<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3942">
    <dcterms:title><![CDATA[The British Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is the largest in the world.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[21/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[qqqq]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1473]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.518757,-0.126168;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3943">
    <dcterms:title><![CDATA[Sagrada Familia]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/21/2025 03:04:37 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[od42@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.4036°,2.1744;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3944">
    <dcterms:title><![CDATA[british museum]]></dcterms:title>
    <dcterms:description><![CDATA[british museum]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[23/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[qqqq]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1474]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.518757,-0.126168;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3945">
    <dcterms:title><![CDATA[the Longmen Grottoes]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The exhibition is to introduce the Longmen Grottoes. The Longmen Grottoes, located in Luoyang, Henan Province, China, is one of the finest examples of Chinese Buddhist art. The site comprises the West Hill Grottoes, the East Hill Grottoes, Baiyuan Garden, and Xiangshan Temple. Carved into limestone cliffs along the Yi River, the site features over 2,300 caves and niches filled with thousands of Buddha statues, inscriptions, and steles dating back to the Northern Wei and Tang dynasties. Recognized by UNESCO as the pinnacle of Chinese stone carving art, the grottoes reflect artistic, spiritual, and cultural achievements spanning centuries. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[23/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wj31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/w/index.php?curid=138488992]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1475]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,34.5764°,112.4659°;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3946">
    <dcterms:title><![CDATA[The Longmen Grottoes]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[23/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wj31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1476]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3947">
    <dcterms:title><![CDATA[the Longmen Grottoes]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The exhibition is to introduce the Longmen Grottoes. The Longmen Grottoes, located in Luoyang, Henan Province, China, is one of the finest examples of Chinese Buddhist art. The site comprises the West Hill Grottoes, the East Hill Grottoes, Baiyuan Garden, and Xiangshan Temple. Carved into limestone cliffs along the Yi River, the site features over 2,300 caves and niches filled with thousands of Buddha statues, inscriptions, and steles dating back to the Northern Wei and Tang dynasties. Recognized by UNESCO as the pinnacle of Chinese stone carving art, the grottoes reflect artistic, spiritual, and cultural achievements spanning centuries. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[23/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wj31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/w/index.php?curid=138488992]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1477]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,34.5764,112.4659;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3948">
    <dcterms:title><![CDATA[Murray's Bay Harbour Sea View]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A view of the breakwater out of Murray's Bay Harbour]]></dcterms:description>
    <dcterms:date><![CDATA[2015:09:14 18:47:22]]></dcterms:date>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:ASC_Leiden_-_Rietveld_Collection_-_11_-_Pier_of_concrete_blocks._Murray%27s_Bay_Harbor_on_Robben_Island_-_2015.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-33.79828607453783,18.37823438650958;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3949">
    <dcterms:title><![CDATA[Murray's Bay Harbour Sea View]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A view of the breakwater out of Murray's Bay Harbour]]></dcterms:description>
    <dcterms:date><![CDATA[2015:09:14 18:47:22]]></dcterms:date>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:ASC_Leiden_-_Rietveld_Collection_-_11_-_Pier_of_concrete_blocks._Murray%27s_Bay_Harbor_on_Robben_Island_-_2015.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-33.79828607453783,18.37823438650958;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3950">
    <dcterms:title><![CDATA[Tourists at Murray's Bay Harbour]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Tourists returning to the ferries back to Cape Town after their visit to Robben Island]]></dcterms:description>
    <dcterms:date><![CDATA[2018:10:16 23:02:15]]></dcterms:date>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Quay_at_Murray%27s_Bay_Harbour,_Robben_Island.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-33.799032313040506,18.375280737991492;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3951">
    <dcterms:title><![CDATA[Satellite View of Murray's Bay Harbour]]></dcterms:title>
    <dcterms:description><![CDATA[Imagery ©2025 Airbus, Imagery ©2025 Airbus, Maxar Technologies, Map data ©2025 AfriGIS (Pty) Ltd

A satellite view of Murray's Bay Harbour]]></dcterms:description>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-33.79766732443156,18.376667975953755;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3952">
    <dcterms:title><![CDATA[Murray's Bay Harbour]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Murray's Bay Harbour was built during World War 2, to enable transport of defence weapons to the island as part of its status as a millitary station for the Union of South Africa after they declared war on Germany in 1939. Just off the coast, off the tip of Africa, protecting water around this area was important due to its importance to shipping lanes, especially given the turmoil around the Suez Canal. During the war, a degaussing station was also built adjacent to the harbour. This was built because the Germans were using magnetic mines, and ships needed to have the magnetic fields induced on them neutralised. Reportedly, they dealt with thousands of ships during the war. 

The harbour was expanded in the 1950s, and a high wall was built block the view of Table Bay by prisoners.

Today, the harbour is used by ferrys bringing tourists over from the mainland for tours with the Robben Island Museum, the current stewards of the island.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025,robbenisland]]></dcterms:source>
    <dcterms:date><![CDATA[1939]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/04/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/25/2025 11:50:26 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.cape-town-heritage.co.za/heritage-site/murray-s-bay-harbour.html, https://www.robben-island.org.za/army-1941-1945/, https://indicatorloops.com/southafrica.htm, https://www.robben-island.org.za/banishment-1939-now/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1478]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-33.797647709660396,18.376511334718092;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Government of South Africa]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3953">
    <dcterms:title><![CDATA[African Penguin Colony sign]]></dcterms:title>
    <dcterms:description><![CDATA[Sign warning to proceed past beyond this point to protect the African Penguin colony on the island, and to report any sightings of injured birds.]]></dcterms:description>
    <dcterms:date><![CDATA[2013:12:21 00:13:41]]></dcterms:date>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[HelenOnline]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-33.79232217193088,18.370606184971624;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3954">
    <dcterms:title><![CDATA[Penguins on Robben Island]]></dcterms:title>
    <dcterms:description><![CDATA[A picture of African penguins on a beach on Robben Island]]></dcterms:description>
    <dcterms:date><![CDATA[2018:07:20 11:44:43]]></dcterms:date>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Penguins_at_Robben_Island,_Cape_Town_-_9.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-33.79192361299724,18.372462273364366;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3955">
    <dcterms:title><![CDATA[Penguins Laying Down]]></dcterms:title>
    <dcterms:description><![CDATA[	Part of the African (or Jackass) Penguin breeding colony at Robben Island, Cape Town South Africa.]]></dcterms:description>
    <dcterms:date><![CDATA[2007:02:28 04:27:54]]></dcterms:date>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:AHI_Treasures_of_Southern_Africa_3-07_0246_N_(554671849).jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-33.79223033439836,18.37041950271669;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3956">
    <dcterms:title><![CDATA[Robben Island African Penguin Colony]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Robben Island is an important site for the African Penguin, and is home to the third largest breeding colony of the species. In the 1600s, Dutch colonial settlers released rabbits on the island for food for any passing sailors. Unfortunately, the rabbit population destroyed the island's vegetation and so destroying the penguin breeding locations. This led to the complete decimation of the penguin population with none left by the 1800s. Today, there are thousands of penguins back on the island and the site is managed to ensure their continued existence.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025,robbenisland]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[http://penguins.neaq.org/2010/06/penguin-pals-robben-ii.html#:~:text=When%20Robben%20Island%20was%20first,not%20endanger%20the%20native%20penguins.&text=Being%20one%20of%20our%20younger,their%20mold%20in%20this%20entry.)]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1479]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-33.79330028391936,18.37126922502648;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Government of South Africa]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3957">
    <dcterms:title><![CDATA[Lighthouse on Robben Island]]></dcterms:title>
    <dcterms:date><![CDATA[2011:10:27 22:50:54]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/26/2025 12:27:48 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Watch_Tower_at_Robben_Island.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-33.814967460334906,18.374144555054958;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3958">
    <dcterms:title><![CDATA[Robben Island Lighthouse]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[In the 1600s, large fires were set at the top of Minto Hill by the Dutch colonial settlers, to warn passing ships to keep away from the rocks surrounding the island. Eventually, a full lighthouse was built, completed in the 1860s.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[1862]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[26/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://artefacts.co.za/main/Buildings/bldgframes.php?bldgid=11578]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1480]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-33.81467508125609,18.37413114270021;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3959">
    <dcterms:title><![CDATA[Robben Island Kramat]]></dcterms:title>
    <dcterms:date><![CDATA[2013:12:01 13:56:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/26/2025 10:32:37 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Moturu_Kramat.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-33.79881298922443,18.371835708339862;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3960">
    <dcterms:title><![CDATA[Kramat of Sheik Sayed Abduraghman Motura]]></dcterms:title>
    <dcterms:description><![CDATA[In the 1600s, the Dutch started used the Cape area as an exile location for political prisoners from Malaysia and Indonesia, often wealthy, powerful Muslim men. During the 18th century, a political prisoner from Batavia (modern day Jakarta) named Sayed Abdurahman Motura was imprisoned on the island. He was a very devout religious man who brought comfort to other prisoners, and was said to help cure them when they were ill, as well as spreading Islam. He died on the island and his grave became a shrine. 

Kramats are a type of shrine, honouring the death of a holy person in Islam. They are particularly associated in South Africa with the early Muslims in the Cape due to them being brought there by the Dutch - kramat is a Malay word referring to a shrine to a sacred person. In the late 1960s, the Apartheid-era prison authorities built the Kramat there today. This was due to an attempt to appease the Cape Muslim population after the imprisonmennt and death in custody of Imam Abdullah Haron. He was a Muslim cleric and anti-Apartheid activist, and in 1969, became the first Muslim to be honoured in St Paul's Cathedral.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[1969]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[26/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.bbc.co.uk/news/world-africa-49850411, https://www.transcend.org/tms/2022/08/the-circle-of-peace-and-tranquility-the-karamat-of-sheik-sayed-abduraghman-motura-part-1/, https://www.capemazaarsociety.com/Tuan-Matarah.php, https://artefacts.co.za/main/Buildings/bldgframes_mob.php?bldgid=12385]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1481]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Government of South Africa]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3961">
    <dcterms:title><![CDATA[Satellite View of Prison Complex]]></dcterms:title>
    <dcterms:description><![CDATA[Imagery ©2025 Airbus, Imagery ©2025 Airbus, Maxar Technologies, Map data ©2025 AfriGIS (Pty) Ltd]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[04/26/2025 12:33:40 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.google.co.uk/maps/@-33.8001781,18.3723655,484m/data=!3m1!1e3?entry=ttu&g_ep=EgoyMDI1MDQyMy4wIKXMDSoJLDEwMjExNDU1SAFQAw%3D%3D]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-33.800418677051475,18.37138509665238;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3962">
    <dcterms:title><![CDATA[Maximum Security Prison, Robben Island]]></dcterms:title>
    <dcterms:date><![CDATA[2007:02:28 04:25:21]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/26/2025 12:50:20 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:AHI_Treasures_of_Southern_Africa_3-07_0244_N_(554687817).jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-33.800504265135274,18.37167262998264;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3963">
    <dcterms:title><![CDATA[Robben Island Maximum Security Prison]]></dcterms:title>
    <dcterms:description><![CDATA[The Maximum Security Prison was built in the 1960s by prisoners on the island, with stone coming from quarries on the island (again, worked in by the prisoners). There were blocks where prisoners were housed together, as well as cells for those in solitary confinement, and for different categories of political prisoners. The cell where Nelson Mandela spent much of his time on the island is a key point on the tour.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[1860s]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[26/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1482]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-33.80030812558472,18.371786355710356;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Government of South Africa]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3964">
    <dcterms:title><![CDATA[Quarry Robben Island]]></dcterms:title>
    <dcterms:date><![CDATA[2018:07:25 19:33:13]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/26/2025 10:42:20 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Robben_island,_Sud%C3%A1frica_02.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-33.805540451602084,18.37391281106648;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3965">
    <dcterms:title><![CDATA[Limestone Quarry ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The origins of the quarry link back to the early Dutch occupation of the island, where limestone from the quarry was used to build the Castle of Good Hope in Cape Town, using prison labour to mine the stone. 

Throughout the Apartheid-era use of the site, prisoners were forced to work at the quarry. The rock was sometimes used for the island's roads, but was primarily used as a tool to occupy the prisoners' time. 

This was hard, manual labour in the heat and blinding conditions. Nelson Mandela was one of the prisoners who worked in this quarry, and his eyesight was permenantly damaged due to the blinding conditions of bright sun and white limestone.

Today, the Stones of Rememberance mark the site as a symbol of what the prisoners experienced. The cairn was started by Nelson Mandela and fellow ex-prisoners during a reunion on the island after the end of Apartheid, in 1995.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[1600s]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[26/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.robben-island.org.za/banishment-1963-1995/, https://www.cape-town-heritage.co.za/heritage-site/robben-island-limestone-quarry.html]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1483]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-33.80548785344844,18.373891353476214;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Government of South Africa]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3966">
    <dcterms:title><![CDATA[Church of the Good Shepherd Photo]]></dcterms:title>
    <dcterms:date><![CDATA[2018:08:21 01:38:25]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/26/2025 11:17:17 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Church_of_the_Good_Shepherd,_Robben_Island_(2018).jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-33.80554669228998,18.37661862455207;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3967">
    <dcterms:title><![CDATA[Church of the Good Shepherd, Robben Island]]></dcterms:title>
    <dcterms:description><![CDATA[A key, yet often forgotten part of Robben Island's history is its use as a general infirmary for the severely ill, primarily people suffering from leprosy and insanity (as it was referred to at the time). Numerous churches of different denominations were constructed during this time, including this one built by patients of the island, as designed by architect Sir Herbert Baker. 

Leprosy was deemed to be a 'black disease', and while both black and white patients were admitted on the island, they were segregated by race - even when not being used as a political prison, racism was still prevelant on the island.

In the 1930s, after all leprosy patients had been removed from the island back to the mainland, all the wards were burnt down and destroyed over concerns that the disease remained in the buildings and would spread. This means that this church, and the graveyard surrounding it containing the graves of leprosy patients who died, are the main remains marking this era of the island. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[1895]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[26/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.robben-island.org.za/infirmary-1890-1931/, https://www.robben-island.org.za/infirmary-1862-1892/. https://www.robben-island.org.za/religion-1846-now/, https://www.cape-town-heritage.co.za/heritage-site/robben-island-leper-church.html]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1484]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-33.80559661648449,18.37654781236779;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Anglican Church of the Province of South Africa]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3968">
    <dcterms:title><![CDATA[The Roman Baths]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Roman Baths in south-west England is a site of great cultural heritage.  With the site's first being built on by the Romans in the 1st century to capture the natural hot springs of Bath, the landscape provides historical evidence of advanced engineering, public health practices, and community life in ancient times. It is a recognised part of the City of Bath UNESCO World Heritage Site, and is known to have religious, social, and architectural significance (UNESCO World Heritage Centre, 1987).  Today, it is run by the local council as a tourist museum, and receives over a million visitors a year.]]></dcterms:description>
    <dcterms:source><![CDATA[tristanbrown]]></dcterms:source>
    <dcterms:date><![CDATA[70 AD]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[26/06/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Tristan]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1485]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3969">
    <dcterms:title><![CDATA[Antarctica - Paradise Harbour]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[1486]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-64.863181,-62.9122533;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3970">
    <dcterms:title><![CDATA[Paradise Bay]]></dcterms:title>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[08/07/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1487]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-64.863181,-62.9122533;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3971">
    <dcterms:title><![CDATA[Antarctica - Tay Head]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A reconstruction of part of Antarctica in the future to show climate change.]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[1489]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-63.2502727,-55.8551373;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3972">
    <dcterms:title><![CDATA[Tay Head]]></dcterms:title>
    <dcterms:description><![CDATA[A reconstruction of part of antarctica in the future to show climate change.]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[08/07/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1488]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-63.2502727,-55.8551373;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3973">
    <dcterms:title><![CDATA[Kirkcaldy Old Kirk - 1500]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Medieval parish churches were hubs of activity within their communities. All adults were supposed to attend mass each Sunday and on feast days (although, of course, not everyone did!), and the major events of most people’s lives, from christening to funeral, were marked within the church. Socialising, business deals, and even disputes all regularly took place around – or in the middle of – weekly religious observances. The church was not empty on weekdays, either: the parish clergy said, or sang, multiple religious services each day, in a cycle known as the Divine Office. These services were often performed privately by the clergy at the altar, but members of the community who wished to spend time in personal devotion, along with pilgrims who were passing through on their way to St Andrews, would have been welcome here in the nave. ]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[1490]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.1125385,-3.1584624;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3974">
    <dcterms:title><![CDATA[Kirkcaldy Old Kirk]]></dcterms:title>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[08/07/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1491]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.1125385,-3.1584624;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3975">
    <dcterms:title><![CDATA[Fort William - 1745]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A collaborative project with the West Highland Museum, one of the oldest museums in the Highlands.  Fort William is a town in the western Scottish Highlands, on the shores of Loch Linnhe. 

Despite the Jacobites outnumbering the Fort Garrison, the siege on the Fort during the Jacobite rising of 1745 was unsuccessful. Later, the Fort served as a disembarkation point for those travelling to America as a result of the Highland Clearances.   The fort was sold by the War Office in 1864, and the barracks within the fort were converted into tenant houses.  This was later followed by compulsory purchase by the North Railway Company in the late 19th century.  Gradually, the fort was demolished in the early to mid-20th century, with the remaining walls being knocked down in 1975.]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:date><![CDATA[2022/23]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[1492]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.821445442221616,-5.107687711715699;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3976">
    <dcterms:title><![CDATA[The Old Fort, Fort William]]></dcterms:title>
    <dcterms:description><![CDATA[The site of the Fort of Fort William]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[08/07/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1493]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.8212503,-5.1075884;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3977">
    <dcterms:title><![CDATA[Kildalton Chapel  &amp; High Cross]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Kildalton Old Church, or Chapel, dates from around 1425, but the church building may be older still, possibly late 12th or early 13th century. Kildalton Church is situated in the southeast corner of Islay. The earliest documented record of a church on the site is from 1425, however features such as the eighth-century Kildalton Cross as well as broader twelfth- and thirteenth-century architectural characteristics indicate that the site was important to the presence of Celtic Christianity on the island far earlier. The principal aim of this virtual tour is this to ensure that the history of the remote Kildalton Church is as accessible to as many historians and prospective visitors as possible.]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[1494]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.68406283078722,-6.045414805412293;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3978">
    <dcterms:title><![CDATA[Kildalton Chapel]]></dcterms:title>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[08/07/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1495]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.684061318676264,-6.045410782098771;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3979">
    <dcterms:title><![CDATA[Scottish Seabird Centre]]></dcterms:title>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[08/07/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1496]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.0613119265832,-2.717336565256119;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3980">
    <dcterms:title><![CDATA[Virtual Dive]]></dcterms:title>
    <dcterms:description><![CDATA[A virtual dive experience based on the area around Bass Rock. There are a number of scenes with different wildlife. Starting with the island with the Gannets, then underwater with fish and further out with Kelp. There are also Whales and Dolphins.]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[1497]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.07807120699386,-2.640109062194824;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3981">
    <dcterms:title><![CDATA[Camp Nelson - American Civil War]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Camp Nelson, located in southern Jessamine County, Kentucky, United States, was the United States' third-largest recruitment centre for African American troops and a refuge for Black women and children searching for their freedom during the Civil War, which lasted 4 years—12th April 1861 to 9th April 1865. Through their Impact-focused work with Camp Nelson staff and members of the local community, including descendants of Black refugees and troops, the researchers will co-create innovative, community-engaged museum exhibits that share the hopes Black refugees placed in Camp Nelson and the challenges they met there, reflecting on the processes involved in commemoration and the creation of historical narratives. - 

     Dr  Kristen Treen’s Leverhulme-funded project will focus on the experiences of Black refugees who fled slavery during the Civil War, and sought refuge at federal camps in Kentucky, Maryland, Virginia, and Washington D.C., among other states. Over three years it will explore the relevance of the term ‘refugee’ to the experiences of formerly enslaved people across the war-torn states, and the futures they sought to build for themselves. Asking how refugees’ mobility, refuge-taking, and acts of settlement shaped alternative commemorative approaches to the war, researchers on the project will uncover how these have been remembered, forgotten, or erased from public memory.  

Concentrating on specific refugee camps, including Camp Nelson (Kentucky) and ‘Contraband Camp’ (Washington, D.C.), it will enhance academic and public understanding of the country’s system of enslavement and Black networks of resistance and aid through extensive archival research, which will be shared through academic and public-facing publications, and innovative uses of exhibitions and digital mapping.         https://news.st-andrews.ac.uk/archive/double-funding-success-will-tell-the-forgotten-story-of-americas-black-refugee-camps/
]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:date><![CDATA[2024/25]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[1498]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.7968589,-84.6007927;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3982">
    <dcterms:title><![CDATA[Glasgow]]></dcterms:title>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[08/07/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[07/08/2025 04:48:27 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1499]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.855564049055886,-4.259648323059083;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3983">
    <dcterms:title><![CDATA[Glasgow - Future]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This reconstruction of Glasgow is based on the models available here https://data.glasgow.gov.uk/pages/3d-urban-model under the Open Government License and provided by Glasgow  City Council. The models were added to and aligned with a terrain. Water has been added to the model and raised by 10m and 5m for different experiences. The sea level rise is based on data from when the CO2 level in the atmosphere was the same as it is today, and the sea level was 10m higher than it is currently. This model was first shown at the Glasgow Science Centre, where the video and interactive start by showing the effect of sea level rising.]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[1500]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.855564049055886,-4.258446693420411;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3984">
    <dcterms:title><![CDATA[Whithorn Cathedral Priory 1424]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A collaborative project between ourselves and the Whithorn Trust. Whithorn embodies the history of Christian belief, power and practice in Scotland. A sacred place for Christians from at least the 600s, the cult of St Ninian flourished here for over a thousand years. It brought travellers, traders, pilgrims and royalty to Whithorn from home and abroad. The site’s fortunes have fluctuated with those of the Church. After rising to great heights of wealth and glory, Whithorn was suppressed during the Protestant Reformation of 1560, and afterwards became a simple parish church. Increased archaeological interest since the 1880s has brought the site back to public attention, and the creation of the Whithorn Trust has secured it for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:date><![CDATA[2022]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[1501]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,54.7337383,-4.4209508;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3985">
    <dcterms:title><![CDATA[Bishnapur]]></dcterms:title>
    <dcterms:source><![CDATA[tours]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/08/2025 05:10:07 pm]]></dcterms:dateSubmitted>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Tour]]></dcterms:type>
    <dcterms:identifier><![CDATA[1502]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,23.07530988384078,87.31555938720705;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3986">
    <dcterms:title><![CDATA[Broadlands Farm]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[This site represents the architectural core of what was once a bustling early twentieth-century “gentleman’s” farm complex.
The farmstead, as it appears today, was laid out in a courtyard plan by Hoagland Gates around 1929. Architecturally, Broadlands illustrates the importance of dairying and tenant farming in early-twentieth-century Cecil County. Despite the recent loss of many of the surrounding farm fields, the machine shed with double corn crib and the three tenant houses represent a transition from tobacco to grains, and the subsequent increase in and continued importance of farm tenancy from the mid-nineteenth through the twentieth century in the county.
The dairy barn with attached barnyard and silo, including the extant dairy equipment on the first story of the barn, exemplifies the increased importance of the dairy industry to Cecil County agriculture in the early twentieth century. Together, the buildings show a symbiotic relationship between dairying and grain production, in that the farm was designed to continue both practices.
]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:date><![CDATA[2015]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[1515]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.6484351,-75.8079019;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3987">
    <dcterms:title><![CDATA[Cecil County School of Technology]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[08/07/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1503]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.6484351,-75.8079019;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3988">
    <dcterms:title><![CDATA[Crescent Moon Spring]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Once upon a time, the Crescent Moon Spring was more like a lake where people could raft, situated by the Mingsha Mountain, next to the village.

Since the 1960s, the water level of the Crescent Moon Spring has fallen dramatically, and by 1998 the spring was only 1.2 metres deep. In recent years, the geography in which the spring was formed has not improved and the spring has dried up.]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[1504]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.0881613,94.6754459;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3989">
    <dcterms:title><![CDATA[Crescent Moon Spring]]></dcterms:title>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[09/07/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1505]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.0881613,94.6754459;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3990">
    <dcterms:title><![CDATA[Qiyi Glacier]]></dcterms:title>
    <dcterms:description><![CDATA[Qiyi Glacier, 116 km southwest of Jiayuguan City in Gansu Province, China, on the northern slopes of the Torai Mountains in the Qilian Mountains. It is the closest viewable glacier in Asia to the city, but is shrinking in recent years.]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[1506]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.0413988,94.8090217;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3991">
    <dcterms:title><![CDATA[Mogao Caves]]></dcterms:title>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[09/07/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1507]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.0413988,94.8090217;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3992">
    <dcterms:title><![CDATA[Great Barrier Reef]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Great Barrier Reef is a site of remarkable variety and beauty on the north-east coast of Australia. It contains the world’s largest collection of coral reefs, with 400 types of coral, 1,500 species of fish and 4,000 types of mollusc. It also holds great scientific interest as the habitat of species such as the dugong (‘sea cow’) and the large green turtle, which are threatened with extinction]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[1508]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-21.69826549685252,154.48974609375003;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3993">
    <dcterms:title><![CDATA[Rome - Castra Praetoria]]></dcterms:title>
    <dcterms:description><![CDATA[The Castra Praetoria served as the barracks of the Praetorian Guard from 23 AD to 312 AD. Built under the orders of Emperor Tiberius, it was a fortified military camp designed specifically to house the Guard. Strategically located on the Northeastern edge of Rome, it provided them with control over key roads leading in and out of the city. The Castra Praetoria remained in use until 312 AD, when it was demolished by Emperor Constantine I, following the disbandment of the Praetorian Guard.

Following the typical Roman military camp layout, the Castra Praetoria was rectangular, with high defensive walls, fortified gates, and barracks for the soldiers. It also included training grounds, administrative buildings, and storage areas for weapons and supplies.


The Castra Praetoria on a current map of Rome, denoted by the black trapezium.
To this day, the North and East walls of the camp remain largely intact, and are integrated into the Aurelian Walls – walls which were built as a defensive measure around Rome. The Western wall of the camp, however, no longer exists—its former path is now marked by Viale Castro Pretorio, a road whose name reflects the site’s historical significance.

The National Central Library of Rome now occupies much of the land where the barracks once stood.]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[1509]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.9082702,12.4872229;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3994">
    <dcterms:title><![CDATA[Dora Hitz in Peles Castle]]></dcterms:title>
    <dcterms:source><![CDATA[tours]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/10/2025 10:19:54 am]]></dcterms:dateSubmitted>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Tour]]></dcterms:type>
    <dcterms:identifier><![CDATA[1510]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,45.3599491,25.5425221;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3995">
    <dcterms:title><![CDATA[Roman Fort and Bathhouse 142AD - Cramond]]></dcterms:title>
    <dcterms:description><![CDATA[The small village of Cramond, on the edge of Edinburgh, is one of Scotland’s most important archaeological sites. People have lived in and around Cramond for at least ten thousand years.
In the Mesolithic era, hunter-gatherers camped here, taking advantage of the many foodstuffs found beside the Firth of Forth. Many centuries later, Cramond became a significant Roman settlement, with a large fort which may have served as a supply depot for the Antonine Wall.
Cramond also has a rich medieval heritage. The village boasts a stone tower house which once belonged to the Bishops of Dunkeld, whilst the parish Kirk has been on its current site since at least the thirteenth century. Today, Cramond is a pleasant commuter village for Edinburgh, but there remain numerous reminders of its extraordinary past.
]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:date><![CDATA[2015]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[1511]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.972115,-3.3106663;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3996">
    <dcterms:title><![CDATA[Scapa Flow WW2]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[In 2020, we collaborated with the Scapa Flow Museum in Orkney. The museum was closed for redevelopment, with a new extension being built and a reopening to the public on the 2nd of July 2022. Working from the museum's extensive archive of photos and documents, we created a digital reconstruction of the camp at Lyness to help show the scale of Lyness during wartime. This was installed in the museum for the reopening in 2022 as an interactive VR experience. Scapa Flow Museum’s role is to chart Orkney’s military involvement in the First and Second World Wars, and provide a safe home for a major collection of wartime artefacts, many of national and international importance. Their stories are brought to life through a world class display of over 250 artefacts and interactive exhibits, some never displayed until now, in extensively redeveloped and extended galleries. In 2023, Scapa Flow Museum was a finalist for Art Fund’s prestigious Museum of the Year prize, the largest museum prize in the world. For more information on the Scapa flow Museum visit: https://www.orkneymuseums.co.uk/our-museums/scapa-flow-museum/]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:date><![CDATA[2020/21]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[1512]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.8337389780696,-3.1971904635429387;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3997">
    <dcterms:title><![CDATA[Gereza Fort - Kilwa Kisiwani - Tanzania]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Old Fort or Gereza (prison) in Kilwa Kisiwani situated along the coast of southern Tanzania was built by the Portuguese in 1505. This build which has two towers were meant to protect the interest of Portuguese after they had conquered Kilwa during the early 16th century. However, the Portuguese did not stay long, and they abandoned it within 10years of habitation leaving it for use by the Arabs. The gereza is one of the still very firm monuments in Kilwa Kisiwani making a World Heritage Site since 1981. Currently a part of this building serves as a community museum. The ruins of the Gereza Fort are situated on Kilwa Kisiwani, a small, low-lying island off the East coast of Tanzania. It represents one of the two remains of the largest East African ports from the 11th to the 16th. The evidence of the dominance of Swahili coastal culture, the Islamisation of East Africa and the extensive and prosperous Indian Ocean trade networks. Today, the remains originally built of coral stones bonded together with lime mortar located along the coast are critically exposed to flooding, erosion from storm surges and encroaching (mangrove) vegetation. On several locations along the shore of Kilwa Kisiwani, artefacts (beads, coins, ceramics, etc.) are being eroded by the sea-water movements. Only a small part of the once extensive cities has been excavated, and the remains could be lost before they have ever been recorded if rising sea levels flood the islands. This means that communities would have to move, and their way of life, cultural traditions and practices would be lost forever. The site also houses one of the longest-established Islamic education centres on the east coast of Africa. Flooding and collapse of structures would mean relocation for the school. The remains in immediate structural vulnerability include the Great Mosque, the palace of Husuni Kubwa and the Portuguese Fort. Within the environment, rising sea level will also mean contamination of groundwater thus affecting trees such as the baobab that represents the spiritual well-being of the local people. Tanzania is rich in archaeological sites throughout. With evidence of past prehistoric and historic activity preserved in structures and art, some of which has been investigated using the discipline of archaeology and represents a part of the archaeological record.]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:date><![CDATA[2022]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[1513]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-8.957484315253058,39.52820777893067;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3998">
    <dcterms:title><![CDATA[St Madoes Pictish Stone]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Movable Cultural Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[A magnificent piece of early medieval sculpture, the Pictish St Madoes cross-slab, dates to the eighth century AD. Its imagery powerfully symbolises the authority of the Christian church. The whole is dominated by the ring-headed cross that fills what we can accept as the front of the slab. It is surrounded by biting dogs and with two lion-like creatures facing each other across the top of the stone. The back of the slab shows three cloaked and hooded riders, probably churchmen (possibly a reference to the road and its users between St Andrews and Scone), and below them three Pictish symbols: a crescent and v-rod, a double-disc and z-rod and a Pictish beast. The symbols are much worn due to exposure to the elements when it stood in St Madoes churchyard. In 1991, the stone was conserved and moved to what is now the Perth Art Gallery. In the first thousand years AD, the country we now call Scotland was dominated by changing groups of Celtic peoples, most notably the Picts. From AD 250-900, they controlled most of Scotland north of the River Forth. We do not know what they called themselves. The Picts – meaning “the painted ones” – is the name the Romans gave them. Their language has disappeared, and no Pictish manuscripts are known to have survived. But their art survives on over 300 pieces of carved stonework and a much smaller number of portable objects such as jewellery. - Perth Museum]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:date><![CDATA[2023/24]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[1514]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.3752472,-3.3067511;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3999">
    <dcterms:title><![CDATA[Canaveral National Seashore]]></dcterms:title>
    <dcterms:source><![CDATA[tours]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/15/2025 12:51:53 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[museums@eu-lac.org]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Tour]]></dcterms:type>
    <dcterms:identifier><![CDATA[1516]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,28.7406399,-80.7364667;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4000">
    <dcterms:title><![CDATA[Syria Music Map]]></dcterms:title>
    <dcterms:source><![CDATA[apps]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/16/2025 01:38:47 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[App]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,35.1592963,38.548987;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4001">
    <dcterms:title><![CDATA[American Civil War Monuments]]></dcterms:title>
    <dcterms:source><![CDATA[apps]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/16/2025 01:51:51 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[App]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.63953756436671,-98.61328125;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4002">
    <dcterms:title><![CDATA[Borghaug]]></dcterms:title>
    <dcterms:source><![CDATA[tours]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/16/2025 02:01:50 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[museums@eu-lac.org]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Tour]]></dcterms:type>
    <dcterms:identifier><![CDATA[1517]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.1024543,6.584821;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4003">
    <dcterms:title><![CDATA[Churchill]]></dcterms:title>
    <dcterms:source><![CDATA[tours]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/16/2025 02:43:17 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[museums@eu-lac.org]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Tour]]></dcterms:type>
    <dcterms:identifier><![CDATA[1518]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.7679639,-94.1696832;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4004">
    <dcterms:title><![CDATA[H&auml;&auml;demeeste]]></dcterms:title>
    <dcterms:source><![CDATA[tours]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/16/2025 02:45:10 pm]]></dcterms:dateSubmitted>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Tour]]></dcterms:type>
    <dcterms:identifier><![CDATA[1519]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.0791995,24.4930372;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4005">
    <dcterms:title><![CDATA[Hoonah]]></dcterms:title>
    <dcterms:source><![CDATA[tours]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/16/2025 02:47:43 pm]]></dcterms:dateSubmitted>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Tour]]></dcterms:type>
    <dcterms:identifier><![CDATA[1520]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.1099928,-135.444608;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4006">
    <dcterms:title><![CDATA[Lillesand]]></dcterms:title>
    <dcterms:source><![CDATA[tours]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/16/2025 02:51:24 pm]]></dcterms:dateSubmitted>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Tour]]></dcterms:type>
    <dcterms:identifier><![CDATA[1521]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.252627,8.3721424;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4007">
    <dcterms:title><![CDATA[Lochinver]]></dcterms:title>
    <dcterms:description><![CDATA[A Virtual tour of Lochinver.]]></dcterms:description>
    <dcterms:source><![CDATA[tours]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/16/2025 03:13:48 pm]]></dcterms:dateSubmitted>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Tour]]></dcterms:type>
    <dcterms:identifier><![CDATA[1522]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.148835,-5.2401336;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4008">
    <dcterms:title><![CDATA[Seinn Spioradail]]></dcterms:title>
    <dcterms:description><![CDATA[Seinn Spioradail is an exploration of the incredible wealth of sights, sounds and memories of spiritual singing and song writing in everyday life in Highland and Island communities, something which has been part of Highland culture for millenia. The material on the website includes a digital sound archive, virtual tour and soundmap exploring songs recorded during 5 years’ research by Dr Frances Wilkins into the sacred songs of the North-West Highlands and the Outer Hebrides. You will also find information about the Seinn Spioradial exhibition, curated by Dr Frances Wilkins and Ronan Martin, which tours around Hebridean communities from January 2024.<br />
<br />
    This resource would not have been possible without the help and expertise of many people. Thank you especially to the Open Virtual Worlds team at the University of St Andrews for creating this website, virtual tour and sound archive.]]></dcterms:description>
    <dcterms:source><![CDATA[websites]]></dcterms:source>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Website]]></dcterms:type>
    <dcterms:identifier><![CDATA[1523]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.471102,-6.2885444;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4009">
    <dcterms:title><![CDATA[Our Lochaber]]></dcterms:title>
    <dcterms:source><![CDATA[websites]]></dcterms:source>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Website]]></dcterms:type>
    <dcterms:identifier><![CDATA[1524]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.8202905,-5.1060086;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4010">
    <dcterms:title><![CDATA[Virtual St Kilda]]></dcterms:title>
    <dcterms:source><![CDATA[websites]]></dcterms:source>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Website]]></dcterms:type>
    <dcterms:identifier><![CDATA[1525]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,57.81214328081185,-8.569743633270265;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4011">
    <dcterms:title><![CDATA[Glasgow Green App]]></dcterms:title>
    <dcterms:source><![CDATA[apps]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/16/2025 05:24:53 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[App]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,55.849067,-4.2354474;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4012">
    <dcterms:title><![CDATA[St Andrews Cathedral Virtual Tour 1318]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[07/18/2025 10:54:15 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[museums@eu-lac.org]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Tour]]></dcterms:type>
    <dcterms:identifier><![CDATA[1526]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.34003301093679,-2.787466943264008;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4013">
    <dcterms:title><![CDATA[Chapterhouse to warminghouse Video]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[07/18/2025 11:16:54 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4014">
    <dcterms:title><![CDATA[Site Visit to St Andrews Cathedral 2012]]></dcterms:title>
    <dcterms:description><![CDATA[Prof Richard Fawcett and Dr Rebecca Sweetman take the team on a site visit to the Cathedral.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2012]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/18/2025 12:27:26 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.340261954228716,-2.787827700376511;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4015">
    <dcterms:title><![CDATA[Site Visit to St Andrews Cathedral 2012]]></dcterms:title>
    <dcterms:description><![CDATA[Prof Richard Fawcett and Dr Rebecca Sweetman take the team on a site visit to the Cathedral.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2012]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/18/2025 12:27:34 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.340261954228716,-2.787827700376511;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4016">
    <dcterms:title><![CDATA[Site Visit to St Andrews Cathedral]]></dcterms:title>
    <dcterms:description><![CDATA[Prof Richard Fawcett and Dr Rebecca Sweetman take the team on a site visit to St Andrews Cathedral.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2012]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/18/2025 12:30:05 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.340261954228716,-2.787812948226929;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4017">
    <dcterms:title><![CDATA[Prior John Bissett]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Audio recording of Prof Micheal Brown (University of St Andrews) 
Subject: Prior John Bissett of St Andrews Cathedral]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2014]]></dcterms:date>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.340028550988876,-2.787488400936127;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4018">
    <dcterms:title><![CDATA[VR St Andrews Cathedral ]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Virtual reconstruction of St Andrews Cathedral.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2018]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/18/2025 01:27:53 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.34000922454199,-2.7876520156860356;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4019">
    <dcterms:title><![CDATA[St Andrews Cathedral in the Snow]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[Drone footage of St Andrews Cathedral on a snow day in 2018 by OVW Team members Dr John McCaffery and Dr Chris Davies. Music credits: St Salvators Choir: Kyrie Chant]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2018]]></dcterms:date>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.33821330890734,-2.7828669548034672;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4020">
    <dcterms:title><![CDATA[St Salvators North Street View]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Image of Virtual reconstruction created in Unreal Engine by Sarah Kennedy, OVW Team. 2018]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2018:12:06 12:39:29]]></dcterms:date>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.34124015100103,-2.7950093150138855;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4021">
    <dcterms:title><![CDATA[Inside the Cloister]]></dcterms:title>
    <dcterms:description><![CDATA[VR view from inside St Salvators Cloister.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2017]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/18/2025 01:58:15 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.341543416639766,-2.7939069271087646;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4022">
    <dcterms:title><![CDATA[St Salvators Cloister Window]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[VR view from within the cloister corridors looking from north to south out to the garden and tower.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2017]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/18/2025 02:05:59 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.34169802172396,-2.7939391136169434;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4023">
    <dcterms:title><![CDATA[Skinnergate]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Skinnergate was once the main thoroughfare into Perth. Here, just inside the burgh’s boundaries near the city wall was where the Skinners lived. Other smelly and dangerous crafts were settled just outside the wall. Leatherworkers lived here, and had stalls to advertise their goods. Life in medieval Perth was packed, humans lived close to their livestock, workshops were in the houses, and everyone was living within the city walls for protection and privileges. Living in the city meant a strict following of rules and many duties to keep life pleasant for everyone, including gait dichting – the cleaning of streets. Life was regulated mainly by members of the guild and the craft incorporations. Perth was always known for the quality and variety of its crafted goods, it was called a craftis toun, and people from all over Scotland descended on the city during special fair days to buy and trade gold, silver, precious stones, animals, hides, leather goods, wool, pottery, knives, soap, cloth, luxury goods, corn, the famous Tay salmon, wine, beer, spirits, the meat of goat, lamb, deer, cow and pig. So you can imagine how busy and packed the place would have been!]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2020]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/18/2025 02:42:07 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.39723202422173,-3.4281849861145024;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4024">
    <dcterms:title><![CDATA[Perth Backstreet ]]></dcterms:title>
    <dcterms:description><![CDATA[Illustration depicting the back streets of Preth by Roger Dennis 1978.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[1978]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/18/2025 02:57:44 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.39307542209271,-3.432669639587403;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4025">
    <dcterms:title><![CDATA[Perth Pottery]]></dcterms:title>
    <dcterms:description><![CDATA[Archaeological research on Perth pottery.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/18/2025 03:04:02 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.39566444471659,-3.4321975708007817;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4026">
    <dcterms:title><![CDATA[Royal George 1887]]></dcterms:title>
    <dcterms:description><![CDATA[Royal George, St Andrews Harbour 1887.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/24/2025 11:42:44 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.33882583267885,-2.7835321426391606;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4027">
    <dcterms:title><![CDATA[Lock Gates 1966]]></dcterms:title>
    <dcterms:description><![CDATA[A photo from 1966 showing the Lock Gates at St Andrews Harbour.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[1966]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/24/2025 11:45:30 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.33891800773501,-2.7839130163192753;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4028">
    <dcterms:title><![CDATA[Harbour history 1916]]></dcterms:title>
    <dcterms:description><![CDATA[St Andrews Harbour photo of lock gates area. 1916.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[1916]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/24/2025 11:49:06 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.338926927889915,-2.783969342708588;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4029">
    <dcterms:title><![CDATA[OS 1893 Lock Gate]]></dcterms:title>
    <dcterms:description><![CDATA[Transverse Quay OS Map 1893. St Andrews Harbour.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2021:03:02 22:20:27]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/24/2025 11:51:50 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[OS]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.3388971940321,-2.783939838409424;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4030">
    <dcterms:title><![CDATA[Poster from Seeing the Past Exhibit]]></dcterms:title>
    <dcterms:description><![CDATA[Poster for exhibit 2019.  St Andrews Photography Festival. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2019:09:30 15:39:24]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/24/2025 12:05:39 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.339236158637505,-2.7955913543701176;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4031">
    <dcterms:title><![CDATA[Understanding the Tolbooth]]></dcterms:title>
    <dcterms:description><![CDATA[Digital Tolbooth overlayed onto Fife Council Archaeological image of the site, Inlay of James Gordon's Map 1642.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2014]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/24/2025 12:11:11 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.3404403506467,-2.7960741519927983;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4032">
    <dcterms:title><![CDATA[St Andrews Tolbooth 2]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Digital Interpretation of St Andrews Tolbooth.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2014]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/24/2025 12:28:03 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.34044332391326,-2.7960312366485596;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4033">
    <dcterms:title><![CDATA[St Andrews Tolbooth 1]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Digital Interpretation of St Andrews Tolbooth.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2014]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/24/2025 12:29:47 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.340431430845626,-2.7959883213043213;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4034">
    <dcterms:title><![CDATA[St Andrews Tolbooth 3]]></dcterms:title>
    <dcterms:description><![CDATA[Digital Interpretation of St Andrews Tolbooth.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2014]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/24/2025 12:31:28 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.34043440411288,-2.795999050140381;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4035">
    <dcterms:title><![CDATA[St Andrews Tolbooth 4]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Digital Interpretation of St Andrews Tolbooth.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2014]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/24/2025 12:33:29 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.34041359123719,-2.7967071533203125;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4036">
    <dcterms:title><![CDATA[St Andrews Tolbooth 1565 ]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A short video showing the architecture, as we understand it, of St Andrews Tolbooth.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2014]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/24/2025 12:37:04 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.340437377379914,-2.7961385250091557;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4037">
    <dcterms:title><![CDATA[St Andrews Castle view N/E from the Sea.]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Virtual reconstruction image of St Andrews Castle c 1520]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/24/2025 01:12:55 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.34209642424572,-2.789465188980103;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4038">
    <dcterms:title><![CDATA[Tolbooth Cut-through]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Understanding the internal structure of St Andrews Tolbooth.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2014]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/24/2025 01:16:34 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.34045521697723,-2.7960634231567387;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4039">
    <dcterms:title><![CDATA[St Andrews Lost Tolbooth]]></dcterms:title>
    <dcterms:description><![CDATA[Digital image of St Andrews Lost Tolbooth.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2014]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/24/2025 01:18:45 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.34041359123719,-2.796041965484619;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4040">
    <dcterms:title><![CDATA[Longhouse Construction]]></dcterms:title>
    <dcterms:description><![CDATA[Scale site map and longhouse construction.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/24/2025 02:07:37 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,64.18267005921383,-21.622252464294434;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4041">
    <dcterms:title><![CDATA[Internal Layout]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/24/2025 02:09:44 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,64.18280088735156,-21.623067855834964;]]></dcterms:spatial>
</rdf:Description></rdf:RDF>