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    <dcterms:description><![CDATA[域跨东经103°46'~104°4'；北纬32°54'~33°19']]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[04/24/2024 01:17:32 pm]]></dcterms:dateSubmitted>
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    <dcterms:title><![CDATA[Old Summer Palace]]></dcterms:title>
    <dcterms:description><![CDATA[The Old Summer Palace, also known as the Yuanmingyuan, was a complex of palaces and gardens located in Beijing, China. Built during the Qing Dynasty, it served as the primary imperial residence for emperors during the summer months. The palace complex was renowned for its exquisite architecture, expansive gardens, and extensive collection of artworks and treasures. Tragically, the Old Summer Palace was ransacked and destroyed by British and French forces during the Second Opium War in 1860, resulting in significant loss of cultural heritage. Despite its ruinous state, the site remains a poignant symbol of China's history and the enduring legacy of its imperial past.]]></dcterms:description>
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    <dcterms:contributor><![CDATA[Shiwen]]></dcterms:contributor>
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    <dcterms:title><![CDATA[Yuanmingyuan_Ruins_of_Dashuifa_20120715.jpg]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2012:07:19 00:29:32]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/23/2024 12:45:00 pm]]></dcterms:dateSubmitted>
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    <dcterms:dateSubmitted><![CDATA[04/23/2024 12:42:45 pm]]></dcterms:dateSubmitted>
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    <dcterms:dateSubmitted><![CDATA[04/23/2024 12:42:40 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shiwen]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2020">
    <dcterms:title><![CDATA[Tiananmen]]></dcterms:title>
    <dcterms:description><![CDATA[Tiananmen, located in the heart of Beijing, China, is a historic landmark with profound cultural and political significance. The name "Tiananmen" translates to "Gate of Heavenly Peace." The focal point of Tiananmen Square, it stands as the entrance to the Forbidden City, once the imperial palace of China's emperors. Tiananmen witnessed pivotal moments in Chinese history, including the founding of the People's Republic of China in 1949 and the 1989 student-led protests for democracy and freedom. Despite its turbulent past, Tiananmen remains an enduring symbol of China's rich heritage and the aspirations of its people.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[23/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/23/2024 12:43:08 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[Shiwen]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
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    <dcterms:identifier><![CDATA[971]]></dcterms:identifier>
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    <dcterms:title><![CDATA[Tiananmen-end-Beijing.webp]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[04/23/2024 12:38:18 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shiwen]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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    <dcterms:title><![CDATA[231019094240-01-sanxingdui-masks-hong-kong-exhibit-3.webp]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/23/2024 12:34:13 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shiwen]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2017">
    <dcterms:title><![CDATA[Sanxingdui]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/23/2024 12:29:01 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shiwen]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2016">
    <dcterms:title><![CDATA[Sanxingdui]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/23/2024 12:28:57 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shiwen]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2015">
    <dcterms:title><![CDATA[The Lost Ancient Civilization of Sanxingdui]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/23/2024 12:03:58 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shiwen]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/x-jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[YouTube]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
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    <dcterms:title><![CDATA[Sanxingdui]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Movable Cultural Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Sanxingdui is an archaeological site located in Sichuan Province, China, known as its discoveries of ancient artifacts dating back over 3,000 years. These artifacts include bronze sculptures, jade artifacts, and gold masks. The site was first unearthed in 1929 but gained worldwide attention in 1986 when two large pits were discovered, revealing a wealth of artifacts from the mysterious Shu civilization. The artifacts found at Sanxingdui have provided valuable insights into ancient Chinese culture and history, challenging previous understandings of the region's early civilizations. The enigmatic nature of the artifacts, including their unique artistic style and unknown cultural origins, continues to fascinate archaeologists and historians alike, making Sanxingdui a significant site for understanding the ancient past of China.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[23/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/23/2024 12:34:30 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[sz83@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Sanxingdui]]></dcterms:references>
    <dcterms:extent><![CDATA[10000" x 10000" x 10000"]]></dcterms:extent>
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    <dcterms:identifier><![CDATA[970]]></dcterms:identifier>
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    <dcterms:provenance><![CDATA[Chinese government]]></dcterms:provenance>
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    <dcterms:title><![CDATA[36275-Leshan__49067653383_.jpg]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[36275-Leshan]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[23 May 2018, 14:46]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/22/2024 07:21:12 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2012">
    <dcterms:title><![CDATA[The Leshan Giant Buddha]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Standing on the cliffs of Lingyun Mountain in Sichuan Province, China, the Leshan Giant Buddha is a monumental statue of Maitreya Buddha. At 71 meters tall, it is the largest stone Buddha in the world and a masterpiece of Buddhist art dating back to the Tang Dynasty (618-907 AD). However, this awe-inspiring cultural icon is facing the adverse effects of climate change. Rising temperatures and erratic weather patterns have accelerated erosion of the statue's sandstone structure, while increased rainfall has heightened the risk of water damage. In addition, fluctuations in the water levels of nearby rivers have been exacerbated by climate change, threatening the stability of the cliffs on which the statues were carved. The challenges of preserving this ancient monument in the face of climate change underscore the vulnerability of even the most massive monuments to our changing environment. Conservation is now more important than ever to preserve this valuable cultural heritage for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[22/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[969]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29.553613,103.767838;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2011">
    <dcterms:title><![CDATA[Terracotta Warriors]]></dcterms:title>
    <dcterms:description><![CDATA[Pit one, which is 230 metres (750 ft) long and 62 metres (203 ft) wide,[30] contains the main army of more than 6,000 figures.[31] Pit one has 11 corridors, most of which are more than 3 metres (9.8 ft) wide and paved with small bricks with a wooden ceiling supported by large beams and posts. This design was also used for the tombs of nobles and would have resembled palace hallways when built. The wooden ceilings were covered with reed mats and layers of clay for waterproofing, and then mounded with more soil raising them about 2 to 3 metres (6 ft 7 in to 9 ft 10 in) above the surrounding ground level when completed. (cc) Wikipedia]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[19 April 2015, 10:44:47]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/22/2024 07:06:57 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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    <dcterms:title><![CDATA[Terracotta Warriors 2024]]></dcterms:title>
    <dcterms:description><![CDATA[The Terracotta Warriors, a stunning group of life-size sculptures located in Xi'an, China, is one of the most significant archaeological discoveries of the 20th century. Made more than 2,200 years ago to guard the tomb of China's Qin Shi Huang, these sculptures have stood the test of time, immortalized over millennia. However, they now face a modern threat: climate change. Increasingly extreme weather patterns, such as increased rainfall, fluctuating temperatures and rising humidity, pose significant risks to the preservation of these ancient artifacts. These climate changes have accelerated the aging of the Terracotta Warriors, leading to problems such as color fading, material erosion, and potential structural damage. Conservation efforts are being continuously adapted to mitigate these effects, highlighting the urgent need for sustainable measures to protect this valuable human heritage in order to meet the continuing challenges posed by climate change.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[22/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[968]]></dcterms:identifier>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2009">
    <dcterms:title><![CDATA[Dunhuang Mogao Caves]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2014:11:11 21:02:34]]></dcterms:date>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.037245,94.804455;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2008">
    <dcterms:title><![CDATA[Dunhuang Mogao Caves 2024]]></dcterms:title>
    <dcterms:description><![CDATA[Located beneath the Mingsha Mountains in Dunhuang, Gansu Province, China, the Mogao Caves are a testament to ancient Chinese Buddhist art and are home to spectacular murals and sculptures. However, these millennia-old cultural treasures are threatened by climate change. Rising temperatures are accelerating the degradation of the exquisite murals, while weather extremes such as heavy rainfall and sandstorms jeopardize the structural integrity of the grottoes. Increased humidity caused by rainfall threatens the preservation of works of art, while sandstorms can cause physical damage to external structures. In addition, climate change-induced water stresses may disrupt the grotto's groundwater system, which is critical to maintaining stable humidity and temperature conditions inside the grotto, posing a significant risk to the long-term preservation of these valuable artistic and historical artifacts.]]></dcterms:description>
    <dcterms:source><![CDATA[,is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[22/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
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    <dcterms:identifier><![CDATA[967]]></dcterms:identifier>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2007">
    <dcterms:title><![CDATA[Terracotta Warriors]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Terracotta Warriors, a stunning group of life-size sculptures located in Xi'an, China, is one of the most significant archaeological discoveries of the 20th century. Made more than 2,200 years ago to guard the tomb of China's Qin Shi Huang, these sculptures have stood the test of time, immortalized over millennia. However, they now face a modern threat: climate change. Increasingly extreme weather patterns, such as increased rainfall, fluctuating temperatures and rising humidity, pose significant risks to the preservation of these ancient artifacts. These climate changes have accelerated the aging of the Terracotta Warriors, leading to problems such as color fading, material erosion, and potential structural damage. Conservation efforts are being continuously adapted to mitigate these effects, highlighting the urgent need for sustainable measures to protect this valuable human heritage in order to meet the continuing challenges posed by climate change.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2012:09:15 05:58:01]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/22/2024 05:58:25 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34.385008,109.280180555;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2006">
    <dcterms:title><![CDATA[Terracotta Warriors]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Terracotta Army in Xi'an, China]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[20 April 2012, 12:43:46]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/22/2024 05:50:33 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34.38500833333333,109.280180555;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2005">
    <dcterms:title><![CDATA[Terracotta Warriors]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Terracotta Warriors, a stunning group of life-size sculptures located in Xi'an, China, is one of the most significant archaeological discoveries of the 20th century. Made more than 2,200 years ago to guard the tomb of China's Qin Shi Huang, these sculptures have stood the test of time, immortalized over millennia. However, they now face a modern threat: climate change. Increasingly extreme weather patterns, such as increased rainfall, fluctuating temperatures and rising humidity, pose significant risks to the preservation of these ancient artifacts. These climate changes have accelerated the aging of the Terracotta Warriors, leading to problems such as color fading, material erosion, and potential structural damage. Conservation efforts are being continuously adapted to mitigate these effects, highlighting the urgent need for sustainable measures to protect this valuable human heritage in order to meet the continuing challenges posed by climate change.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[20 April 2012, 12:43:46]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/22/2024 05:21:19 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34.38500833333333,109.280180555;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2004">
    <dcterms:title><![CDATA[123Dunhuang Mogao Caves]]></dcterms:title>
    <dcterms:description><![CDATA[Located beneath the Mingsha Mountains in Dunhuang, Gansu Province, China, the Mogao Caves are a testament to ancient Chinese Buddhist art and are home to spectacular murals and sculptures. However, these millennia-old cultural treasures are threatened by climate change. Rising temperatures are accelerating the degradation of the exquisite murals, while weather extremes such as heavy rainfall and sandstorms jeopardize the structural integrity of the grottoes. Increased humidity caused by rainfall threatens the preservation of works of art, while sandstorms can cause physical damage to external structures. In addition, climate change-induced water stresses may disrupt the grotto's groundwater system, which is critical to maintaining stable humidity and temperature conditions inside the grotto, posing a significant risk to the long-term preservation of these valuable artistic and historical artifacts.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[31 December 2013, 12:30:18]]></dcterms:date>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.037245,94.804455;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2003">
    <dcterms:title><![CDATA[Image copyright: Rowan Lear, courtesy of Glasgow Seed Library]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Image obtained from Rowan Lear at the Glasgow Seed Library for completion of Practical 2, for the class IS51100 at the University of St Andrews, 2023/24.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2023:09:16 15:14:56]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/22/2024 04:21:41 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Image copyright: Rowan Lear, courtesy of Glasgow Seed Library]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,55.8658,-4.2651;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2002">
    <dcterms:title><![CDATA[Image copyright: Rowan Lear, courtesy of Glasgow Seed Library]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Image obtained from Rowan Lear at the Glasgow Seed Library for completion of Practical 2, for the class IS51100 at the University of St Andrews, 2023/24.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2023:09:16 15:14:56]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/22/2024 04:21:33 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Image copyright: Rowan Lear, courtesy of Glasgow Seed Library]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,55.8658,-4.2651;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2001">
    <dcterms:title><![CDATA[Image copyright: Rowan Lear, courtesy of Glasgow Seed Library]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Image obtained from Rowan Lear at the Glasgow Seed Library for completion of Practical 2, for the class IS51100 at the University of St Andrews, 2023/24.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2023:09:16 15:14:56]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/22/2024 04:21:26 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Image copyright: Rowan Lear, courtesy of Glasgow Seed Library]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,55.8658,-4.2651;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2000">
    <dcterms:title><![CDATA[Glasgow Seed Library]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Glasgow Seed Library (GSL) is an open-access community-run seed library hosted by the Centre for Contemporary Arts (CCA) in Glasgow, UK. GSL catalogues and lends seeds for vegetable, herbs and flowers that can be cultivated in Scotland. GSL also runs free workshops, talks and events throughout the year, on topics such as seed conservation, seed growing, food sovereignty and climate change. They use social media channel to share information about their programme, current library provision, and create dedicated content to engage audiences further with issues surrounding food access and climate change. GSL have outlined a ten years goals which includes the creation a Scottish network of seed libraries. Digital interpretations from GSL address SDG4: Quality Education, target 4.7, as they provide “knowledge and skills needed to promote sustainable development.” They also address SDG13: Climate Action, target 13.3, which seeks to provide “education, awareness-raising and human and institutional capacity on climate change.”]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2019]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[22/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/22/2024 04:22:36 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.cca-glasgow.com/projects/glasgow-seed-library https://glasgowfood.net/projects/projects-past/glasgow-seed-library  https://www.cca-glasgow.com/accessibility/ground-floor]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.cca-glasgow.com/projects/glasgow-seed-library]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[966]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.8658,-4.2651;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Community-owned]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1999">
    <dcterms:title><![CDATA[GSL_-_Keeping_the_Seeds_-_Galgael_-_Sep_2023_-_Photo_by_Rowan_Lear_5216__1_.JPG]]></dcterms:title>
    <dcterms:date><![CDATA[2023:09:16 15:14:56]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/22/2024 03:54:51 pm]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/22/2024 04:10:11 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[myms1@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Collection]]></dcterms:type>
    <dcterms:identifier><![CDATA[965]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1998">
    <dcterms:title><![CDATA[Dunhuang Mogao Caves]]></dcterms:title>
    <dcterms:description><![CDATA[The Mogao Caves in Dunhuang are a world-renowned holy site of Buddhist art, located under the Mingsha Mountain in the southeast of Dunhuang City, Gansu Province, China. As one of China's four great grottoes, Mogao Grottoes are renowned for their exquisite murals and sculptures, and are a treasure of ancient Chinese Buddhist culture. However, this thousand-year-old cultural heritage is facing unprecedented threats from climate change.

Rising temperatures and frequent extreme weather events due to climate change have had both direct and indirect impacts on the Mogao Grottoes. Rising temperatures accelerate the weathering process of the murals, putting these precious works of art at risk of fading and flaking. At the same time, extreme weather events such as heavy rains and sandstorms also pose a threat to the structural safety of the Mogao Caves. Heavy rains may cause the humidity inside the caves to rise, further affecting the state of preservation of the murals. On the other hand, sand and dust storms may erode the external structures of the caves, causing physical damage to the sculptures and murals.

In addition, climate change may exacerbate regional water stress, affecting the groundwater system on which the Mogao Grottoes depend, and in turn affecting the stability of humidity and temperature inside the caves, which would be extremely detrimental to the long-term conservation of the murals and sculptures.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2014:11:11 21:02:34]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/22/2024 12:05:06 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.037245,94.804455;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1997">
    <dcterms:title><![CDATA[Dunhuang Mogao Caves]]></dcterms:title>
    <dcterms:description><![CDATA[The Mogao Caves in Dunhuang are a world-renowned holy site of Buddhist art, located under the Mingsha Mountain in the southeast of Dunhuang City, Gansu Province, China. As one of China's four great grottoes, Mogao Grottoes are renowned for their exquisite murals and sculptures, and are a treasure of ancient Chinese Buddhist culture. However, this thousand-year-old cultural heritage is facing unprecedented threats from climate change.

Rising temperatures and frequent extreme weather events due to climate change have had both direct and indirect impacts on the Mogao Grottoes. Rising temperatures accelerate the weathering process of the murals, putting these precious works of art at risk of fading and flaking. At the same time, extreme weather events such as heavy rains and sandstorms also pose a threat to the structural safety of the Mogao Caves. Heavy rains may cause the humidity inside the caves to rise, further affecting the state of preservation of the murals. On the other hand, sand and dust storms may erode the external structures of the caves, causing physical damage to the sculptures and murals.

In addition, climate change may exacerbate regional water stress, affecting the groundwater system on which the Mogao Grottoes depend, and in turn affecting the stability of humidity and temperature inside the caves, which would be extremely detrimental to the long-term conservation of the murals and sculptures.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2014:11:11 21:02:34]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/22/2024 12:05:00 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.037245,94.804455;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1996">
    <dcterms:title><![CDATA[Alonissos Underwater Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The Alonissos underwater museum is a spectacular underwater site, accessible via scuba diving, where divers can experience the shipwreck of Peristera. The wreck is dated over 2000 years old, and while after its discovery it was only open to archeologists, in 2020 it was opened up to the public. This has brought a surge of tourism to the island of Alonissos, which has helped its economy tremendously. The site tremendously contributes to the UN's sustainable development goal #4, Quality education, by providing a great opportunity of seeing a shipwreck up close and how the sea has affected it. In addition, goals #8 (Decent Work and Economic Growth) and #14 (Life Below Water) are furthered, by increasing tourism and spreading awareness to divers of how to be respectful while visiting underwater sites.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[21/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/07/2024 08:04:14 am]]></dcterms:>
    <dcterms:contributor><![CDATA[np77@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.nationalgeographic.com/travel/article/diving-into-the-first-underwater-museum-in-greece]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.nationalgeographic.com/travel/article/diving-into-the-first-underwater-museum-in-greece]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[964]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.1478,23.8436;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1995">
    <dcterms:title><![CDATA[Underwater Museum of Peristera]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2021:01:21 10:19:14]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/21/2024 06:55:09 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[np77@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1994">
    <dcterms:title><![CDATA[Acheron River]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:date><![CDATA[May 2005]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/21/2024 05:44:10 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[np77@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[ [[File:Acheron river 3.jpg|Acheron_river_3]]]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1993">
    <dcterms:title><![CDATA[Acheron River Picture]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A picture of walkable portion of the Acheron river.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[np77@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://i.natgeofe.com/n/ed2443bd-9951-4fe0-8756-7d8f36bbd501/GettyImages-1314823651_3x2.jpg?w=718&h=479]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.236111,20.476111;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1992">
    <dcterms:title><![CDATA[Acheron River]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Acheron River holds significant cultural value in Greece. Starting from the top of Tomaros Mountains in Ioannina and ending in the Ionian Sea, in Homer's Odyssey, it was the river used to travel to the underworld. Due to this nature of the river, the Nekromanteion is also located in the area, which is an ancient Greek temple dedicated to Hades (the god of death) and Persephone (his wife). The river is also well-known for its unique ecosystem, which is home to endangered flora and fauna, which attracts tourists from all over the world. All of these attributes denote the site's contribution to many of the UN's sustainable development goals. Namely, goal number 4, Quality Education, since preserving the site provides a unique opportunity for its visitors to understand Greek culture and its mythology. Goals eight, fourteen and fifteen are also relevant to the site, due to its environment (being able to preserve it and allow it to flourish), but also its ability to attract tourism.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[21/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/21/2024 05:44:58 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[np77@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.nationalgeographic.com/travel/article/greece-river-to-underworld-now-lures-adventure-travelers]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x 52,000cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.nationalgeographic.com/travel/article/greece-river-to-underworld-now-lures-adventure-travelers]]></dcterms:medium>
    <dcterms:language><![CDATA[Greek]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[963]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.236111,20.476111;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1991">
    <dcterms:title><![CDATA[The-depositional-setting-of-the-Apidima1-and-Apidima2-specimens-a-The-interior-of.jpg]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A picture of the location where the prehistoric skulls were found.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2019:06:25 12:05:51]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/21/2024 04:14:13 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[np77@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.researchgate.net/figure/The-depositional-setting-of-the-Apidima1-and-Apidima2-specimens-a-The-interior-of_fig1_334380253]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,36.661389, 22.363333;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1990">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[21/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[np77@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[962]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,36° 39′ 41″,22° 21′ 48″;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1989">
    <dcterms:title><![CDATA[Apidima Cave]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Apidima cave is located in Southern Greece and was discovered in the 1970s. Since 2019, the site has gained a lot of significance due to its contribution in world history. More specifically, human skulls that were found in the cave have indicated that human populations arrived in Eurasia much earlier that originally hypothesized, a difference of around 150,00 years. New age technologies were used to date these findings, such as extremely accurate radiometric dating techniques. Taking this into account, this site makes significant contributions of the UN's 4th sustainable development goal, "Quality Education". The site has helped deepen our understanding of our world history and has been a tremendous addition to world education.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:><![CDATA[04/21/2024 04:17:24 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[np77@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.nhm.ac.uk/press-office/press-releases/apidima-cave-fossils-provide-earliest-known-evidence-of-homo-sap.html]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.nhm.ac.uk/press-office/press-releases/apidima-cave-fossils-provide-earliest-known-evidence-of-homo-sap.html]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[961]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,36.661389,22.363333;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1988">
    <dcterms:title><![CDATA[Terrace field yunnan china denoised]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[(Honghe Hani Rice Terraces) in Yunnan Province, China.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[March 2003]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/20/2024 01:19:32 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Original Photograph]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1987">
    <dcterms:title><![CDATA[Chengjiang Fossil Site]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site in Yunnan Province is a renowned location for early
Cambrian marine life fossils. These fossils, dating back approximately 530 million
years, are key evidence for understanding the rapid diversification of life. The site
exhibits fossils of up to 196 species spanning at least 16 categories, ranging from algae
to primitive chordates, encompassing almost all major animal groups' origins.
The research conducted at the Chengjiang Fossil Site has significantly contributed to
enhancing our understanding of early life development while also contributing
significantly to achieving the SDGs. Specifically, it supports SDG 4 (Quality Education)
and SDG 15 (Ecosystems and Biodiversity Conservation) by emphasizing the
importance of preserving Earth's biodiversity through educational and research
activities.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[20/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/20/2024 01:30:16 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[960]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,24.683895321674658,102.92284914871296;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1986">
    <dcterms:title><![CDATA[Cultural Landscape of Honghe Hani Rice Terraces]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Honghe Hani Rice Terraces, located in Yunnan Province, China, are a spectacular
landscape meticulously carved by the Hani people over more than 1300 years. These
terraces sprawl across the slopes of the Ailao Mountains, covering an area of 17,000
hectares. In 2013, this unique agricultural cultural landscape was recognized as a
UNESCO World Cultural Heritage Site, serving as a model of harmonious coexistence
between humans and nature.
The presence and sustainable development of the Terraces are of great significance
for achieving the SDGs. They not only contribute to ecosystem and biodiversity
conservation (SDG 15) but also directly relate to achieving zero hunger and food
security (SDG 2) and ensuring sustainable management of water resources and
sanitation facilities (SDG 6). ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[The 8th century AD]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[20/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/20/2024 01:26:52 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[959]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,23.108659893402407,102.78506468050183;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1985">
    <dcterms:title><![CDATA[Chengjiang Fossil Site]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site in Yunnan Province is a renowned location for early
Cambrian marine life fossils. These fossils, dating back approximately 530 million
years, are key evidence for understanding the rapid diversification of life. The site
exhibits fossils of up to 196 species spanning at least 16 categories, ranging from algae
to primitive chordates, encompassing almost all major animal groups' origins.
To protect and study these valuable fossils, the local government established the
Chengjiang Fossil Natural History Museum. The museum features an online digital
exhibition hall, with over 200 video clips narrating the stories of fossil discoveries and
life evolution for the public.
The research conducted at the Chengjiang Fossil Site has significantly contributed to
enhancing our understanding of early life development while also contributing
significantly to achieving the SDGs. Specifically, it supports SDG 4 (Quality Education)
and SDG 15 (Ecosystems and Biodiversity Conservation) by emphasizing the
importance of preserving Earth's biodiversity through educational and research
activities.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[20/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/20/2024 12:56:17 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[958]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,24.644614400162602,1182.9577388742475;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1984">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1983">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1982">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1981">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1980">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1979">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1978">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1977">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1976">
    <dcterms:title><![CDATA[Chengjiang Fossil Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Chengjiang Fossil Site World Natural Heritage Museum in Chengjiang, Yunnan Province, China. The museum is also known as the Yunnan Natural History Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[6 August 2022, 12:05:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1975">
    <dcterms:title><![CDATA[Ruins of Saint Paul's ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Ruins of Saint Paul's (Ruínas de São Paulo) , Macau]]></dcterms:description>
    <dcterms:date><![CDATA[November 20, 2023]]></dcterms:date>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Own work]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,22.18459948743788,473.53303716515046;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1974">
    <dcterms:title><![CDATA[Historic Centre of Macao]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The historic center of Macau perfectly showcases the fruits of centuries of integration and coexistence between Chinese and Western cultures. From the mid-16th century until 1999, Macau remained under Portuguese rule, leaving behind a rich legacy of Sino-Portuguese architecture, including streets, residences, religious, and public buildings. These structures not only bear witness to the exchange of aesthetics, culture,
architecture, and technology between the East and the West but also demonstrate their fusion.
Digital technologies, such as virtual reality (VR), have opened up new pathways for the preservation and promotion of Macau's cultural heritage. Through these technologies, audiences from around the world can embark on virtual journeys across different cultural backgrounds, thus gaining a deeper understanding and appreciation of Macau's unique history and cultural heritage.
The conservation and revitalization efforts of the historic center of Macau play a significant role in achieving the following United Nations Sustainable Development Goals (SDGs):
• SDG 4 Quality Education
• SDG 8 Decent Work and Economic Growth
• SDG 9 Industry, Innovation, and Infrastructure
• SDG 11 Sustainable Cities and Communities

Echoes Of Heritage: Preserving Macao In The Climate Era
https://stage.openvirtualworlds.org/worldheritage2024/historic-centre-of-macao/]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[Mid-16th century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[20/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/07/2024 11:31:46 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[Honglin Li]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[957]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.197034079603032,113.54228504831843;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1973">
    <dcterms:title><![CDATA[Kowloon Walled City]]></dcterms:title>
    <dcterms:description><![CDATA[Kowloon Walled City was an ungoverned settlement in British-occupied Hong Kong. It evolved from a Chinese military output during the Song Dynasty (960-1279) into a densely populated urban enclave due to ambiguous jurisdictional boundaries after the Second World War. Without effective governance from China or Britain, the Walled City developed organically, with buildings constructed without official permits and businesses operating independently. By the late 1980s, it housed over 50,000 in a labyrinthine network of high-rise buildings characterised by poverty and crime (Fraser & Cheuk-Yin Li, 2017). It was demolished in 1993.

The Walled City is portrayed in various video games such as Stray (2022) and Call of Duty: Black Ops (2010). Moreover, online archives of photographs and illustrations along with 3D digital reconstructions and animations continue to preserve its unique cultural legacy for audiences worldwide.

Studying the social structures and informal governance systems within Kowloon Walled City can shed light on addressing inequalities and promoting inclusion in urban settings to address Goal 10: Reduced Inequalities.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[The Song Dynasty (960-1279)]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[19/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/19/2024 04:19:56 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:references><![CDATA[Fraser, A., & Cheuk-Yin Li, E. (2017). The second life of Kowloon Walled City: Crime, media and cultural memory. Crime, Media, Culture: An International Journal, 13(2). https://doi.org/10.1177/1741659017703681]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[956]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.33202991446202,114.19036781817341;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1972">
    <dcterms:title><![CDATA[Kai Tak Airport]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Kai Tak Airport was Hong Kong's international airport from 1925 to 1998. It was surrounded by apartment complexes, mountains, and water such that only the most experienced pilots were allowed to land there (Villamizar, 2023). Upon approach, the pilot had to spot Checkboard Hill, before making a sharp 47-degree right turn above the Kowloon City district and touching down at the first section of the runway to avoid Victoria Harbour. This approach was one of the world’s last landing spots in which automated aircraft instruments could not fly and instead, relied on the pilot’s visual judgement.

Online archives of photographs depicting the approach along with documentaries on its history preserve the legacy of Kai Tak. Enthusiasts can also recreate the landing in flight simulator programs (i.e. Microsoft Flight Simulator, 2020) at home.

Although the airport is no longer operational, the redevelopment of its former site into a mixed-use district promotes compact, integrated, and resilient urban living - thus addressing Goal 11: Sustainable Cities and Communities.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1925]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[19/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/19/2024 04:19:19 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:references><![CDATA[Villamizar, H. (2023, March). Approaching Kai Tak on a Boeing 747: A Pilot’s Perspective. Airways. https://airwaysmag.com/kai-tak-approach-747-a-pilot/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[955]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.314098807783264,114.20509099960329;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1971">
    <dcterms:title><![CDATA[Checkboard Hill]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Photo of Korean Air Cargo Boeing airplane turning with Checkboard hill in the background in 1995]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1995]]></dcterms:date>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1970">
    <dcterms:title><![CDATA[Former Yamen Building of Kowloon Walled City, Kowloon Walled City Park (Hong Kong)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The restored former yamen building of Kowloon Walled City in Kowloon Walled City Park, Hong Kong.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[4th August 2014]]></dcterms:date>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1969">
    <dcterms:title><![CDATA[Making Hong Kong Style Milk Tea]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Image depicting the preparation technique of Hong Kong-style milk tea using the sackcloth bag.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2006]]></dcterms:date>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1968">
    <dcterms:title><![CDATA[Milk Tea 7262]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A cup of milk tea in cha chaan teng of Hong Kong]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2011]]></dcterms:date>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1967">
    <dcterms:title><![CDATA[Hong Kong-style Milk Tea]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Hong Kong-style milk tea consists of Ceylon black tea, evaporated milk, and sugar. During the British colonial rule of Hong Kong, English-style tea was expensive and served exclusively in upscale establishments (Chan, 2018). After the Second World War, tea houses began adapting the recipe to better cater to local tastes. Namely, a stronger blend of Ceylon tea leaves was created. Following infusion, the tea is poured from pot to pot and filtered through a sackcloth bag four times to achieve the optimal aroma, colour, and flavour - speed, force, and drop height are crucial factors during this process. Evaporated milk is then added instead of regular milk for its affordability and smoother taste.

This beverage is deeply ingrained in the identity of Hong Kong and symbolises the fusion of Cantonese and British cultures characteristic of the region. Its popularity evokes a sense of nostalgia and belonging among locals and serves as an ambassador for Hong Kong's culinary heritage worldwide (Mak, 2021).

Simplified recipes for Hong Kong-style milk tea are available across social media, allowing enthusiasts worldwide to make it at home. Its unique brewing process is also chronicled through online short documentaries and interviews with tea masters. Such digital interpretations increase awareness which can drive tourism to the area. In turn, by supporting local tea houses and businesses that serve this beverage, economic opportunities are created to help address Goal 1: No Poverty.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[19/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[19/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:references><![CDATA[Mak, V. S. W. (2021). The heritagization of milk tea: Cultural governance and placemaking in Hong Kong. Asian Anthropology, 20(1), 30-46. https://doi.org/10.1080/1683478X.2020.1773616]]></dcterms:references>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[954]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.402141247307856,114.14451599121095;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1966">
    <dcterms:title><![CDATA[Hong Kong-style Milk Tea]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Hong Kong-style milk tea consists of Ceylon black tea, evaporated milk, and sugar. During the British colonial rule of Hong Kong, English-style tea was expensive and served exclusively in upscale establishments (Chan, 2018). After the Second World War, tea houses began adapting the recipe to better cater to local tastes. Namely, a stronger blend of Ceylon tea leaves was created. Following infusion, the tea is poured from pot to pot and filtered through a sackcloth bag four times to achieve the optimal aroma, colour, and flavour - speed, force, and drop height are crucial factors during this process. Evaporated milk is then added instead of regular milk for its affordability and smoother taste.

This beverage is deeply ingrained in the identity of Hong Kong and symbolises the fusion of Cantonese and British cultures characteristic of the region. Its popularity evokes a sense of nostalgia and belonging among locals and serves as an ambassador for Hong Kong's culinary heritage worldwide (Mak, 2021).

Simplified recipes for Hong Kong-style milk tea are available across social media, allowing enthusiasts worldwide to make it at home. Its unique brewing process is also chronicled through online short documentaries and interviews with tea masters. Such digital interpretations increase awareness which can drive tourism to the area. In turn, by supporting local tea houses and businesses that serve this beverage, economic opportunities are created to help address Goal 1: No Poverty.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[19/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[19/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:references><![CDATA[Mak, V. S. W. (2021). The heritagization of milk tea: Cultural governance and placemaking in Hong Kong. Asian Anthropology, 20(1), 30-46. https://doi.org/10.1080/1683478X.2020.1773616]]></dcterms:references>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[953]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.402141247307856,114.14451599121095;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1965">
    <dcterms:title><![CDATA[Hong Kong-style Milk Tea]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Hong Kong-style milk tea consists of Ceylon black tea, evaporated milk, and sugar. During the British colonial rule of Hong Kong, English-style tea was expensive and served exclusively in upscale establishments (Chan, 2018). After the Second World War, tea houses began adapting the recipe to better cater to local tastes. Namely, a stronger blend of Ceylon tea leaves was created. Following infusion, the tea is poured from pot to pot and filtered through a sackcloth bag four times to achieve the optimal aroma, colour, and flavour. Evaporated milk is then added instead of regular milk for its affordability and smoother taste. This beverage is deeply ingrained in the identity of Hong Kong and symbolises the fusion of Cantonese and British cultures characteristic of the region. 

Simplified recipes for Hong Kong-style milk tea are available across social media and its unique brewing process is also chronicled through online short documentaries and interviews with tea masters. Such digital interpretations increase awareness which can drive tourism to the area. The preparation and sale of Hong Kong-style milk tea can support employment opportunities to contribute to Goal 8: Decent Work and Economic Growth. Specifically, Target 8.3 can be addressed as this increased demand can lead to the expansion of tea houses, entrepreneurship opportunities, and preservation of traditional tea-making techniques.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[19/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[19/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[wanm]]></dcterms:contributor>
    <dcterms:references><![CDATA[Chan, S. C. (2019). Tea cafés and the Hong Kong identity: Food culture and hybridity. China Information, 33(3), 311-328. https://doi.org/10.1177/0920203X18773409]]></dcterms:references>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[952]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.402141247307856,114.14451599121095;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1963">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[14/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[950]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1961">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[14/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[948]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1959">
    <dcterms:title><![CDATA[Routes of Santiago de Compostella (23/24)]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Route of Santiago de Compostela are a network of Christian Pilgrimage routes leading to Santiago de Compostela, Spain. Both French and Spanish portions of the Route are UNESCO world heritage sites. Pilgrimage to Santiago de Compostela started in the 9th century after the discovery of the Apostle James the Greater’s tomb in the Spanish city. Across their 12 centuries of history, the pilgrimage routes of Santiago de Compostela have become a fruitful place for cultural exchange, and the union of multiple forms of heritage. The pilgrimage routes feature a range of immovable cultural heritage sites, including churches, cathedrals, and sites related to the practice of pilgrimage. The routes are also a natural heritage of Southern Europe, with routes going through France, Spain, Italy and Portugal. The routes are not represented by a singular body, though many organisations are dedicated to it. Digital interpretations include online photographic galleries, blogs and forums, 360 and Virtual Reality tours, interactive games and apps. These interpretations contribute to SDG11: Sustainable Cities, target 11.4, through their effort to preserve the “world’s cultural and natural heritage."]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[9th century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[08/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/22/2024 04:40:36 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/en/list/868 ; https://whc.unesco.org/en/list/669/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://whc.unesco.org/en/list/868 ; https://whc.unesco.org/en/list/669/]]></dcterms:medium>
    <dcterms:language><![CDATA[Spanish, French]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[947]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,42.8769,-8.5442;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1958">
    <dcterms:title><![CDATA[Monasterio de San Mart&iacute;n, Santiago de Compostela]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By Diego Delso, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=43803827]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[4 October 2015]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/08/2024 12:40:25 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/w/index.php?curid=43803827]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,42.8769,-8.5442;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1957">
    <dcterms:title><![CDATA[Monasterio de San Martín, Santiago de Compostela]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By Diego Delso, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=43803833]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[4 October 2015]]></dcterms:date>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia Commons]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,42.8807,-8.5444;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1956">
    <dcterms:title><![CDATA[Fachada do Obradoiro e parte traseira do Pazo de Raxoi Santiago de Compostela (23/24)]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By Luis Miguel Bugallo Sánchez (Lmbuga) - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=26084647]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[14 May 2013]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/08/2024 12:33:06 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia Commons]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,42.8807,-8.5444;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1955">
    <dcterms:title><![CDATA[Casa Battl&oacute; (23/24)]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Casa Batlló is a house designed by Antoni Gaudí, situated at 43 Paseo de Gracia in Barcelona, Spain. It is one of seven of Gaudí’s buildings to be on a UNESCO World Heritage site. Casa Batlló was originally built in 1877 by Emilio Sala Cortés, and purchased in 1907 by Josep Batlló y Casanovas. Batlló offered architect Antoni Gaudí complete creative freedom to re-design the house. The house comprises of seven floors, including a basement and noble floor, a loft, roof terrace, atrium and garden. The house features Gaudí’s distinct style blending traditional Catalan motifs and inspirations from the Arts and Crafts movement, Symbolism, and Art Nouveau. The colourful facade has balconies and a tilled roof, made using stone, glass and ceramics. Gaudí worked with artisan to build and furnish the interior of the house, with works in wrought iron, wood, stained glass, ceramic and stone. Digital interpretations from Casa Batlló include augmented reality, digital artworks and display, and an online 360 tour. These interpretations contributes to SDG11: Sustainable Cities, target 11.4, for its efforts to “protect and safeguard the world’s cultural (...) heritage.”]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1877]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[08/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/08/2024 12:15:28 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.casabatllo.es/en/	; https://en.wikiarquitectura.com/building/batllo-house/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x 3200cm x 1450cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.casabatllo.es/en/]]></dcterms:medium>
    <dcterms:language><![CDATA[Spanish, Catalan, English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[946]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.3917,2.1649;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Bernat family]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1954">
    <dcterms:title><![CDATA[Barcelona - Casa Battl&oacute; (23/24)]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By Fred Romero - https://www.flickr.com/photos/129231073@N06/36949300460/in/album-72157686935057113/, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=76734067]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[20 February 2020]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/08/2024 12:09:43 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia Commons]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.3917,2.1649 ;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1953">
    <dcterms:title><![CDATA[Barcelona - Casa Battl&oacute;]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[04/08/2024 12:06:17 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1952">
    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain (23/24)]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By ChristianSchd - This file was derived from: Casa Batllo Overview Barcelona Spain.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=41698940 ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[19 July 2015]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/08/2024 11:46:42 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia Commons]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.3917,2.1649;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1951">
    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain (23/24)]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By ChristianSchd - This file was derived from: Casa Batllo Overview Barcelona Spain.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=41698940 ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[19 July 2015]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/08/2024 11:46:37 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia Commons]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1950">
    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain (23/24)]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By ChristianSchd - This file was derived from: Casa Batllo Overview Barcelona Spain.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=41698940 ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[19 July 2015]]></dcterms:date>
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    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia Commons]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1949">
    <dcterms:title><![CDATA[Casa Battl&oacute; M]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[08/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/08/2024 12:04:32 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[945]]></dcterms:identifier>
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    <dcterms:dateSubmitted><![CDATA[04/08/2024 11:35:32 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia Commons]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.3917,2.1649;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1929">
    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By ChristianSchd - This file was derived from: Casa Batllo Overview Barcelona Spain.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=41698940 ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[19 July 2015]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/08/2024 11:35:26 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia Commons]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.3917,2.1649;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1928">
    <dcterms:title><![CDATA[Casa Batllo Overview Barcelona Spain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[By ChristianSchd - This file was derived from: Casa Batllo Overview Barcelona Spain.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=41698940 ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[19 July 2015]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/08/2024 11:35:20 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[myms1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia Commons]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.3917,2.1649;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1927">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Sustainable Development Goal:

Goal 11: Sustainable Cities and Communities: Digital interpretation of Gagaku can promote cultural appreciation and understanding, fostering a sense of community and social cohesion. Interactive features and educational resources can showcase the importance of preserving traditional art forms like Gagaku. By highlighting the collaborative nature of Gagaku performances, with musicians and dancers working together in harmony, the art form can serve as a model for fostering cultural exchange and building strong communities.

Hotspot:
This hotspot on the World Heritage map would link to a dedicated webpage with comprehensive information about Gagaku. The page could feature:

Audio recordings and video clips of Gagaku performances, allowing viewers to experience the music and dance firsthand.
Detailed explanations of the different instruments and dance styles used in Gagaku.
Historical background on the development and evolution of Gagaku over time.
Information about the cultural significance of Gagaku in Japanese society.
Links to educational resources for teachers and students interested in learning more about Gagaku.
A calendar of upcoming Gagaku performances in Japan and around the world.
This digital experience would not only raise awareness of this unique art form but also encourage cultural appreciation and understanding, contributing to the goal of sustainable cities and communities.]]></dcterms:description>
    <dcterms:creator><![CDATA[Various court musicians and dancers over centuries]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[Origins date back to the 6th century AD]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[28/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hp69@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[Gagaku: https://en.wikipedia.org/wiki/Gagaku]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Agency for Cultural Affairs, Government of Japan (https://www.bunka.go.jp/english/)]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[944]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,36.2048° N,138.2529° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1926">
    <dcterms:title><![CDATA[Gagaku: Court Music and Dance of Japan]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Gagaku, meaning "elegant music," is a traditional form of Japanese court music and dance with a rich history dating back centuries.  This ancient art form encompasses a diverse range of instruments, dance styles, and repertoire, reflecting the cultural influences that shaped Japan throughout its history. Gagaku performances combine music played on instruments like the sho (bamboo flute) and hichiriki (oboe) with elegant, restrained dance movements. The costumes, often vibrant and elaborately decorated, further enhance the visual spectacle.  Traditionally performed for the Imperial Court, Gagaku is now also presented in concert halls and festivals, offering a glimpse into Japan's refined cultural heritage.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/28/2024 03:41:56 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hp69@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,36.2048° N,138.2529° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1925">
    <dcterms:title><![CDATA[Gagaku: Court Music and Dance of Japan]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Gagaku, meaning "elegant music," is a traditional form of Japanese court music and dance with a rich history dating back centuries.  This ancient art form encompasses a diverse range of instruments, dance styles, and repertoire, reflecting the cultural influences that shaped Japan throughout its history. Gagaku performances combine music played on instruments like the sho (bamboo flute) and hichiriki (oboe) with elegant, restrained dance movements. The costumes, often vibrant and elaborately decorated, further enhance the visual spectacle.  Traditionally performed for the Imperial Court, Gagaku is now also presented in concert halls and festivals, offering a glimpse into Japan's refined cultural heritage.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/28/2024 03:41:51 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hp69@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,36.2048° N,138.2529° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1924">
    <dcterms:title><![CDATA[The Way of Saint James, Spain]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Sustainable Development Goal:
Goal 12: Responsible Consumption and Production: Digital interpretation of the Camino de Santiago can promote sustainable tourism practices. Educational resources can highlight the importance of respecting local communities and the environment while supporting local businesses along the pilgrimage route.

Hotspot:
This hotspot would link to a webpage showcasing different routes of the Camino, practical information for pilgrims, and the cultural significance of this tradition.  The page could also feature interviews with contemporary pilgrims and information about eco-friendly travel options.]]></dcterms:description>
    <dcterms:creator><![CDATA[Established organically through centuries of pilgrimage]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[Middle Ages (origins can be traced back to the 9th century)]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[28/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hp69@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[Camino de Santiago: https://en.wikipedia.org/wiki/Camino_de_Santiago]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.caminodesantiago.gal/es]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[943]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,42°27'32.40" N,-5° 52' 58.80" W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1923">
    <dcterms:title><![CDATA[The Way of Saint James, Spain]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Way of Saint James is a network of pilgrimage routes leading to the Cathedral of Santiago de Compostela in northwestern Spain, traditionally believed to be the burial site of the apostle Saint James.  This pilgrimage tradition has been practiced for centuries, fostering cultural exchange and spiritual exploration.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2020:02:26 15:21:50]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/28/2024 03:06:50 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hp69@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,42° 27' 32.40" N,-5° 52' 58.80" W;]]></dcterms:spatial>
</rdf:Description></rdf:RDF>