<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1791">
    <dcterms:title><![CDATA[	Grey Seal]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[08/04/2023 10:39:28 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Peiwei Li]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/930">
    <dcterms:title><![CDATA[[Untitled]]]></dcterms:title>
    <dcterms:contributor><![CDATA[npu1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Own work]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2042">
    <dcterms:title><![CDATA[[Untitled]]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:dateSubmitted><![CDATA[25/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[25/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[980]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/993">
    <dcterms:title><![CDATA[ Castles and Town Walls of King Edward in Gwynedd]]></dcterms:title>
    <dcterms:description><![CDATA[Castles and Town Walls of King Edward in Gwynedd is a UNESCO-designated World Heritage Site located in North Wales in the county of Gwynedd. The heritage site is made up of numerous sites and they are Caernarfon Castle, Harlech Castle, Conwy Castle, Beaumaris Castle, Caernarfon town walls and Conwy town walls. The castles and town walls were builts as fortifications by the King at that time Edward I after invading North Wales in 1282. 

The castles and town walls were still used fortifications up until the 17th century. Where in the 18th and 19th century the castles became ruinous and unusable. But in the 20th and 21st century  a lot of focus was put on restoring the castle and walls to its former glory. Castles and Town Walls of King Edward became a world heritage site in 1986. 
]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[chrisreilly]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[544]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,53.2801, -3.8256;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1295">
    <dcterms:title><![CDATA[ Cultural Landscape and Archaeological Remains of the Bamiyan Valley]]></dcterms:title>
    <dcterms:description><![CDATA[The Bamiyan Buddha in Afghanistan should have been a world-class cultural heritage, but in 2001, the Taliban destroyed the heritage for religious 
reasons, and now only the ruins of the heritage remain.
In 2015, a team from China will use data technology to restore the Buddha statue with 3D projection, so that the Buddha statue will briefly reappear in its ruins, giving people a chance to admire and imagine this heritage, after this event, they left the equipment to the local government, hoping that they can present the image of the Buddha to the local people every year.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[6th century A.D]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[28/04/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Jiantong]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[666]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,34°49′55.35'' N,67°49′36.49″E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1297">
    <dcterms:title><![CDATA[ Cultural Landscape and Archaeological Remains of the Bamiyan Valley]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[6th century A.D]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[28/04/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Jiantong]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[667]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,34°49′55.35'' N,67°49′36.49″E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2113">
    <dcterms:title><![CDATA[ Karnak Temple]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Karnak Temple, located near Luxor in Egypt, is one of the largest religious complexes in the world. Built over a period of 2000 years, from the Middle Kingdom to the Ptolemaic period, it was dedicated to the god Amun, his wife Mut, and their son Khonsu. The temple complex covers an area of over 200 acres and includes massive pylons, obelisks, statues, and chapels. The most iconic feature is the Hypostyle Hall, with its towering columns adorned with intricate hieroglyphs and reliefs.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[ February 16, 2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/29/2024 03:22:42 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Lizhi Wang]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,25.719076226576266,32.65724883925169;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1745">
    <dcterms:title><![CDATA[ karst peaks]]></dcterms:title>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[2009:07:18 13:08:16]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 07:46:12 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[th211]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Karst_peaks_and_bamboo_forest.jpg#metadata]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/812">
    <dcterms:title><![CDATA[ Mogao Caves IS5110 2022]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Carved into the cliffs above the Dachuan River, the Mogao Caves comprise the largest, most richly endowed, and longest used treasure house of Buddhist art in the world. It was first constructed in 366AD and represents the great achievement of Buddhist art from the 4th to the 14th century. 492 caves are presently preserved, housing about 45,000 square meters of murals and more than 2,000 painted sculptures. 
As evidence of the evolution of Buddhist art in the northwest region of China, the Mogao Caves are of unmatched historical value. These works provide an abundance of vivid materials depicting various aspects of medieval politics, economics, culture, arts, religion, ethnic relations, and daily dress in western China. The unique artistic style of Dunhuang art is not only the amalgamation of Han Chinese artistic tradition and styles assimilated from ancient Indian and Gandharan customs, but also an integration of the arts of the Turks, ancient Tibetans and other Chinese ethnic minorities. Many of these masterpieces are creations of an unparalleled aesthetic talent.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/05/2022 11:34:18 am]]></dcterms:>
    <dcterms:contributor><![CDATA[zj32]]></dcterms:contributor>
    <dcterms:references><![CDATA[Murray, Stuart A. P. (2009). The Library: An Illustrated History. Chicago: Skyhorse Publishing. p. 49. ISBN 978-1-61608-453-0.]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://whc.unesco.org/en/list/440/]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[491]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.041476,94.8069443;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[CHINA]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3754">
    <dcterms:title><![CDATA[ Sani Kani Khar (Gompa), Zanskar, Ladakh]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The heritage Sani Kani Khar was built date back to the time of the famous kushan emperor Kanishka in 2nd century AD and is said to be the oldest stupa of Ladakh. It is also believed that famous Indian mahasiddah Naropa 966-1041 AD who was a celebrated Indian Buddhist yogi from renowned Vikramshila University in Bihar meditated under the Kanishka Stupa. Sani is a sacred place due to its having been visited and blessed by Guru Padmasambhava who is said to have dwelt for 5 years in a small Gyamchot Lakhang. Annual Sani Nesjal festival is held in August every year during which sacred mask dance is performed besides monks from all the monestary of Zanskar assembled during Sani Kangyour in May and recite the whole volume of Kangyour.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:06:17 11:45:35]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 03:36:12 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ravish Kumar]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikipedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,33.50536782626587,76.81026345766611;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3912">
    <dcterms:title><![CDATA[ The North Section of the Grand Canal]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2021:12:04 15:37:47]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/01/2025 03:10:40 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Qianqian Zhang]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.90481111111111,116.6847138888889;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3913">
    <dcterms:title><![CDATA[ The North Section of the Grand Canal]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2021:12:04 15:37:47]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/01/2025 03:10:46 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Qianqian Zhang]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.90481111111111,116.6847138888889;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3457">
    <dcterms:title><![CDATA[ The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Located in the center of Beijing, China, the Palace Museum was built in 1420. It was the royal palace of the Ming and Qing dynasties and the largest and best-preserved wooden palace complex in the world. The Palace Museum not only has a spectacular royal complex, but also has more than 1.8 million precious collections, which contain China's rich historical and cultural connotations and craftsmanship wisdom. The application of digital technology, such as virtual reality guided tours, online museums and 3D cultural relics scanning, helps to improve the public's understanding of cultural heritage and strengthen cultural inheritance.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:references><![CDATA[ UNESCO World Heritage Centre]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[ UNESCO]]></dcterms:medium>
    <dcterms:language><![CDATA[Chinese, English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1339]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[State-owned]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/846">
    <dcterms:title><![CDATA[ Torii at Itsukushima Shrine]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The fifty foot shrine stands about 500 feet in front of the Itsukushima Shrine on the island of Itsukushima (Miyajima) in Japan. The shine itself is a UNESCO World heritage site and the shrine that stands today is from the 13th century. The gate itself was most recently rebuilt in 1875. It is noted that it at its most beautiful at high tide when the gate and the shrine itself appear to float on the water. At low tide is possible to walk up to and around the gate pictured. The island itself has been considered holy for many hundreds of years. It's thought that the first shrine erected here was in the 6th century. The 13th century style preserved today is an outstanding example of shindenzukuri style of architecture and provides invaluable information as to the evolving spiritual culture of Shintoism and the concept of scenic beauty, which is why it was considered a World Heritage Site in 2001 ]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[6th Century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[06/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sag24]]></dcterms:contributor>
    <dcterms:references><![CDATA[Cali, Joseph; Dougill, John; Ciotti, Geoff (2013). Shinto Shrines: A Guide to the Sacred Sites of Japan's Ancient Religion. University of Hawai'i Press]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[497]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,34.29730433306614,132.31813859900285;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/426">
    <dcterms:title><![CDATA[ Xitang]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The ancient town Xitang is located in Jiashan County, Jiaxing City, Zhejiang Province, 11 kilometers away from the county seat of Jiashan. It is one of the six ancient towns south of the Yangtze River.Take the train from Shanghai to Jiashan after getting off, take the minibus to Xitang 3.5 yuan.Xitang is an ancient town with a history of one thousand years.As early as the Spring and Autumn Period and the Warring States Period, it was the intersecting place of Wu and Yue, so it was known as "Yue Jiao" and "Yue Jiao People's House".The Yuan Dynasty initially formed the market.The biggest difference between Xitang and other ancient water towns lies in the fact that all the riverside streets in the ancient town have corridors-nearly a kilometer in length, just like the long corridors-in the Summer Palace.Traveling in Xitang, you don't get wet in rainy days, and you don't get sunburnt in sunny days.]]></dcterms:description>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/05/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/18/2021 12:42:17 am]]></dcterms:>
    <dcterms:contributor><![CDATA[Yuhui Hou]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[307]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,30.97172,120.64081;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/494">
    <dcterms:title><![CDATA[ 祈年殿 the Hall of Prayer for Good Harvest]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[2018:01:18 11:43:37]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/20/2021 10:30:08 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yl241@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,39.879312808069955,116.40469551086427;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2119">
    <dcterms:title><![CDATA[_____________2024-04-30_015103.png]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/30/2024 01:54:01 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuhang Zhu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.916034347176755,116.3913917541504;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1234">
    <dcterms:title><![CDATA[_______2023-04-26_______2.26.51-1.png]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[04/26/2023 05:01:37 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ching-Ying, Ho]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1281">
    <dcterms:title><![CDATA[_______2023-04-26_______5.09.33-1.png]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[04/27/2023 08:44:20 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ching-Ying, Ho]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1288">
    <dcterms:title><![CDATA[_______2023-04-26_______5.09.33-2.png]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[04/27/2023 09:10:44 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ching-Ying, Ho]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1289">
    <dcterms:title><![CDATA[_______2023-04-26_______5.09.33-3.png]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[04/27/2023 09:13:41 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ching-Ying, Ho]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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    <dcterms:title><![CDATA[_______2023-04-26_______5.09.33-4.png]]></dcterms:title>
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    <dcterms:description><![CDATA[Located in Dunhuang, China, the Mogao Cave are one of the world’s largest and most diverse collections of Buddhist cave art. Dating back to the 4th century AD, the site includes 735 caves, 45,000 square meters of murals, and over 2,000 polychrome sculptures, showcasing centuries of cultural exchange along the Silk Road. In 1900, the discovery of the hidden Library Cave revealed a vast collection of over 60,000 manuscripts, scriptures, and silk paintings, dating from the 4th to the 11th century. These invaluable documents, written in multiple languages, provide crucial insights into the history, religion, and cultures of China and Silk Road civilizations. In 1987, the Mogao Cave were inscribed on the UNESCO World Heritage List.
﻿
Aligned with SDG 9: Industry, Innovation, and Infrastructure, the Digital Dunhuang project uses advanced technologies like high-precision scanning, LiDAR, and 4K rendering to digitally preserve the Library Cave and its manuscripts, ensuring long-term conservation. Big data and AI help detect mural damage, improving restoration accuracy. Additionally, the project creates a globally accessible cultural heritage database via cloud computing, enabling sustainable resource sharing and fostering innovation in preservation and global access to cultural resources.]]></dcterms:description>
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Dongting Lake is an important storage lake in the Yangtze River Basin, with a strong flood storage capacity. It has made countless floods in the Yangtze River ridden, and the Jianghan Plain and the three towns of Wuhan have been able to survive the floods safely. Dongting Lake is an important strategic place in history and the birthplace of Chinese traditional culture. There are many scenic spots in the lake area. The historical sites represented by Yueyang Tower are important tourism and cultural resources. It is also the birthplace of traditional Chinese agriculture, a well-known land of fish and rice, and the most important commodity grain and oil base, aquatic product and breeding base in Hunan Province and even the whole country.]]></dcterms:description>
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    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/04/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xz75@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[653]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1432">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Qingcheng Mountain is the main scenic spot of the World Heritage Site Qingcheng Mountain - Dujiangyan, a National Key Cultural Relics Protection Unit, a National Key Scenic Spot, a National AAAA Grade Tourism Scenic Spot, a sacred place of the Quanzhen Longmen School, one of the Ten Great Cave Days, one of the Four Great Taoist Mountains of China, one of the Five Great Immortal Mountains and one of the Ten Scenic Spots of Chengdu. Qingcheng Mountain is located southwest of Dujiangyan City, Chengdu City, Sichuan Province, 68 km east of Chengdu City and 10 km southwest of the Dujiangyan Water Conservancy Project. The scenic area covers an area of 200 square kilometres, with the highest peak, Laojunge, at 1,260 metres above sea level. The mountain is divided into the front and back hills, which are surrounded by undulating peaks and lush forests. Verdant trees surround the mountain, always green in all seasons, and the peaks are like the outline of a city, hence Qingcheng Mountain. The mountain is known for its beauty and cleanliness, with thousands of steps and winding paths. Inside and outside the scenic area, the Tian Shi Cave and the Yuan Ming Palace are special features of Qingcheng Mountain.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[143 A.D.]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[30/04/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wo7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[680]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,30.89977477397326,103.5705838724971;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Chinese government]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1476">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:description><![CDATA[Jiuzhai Valley is located in Zhangzha Town, Jiuzhai Valley County, Aba Tibetan and Qiang Autonomous Prefecture, in the southern section of the Minshan Mountains in the northwest of Sichuan Province. It is a world natural heritage, a national nature reserve, a national geological park, and a network of world biosphere reserves. A nature reserve whose main purpose is to protect natural scenery ("Official Website of Jiuzhai Valley Scenic Area - About Jiuzhai," n.d.). The rare and beautiful geological calcified lakes and well-protected ecosystem make Jiuzhai Valley have extremely high natural landscape value and scientific research value.
However, it shows that climate warming and intensified sulfur and nitrogen deposition have led to the degradation of the current Jiuzhai Valley tuff landscape. The global warming may also lead to higher temperatures in the region, and local ecosystems will be affected. In addition, Jiuzhai Valley is located in China's seismically active north-south seismic zone, where natural disasters occur frequently. The largest geological disaster in recent years was the magnitude 7.0 earthquake that occurred in August 2017.
]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[02/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ht61@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[Qiao, X., Du, J., Lugli, S., Ren, J., Xiao, W., Chen, P., & Tang, Y. (2016). Are climate warming and enhanced atmospheric deposition of sulfur and nitrogen threatening tufa landscapes in Jiuzhaigou National Nature Reserve, Sichuan, China?. Science of the Total Environment, 562, 724-731. The ecological environment status of typical lakes in the world. (n.d.). Retrieved February 23, 2023, from http://chinageoss.cn/geoarc/2021/B/index.html Cao Jun, Zheng Xiaomin, Song Wei, Liu Ming, & Yuan Maoke. (2021). Distribution of geological hazards in Jiuzhaigou scenic area after the 8.8 earthquake and its impact on the core landscape of Jiuzhaigou. Sichuan Geological Journal, 41(S01), 148-153.]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[709]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,33.23525,103.93150;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[The People's Republic of China]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1484">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Movable Cultural Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Mianzhu New Year Paintings, also known as Mianzhu Woodblock Prints, are one of China's folk woodblock prints, named after the city of Mianzhu in Sichuan Province, the home of bamboo paper, and are popular in southwest China.
Mianzhu New Year paintings are mostly made by printing outlines on wooden plates and then filling in the colours. Mianzhu New Year paintings are one of the four major Chinese New Year paintings, along with Yangliuqing New Year paintings from Tianjin, Yangjiabu Woodblock Prints from Weifang, Shandong Province and Taohuawu Woodblock Prints from Suzhou, and are known as the "Three Treasures of Sichuan" and the "Three Best of Mianzhu". They are the result of the hard work and wisdom of generations of folk artists, and reflect the optimistic thoughts and feelings of the people of Sichuan and their ancient national ethos.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[960 A.D.]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wo7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[714]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Chinese government]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1645">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/07/2023 01:29:34 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jn73@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:medium><![CDATA[https://www.britmodeller.com/forums/index.php?%2Ftopic%2F234962426-soviet-ssn-k-278-komsomolets-project-685-mike-polar-bear-1350%2F]]></dcterms:medium>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1646">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/07/2023 01:29:37 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jn73@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:medium><![CDATA[https://www.britmodeller.com/forums/index.php?%2Ftopic%2F234962426-soviet-ssn-k-278-komsomolets-project-685-mike-polar-bear-1350%2F]]></dcterms:medium>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1675">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[RUI ZHOU]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[778]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,98.2,39.7;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1687">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:description><![CDATA[This site(Immovable Heritage) is the same as another, because I built the first one in the wrong place by mistake.
The Metropolitan Museum of Art is one of the biggest art museums in the world, and there are extremely large collection in this museum. And it is the most outstanding museum in the hearts of a large amount of art lovers around the world. The Metropolitan Museum of Art is visited by a large number of visitors each year.What's more, the Metropolitan Museum of Art has created its own website where visitors can view some of its collections online, which is very convenient and helpful for the digital protections of the collections.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[RUI ZHOU]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[780]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.413496049701955,-73;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1688">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[RUI ZHOU]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[781]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.8,-74.0;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1689">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[RUI ZHOU]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[782]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1707">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx24@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[793]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-14.784841404671187,75.21789550781251;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1800">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[08/23/2023 12:03:05 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[PEIWEI LI]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
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    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[22/02/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Sinan]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[851]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.7794°N,73.9631°W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1806">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[22/02/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Sinan]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[852]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.7794°N,73.9631°W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1807">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[22/02/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Sinan]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[853]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,73.9631°W,40.7794°N;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1808">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[22/02/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Sinan]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[854]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.7794°N,73.9631°W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1809">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[22/02/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Sinan]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[855]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.7794°N,73.9631°W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1810">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[22/02/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Sinan]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[856]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.7794°N,73.9631°W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1811">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[22/02/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Sinan]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[857]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.7794°N,73.9631°W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1812">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[22/02/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Sinan]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[858]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.7794°N,73.9631°W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1927">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Sustainable Development Goal:

Goal 11: Sustainable Cities and Communities: Digital interpretation of Gagaku can promote cultural appreciation and understanding, fostering a sense of community and social cohesion. Interactive features and educational resources can showcase the importance of preserving traditional art forms like Gagaku. By highlighting the collaborative nature of Gagaku performances, with musicians and dancers working together in harmony, the art form can serve as a model for fostering cultural exchange and building strong communities.

Hotspot:
This hotspot on the World Heritage map would link to a dedicated webpage with comprehensive information about Gagaku. The page could feature:

Audio recordings and video clips of Gagaku performances, allowing viewers to experience the music and dance firsthand.
Detailed explanations of the different instruments and dance styles used in Gagaku.
Historical background on the development and evolution of Gagaku over time.
Information about the cultural significance of Gagaku in Japanese society.
Links to educational resources for teachers and students interested in learning more about Gagaku.
A calendar of upcoming Gagaku performances in Japan and around the world.
This digital experience would not only raise awareness of this unique art form but also encourage cultural appreciation and understanding, contributing to the goal of sustainable cities and communities.]]></dcterms:description>
    <dcterms:creator><![CDATA[Various court musicians and dancers over centuries]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[Origins date back to the 6th century AD]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[28/03/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hp69@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[Gagaku: https://en.wikipedia.org/wiki/Gagaku]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Agency for Cultural Affairs, Government of Japan (https://www.bunka.go.jp/english/)]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[944]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,36.2048° N,138.2529° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1961">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[14/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[948]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1963">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[14/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[950]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1990">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[21/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[np77@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[962]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,36° 39′ 41″,22° 21′ 48″;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2025">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:description><![CDATA[域跨东经103°46'~104°4'；北纬32°54'~33°19']]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[04/24/2024 01:17:32 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xm31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,103°46'~104°4',32°54'~33°19';]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2026">
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    <dcterms:references><![CDATA[Blog Sagrada Família. (2017). 3 -D Glasses - Blog Sagrada Família. [online] Available at: https://blog.sagradafamilia.org/en/divulgation/3d-glasses/ [Accessed 5 Feb. 2025]. UNESCO World Heritage Centre (2013). Works of Antoni Gaudí. [online] Unesco.org. Available at: https://whc.unesco.org/en/list/320/. Prinseps (2019). Modernism in Art, Origins and Key Figures. [online] Prinseps. Available at: https://prinseps.com/research/modernism-art-history-origin-artists/?srsltid=AfmBOoo1EnGKcJ19y_uQiqx46E9kUQI0RtP-fsmLAr0jYCQAA05CDZaE [Accessed 5 Feb. 2025].]]></dcterms:references>
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The Kakum National Park is in the central region of Ghana near Cape Coast. It covers an area of about 145 square miles (approx. 375 sq km). The park is named after a river called Kakum, which begins inside the park. Kakum National Park is ranked as the most visited natural attraction in Ghana.

The park is considered to be the first rainforest canopy walkway in Africa and one of the best places in Africa to feature a canopy walk through trees. It even has tree houses and covers about 1,150 feet while connecting through seven different trees.

The elevation of the park ranges from 443 feet to 820 feet. The park reports having different wildlife, including forest elephants, civets, Colobus monkeys, buffalo, red river hogs, pangolins, dwarf crocodiles, giant forest hogs, and North African crested porcupines.  Brace yourself! Who knows what you will discover when you take the guided treks on the jungle floor or the canopy walkway up in the heights of the trees. Watching from a bird' s-eye view may give you a better chance to discover some new species.

So far, 266 species of birds have been discovered within the park's boundaries. The Diana monkey, yellow-backed duiker, African elephant, and giant bongo antelope are some endangered species protected inside Kakum National Park. Are you interested in hiking? Then you have found the right place.
]]></dcterms:description>
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    <dcterms:description><![CDATA[The Terracotta Army is a collection of life-sized terracotta sculptures depicting the armies of Qin Shi Huang, the first Emperor of China. Discovered in 1974 near Xi'an in Shaanxi Province, this archaeological marvel dates to 210-209 BCE and was created as funerary art to protect the emperor in his afterlife. The site contains thousands of individually crafted warriors, each with unique facial features, expressions, and attire, alongside chariots, horses, and weapons. The remarkable craftsmanship demonstrates the advanced artistic and military organization of the Qin Dynasty. The warriors are part of a larger imperial mausoleum complex that remains largely unexplored. Today, this UNESCO World Heritage Site provides invaluable insights into ancient Chinese history, culture, and artistry while continuing to attract researchers and visitors from around the world.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:07:50 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current, 34.3841° N,109.2785° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3074">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:description><![CDATA[The Terracotta Army is a collection of life-sized terracotta sculptures depicting the armies of Qin Shi Huang, the first Emperor of China. Discovered in 1974 near Xi'an in Shaanxi Province, this archaeological marvel dates to 210-209 BCE and was created as funerary art to protect the emperor in his afterlife. The site contains thousands of individually crafted warriors, each with unique facial features, expressions, and attire, alongside chariots, horses, and weapons. The remarkable craftsmanship demonstrates the advanced artistic and military organization of the Qin Dynasty. The warriors are part of a larger imperial mausoleum complex that remains largely unexplored. Today, this UNESCO World Heritage Site provides invaluable insights into ancient Chinese history, culture, and artistry while continuing to attract researchers and visitors from around the world.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:07:54 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current, 34.3841° N,109.2785° E;]]></dcterms:spatial>
</rdf:Description></rdf:RDF>