Intangible Prim Media 1202 History Sugar painting may have originated during the Ming dynasty when aristocratic families or government officials molded small animals made of sugar for religious rituals. This art form then became popular. After that period, as techniques improved, Chinese folk artists combined the molded sugar with other arts, like shadow play and paper cutting, to create a more diverse range of patterns. In Sichuan, during the Qing dynasty, further developments were made in production seeing the replacement of the molds with the now-common small ladle. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sugar Painting Source A related resource from which the described resource is derived is51102023 Language A language of the resource English Contributor An entity responsible for making contributions to the resource jl384 Identifier An unambiguous reference to the resource within a given context 628 Spatial Coverage Spatial characteristics of the resource. current,30.65560138022011,104.06360626453535; Medium The material or physical carrier of the resource. https://www.facebook.com/Lisaschinesekitchen/photos/a.100225561781931/487067719764378/?type=3&locale=hi_IN Description An account of the resource Chengdu sugar painting is a unique traditional handicraft that integrates folk arts and crafts with cuisine. It is mainly popular in Chengdu, Sichuan Province and its surrounding areas. In the past, it was also called inverted sugar cake, sugar baba and sugar lantern shadow in Sichuan. Painting with melted sugar juice was widely popular in Chengdu, Sichuan Province and the surrounding cities and villages. Sugar painting originated around the 16th century. In the court custom of the Ming Dynasty, when offering sacrifices to ancestors in the New Year, the families of senior officials often used molds to print sugar lions, sugar tigers and famous scholars and warriors as sacrifices. Later, this skill was introduced to the people and gradually evolved into sugar painting. During the creation process, the artist sits in front of a sugar painting, holding a spoon in his hand. After a short thought, the artist quickly sprinkles the liquid sugar in the spoon onto the marble slab, which is as smooth as a mirror. The coagulated liquid sugar forms magical pictures of animals, flowers, insects, dramatic characters... When the fresh sugar paintings solidified, the artist used a bamboo skewer to glue each piece of work and pick it up to complete a piece of work. It is both ornamental and edible, integrated material and spiritual culture enjoyment into one. Type The nature or genre of the resource Intangible Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 17/04/2023 Creator An entity primarily responsible for making the resource jl384 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://en.wikipedia.org/wiki/Sugar_painting Extent The size or duration of the resource. cm x cm x cm Date A point or period of time associated with an event in the lifecycle of the resource 17/04/23 Subject The topic of the resource Intangible Heritage Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://en.wikipedia.org/wiki/Sugar_painting Ancient China