lisa#/media/File:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF_retouched.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
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    <dcterms:title><![CDATA[Mona Lisa]]></dcterms:title>
    <dcterms:description><![CDATA[Leonardo da Vinci created the Mona Lisa, one of the most well-known and mysterious pieces of art in history, between 1503 and 1519. Known for its exquisite use of sfumato, a technique that produces subtle color and tone changes that give her expression an almost lifelike appearance. Viewers have been captivated by the painting's enigmatic smile and direct gaze for decades, leading to several speculations regarding the subject's identity, feelings, and hidden meanings. The Mona Lisa is more than just a portrait thanks to Leonardo's painstaking attention to anatomical detail and light manipulation; it is a representation of the Italian Renaissance's creative inventiveness. The Mona Lisa, which is currently on display at the Louvre Museum, is a timeless cultural symbol that welcomes millions of tourists each year. Its significance goes beyond art; it is a symbol of inventiveness, scientific inquiry, and the enduring strength of human imagination. High-resolution photography and digital preservation initiatives enable both the public and scholars to study the masterpiece in previously unheard-of detail, guaranteeing that its legacy will live on for many more centuries.]]></dcterms:description>
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    <dcterms:dateSubmitted><![CDATA[29/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[concretedetails]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3874">
    <dcterms:title><![CDATA[Mona Lisa]]></dcterms:title>
    <dcterms:description><![CDATA[Leonardo da Vinci created the Mona Lisa, one of the most well-known and mysterious pieces of art in history, between 1503 and 1519. Known for its exquisite use of sfumato, a technique that produces subtle color and tone changes that give her expression an almost lifelike appearance. Viewers have been captivated by the painting's enigmatic smile and direct gaze for decades, leading to several speculations regarding the subject's identity, feelings, and hidden meanings. The Mona Lisa is more than just a portrait thanks to Leonardo's painstaking attention to anatomical detail and light manipulation; it is a representation of the Italian Renaissance's creative inventiveness. The Mona Lisa, which is currently on display at the Louvre Museum, is a timeless cultural symbol that welcomes millions of tourists each year. Its significance goes beyond art; it is a symbol of inventiveness, scientific inquiry, and the enduring strength of human imagination. High-resolution photography and digital preservation initiatives enable both the public and scholars to study the masterpiece in previously unheard-of detail, guaranteeing that its legacy will live on for many more centuries. Goal 9: Industry, Innovation, and Infrastructure (Target 9.5): AI-driven restoration methods and digital preservation help preserve cultural items by fostering innovation.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/29/2025 08:19:12 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[concretedetails]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Mona_Lisa#/media/File:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF_retouched.jpg]]></dcterms:medium>
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    <dcterms:title><![CDATA[Mona Lisa]]></dcterms:title>
    <dcterms:description><![CDATA[Leonardo da Vinci created the Mona Lisa, one of the most well-known and mysterious pieces of art in history, between 1503 and 1519. Known for its exquisite use of sfumato, a technique that produces subtle color and tone changes that give her expression an almost lifelike appearance. Viewers have been captivated by the painting's enigmatic smile and direct gaze for decades, leading to several speculations regarding the subject's identity, feelings, and hidden meanings. The Mona Lisa is more than just a portrait thanks to Leonardo's painstaking attention to anatomical detail and light manipulation; it is a representation of the Italian Renaissance's creative inventiveness. The Mona Lisa, which is currently on display at the Louvre Museum, is a timeless cultural symbol that welcomes millions of tourists each year. Its significance goes beyond art; it is a symbol of inventiveness, scientific inquiry, and the enduring strength of human imagination. High-resolution photography and digital preservation initiatives enable both the public and scholars to study the masterpiece in previously unheard-of detail, guaranteeing that its legacy will live on for many more centuries. Goal 9: Industry, Innovation, and Infrastructure (Target 9.5): AI-driven restoration methods and digital preservation help preserve cultural items by fostering innovation.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
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    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
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    <dcterms:title><![CDATA[Mona_Lisa_]]></dcterms:title>
    <dcterms:description><![CDATA[Mona Lisa, famously known as "La Gioconda," is an iconic masterpiece painted by the legendary artist Leonardo da Vinci during the Italian Renaissance. Completed around the early 16th century, this portrait has become one of the most celebrated and mysterious artworks in history.
The painting depicts a woman with an enigmatic smile and captivating gaze, which has intrigued viewers for centuries. Her expression seems to convey an elusive combination of serenity, intrigue, and perhaps even a hint of melancholy, leaving observers captivated by the depth of emotion captured in her features.
Adorned in a simple yet elegant attire, Mona Lisa's pose against a distant landscape adds to the allure of the painting, creating a sense of timeless beauty and intrigue. Leonardo da Vinci's meticulous attention to detail, subtle use of light and shadow, and mastery of perspective are evident in every stroke, making the Mona Lisa a testament to his unparalleled artistic genius.
The Mona Lisa's smile, in particular, has sparked countless interpretations and theories, further shrouding the painting in mystery. Despite the passage of centuries, it continues to mesmerize art lovers and scholars alike, cementing its place as an enduring symbol of artistic excellence and human fascination.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[dz35]]></dcterms:contributor>
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    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
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    <dcterms:type><![CDATA[Sound]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1958">
    <dcterms:title><![CDATA[Monasterio de San Mart&iacute;n, Santiago de Compostela]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By Diego Delso, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=43803827]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
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    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
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    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/w/index.php?curid=43803827]]></dcterms:medium>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1957">
    <dcterms:title><![CDATA[Monasterio de San Martín, Santiago de Compostela]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By Diego Delso, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=43803833]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[4 October 2015]]></dcterms:date>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
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    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2641">
    <dcterms:title><![CDATA[Monet - Sunrise Impression]]></dcterms:title>
    <dcterms:description><![CDATA[Impression, Sunrise (French: Impression, soleil levant) is an 1872 painting by Claude Monet first shown at what would become known as the "Exhibition of the Impressionists" in Paris in April, 1874. The painting is credited with inspiring the name of the Impressionist movement.
Impression, Sunrise depicts the port of Le Havre, Monet's hometown. It is now displayed at the Musée Marmottan Monet in Paris.

Impression, Sunrise depicts the port of Le Havre at sunrise, the two small rowboats in the foreground and the red Sun being the focal elements. In the middle ground, more fishing boats are included, while in the background on the left side of the painting are clipper ships with tall masts. Behind them are other misty shapes that "are not trees but smokestacks of pack boats and steamships, while on the right in the distance are other masts and chimneys silhouetted against the sky." In order to show these features of industry, Monet eliminated existing houses on the left side of the jetty, leaving the background unobscured.
Following the defeat of France in the Franco-Prussian War of 1870–71, the regeneration of France was exemplified in the thriving port of Le Havre. Art historian Paul Tucker suggests that the contrast of elements like the steamboats and cranes in the background to the fishermen in the foreground represent these political implications: "Monet may have seen this painting of a highly commercial site as an answer to the postwar calls for patriotic action and an art that could lead. For while it is a poem of light and atmosphere, the painting can also be seen as an ode to the power and beauty of a revitalized France."
The representation of Le Havre, hometown of Monet and a center of industry and commerce, celebrates the "renewed strength and beauty of the country... Monet's ultimate utopian statement." Art demonstrating France's revitalization, Monet's depiction of Le Havre's sunrise mirrors the renewal of France.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:extent><![CDATA[48cm x 63cm x 0cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1149]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,48.8593,2.2672;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Musée Marmottan Monet]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2640">
    <dcterms:title><![CDATA[Monet Sunrise Impression]]></dcterms:title>
    <dcterms:description><![CDATA[Monet Sunrise Impression]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/07/2024 02:57:54 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1910">
    <dcterms:title><![CDATA[Mongolian_Musician.jpg]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[The Morin Khuur, Mongolia's traditional bowstring instrument, holds deep cultural significance, symbolizing the nation and recognized as vital intangible heritage by UNESCO. Its name originates from the horse's head shaped engraving at the head of the instrument. Crafted from wood and strung with horsetail or ox tendon, the Morin Khuur's tones are produced by the artist's skillful manipulation of tension and vibration patterns while playing with a bow.This unique instrument plays a pivotal role in Mongolian and Tuvan cult ures, frequently featured in folk performances and rituals. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/21/2024 12:43:39 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Xiaotong]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.05947032705062,110.68066433072092;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1192">
    <dcterms:title><![CDATA[Mont Sai]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Mont Saint-Michel is a tidal island and mainland commune in Normandy, France. 

The Abbey atop Mont Saint-Michel swiftly rose to prominence as a major Christian West pilgrimage site and a seat of mediaeval culture where a significant quantity of manuscripts were created and preserved. "City of the Books" is the moniker given to Mont-Saint-Michel.]]></dcterms:description>
    <dcterms:date><![CDATA[2019:07:15 07:45:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/15/2023 03:25:38 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sd302]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,48.632826,-1.5230951;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1193">
    <dcterms:title><![CDATA[Mont Saint-Michel]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Mont Saint-Michel is a tidal island and mainland commune in Normandy, France. 

The Abbey atop Mont Saint-Michel swiftly rose to prominence as a major Christian West pilgrimage site and a seat of mediaeval culture where a significant quantity of manuscripts were created and preserved. "City of the Books" is the moniker given to Mont-Saint-Michel.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer,is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[2019:07:15 07:45:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/15/2023 03:27:59 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sd302]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,48.632826,-1.5230951;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1195">
    <dcterms:title><![CDATA[Mont Saint-Michel]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Mont Saint-Michel is a rocky tidal island located off the coast of Normandy, France. It is home to a stunning Gothic-style abbey that dates back to the 8th century and has been designated as a UNESCO World Heritage Sites. The site has played an important role in French history and served as a place of pilgrimage for centuries. Mont Saint Michel has cultural significance as a symbol of medieval religious and military architecture, and its unique location and history make it a popular tourist destination.

The Abbey atop Mont Saint-Michel swiftly rose to prominence as a major Christian West pilgrimage site and a seat of mediaeval culture where a significant quantity of manuscripts were created and preserved. "City of the Books" is the moniker given to Mont-Saint-Michel.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[708]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[15/04/2023]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/08/2023 03:31:25 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[sd302]]></dcterms:contributor>
    <dcterms:extent><![CDATA[97 hacm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[623]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,48.632826,-1.5230951;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[French commune of Le Mont-Saint-Michel]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1615">
    <dcterms:title><![CDATA[Mont-Saint-Michel and its Bay]]></dcterms:title>
    <dcterms:date><![CDATA[between 11th and 16th]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[06/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ty43@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[746]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1616">
    <dcterms:title><![CDATA[Mont-Saint-Michel and its Bay]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Located in Normandy, France, Mont-Saint-Michel is a former Gothic-style Benedictine abbey, and is thus an important site of medieval Christianity, as well as being famous for its unique aesthetic. Since the abbey was abolished in 1789, in 1863, Mont-Saint-Michel was turned into a prison. Despite the destruction of the early parts of the church, it has maintained a perfect combination of natural beauty and human history through centuries of constant maintenance, and is therefore considered one of the most fascinating sites in France. Over three million visitors come to visit each year to share its history and marvel at the majesty and wonder of this resort.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[Between the 11th and 16th centuries]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[06/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ty43@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/en/list/80/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[UNESCO]]></dcterms:medium>
    <dcterms:language><![CDATA[Franch]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[747]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,48.38 ,1.30;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Centre des monuments nationaux]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1614">
    <dcterms:title><![CDATA[Mont-Saint-Michel and its Bay Photo]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Photo of Mont-Saint-Michel and its Bay]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[12/12/2014]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/06/2023 12:55:37 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ty43@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.flickr.com/photos/jlascar/albums/72157676087312763]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,48.38 ,1.30;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/149">
    <dcterms:title><![CDATA[Moredun Top Hillfort]]></dcterms:title>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[23/12/2020]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[138]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.364309,-3.399799;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/148">
    <dcterms:title><![CDATA[Moredun Top Hillfort - 50]]></dcterms:title>
    <dcterms:description><![CDATA[Hillforts feature regularly on the landscape of the Ochil and Sidlaw hills and a number have been excavated and studied in the past. Many of those studies were undertaken by Victorian archaeologists, who had no access to carbon dating, but the sites are likely to have been used over a wide time-frame. Though the occupants of each are likely to have been power-brokers within the local area, none straddled the land like those who ruled from Moncreiffe Hill. The stronghold would have been ideal for security and defence, offering commanding views of approach by land or water.]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:date><![CDATA[2017]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[199]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.350833,-3.399722;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1906">
    <dcterms:title><![CDATA[Morin Khuur]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[The Morin Khuur, Mongolia's traditional bowstring instrument, holds deep cultural significance,symbolizing the nation and recognized as vital intangible heritage by UNESCO. Its name originates from the horse's head shaped engraving at the head of the instrument. Crafted from wood and strung with horsetail or ox tendon, the Morin Khuur's tones are produced by the artist's skillful manipulation of tension and vibration patterns while playing with a bow.This unique instrument plays a pivotal role in Mongolian and Tuvan cult ures, frequently featured in folk performances and rituals.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[Xiaotong]]></dcterms:contributor>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.712289745340925,110.10058566927913;]]></dcterms:spatial>
</rdf:Description></rdf:RDF>