<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3869">
    <dcterms:title><![CDATA[Mona Lisa]]></dcterms:title>
    <dcterms:description><![CDATA[Leonardo da Vinci created the Mona Lisa, one of the most well-known and mysterious pieces of art in history, between 1503 and 1519. Known for its exquisite use of sfumato, a technique that produces subtle color and tone changes that give her expression an almost lifelike appearance. Viewers have been captivated by the painting's enigmatic smile and direct gaze for decades, leading to several speculations regarding the subject's identity, feelings, and hidden meanings. The Mona Lisa is more than just a portrait thanks to Leonardo's painstaking attention to anatomical detail and light manipulation; it is a representation of the Italian Renaissance's creative inventiveness. The Mona Lisa, which is currently on display at the Louvre Museum, is a timeless cultural symbol that welcomes millions of tourists each year. Its significance goes beyond art; it is a symbol of inventiveness, scientific inquiry, and the enduring strength of human imagination. High-resolution photography and digital preservation initiatives enable both the public and scholars to study the masterpiece in previously unheard-of detail, guaranteeing that its legacy will live on for many more centuries.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/29/2025 07:58:00 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[concretedetails]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Mona_Lisa#/media/File:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF_retouched.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,48.8606° N,2.3376° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3868">
    <dcterms:title><![CDATA[Loulan city China Xinjiang Urumqi Welcome you to tour the - panoramio]]></dcterms:title>
    <dcterms:description><![CDATA[https://zh.wikipedia.org/wiki/File:%E6%A5%BC%E5%85%B0%E5%8F%A4%E5%9F%8E_Loulan_city_China_Xinjiang_Urumqi_Welcome_you_to_tour_the_-_panoramio_(3).jpg]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[19 March 2015]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/29/2025 07:49:44 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yilei Xiao]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[https://zh.wikipedia.org/wiki/%E6%A5%BC%E5%85%B0]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40°31′39.48″N,89°50′26.32″E;origin,40°31′39.48″N,89°50′26.32″E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3867">
    <dcterms:title><![CDATA[N&uuml;shu]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Nüshu, meaning "women's writing," is a rare syllabic script that developed from Chinese characters. It emerged in Jiangyong County, Hunan Province, during the Ming and Qing dynasties. Created and used exclusively by women, Nüshu is distinguished by its slender, rhomboid-shaped characters and fine, thread-like strokes. Traditionally, it is written vertically from right to left, differing from standard Chinese writing. This unique script not only met women’s personal and emotional needs but also reflected a quiet defiance against societal norms and the patriarchal system.

Nüshu served as a means for women to share their thoughts, document traditions, and maintain connections, particularly through letters and songs. Many of these writings were inscribed on fans, handkerchiefs, and cloth. As the world’s only known gender-specific writing system, Nüshu is a valuable piece of intangible cultural heritage. It holds significant linguistic, anthropological, and feminist importance, offering insight into the resilience and creativity of marginalized women.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[29 Mar 2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yilei Xiao]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.bbc.co.uk/travel/article/20200930-nshu-chinas-secret-female-only-language]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1448]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,25°16′01″N ,111°20′51″E;origin,25°16′01″N ,111°20′51″E;find,25°16′01″N ,111°20′51″E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3866">
    <dcterms:title><![CDATA[N&uuml;shu]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Nüshu, meaning "women's writing," is a rare syllabic script that developed from Chinese characters. It emerged in Jiangyong County, Hunan Province, during the Ming and Qing dynasties. Created and used exclusively by women, Nüshu is distinguished by its slender, rhomboid-shaped characters and fine, thread-like strokes. Traditionally, it is written vertically from right to left, differing from standard Chinese writing. This unique script not only met women’s personal and emotional needs but also reflected a quiet defiance against societal norms and the patriarchal system.

Nüshu served as a means for women to share their thoughts, document traditions, and maintain connections, particularly through letters and songs. Many of these writings were inscribed on fans, handkerchiefs, and cloth. As the world’s only known gender-specific writing system, Nüshu is a valuable piece of intangible cultural heritage. It holds significant linguistic, anthropological, and feminist importance, offering insight into the resilience and creativity of marginalized women.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[29 Mar 2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yilei Xiao]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.bbc.co.uk/travel/article/20200930-nshu-chinas-secret-female-only-language]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1447]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,25°16′01″N ,111°20′51″E;origin,25°16′01″N ,111°20′51″E;find,25°16′01″N ,111°20′51″E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3865">
    <dcterms:title><![CDATA[N&uuml;shu]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Nüshu, meaning "women's writing," is a rare syllabic script that developed from Chinese characters. It emerged in Jiangyong County, Hunan Province, during the Ming and Qing dynasties. Created and used exclusively by women, Nüshu is distinguished by its slender, rhomboid-shaped characters and fine, thread-like strokes. Traditionally, it is written vertically from right to left, differing from standard Chinese writing. This unique script not only met women’s personal and emotional needs but also reflected a quiet defiance against societal norms and the patriarchal system.

Nüshu served as a means for women to share their thoughts, document traditions, and maintain connections, particularly through letters and songs. Many of these writings were inscribed on fans, handkerchiefs, and cloth. As the world’s only known gender-specific writing system, Nüshu is a valuable piece of intangible cultural heritage. It holds significant linguistic, anthropological, and feminist importance, offering insight into the resilience and creativity of marginalized women.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[29 Mar 2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yilei Xiao]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.bbc.co.uk/travel/article/20200930-nshu-chinas-secret-female-only-language]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1446]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,25°16′01″N ,111°20′51″E;origin,25°16′01″N ,111°20′51″E;find,25°16′01″N ,111°20′51″E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3864">
    <dcterms:title><![CDATA[N&uuml;shu]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Nüshu, meaning "women's writing," is a rare syllabic script that developed from Chinese characters. It emerged in Jiangyong County, Hunan Province, during the Ming and Qing dynasties. Created and used exclusively by women, Nüshu is distinguished by its slender, rhomboid-shaped characters and fine, thread-like strokes. Traditionally, it is written vertically from right to left, differing from standard Chinese writing. This unique script not only met women’s personal and emotional needs but also reflected a quiet defiance against societal norms and the patriarchal system.

Nüshu served as a means for women to share their thoughts, document traditions, and maintain connections, particularly through letters and songs. Many of these writings were inscribed on fans, handkerchiefs, and cloth. As the world’s only known gender-specific writing system, Nüshu is a valuable piece of intangible cultural heritage. It holds significant linguistic, anthropological, and feminist importance, offering insight into the resilience and creativity of marginalized women.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[29 Mar 2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yilei Xiao]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.bbc.co.uk/travel/article/20200930-nshu-chinas-secret-female-only-language]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1445]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,25°16′01″N ,111°20′51″E;origin,25°16′01″N ,111°20′51″E;find,25°16′01″N ,111°20′51″E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3863">
    <dcterms:title><![CDATA[N&uuml;shu is a women's-only script that was passed down from mothers to their daughters in feudal-society China]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Nüshu, a script exclusive to women, was traditionally transmitted from mothers to daughters in feudal China.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[NA]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/29/2025 06:21:24 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yilei Xiao]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.cpamedia.com/]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,25°16′01″N, 111°20′51″E;origin,25°16′01″N, 111°20′51″E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3862">
    <dcterms:title><![CDATA[Mogao Cave ]]></dcterms:title>
    <dcterms:description><![CDATA[Located in Dunhuang, China, the Mogao Cave are one of the world’s largest and most diverse collections of Buddhist cave art. Dating back to the 4th century AD, the site includes 735 caves, 45,000 square meters of murals, and over 2,000 polychrome sculptures, showcasing centuries of cultural exchange along the Silk Road. In 1900, the discovery of the hidden Library Cave revealed a vast collection of over 60,000 manuscripts, scriptures, and silk paintings, dating from the 4th to the 11th century. These invaluable documents, written in multiple languages, provide crucial insights into the history, religion, and cultures of China and Silk Road civilizations. In 1987, the Mogao Cave were inscribed on the UNESCO World Heritage List.
Aligned with SDG 9: Industry, Innovation, and Infrastructure, the Digital Dunhuang project uses advanced technologies like high-precision scanning, LiDAR, and 4K rendering to digitally preserve the Library Cave and its manuscripts, ensuring long-term conservation. Big data and AI help detect mural damage, improving restoration accuracy. Additionally, the project creates a globally accessible cultural heritage database via cloud computing, enabling sustainable resource sharing and fostering innovation in preservation and global access to cultural resources.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[29/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx72@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1444]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.04606 ,94.82378;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3861">
    <dcterms:title><![CDATA[_Mogao_Cave.png]]></dcterms:title>
    <dcterms:description><![CDATA[Located in Dunhuang, China, the Mogao Cave are one of the world’s largest and most diverse collections of Buddhist cave art. Dating back to the 4th century AD, the site includes 735 caves, 45,000 square meters of murals, and over 2,000 polychrome sculptures, showcasing centuries of cultural exchange along the Silk Road. In 1900, the discovery of the hidden Library Cave revealed a vast collection of over 60,000 manuscripts, scriptures, and silk paintings, dating from the 4th to the 11th century. These invaluable documents, written in multiple languages, provide crucial insights into the history, religion, and cultures of China and Silk Road civilizations. In 1987, the Mogao Cave were inscribed on the UNESCO World Heritage List.
﻿
Aligned with SDG 9: Industry, Innovation, and Infrastructure, the Digital Dunhuang project uses advanced technologies like high-precision scanning, LiDAR, and 4K rendering to digitally preserve the Library Cave and its manuscripts, ensuring long-term conservation. Big data and AI help detect mural damage, improving restoration accuracy. Additionally, the project creates a globally accessible cultural heritage database via cloud computing, enabling sustainable resource sharing and fostering innovation in preservation and global access to cultural resources.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/29/2025 05:13:24 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx72@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[National cultural heritage adiministration]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.04606 ,94.82378;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3860">
    <dcterms:title><![CDATA[Porta Praetoria]]></dcterms:title>
    <dcterms:description><![CDATA[Built in 25 B.C., this monument was the main entrance to the city of Augusta Praetoria in modern-day Aosta. It has three openings, one for carriages and two for pedestrians. astern façade still has some of the marble slabs which originally covered the entire structure. Originally, there were four entrances to the town, but Porta Praetoria is the only one fully preserved. 
This promotes SDG 4: quality education. It serves as an educational resource for those studying Roman architecture and history. However, detail about Porta Praetoria on the internet is somewhat sparse, and those who want to explore the monument have to either travel to Aosta or stick to viewing 2D images. By using photographs to create a 3D model of the monument, we could let people explore the heritage from classrooms across the world and view it from multiple angles, promoting SDG:4 further.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[25 B.C]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hs277@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.lovevda.it/en/database/8/roman-architecture/aosta/porta-praetoria/730]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1443]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,45.73790751705519,7.323361337103053;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3859">
    <dcterms:title><![CDATA[Porta Praetoria]]></dcterms:title>
    <dcterms:description><![CDATA[Shot on iPhone 12 Pro]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/29/2025 12:48:41 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hs277@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,45.73791912357663,7.3235044644239675;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3858">
    <dcterms:title><![CDATA[Florence Cathedral]]></dcterms:title>
    <dcterms:description><![CDATA[The Florence Cathedral is considered to be the symbol of Florence and Italian culture during the Renaissance. The first stone was laid in 1296, marking the beginning of the construction effort. Construction was finished when the dome was completed in 1436. The cathedral’s dome is the largest brick and mortar dome in the world, and alongside the new façade which was built in the 1800s, has substantial value as an educational resource for architecture, history and theology. This boosts SDG 4: quality education, by providing a learning opportunity to students of multiple disciplines. As such an iconic building, it brings tourism to Florence, which contributes to SDG 8: decent work and economic growth by creating job opportunities within the city.
By providing a digital representation of the structure, we could extend this SDG4 education opportunity to those who are unable to travel to Florence. This would require using satellite or drone imagery to create a 3D representation of the cathedral. This would also act as a promotional tool for tourism. Even the best 3D representation would fail to match the spectacle of seeing the building in person, but would still give people an idea of what to expect. This would encourage them to visit Florence and see it in real life.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[1296]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hs277@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://duomo.firenze.it/en/discover/cathedral]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1442]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.773146067151224,11.256706595813741;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3857">
    <dcterms:title><![CDATA[FlorenceCathedral3]]></dcterms:title>
    <dcterms:description><![CDATA[Camera: Canon 5D mark 3 
Lens: 24-70 F/4 L 
Edited in Darktable]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2025:03:29 12:20:07]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/29/2025 12:22:31 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hs277@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.77304922757474,11.256791353061999;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3856">
    <dcterms:title><![CDATA[FlorenceCathedral3]]></dcterms:title>
    <dcterms:description><![CDATA[Camera: Canon 5D mark 3 
Lens: 24-70 F/4 L 
Edited in Darktable]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2025:03:29 12:20:07]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/29/2025 12:22:24 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hs277@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.77304922757474,11.256791353061999;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3855">
    <dcterms:title><![CDATA[FlorenceCathedral2]]></dcterms:title>
    <dcterms:description><![CDATA[Camera: Canon 5D mark 3 
Lens: 24-70 F/4 L 
Edited in Darktable]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2025:03:28 20:32:04]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/29/2025 12:07:12 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hs277@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
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    <dcterms:spatial><![CDATA[current,43.77331263002615,11.256900786829647;]]></dcterms:spatial>
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    <dcterms:title><![CDATA[FlorenceCathedral2]]></dcterms:title>
    <dcterms:description><![CDATA[Camera: Canon 5D mark 3 
Lens: 24-70 F/4 L 
Edited in Darktable]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2025:03:28 20:32:04]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/29/2025 12:07:02 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hs277@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
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    <dcterms:spatial><![CDATA[current,43.77331263002615,11.256900786829647;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3853">
    <dcterms:title><![CDATA[FlorenceCathedral]]></dcterms:title>
    <dcterms:description><![CDATA[Camera: Canon 5D mark 3
Lens: 24-70 F/4 L
Edited in Darktable]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2025:03:28 20:32:10]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/29/2025 12:05:25 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hs277@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43.77295936354032,11.256445883918788;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3852">
    <dcterms:title><![CDATA[Hoh Xil]]></dcterms:title>
    <dcterms:description><![CDATA[Located in the northeastern Qinghai-Tibet Plateau, Hoh Xil is one of the world’s most unique plateau ecosystems. Known for its harsh environment, endemic species, and vital ecological functions, Hoh Xil's distinctive topography and climate have fostered rare plant and animal communities, earning it the reputation as a "genetic treasure trove of rare wildlife." As a key source region for the northern headwaters of the Yangtze River, Hoh Xil is home to a dense network of lakes that plays a crucial role in regulating water systems.
Aligned with SDG 13: Climate Action, Hoh Xil benefits from big data and AI to enhance climate change monitoring and early warning systems. Digital tools such as data visualization, remote sensing, and AI models provide real-time insights into environmental changes and ecosystem health, enabling proactive conservation efforts. These technologies support better decision-making, improve climate adaptation strategies, and ensure the long-term preservation of this fragile ecosystem.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[29/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/29/2025 05:40:36 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[yx72@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.sohu.com/a/386132252_565998 (]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[National Party Media Information Public Platform ]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1441]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,35.63918,94.06779;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3851">
    <dcterms:title><![CDATA[Hoh_Xil-1.png]]></dcterms:title>
    <dcterms:description><![CDATA[Located in the northeastern Qinghai-Tibet Plateau, Hoh Xil is one of the world’s most unique plateau ecosystems. Known for its harsh environment, endemic species, and vital ecological functions, Hoh Xil's distinctive topography and climate have fostered rare plant and animal communities, earning it the reputation as a "genetic treasure trove of rare wildlife." As a key source region for the northern headwaters of the Yangtze River, Hoh Xil is home to a dense network of lakes that plays a crucial role in regulating water systems.
Aligned with SDG 13: Climate Action, Hoh Xil benefits from big data and AI to enhance climate change monitoring and early warning systems. Digital tools such as data visualization, remote sensing, and AI models provide real-time insights into environmental changes and ecosystem health, enabling proactive conservation efforts. These technologies support better decision-making, improve climate adaptation strategies, and ensure the long-term preservation of this fragile ecosystem.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/29/2025 11:08:40 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx72@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[Baidu]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,35.63918,94.06779;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3850">
    <dcterms:title><![CDATA[Hoh_Xil.png]]></dcterms:title>
    <dcterms:description><![CDATA[Located in the northeastern Qinghai-Tibet Plateau, Hoh Xil is one of the world’s most unique plateau ecosystems. Known for its harsh environment, endemic species, and vital ecological functions, Hoh Xil's distinctive topography and climate have fostered rare plant and animal communities, earning it the reputation as a "genetic treasure trove of rare wildlife." As a key source region for the northern headwaters of the Yangtze River, Hoh Xil is home to a dense network of lakes that plays a crucial role in regulating water systems.
Aligned with SDG 13: Climate Action, Hoh Xil benefits from big data and AI to enhance climate change monitoring and early warning systems. Digital tools such as data visualization, remote sensing, and AI models provide real-time insights into environmental changes and ecosystem health, enabling proactive conservation efforts. These technologies support better decision-making, improve climate adaptation strategies, and ensure the long-term preservation of this fragile ecosystem.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/29/2025 11:08:33 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx72@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[Baidu]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,35.63918,94.06779;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3849">
    <dcterms:title><![CDATA[Machu Picchu]]></dcterms:title>
    <dcterms:description><![CDATA[Known as the "Lost City of the Incas," Machu Picchu is among the world's most amazing archaeological monuments. The remarkable engineering, architectural, and agricultural achievements of the Inca civilization are on display in this 15th-century Incan fortress, which is situated at an elevation of roughly 2,430 meters (7,970 feet) high in the Peruvian Andes. Machu Picchu is thought to have been built as a royal residence or a place of worship during the time of Inca Emperor Pachacuti. The site's terraced fields, intricate water management system, and expertly built stone structures are all intended to blend in perfectly with the surrounding hilly terrain. Given that many of its buildings correspond with astronomical events, its strategic position and design demonstrate the Incas' profound mastery of astronomy. Since its 1911 rediscovery by American explorer Hiram Bingham, Machu Picchu has grown to represent the tenacity and legacy of indigenous peoples around the world. The site's legacy is being preserved for future generations through digital documentation and preservation efforts despite the obstacles presented by environmental variables and tourism. These days, high-resolution photography and virtual models enable visitors from all over the world to see Machu Picchu, encouraging sustainable tourism and education.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[concretedetails]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Machu_Picchu#/media/File:Machu_Picchu,_2023_(012).jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1440]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,13.1631° S,72.5450° W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3848">
    <dcterms:title><![CDATA[Mona_Lisa__by_Leonardo_da_Vinci__from_C2RMF_retouched.jpg-1.webp]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/28/2025 10:24:18 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[concretedetails]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3847">
    <dcterms:title><![CDATA[Mona Lisa]]></dcterms:title>
    <dcterms:description><![CDATA[Leonardo da Vinci created the Mona Lisa, one of the most well-known and mysterious pieces of art in history, between 1503 and 1519. Known for its exquisite use of sfumato, a technique that produces subtle color and tone changes that give her expression an almost lifelike appearance. Viewers have been captivated by the painting's enigmatic smile and direct gaze for decades, leading to several speculations regarding the subject's identity, feelings, and hidden meanings. The Mona Lisa is more than just a portrait thanks to Leonardo's painstaking attention to anatomical detail and light manipulation; it is a representation of the Italian Renaissance's creative inventiveness. The Mona Lisa, which is currently on display at the Louvre Museum, is a timeless cultural symbol that welcomes millions of tourists each year. Its significance goes beyond art; it is a symbol of inventiveness, scientific inquiry, and the enduring strength of human imagination. High-resolution photography and digital preservation initiatives enable both the public and scholars to study the masterpiece in previously unheard-of detail, guaranteeing that its legacy will live on for many more centuries.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/28/2025 10:22:43 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[concretedetails]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,48.8606° N,2.3376° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3846">
    <dcterms:title><![CDATA[Fujian Tulou]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Fujian Tulou, a remarkable example of rammed-earth architecture, is predominantly found in China’s Fujian province, with origins tracing back to the 10th century. Constructed on solid stone foundations, these massive, fortress-like dwellings are built from compacted raw earth, reinforced with bamboo and wood. Their ingenious design ensures durability, providing warmth in winter and coolness in summer, while also offering exceptional defensive capabilities—perfectly suited for the mountainous terrain they inhabit. As a testament to traditional Chinese village culture, Tulou reflects the harmony between human settlement and nature, with its layout, site selection, and material use embodying the sustainability and ingenuity of past societies. Recognizing its cultural and historical significance, UNESCO inscribed Fujian Tulou as a World Heritage Site in 2008.
To safeguard this architectural legacy and promote sustainable tourism in line with SDG 11 (Sustainable Cities and Communities), 3D scanning and virtual tourism become invaluable tools. High-resolution 3D models enable precise documentation and aid in restoration efforts, while VR experiences allow global audiences to explore Tulou remotely, minimizing the environmental impact of mass tourism. These digital innovations not only enhance heritage conservation but also foster local engagement, ensuring the enduring legacy of Fujian Tulou for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/29/2025 11:24:46 am]]></dcterms:>
    <dcterms:contributor><![CDATA[yx72@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/en/list/1113]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[UNESCO ]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1439]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,25.123,117.419;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3845">
    <dcterms:title><![CDATA[Fujian Tulou]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx72@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1438]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3844">
    <dcterms:title><![CDATA[Tulou-17.png]]></dcterms:title>
    <dcterms:description><![CDATA[Fujian Tulou, a remarkable example of rammed-earth architecture, is predominantly found in China’s Fujian province, with origins tracing back to the 10th century. Constructed on solid stone foundations, these massive, fortress-like dwellings are built from compacted raw earth, reinforced with bamboo and wood. Their ingenious design ensures durability, providing warmth in winter and coolness in summer, while also offering exceptional defensive capabilities—perfectly suited for the mountainous terrain they inhabit. As a testament to traditional Chinese village culture, Tulou reflects the harmony between human settlement and nature, with its layout, site selection, and material use embodying the sustainability and ingenuity of past societies. Recognizing its cultural and historical significance, UNESCO inscribed Fujian Tulou as a World Heritage Site in 2008.
To safeguard this architectural legacy and promote sustainable tourism in line with SDG 11 (Sustainable Cities and Communities), 3D scanning and virtual tourism become invaluable tools. High-resolution 3D models enable precise documentation and aid in restoration efforts, while VR experiences allow global audiences to explore Tulou remotely, minimizing the environmental impact of mass tourism. These digital innovations not only enhance heritage conservation but also foster local engagement, ensuring the enduring legacy of Fujian Tulou for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/28/2025 10:11:35 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx72@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[Baidu]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,25.123 ,117.419;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3843">
    <dcterms:title><![CDATA[Tulou-16.png]]></dcterms:title>
    <dcterms:description><![CDATA[Fujian Tulou, a remarkable example of rammed-earth architecture, is predominantly found in China’s Fujian province, with origins tracing back to the 10th century. Constructed on solid stone foundations, these massive, fortress-like dwellings are built from compacted raw earth, reinforced with bamboo and wood. Their ingenious design ensures durability, providing warmth in winter and coolness in summer, while also offering exceptional defensive capabilities—perfectly suited for the mountainous terrain they inhabit. As a testament to traditional Chinese village culture, Tulou reflects the harmony between human settlement and nature, with its layout, site selection, and material use embodying the sustainability and ingenuity of past societies. Recognizing its cultural and historical significance, UNESCO inscribed Fujian Tulou as a World Heritage Site in 2008.
To safeguard this architectural legacy and promote sustainable tourism in line with SDG 11 (Sustainable Cities and Communities), 3D scanning and virtual tourism become invaluable tools. High-resolution 3D models enable precise documentation and aid in restoration efforts, while VR experiences allow global audiences to explore Tulou remotely, minimizing the environmental impact of mass tourism. These digital innovations not only enhance heritage conservation but also foster local engagement, ensuring the enduring legacy of Fujian Tulou for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/28/2025 10:11:31 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx72@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[Baidu]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3842">
    <dcterms:title><![CDATA[Tulou-15.png]]></dcterms:title>
    <dcterms:description><![CDATA[Fujian Tulou, a remarkable example of rammed-earth architecture, is predominantly found in China’s Fujian province, with origins tracing back to the 10th century. Constructed on solid stone foundations, these massive, fortress-like dwellings are built from compacted raw earth, reinforced with bamboo and wood. Their ingenious design ensures durability, providing warmth in winter and coolness in summer, while also offering exceptional defensive capabilities—perfectly suited for the mountainous terrain they inhabit. As a testament to traditional Chinese village culture, Tulou reflects the harmony between human settlement and nature, with its layout, site selection, and material use embodying the sustainability and ingenuity of past societies. Recognizing its cultural and historical significance, UNESCO inscribed Fujian Tulou as a World Heritage Site in 2008.
To safeguard this architectural legacy and promote sustainable tourism in line with SDG 11 (Sustainable Cities and Communities), 3D scanning and virtual tourism become invaluable tools. High-resolution 3D models enable precise documentation and aid in restoration efforts, while VR experiences allow global audiences to explore Tulou remotely, minimizing the environmental impact of mass tourism. These digital innovations not only enhance heritage conservation but also foster local engagement, ensuring the enduring legacy of Fujian Tulou for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/28/2025 10:11:26 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx72@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[Baidu]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,25.123 ,117.419;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3841">
    <dcterms:title><![CDATA[Tulou-14.png]]></dcterms:title>
    <dcterms:description><![CDATA[Fujian Tulou, a remarkable example of rammed-earth architecture, is predominantly found in China’s Fujian province, with origins tracing back to the 10th century. Constructed on solid stone foundations, these massive, fortress-like dwellings are built from compacted raw earth, reinforced with bamboo and wood. Their ingenious design ensures durability, providing warmth in winter and coolness in summer, while also offering exceptional defensive capabilities—perfectly suited for the mountainous terrain they inhabit. As a testament to traditional Chinese village culture, Tulou reflects the harmony between human settlement and nature, with its layout, site selection, and material use embodying the sustainability and ingenuity of past societies. Recognizing its cultural and historical significance, UNESCO inscribed Fujian Tulou as a World Heritage Site in 2008.
To safeguard this architectural legacy and promote sustainable tourism in line with SDG 11 (Sustainable Cities and Communities), 3D scanning and virtual tourism become invaluable tools. High-resolution 3D models enable precise documentation and aid in restoration efforts, while VR experiences allow global audiences to explore Tulou remotely, minimizing the environmental impact of mass tourism. These digital innovations not only enhance heritage conservation but also foster local engagement, ensuring the enduring legacy of Fujian Tulou for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/28/2025 10:11:20 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx72@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[Baidu]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,25.123 ,117.419;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3840">
    <dcterms:title><![CDATA[Tulou-13.png]]></dcterms:title>
    <dcterms:description><![CDATA[Fujian Tulou, a remarkable example of rammed-earth architecture, is predominantly found in China’s Fujian province, with origins tracing back to the 10th century. Constructed on solid stone foundations, these massive, fortress-like dwellings are built from compacted raw earth, reinforced with bamboo and wood. Their ingenious design ensures durability, providing warmth in winter and coolness in summer, while also offering exceptional defensive capabilities—perfectly suited for the mountainous terrain they inhabit. As a testament to traditional Chinese village culture, Tulou reflects the harmony between human settlement and nature, with its layout, site selection, and material use embodying the sustainability and ingenuity of past societies. Recognizing its cultural and historical significance, UNESCO inscribed Fujian Tulou as a World Heritage Site in 2008.
To safeguard this architectural legacy and promote sustainable tourism in line with SDG 11 (Sustainable Cities and Communities), 3D scanning and virtual tourism become invaluable tools. High-resolution 3D models enable precise documentation and aid in restoration efforts, while VR experiences allow global audiences to explore Tulou remotely, minimizing the environmental impact of mass tourism. These digital innovations not only enhance heritage conservation but also foster local engagement, ensuring the enduring legacy of Fujian Tulou for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/28/2025 10:11:15 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx72@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[Baidu]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,25.123 ,117.419;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3839">
    <dcterms:title><![CDATA[The Colosseum]]></dcterms:title>
    <dcterms:description><![CDATA[The Colosseum is one of Rome's most recognizable structures and a testament to the Roman Empire's engineering brilliance. The Colosseum, which was finished in 80 AD under Emperor Titus, could accommodate up to 50,000 people who came to see a variety of public performances, such as fake naval battles, gladiatorial fights, and animal hunts. The amphitheater was one of the most cutting-edge entertainment venues of its era because of its elliptical shape, which provides outstanding visibility from every seat. The Colosseum has experienced earthquakes and other natural disasters over the ages. It continues to stand as a tribute to Roman architecture and culture despite the effects of time. The Colosseum, a well-liked tourist destination, offers a direct link to ancient history and a window into the intricate social and cultural customs of the Roman Empire. Beyond just its outward appearance, it also symbolizes themes of amusement, dominance, and power in ancient communities. The Colosseum continues to inspire both tourists and academics as a symbol of tenacity and preservation today.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[concretedetails]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Colosseum#/media/File:Colosseo_2020.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1437]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.8902° N,12.4922° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3838">
    <dcterms:title><![CDATA[Fujian Tulou]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/28/2025 10:03:30 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx72@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3837">
    <dcterms:title><![CDATA[Fujian Tulou]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/28/2025 10:03:23 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx72@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3836">
    <dcterms:title><![CDATA[Fujian Tulou]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx72@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1436]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3835">
    <dcterms:title><![CDATA[Fujian Tulou]]></dcterms:title>
    <dcterms:description><![CDATA[Fujian Tulou, a remarkable example of rammed-earth architecture, is predominantly found in China’s Fujian province, with origins tracing back to the 10th century. Constructed on solid stone foundations, these massive, fortress-like dwellings are built from compacted raw earth, reinforced with bamboo and wood. Their ingenious design ensures durability, providing warmth in winter and coolness in summer, while also offering exceptional defensive capabilities—perfectly suited for the mountainous terrain they inhabit. As a testament to traditional Chinese village culture, Tulou reflects the harmony between human settlement and nature, with its layout, site selection, and material use embodying the sustainability and ingenuity of past societies. Recognizing its cultural and historical significance, UNESCO inscribed Fujian Tulou as a World Heritage Site in 2008.
To safeguard this architectural legacy and promote sustainable tourism in line with SDG 11 (Sustainable Cities and Communities), 3D scanning and virtual tourism become invaluable tools. High-resolution 3D models enable precise documentation and aid in restoration efforts, while VR experiences allow global audiences to explore Tulou remotely, minimizing the environmental impact of mass tourism. These digital innovations not only enhance heritage conservation but also foster local engagement, ensuring the enduring legacy of Fujian Tulou for future generations.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/28/2025 09:59:54 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx72@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[Baidu]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3834">
    <dcterms:title><![CDATA[Fujian Tulou]]></dcterms:title>
    <dcterms:description><![CDATA[Fujian Tulou, a remarkable example of rammed-earth architecture, is predominantly found in China’s Fujian province, with origins tracing back to the 10th century. Constructed on solid stone foundations, these massive, fortress-like dwellings are built from compacted raw earth, reinforced with bamboo and wood. Their ingenious design ensures durability, providing warmth in winter and coolness in summer, while also offering exceptional defensive capabilities—perfectly suited for the mountainous terrain they inhabit. As a testament to traditional Chinese village culture, Tulou reflects the harmony between human settlement and nature, with its layout, site selection, and material use embodying the sustainability and ingenuity of past societies. Recognizing its cultural and historical significance, UNESCO inscribed Fujian Tulou as a World Heritage Site in 2008.
To safeguard this architectural legacy and promote sustainable tourism in line with SDG 11 (Sustainable Cities and Communities), 3D scanning and virtual tourism become invaluable tools. High-resolution 3D models enable precise documentation and aid in restoration efforts, while VR experiences allow global audiences to explore Tulou remotely, minimizing the environmental impact of mass tourism. These digital innovations not only enhance heritage conservation but also foster local engagement, ensuring the enduring legacy of Fujian Tulou for future generations.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/28/2025 09:59:48 pm]]></dcterms:dateSubmitted>
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    <dcterms:medium><![CDATA[Baidu]]></dcterms:medium>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3833">
    <dcterms:title><![CDATA[Fujian Tulou]]></dcterms:title>
    <dcterms:description><![CDATA[Fujian Tulou, a remarkable example of rammed-earth architecture, is predominantly found in China’s Fujian province, with origins tracing back to the 10th century. Constructed on solid stone foundations, these massive, fortress-like dwellings are built from compacted raw earth, reinforced with bamboo and wood. Their ingenious design ensures durability, providing warmth in winter and coolness in summer, while also offering exceptional defensive capabilities—perfectly suited for the mountainous terrain they inhabit. As a testament to traditional Chinese village culture, Tulou reflects the harmony between human settlement and nature, with its layout, site selection, and material use embodying the sustainability and ingenuity of past societies. Recognizing its cultural and historical significance, UNESCO inscribed Fujian Tulou as a World Heritage Site in 2008.
To safeguard this architectural legacy and promote sustainable tourism in line with SDG 11 (Sustainable Cities and Communities), 3D scanning and virtual tourism become invaluable tools. High-resolution 3D models enable precise documentation and aid in restoration efforts, while VR experiences allow global audiences to explore Tulou remotely, minimizing the environmental impact of mass tourism. These digital innovations not only enhance heritage conservation but also foster local engagement, ensuring the enduring legacy of Fujian Tulou for future generations.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx72@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1435]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,25.123,117.419;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3832">
    <dcterms:title><![CDATA[Fujian Tulou]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Fujian Tulou, a remarkable example of rammed-earth architecture, is predominantly found in China’s Fujian province, with origins tracing back to the 10th century. Constructed on solid stone foundations, these massive, fortress-like dwellings are built from compacted raw earth, reinforced with bamboo and wood. Their ingenious design ensures durability, providing warmth in winter and coolness in summer, while also offering exceptional defensive capabilities—perfectly suited for the mountainous terrain they inhabit. As a testament to traditional Chinese village culture, Tulou reflects the harmony between human settlement and nature, with its layout, site selection, and material use embodying the sustainability and ingenuity of past societies. Recognizing its cultural and historical significance, UNESCO inscribed Fujian Tulou as a World Heritage Site in 2008.
To safeguard this architectural legacy and promote sustainable tourism in line with SDG 11 (Sustainable Cities and Communities), 3D scanning and virtual tourism become invaluable tools. High-resolution 3D models enable precise documentation and aid in restoration efforts, while VR experiences allow global audiences to explore Tulou remotely, minimizing the environmental impact of mass tourism. These digital innovations not only enhance heritage conservation but also foster local engagement, ensuring the enduring legacy of Fujian Tulou for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/28/2025 09:46:38 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx72@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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    <dcterms:medium><![CDATA[Baidu]]></dcterms:medium>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3831">
    <dcterms:title><![CDATA[Fujian Tulou]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Fujian Tulou, a remarkable example of rammed-earth architecture, is predominantly found in China’s Fujian province, with origins tracing back to the 10th century. Constructed on solid stone foundations, these massive, fortress-like dwellings are built from compacted raw earth, reinforced with bamboo and wood. Their ingenious design ensures durability, providing warmth in winter and coolness in summer, while also offering exceptional defensive capabilities—perfectly suited for the mountainous terrain they inhabit. As a testament to traditional Chinese village culture, Tulou reflects the harmony between human settlement and nature, with its layout, site selection, and material use embodying the sustainability and ingenuity of past societies. Recognizing its cultural and historical significance, UNESCO inscribed Fujian Tulou as a World Heritage Site in 2008.
To safeguard this architectural legacy and promote sustainable tourism in line with SDG 11 (Sustainable Cities and Communities), 3D scanning and virtual tourism become invaluable tools. High-resolution 3D models enable precise documentation and aid in restoration efforts, while VR experiences allow global audiences to explore Tulou remotely, minimizing the environmental impact of mass tourism. These digital innovations not only enhance heritage conservation but also foster local engagement, ensuring the enduring legacy of Fujian Tulou for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/28/2025 09:46:33 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx72@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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    <dcterms:medium><![CDATA[Baidu]]></dcterms:medium>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3830">
    <dcterms:title><![CDATA[Fujian Tulou]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Fujian Tulou, a remarkable example of rammed-earth architecture, is predominantly found in China’s Fujian province, with origins tracing back to the 10th century. Constructed on solid stone foundations, these massive, fortress-like dwellings are built from compacted raw earth, reinforced with bamboo and wood. Their ingenious design ensures durability, providing warmth in winter and coolness in summer, while also offering exceptional defensive capabilities—perfectly suited for the mountainous terrain they inhabit. As a testament to traditional Chinese village culture, Tulou reflects the harmony between human settlement and nature, with its layout, site selection, and material use embodying the sustainability and ingenuity of past societies. Recognizing its cultural and historical significance, UNESCO inscribed Fujian Tulou as a World Heritage Site in 2008.
To safeguard this architectural legacy and promote sustainable tourism in line with SDG 11 (Sustainable Cities and Communities), 3D scanning and virtual tourism become invaluable tools. High-resolution 3D models enable precise documentation and aid in restoration efforts, while VR experiences allow global audiences to explore Tulou remotely, minimizing the environmental impact of mass tourism. These digital innovations not only enhance heritage conservation but also foster local engagement, ensuring the enduring legacy of Fujian Tulou for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/28/2025 09:46:28 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx72@st-andrews.ac.uk]]></dcterms:contributor>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3829">
    <dcterms:title><![CDATA[Fujian Tulou]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Fujian Tulou, a remarkable example of rammed-earth architecture, is predominantly found in China’s Fujian province, with origins tracing back to the 10th century. Constructed on solid stone foundations, these massive, fortress-like dwellings are built from compacted raw earth, reinforced with bamboo and wood. Their ingenious design ensures durability, providing warmth in winter and coolness in summer, while also offering exceptional defensive capabilities—perfectly suited for the mountainous terrain they inhabit. As a testament to traditional Chinese village culture, Tulou reflects the harmony between human settlement and nature, with its layout, site selection, and material use embodying the sustainability and ingenuity of past societies. Recognizing its cultural and historical significance, UNESCO inscribed Fujian Tulou as a World Heritage Site in 2008.
To safeguard this architectural legacy and promote sustainable tourism in line with SDG 11 (Sustainable Cities and Communities), 3D scanning and virtual tourism become invaluable tools. High-resolution 3D models enable precise documentation and aid in restoration efforts, while VR experiences allow global audiences to explore Tulou remotely, minimizing the environmental impact of mass tourism. These digital innovations not only enhance heritage conservation but also foster local engagement, ensuring the enduring legacy of Fujian Tulou for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/28/2025 09:46:24 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx72@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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    <dcterms:medium><![CDATA[Baidu]]></dcterms:medium>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3828">
    <dcterms:title><![CDATA[Fujian Tulou]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Fujian Tulou, a remarkable example of rammed-earth architecture, is predominantly found in China’s Fujian province, with origins tracing back to the 10th century. Constructed on solid stone foundations, these massive, fortress-like dwellings are built from compacted raw earth, reinforced with bamboo and wood. Their ingenious design ensures durability, providing warmth in winter and coolness in summer, while also offering exceptional defensive capabilities—perfectly suited for the mountainous terrain they inhabit. As a testament to traditional Chinese village culture, Tulou reflects the harmony between human settlement and nature, with its layout, site selection, and material use embodying the sustainability and ingenuity of past societies. Recognizing its cultural and historical significance, UNESCO inscribed Fujian Tulou as a World Heritage Site in 2008.
To safeguard this architectural legacy and promote sustainable tourism in line with SDG 11 (Sustainable Cities and Communities), 3D scanning and virtual tourism become invaluable tools. High-resolution 3D models enable precise documentation and aid in restoration efforts, while VR experiences allow global audiences to explore Tulou remotely, minimizing the environmental impact of mass tourism. These digital innovations not only enhance heritage conservation but also foster local engagement, ensuring the enduring legacy of Fujian Tulou for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/28/2025 09:46:19 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx72@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[Baidu]]></dcterms:medium>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3827">
    <dcterms:title><![CDATA[Fujian Tulou]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Fujian Tulou, a remarkable example of rammed-earth architecture, is predominantly found in China’s Fujian province, with origins tracing back to the 10th century. Constructed on solid stone foundations, these massive, fortress-like dwellings are built from compacted raw earth, reinforced with bamboo and wood. Their ingenious design ensures durability, providing warmth in winter and coolness in summer, while also offering exceptional defensive capabilities—perfectly suited for the mountainous terrain they inhabit. As a testament to traditional Chinese village culture, Tulou reflects the harmony between human settlement and nature, with its layout, site selection, and material use embodying the sustainability and ingenuity of past societies. Recognizing its cultural and historical significance, UNESCO inscribed Fujian Tulou as a World Heritage Site in 2008.
To safeguard this architectural legacy and promote sustainable tourism in line with SDG 11 (Sustainable Cities and Communities), 3D scanning and virtual tourism become invaluable tools. High-resolution 3D models enable precise documentation and aid in restoration efforts, while VR experiences allow global audiences to explore Tulou remotely, minimizing the environmental impact of mass tourism. These digital innovations not only enhance heritage conservation but also foster local engagement, ensuring the enduring legacy of Fujian Tulou for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/28/2025 09:46:14 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx72@st-andrews.ac.uk]]></dcterms:contributor>
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    <dcterms:medium><![CDATA[Baidu]]></dcterms:medium>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3826">
    <dcterms:title><![CDATA[Fujian Tulou]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/28/2025 09:30:45 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx72@st-andrews.ac.uk]]></dcterms:contributor>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3825">
    <dcterms:title><![CDATA[Notre-Dame de Paris]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[June 27, 2020]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/28/2025 02:46:52 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cw333@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Zero]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://unsplash.com/photos/people-walking-inside-white-and-brown-cathedral-TXuai4LgswQ]]></dcterms:medium>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3824">
    <dcterms:title><![CDATA[Notre-Dame de Paris]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[June 27, 2020]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/28/2025 02:46:43 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cw333@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Zero]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://unsplash.com/photos/people-walking-inside-white-and-brown-cathedral-TXuai4LgswQ]]></dcterms:medium>
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    <dcterms:title><![CDATA[Notre-Dame de Paris]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Notre-Dame de Paris is a Gothic architectural masterpiece built in the 12th and 13th centuries. It is renowned for its flying buttresses, stained-glass windows and sculptures. The 2019 fire severely damaged its roof, spire and wooden framework, prompting large-scale restoration efforts. This tragedy highlighted the importance of digital documentation in preserving heritage. After years of reconstruction, Notre-Dame is set to reopen to the public in December 2024.
Notre-Dame's restoration utilizes a digital twin framework, integrating 3D modeling, reverse engineering and spatio-temporal tracking to reconstruct its architecture with precision (Gros et al., 2023). Additionally, acoustic digital twins have been developed to simulate the cathedral’s sound environment, preserving its historical acoustics and enhancing immersive experiences for the public (Katz et al., 2024). These digital tools support both conservation and educational efforts, ensuring authenticity while increasing accessibility.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[1163]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[28/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/28/2025 02:47:27 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[cw333@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[Gros, A., Guillem, A., De Luca, L., Baillieul, É., Duvocelle, B., Malavergne, O., Leroux, L. and Zimmer, T. (2023). Faceting the post-disaster built heritage reconstruction process within the digital twin framework for Notre-Dame de Paris. Scientific Reports, [online] 13(1), p.5981. doi:https://doi.org/10.1038/s41598-023-32504-9.]]></dcterms:references>
    <dcterms:extent><![CDATA[13000cm x 2800cm x 3500cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1434]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,48.853,2.3499;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[French State]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3822">
    <dcterms:title><![CDATA[Svalbard]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[April 21, 2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/28/2025 12:43:35 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cw333@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Zero]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,78.2232,15.6469;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3821">
    <dcterms:title><![CDATA[Svalbard Archipelago]]></dcterms:title>
    <dcterms:subject><![CDATA[Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Svalbard, an Arctic archipelago situated between mainland Norway and the North Pole, is known for its remote wilderness, glacial landscapes and diverse Arctic ecosystems. The region is home to massive ice sheets, permafrost and unique wildlife, including polar bears, Arctic foxes and reindeer. Svalbard serves as a key scientific research site, providing critical data on climate change, glaciology and Arctic biodiversity. Its glaciers are among the fastest-melting in the world, making them important indicators of environmental change.
Digital technologies play a vital role in monitoring, preserving and understanding the environmental shifts occurring in Svalbard. 3D laser scanning and photogrammetry have been employed to document changes in glacial formations and ice structures, improving long-term conservation planning (König et al., 2014). Acoustic monitoring systems detect and analyze glacier calving events, providing real-time insights into ice movement and structural stability (Piechowicz et al., 2017). Additionally, satellite remote sensing helps scientists understand the broader impact of global warming on polar ecosystems.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cw333@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[König, M., Nuth, C., Kohler, J., Geir Moholdt and Pettersen, R. (2014). A digital glacier database for svalbard. pp.229–239. doi:https://doi.org/10.1007/978-3-540-79818-7_10.Piechowicz, J., Czopek, D., Malecki, P. and Wiciak, J. (2017). Sounds of Spitsbergen ice caves: Ingenta Connect. [online] Ingentaconnect.com. Available at: https://www.ingentaconnect.com/content/ince/incecp/2017/00000255/00000002/art00044 [Accessed 16 Feb. 2025].]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1433]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,78.2232,15.6469;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Norwegian Government]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3820">
    <dcterms:title><![CDATA[Svalbard Archipelago]]></dcterms:title>
    <dcterms:subject><![CDATA[Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Svalbard, an Arctic archipelago situated between mainland Norway and the North Pole, is known for its remote wilderness, glacial landscapes and diverse Arctic ecosystems. The region is home to massive ice sheets, permafrost and unique wildlife, including polar bears, Arctic foxes and reindeer. Svalbard serves as a key scientific research site, providing critical data on climate change, glaciology and Arctic biodiversity. Its glaciers are among the fastest-melting in the world, making them important indicators of environmental change.
Digital technologies play a vital role in monitoring, preserving and understanding the environmental shifts occurring in Svalbard. 3D laser scanning and photogrammetry have been employed to document changes in glacial formations and ice structures, improving long-term conservation planning (König et al., 2014). Acoustic monitoring systems detect and analyze glacier calving events, providing real-time insights into ice movement and structural stability (Piechowicz et al., 2017). Additionally, satellite remote sensing helps scientists understand the broader impact of global warming on polar ecosystems.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/28/2025 12:44:41 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[cw333@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[König, M., Nuth, C., Kohler, J., Geir Moholdt and Pettersen, R. (2014). A digital glacier database for svalbard. pp.229–239. doi:https://doi.org/10.1007/978-3-540-79818-7_10.]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1432]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,78.2232,15.6469;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Norwegian Government]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3819">
    <dcterms:title><![CDATA[Pompeii]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[July 10, 2018]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/28/2025 10:50:15 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cw333@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Zero]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://unsplash.com/photos/brown-village-arch-during-daytime-h5cYy5OHDWM]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3818">
    <dcterms:title><![CDATA[Pompeii]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[July 10, 2018]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/28/2025 10:50:09 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cw333@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Zero]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://unsplash.com/photos/brown-village-arch-during-daytime-h5cYy5OHDWM]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3817">
    <dcterms:title><![CDATA[Pompeii]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The ancient city of Pompeii, located in modern-day Italy, is one of the most significant archaeological sites in the world. It was buried under volcanic ash during Mount Vesuvius' eruption in 79 AD, preserving buildings, artifacts and human remains in exceptional detail. This unique preservation provides an invaluable glimpse into ancient Roman life. Recognized as a UNESCO World Heritage Site, Pompeii continues to be a key resource for historians and archaeologists, offering insights into Roman architecture, urban planning and society.
Pompeii has embraced digital technologies to enhance its conservation and visitor experience. 3D scanning and photogrammetry have been used to digitally map the city's ruins, allowing for precise documentation and virtual reconstructions (Monego et al., 2019). Additionally, augmented reality (AR) and virtual reality (VR) allow remote visitors to experience Pompeii as it was before the eruption, reconstructing streets, villas and public spaces based on historical evidence (MagnenatThalmann et al., 2007). These digital innovations enhance both academic research and public engagement, ensuring that Pompeii’s history remains accessible to future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[-600]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[28/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/28/2025 10:52:01 am]]></dcterms:>
    <dcterms:contributor><![CDATA[cw333@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[MagnenatThalmann, N., Enrico, F.A., Papagiannakis, G. and CadiYazli, N. (2007). Real Time Animation and Illumination in Ancient Roman Sites. Int. J. Virtual Real., 6(1), pp.11–24.  Monego, M., Previato, C., Bernardi, L., Menin, A. and Achilli, V. (2019). Investigating Pompeii: Application of 3D geomatic techniques for the study of the Sarno Baths. Journal of Archaeological Science: Reports, 24, pp.445–462. doi:https://doi.org/10.1016/j.jasrep.2019.02.009.]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://pompeiisites.org]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1431]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.7484,14.484;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Italian Government]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3816">
    <dcterms:title><![CDATA[Classical Gardens of SuZhou]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Classical Gardens of Suzhou, located in Jiangsu Province, China, are a renowned collection of traditional Chinese gardens that exemplify the highest achievements of Chinese landscape architecture. Dating back to the 11th to 19th centuries, these gardens were built by scholars, officials, and artists as private retreats, reflecting Confucian, Taoist, and Buddhist principles. They are known for their harmonious design, where architecture, water features, rocks, and vegetation are meticulously arranged to evoke natural landscapes in miniature.

Nine of the finest examples including the Humble Administrator’s Garden and the Master of the Nets Garden are inscribed as a UNESCO World Heritage Site for their cultural and aesthetic significance. Digitally representing these gardens through immersive technologies such as virtual tours or interactive 3D models can support SDG 4: Quality Education by making classical Chinese culture, philosophy, and design accessible to learners worldwide. It also aligns with SDG 11: Sustainable Cities and Communities by promoting heritage conservation and allowing broader access without physical impact on the historic sites, helping to preserve them for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/25/2025 08:15:38 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[zyyyyyyyyy]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Wikipedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1430]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,31.3242,120.63;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3815">
    <dcterms:title><![CDATA[Classical Gardens of suzhou]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/27/2025 07:05:57 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zyyyyyyyyy]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikipedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3814">
    <dcterms:title><![CDATA[The lake District National Park]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Lake District, located in North West England, is a mountainous region renowned for its striking natural landscapes and long-standing agro-pastoral farming traditions. Designated as a national park in 1951 and later recognised as a UNESCO World Heritage Site, the region is characterised by its network of sixteen major lakes, rugged fells, and historic rural settlements. In 2022 alone, the Lake District welcomed approximately 18.14 million tourist visits, underscoring its continued cultural and economic importance.

Defined by its unique blend of natural beauty and human stewardship, the Lake District has been shaped over centuries by traditional hill farming practices, particularly sheep grazing, which continue to influence both the ecological and aesthetic character of the landscape. However, this living heritage faces a range of challenges, including climate change, biodiversity loss, shifting agricultural practices, and the pressures of mass tourism. These issues call for collaborative, forward-looking strategies to ensure the sustainable preservation of both natural and cultural assets.

In alignment with the United Nations Sustainable Development Goals (SDGs), the Lake District offers significant potential to contribute to SDG 4: Quality Education and SDG 17: Partnerships for the Goals. By serving as a living classroom, the region can host educational programmes, community workshops, and immersive learning initiatives focused on sustainability, climate action, and cultural heritage preservation. Cross-sector partnerships involving educators, local authorities, conservation groups, and heritage organisations can further amplify the Lake District’s role as a model for sustainable landscape management and public engagement. Such initiatives would not only support the transmission of traditional knowledge but also foster a deeper understanding of the interdependencies between people, place, and the environment.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/26/2025 07:23:26 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[zyyyyyyyyy]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Wikipedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1429]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,54.523447706875594,-3.028578758239746;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3813">
    <dcterms:title><![CDATA[The lake District]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/27/2025 06:57:27 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zyyyyyyyyy]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikipedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3812">
    <dcterms:title><![CDATA[Mountain Huangshan]]></dcterms:title>
    <dcterms:description><![CDATA[Mount Huangshan, also known as Yellow Mountain, is one of China’s most iconic and culturally resonant natural landmarks. Recognised as a UNESCO World Heritage Site for both its natural and cultural significance, Huangshan has inspired generations of poets, painters, and philosophers, and continues to hold a prominent place in Chinese cultural identity. As a mixed heritage site, it is home to 37 nationally protected higher plant species, alongside a rich diversity of flora and fauna uniquely adapted to its mountainous ecosystem. 

Beyond its ecological and cultural value, Mount Huangshan plays a critical role in the regional economy, drawing millions of domestic and international tourists each year. This high level of visitation supports local livelihoods but also places considerable pressure on the mountain’s fragile environment. Natural erosion, exacerbated by heavy foot traffic and extreme weather events, poses ongoing risks to biodiversity, heritage features, and visitor safety. 

In response to these challenges, targeted interventions aligned with the United Nations Sustainable Development Goals (SDGs) can support the long-term preservation of the site. Notably, SDG 4: Quality Education presents an opportunity to develop immersive, digital educational resources such as interactive virtual tours, augmented reality experiences, or gamified learning platforms to engage younger audiences. These tools could enhance awareness of the mountain’s historical, ecological, and cultural value while fostering environmental stewardship among future generations. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/25/2025 08:25:32 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[zyyyyyyyyy]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Wikipedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1428]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,30,118;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3811">
    <dcterms:title><![CDATA[Mountain Huangshan]]></dcterms:title>
    <dcterms:description><![CDATA[Mount Huangshan, also known as Yellow Mountain, is one of China’s most iconic and culturally resonant natural landmarks. Recognised as a UNESCO World Heritage Site for both its natural and cultural significance, Huangshan has inspired generations of poets, painters, and philosophers, and continues to hold a prominent place in Chinese cultural identity. As a mixed heritage site, it is home to 37 nationally protected higher plant species, alongside a rich diversity of flora and fauna uniquely adapted to its mountainous ecosystem. 

Beyond its ecological and cultural value, Mount Huangshan plays a critical role in the regional economy, drawing millions of domestic and international tourists each year. This high level of visitation supports local livelihoods but also places considerable pressure on the mountain’s fragile environment. Natural erosion, exacerbated by heavy foot traffic and extreme weather events, poses ongoing risks to biodiversity, heritage features, and visitor safety. 

In response to these challenges, targeted interventions aligned with the United Nations Sustainable Development Goals (SDGs) can support the long-term preservation of the site. Notably, SDG 4: Quality Education presents an opportunity to develop immersive, digital educational resources such as interactive virtual tours, augmented reality experiences, or gamified learning platforms to engage younger audiences. These tools could enhance awareness of the mountain’s historical, ecological, and cultural value while fostering environmental stewardship among future generations. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zyyyyyyyyy]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Wikipedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1427]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29° 41' 59.99" N,118° 17' 60.00" E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3810">
    <dcterms:title><![CDATA[Mountain Huangshan]]></dcterms:title>
    <dcterms:description><![CDATA[Mount Huangshan, also known as Yellow Mountain, is one of China’s most iconic and culturally resonant natural landmarks. Recognised as a UNESCO World Heritage Site for both its natural and cultural significance, Huangshan has inspired generations of poets, painters, and philosophers, and continues to hold a prominent place in Chinese cultural identity. As a mixed heritage site, it is home to 37 nationally protected higher plant species, alongside a rich diversity of flora and fauna uniquely adapted to its mountainous ecosystem. 

Beyond its ecological and cultural value, Mount Huangshan plays a critical role in the regional economy, drawing millions of domestic and international tourists each year. This high level of visitation supports local livelihoods but also places considerable pressure on the mountain’s fragile environment. Natural erosion, exacerbated by heavy foot traffic and extreme weather events, poses ongoing risks to biodiversity, heritage features, and visitor safety. 

In response to these challenges, targeted interventions aligned with the United Nations Sustainable Development Goals (SDGs) can support the long-term preservation of the site. Notably, SDG 4: Quality Education presents an opportunity to develop immersive, digital educational resources such as interactive virtual tours, augmented reality experiences, or gamified learning platforms to engage younger audiences. These tools could enhance awareness of the mountain’s historical, ecological, and cultural value while fostering environmental stewardship among future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/27/2025 06:51:28 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zyyyyyyyyy]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikipedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3809">
    <dcterms:title><![CDATA[Cantonese Opera]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Cantonese Opera was recognized in 2009 by UNESCO on the representative list of the intangible cultural heritage of humanity. As a historic art, it holds major cultural value for the Cantonese communities and regions as a performing art. Additionally, as an art, it allows for better cultural communication between China and other nations abroad, aiding in cooperation.  

Currently there are some ways which digital mediums are currently used to better preserve Cantonese Opera. Firstly, there is the utilization of digital libraries and databases to keep historical art records of Cantonese opera, for example the digital repository of the University of Hong Kong. Another means that digitalization has assisted in the preservation of this performing art has been via social media platforms. Social media such as YouTube or Bilibili have allowed performances to become more accessible, showing not just performances but also additional commentary or supplementary information for the art. This method aligns well with goal 8 of the UN Agenda 2030, by helping exposure for the art, allows for the industry to survive and thus incentivises a potential job which further helps to sustain the economy and living. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[27/03/2025]]></dcterms:>
    <dcterms:contributor><![CDATA[ajk28@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1426]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.377222,114.185;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3808">
    <dcterms:title><![CDATA[Hong Kong Heritage Museum]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2013:05:24 10:21:21]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/27/2025 03:49:53 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ajk28@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3807">
    <dcterms:title><![CDATA[Hong Kong Heritage Museum]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2013:05:24 10:21:21]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/27/2025 03:49:46 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ajk28@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3806">
    <dcterms:title><![CDATA[Hong Kong Heritage Museum]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2013:05:24 10:21:21]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/27/2025 03:49:40 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ajk28@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3805">
    <dcterms:title><![CDATA[Hong Kong Heritage Museum]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2013:05:24 10:21:21]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/27/2025 03:49:34 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ajk28@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3804">
    <dcterms:title><![CDATA[Hong Kong Heritage Museum]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2013:05:24 10:21:21]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/27/2025 03:49:29 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ajk28@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3803">
    <dcterms:title><![CDATA[Hong Kong Heritage Museum]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2013:05:24 10:21:21]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/27/2025 03:49:19 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ajk28@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3802">
    <dcterms:title><![CDATA[Hong Kong Heritage Museum 香港文化博物館]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2013:05:24 10:21:21]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/27/2025 03:48:29 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ajk28@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Hong_Kong_Heritage_Museum_201305.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3801">
    <dcterms:title><![CDATA[Hong Kong Heritage Museum 香港文化博物館]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2013:05:24 10:21:21]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/27/2025 03:48:16 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ajk28@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Hong_Kong_Heritage_Museum_201305.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3800">
    <dcterms:title><![CDATA[Hong Kong Heritage Museum 香港文化博物館]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2013:05:24 10:21:21]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/27/2025 03:48:05 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ajk28@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Hong_Kong_Heritage_Museum_201305.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3799">
    <dcterms:title><![CDATA[Hong Kong Heritage Museum 香港文化博物館]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2013:05:24 10:21:21]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/27/2025 03:47:53 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ajk28@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Hong_Kong_Heritage_Museum_201305.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3798">
    <dcterms:title><![CDATA[Hong Kong Heritage Museum 香港文化博物館]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2013:05:24 10:21:21]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/27/2025 03:47:43 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ajk28@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Hong_Kong_Heritage_Museum_201305.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3797">
    <dcterms:title><![CDATA[Hong Kong Heritage Museum 香港文化博物館]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2013:05:24 10:21:21]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/27/2025 03:47:31 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ajk28@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Hong_Kong_Heritage_Museum_201305.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3796">
    <dcterms:title><![CDATA[Hong Kong Heritage Museum 香港文化博物館]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2013:05:24 10:21:21]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/27/2025 03:47:20 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ajk28@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Hong_Kong_Heritage_Museum_201305.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3795">
    <dcterms:title><![CDATA[Hong Kong Heritage Museum 香港文化博物館]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2013:05:24 10:21:21]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/27/2025 03:47:09 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ajk28@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Hong_Kong_Heritage_Museum_201305.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3794">
    <dcterms:title><![CDATA[An aerial photo of the Kowloon Walled City taken in 1989. The new park which was laid out at the site of the former Sai Tau Tsuen squatter settlement is visible at the south edge of the city]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Intangible Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[1989]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/27/2025 03:15:12 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ajk28@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Kowloon_Walled_City_-_1989_Aerial.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,22.332222,114.190278;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3793">
    <dcterms:title><![CDATA[Tomb of the First Emperor Qin Shi Huang Di, Xi'an, China - panoramio]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[18 June 2016]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/27/2025 12:04:42 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ajk28@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34.38352,109.253948;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3792">
    <dcterms:title><![CDATA[Tomb of the First Emperor Qin Shi Huang Di, Xi'an, China - panoramio]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[18 June 2016]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/27/2025 12:04:37 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ajk28@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34.38352,109.253948;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3791">
    <dcterms:title><![CDATA[Hampi]]></dcterms:title>
    <dcterms:description><![CDATA[Hampi is a subset of the Vijayanagar ruins which were built approximately 700 years ago,
discovered by Colin Mackenzie in the year 1800. What makes Hampi a heritage site is not just
that it was built ages ago but also that firstly, it was the capital of Vijaynagar (Empire established
1336 CE and declined around 1600 CE). Hampi used to serve as the bazaar (marketplace) and also
as the center for music and dance. The central stage (which has weathered down and
inaccessible to the public) is to this date considered an engineering marvel as it had pillars of solid
granite with minute differences in shapes and sizes which when struck with a wooden beater would
sound like instruments like the Mridangam and Veena (Indian classical instruments). ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[am770]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Hampi]]></dcterms:medium>
    <dcterms:language><![CDATA[kannada/ Greater Kannada]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1425]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,15.320528911713355,76.4600;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3790">
    <dcterms:title><![CDATA[Ranthambore_National_Park.JPG]]></dcterms:title>
    <dcterms:description><![CDATA[Ranthambore National Park is a part of the forts (Hill forts of Rajasthan) and comes right next to
the Ranthambore fort. This forest has a variety of flora and fauna but is known for the tigers found
here. Due to poaching the species had been endangered but after several reforms by the
government it has been put to an end. The animals' skin was treated as a luxury item in several
parts of Asia. The national park is also home to another endangered species known as the
black buck (a form of deer). It is an attraction for tourists and is the prey to the tigers in the forest. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[am770]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Hindi/ Marwadi]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1424]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,26.0173,76.5026;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3789">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[am770]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1423]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,26.017,76.5026;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3788">
    <dcterms:title><![CDATA[Ranthambore national Park]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[am770]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1422]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,26,76;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3787">
    <dcterms:title><![CDATA[Ellora Caves]]></dcterms:title>
    <dcterms:description><![CDATA[Ellora caves are carved out structures, extending more than 2 km, the highlight being the Kailasa
temple between 7th to 10th centuries and the Buddhist halls of learning. The Ellora caves are
a group of 34 caves and include construction for Buddhism, Jainism and Hinduism. We can find
temples, Buddhist halls and dinner rooms for the Jain community at the site. The reason it is
considered a cultural site is not just because of several monuments here but also the engineering
and work put into their construction. The Kailasa temple which has lasted several centuries was
chiseled from a mountain top to bottom, this along with the depiction of Mahabharata and
Ramayana could be found on the walls, the depiction was made as stone carvings rather than words.
The caves also show several stories from the mythologies of Hindu, Buddhist and Jain beliefs.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[am770]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Ellora_Caves]]></dcterms:medium>
    <dcterms:language><![CDATA[Hindi/ Sanskrit]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1421]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,20.0268,75.1790;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3786">
    <dcterms:title><![CDATA[Carvings at Ellora]]></dcterms:title>
    <dcterms:description><![CDATA[Ellora caves are carved out structures, extending more than 2 km, the highlight being the Kailasa
temple between 7th to 10th centuries and the Buddhist halls of learning. The Ellora caves are
a group of 34 caves and include construction for Buddhism, Jainism and Hinduism. We can find
temples, Buddhist halls and dinner rooms for the Jain community at the site. The reason it is
considered a cultural site is not just because of several monuments here but also the engineering
and work put into their construction. The Kailasa temple which has lasted several centuries was
chiseled from a mountain top to bottom, this along with the depiction of Mahabharata and
Ramayana could be found on the walls, the depiction was made as stone carvings rather than words.
The caves also show several stories from the mythologies of Hindu, Buddhist and Jain beliefs.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/27/2025 02:08:36 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[am770]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,20.0268,75.1790;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3785">
    <dcterms:title><![CDATA[Peranakan Culture in Singapore]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Peranakans are culturally distinct descendants of immigrants to the Malay Archipelago in Southeast Asia. A large trading hub since the 15th century, the Straits of Malacca has seen foreign traders to the area, many of which settle down and intermix with the local communities, establishing communities and businesses. Traditionally English-educated and intermixing well across communities – in part due to practicality and business necessity in Singapore’s colonial past – they they evolved to play an influential role in the economic and sociopolitical development of early Singapore. The unique intermarriage of cultures between the root cultures of the immigrants and that of the local Malays gave rise to a distinct hybrid culture in the late 19th and early 20th centuries with its own language, culture, apparel, and food. 

Like many smaller cultures of smaller communities, the Peranakans have been at risk of disappearing in today’s modern world. Globalization has reduced the distinctiveness and differences between communities and cultures, and younger descendants may no longer be taught about their roots and cultural practices.]]></dcterms:description>
    <dcterms:creator><![CDATA[gnlw]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[26/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1420]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,1.290270,103.851959;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3784">
    <dcterms:title><![CDATA[Peranakan Culture in Singapore]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Peranakans are culturally distinct descendants of immigrants to the Malay Archipelago in Southeast Asia. A large trading hub since the 15th century, the Straits of Malacca has seen foreign traders to the area, many of which settle down and intermix with the local communities, establishing communities and businesses. Traditionally English-educated and intermixing well across communities – in part due to practicality and business necessity in Singapore’s colonial past – they they evolved to play an influential role in the economic and sociopolitical development of early Singapore. The unique intermarriage of cultures between the root cultures of the immigrants and that of the local Malays gave rise to a distinct hybrid culture in the late 19th and early 20th centuries with its own language, culture, apparel, and food. 

Like many smaller cultures of smaller communities, the Peranakans have been at risk of disappearing in today’s modern world. Globalization has reduced the distinctiveness and differences between communities and cultures, and younger descendants may no longer be taught about their roots and cultural practices.]]></dcterms:description>
    <dcterms:creator><![CDATA[gnlw]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[26/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1419]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,1.290270,103.851959;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3783">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[26/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1418]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.302711,114.177216;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3782">
    <dcterms:title><![CDATA[Brutalist Architecture in Hong Kong]]></dcterms:title>
    <dcterms:description><![CDATA[Brutalism is an architectural style arising in the mid 20th century in the United Kingdom, amongst the European modernist movement in the post-war reconstruction years. Originating from the French word béton brut – translated as rough concrete – it is characterized by exposed raw concrete forms and strong geometry, and prioritizes function over form. In the 1960s, its influences spread to the then-British-controlled city of Hong Kong.

Hong Kong is an urban city undergoing constant and rapid remodelling. As many Brutalist buildings were built before the 1980s [15], many have fallen out of favor due to outdated design and lack of upkeep, and – like other old buildings in the city – inevitably face demolition to make space for the new. There has been a renewed interest in this style of architecture in the last decade, with the public and social media attempting to document the building that are still left standing. In a fast-changing city like Hong Kong, this becomes all the more urgent. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[26/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/26/2025 09:08:50 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1417]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.302711,114.177216;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3781">
    <dcterms:title><![CDATA[Capitol Centre, Hong Kong]]></dcterms:title>
    <dcterms:description><![CDATA[Example of Brutalist Architecture in Hong Kong: Capitol Centre]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[6 June 2023]]></dcterms:date>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial-ShareAlike License]]></dcterms:license>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,22.302711,114.177216;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3780">
    <dcterms:title><![CDATA[Chien Mu Library in CUHK]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Example of Brutalist Architecture in Hong Kong: ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2006:08:31 14:32:25]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 09:00:24 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,22.302711,114.177216;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3779">
    <dcterms:title><![CDATA[Chai Wan Cape Collinson Crematorium and Cemetery in Hong Kong]]></dcterms:title>
    <dcterms:description><![CDATA[Example of Brutalist Architecture in Hong Kong: Chai Wan Cape Collinson Crematorium and Cemetery]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[6 April 2008]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 08:58:42 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[English Wikipedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,22.302711,114.177216;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3778">
    <dcterms:title><![CDATA[Traditional Peranakan costume]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Photo of a traditional ladies' Peranakan costume. 

Image taken in Netherlands: Vitrine Baba Nonya]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2009:06:12 12:24:25]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 08:50:39 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[English Wikipedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,1.290270,103.851959;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3777">
    <dcterms:title><![CDATA[Photograph of two Peranakan ladies]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Photograph of two Peranakan ladies.
Photo from Wereldmuseum Amsterdam]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 08:47:39 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[English Wikipedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,1.290270,103.851959;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3776">
    <dcterms:title><![CDATA[Wedding Portrait of a Peranakan couple]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A photograph of Peranakan wedding couple from a museum in Singapore. Taken at the wedding of Chung Guat Hooi (daughter of Capitan Chung Thye Phin) and Khoo Soo Beow (son of Khoo Heng Pan) May 1941, at 29 Church Steet, Penang, built by Capitan Chung Keng Quee and now known as the Pinang Peranakan Mansion. On the right are the bride's brothers, Chung Kok Chuan and Chung Kok Tong]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[16 January 2005]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 08:44:47 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[English Wikipedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,1.290270,103.851959;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3775">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 08:29:58 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3774">
    <dcterms:title><![CDATA[An Iron Age Silver stater from DORSET Durotriges Celtic Coin]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[Verified 18 November 2020]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 08:10:18 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mcb24@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia Commons]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,50.8098,-2.59135;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3773">
    <dcterms:title><![CDATA[Durotriges Graves]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Recent archaeological analysis of Late Iron Age Durotriges graves in southern Britain
indicate that women may have stayed with their kin and that husbands may have moved to live with their wives. This is also known as matrilocality, which is uncommon in modernity,
where patrilocality is the most common system. Most European Neolithic,
Copper, and Bronze Age sites also show evidence of patrilocality and patriliny, which is tracing lineage through men. This discovery of matrilocality combined with female
skeletons being buried with a greater amount of luxury grave goods challenges notions of
patriarchal power being the norm throughout history. By challenging historical and traditional notions of patriarchy, this supports the UN's sustainable goal of furthering gender equality.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[26/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/26/2025 08:10:53 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[mcb24@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.theguardian.com/science/2025/jan/15/iron-age-men-left-home-join-wives-families-dna-study-reveals]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.theguardian.com/science/2025/jan/15/iron-age-men-left-home-join-wives-families-dna-study-reveals]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1416]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,50.63445,-2.54159;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3772">
    <dcterms:title><![CDATA[Afghan Carpet Weaving]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Afghan carpet weaving has a rich history, with women being the one predominantly weaving these carpets. Their skills are known throughout the world. Afghan carpets are defined by using local, all natural materials, mostly wool, dyed bright colours with ornate and symmetric designs. Designs and symbols used to be tribe specific. Women continue to dominate this industry but face low wages, health risks, and abuses. Drawing attention to the abuses women face further the United Nation's Sustainable Development goal of encouraging gender equality. Carpet weaving is an important source of revenue for many women, and they deserve safe and healthy working conditions to earn a livable wage.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[26/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[26/03/2025]]></dcterms:>
    <dcterms:contributor><![CDATA[mcb24@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:medium><![CDATA[https://www.unhcr.org/uk/news/stories/afghanistan-s-women-carpet-weavers-thrown-economic-lifeline]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1415]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,32.64554978162303,65.85937052965166;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3771">
    <dcterms:title><![CDATA[One Afghan Woman Makes a Difference]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[4 July 2010]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 07:50:24 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mcb24@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia Commons]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3770">
    <dcterms:title><![CDATA[La Almoloya]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[La Almoloya is a palace in southern Spain made by the Argaric society. The Argarics were a Bronze Age culture overall characterised by a complex settlement system, with urban centres and monumental structures, a division of labor, political boundaries and institutionalised violence. They are also known for women being buried with elaborate grave goods. La Almoloya itself sits atop a hill overlooking forests. All that remain are the stone indicating the foundations of the structure. This site is important to further the United Nation's sustainability goal of improving gender equality because it shows how women may have also had political and social power in a state-based hierarchical society. Therefore, this can empower women and question traditional views of gender and power.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[26/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/23/2025 08:32:08 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[mcb24@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.cambridge.org/core/journals/antiquity/article/emblems-and-spaces-of-power-during-the-argaric-bronze-age-at-la-almoloya-murcia/B27A3C7AD23625DD39C6D4F2C3981C2F]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1414]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.95290667771541,-1.5080514644175589;]]></dcterms:spatial>
</rdf:Description></rdf:RDF>