<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/786">
    <dcterms:title><![CDATA[Virunga National Park]]></dcterms:title>
    <dcterms:description><![CDATA[Virunga National Park is a national park in the Albertine Rift Valley in the eastern part of the Democratic Republic of the Congo. It was created in 1925. In elevation, it ranges from 680 m (2,230 ft) in the Semliki River valley to 5,109 m (16,762 ft) in the Rwenzori Mountains. From north to south it extends approximately 300 km (190 mi), largely along the international borders with Uganda and Rwanda in the east. It covers an area of 8,090 km2 (3,120 sq mi).

Two active volcanoes are located in the park, Mount Nyiragongo and Nyamuragira. They have significantly shaped the national park's diverse habitats and wildlife. More than 3,000 faunal and floral species have been recorded, of which more than 300 are endemic to the Albertine Rift including eastern gorilla (Gorilla beringei) and golden monkey (Cercopithecus kandti).

In 1979, the National Park was listed as a UNESCO World Heritage Site because of its rich diversity of habitats, exceptional biodiversity and endemism, and its protection of rare mountain gorilla habitat. It has been listed in the List of World Heritage in Danger since 1994 because of civil unrest and the increase of human presence in the region.

There have been several deadly attacks in the park by rebel groups, and several park rangers have been killed.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[1925]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/09/2022 07:50:33 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[hwwnc1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://virunga.org/]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[479]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,0.0502,29.5143;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/787">
    <dcterms:title><![CDATA[Mount Emei, Sichuan]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2010:11:10 05:43]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/02/2022 12:58:34 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ah373@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Mt_emei.JPG]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29.52567,103.336802;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/788">
    <dcterms:title><![CDATA[Samantabhadra, the bodhisattva of Emei Shan.]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2007:07:08 09:45:35]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/02/2022 01:02:17 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ah373@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.flickr.com/photos/66006481@N00/850645544/]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29.52567,103.336802;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/789">
    <dcterms:title><![CDATA[Amphitheatre of El Jem]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Amphitheatre of El Jem was built in 238 AD and is located in the town of El Djem in Tunisia. At the time it was built, El Djem was known as Thysdrus, which was a Roman province. It was built for spectator events, and is one of the biggest amphitheatres in the world, as well as one of the best preserved Roman ruins. 

In terms of size, it spans 148 metres by 122 metres and was estimated to accomodate around 35,000 spectators. During the Middle Ages, Thysdrus was attacked by the Vandals in 430 AD and by Arabs in 647 AD, and the amphitheatre was used as a fortress for shelter by the population. Around the end of the 18th to the 19th century, the amphitheatre was believed to have been used for the manufacture of saltpeter, and at the end of the 19th century, the amphitheatre was used for shops, shelter and grain storage. ]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2016:10:05 12:58:44]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/02/2022 05:02:36 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[at316]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,35.2965° N,10.7069° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/790">
    <dcterms:title><![CDATA[El Jem Amphitheatre]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Interior of the Amphitheatre of El Jem]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2016:10:05 12:58:44]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/02/2022 05:13:55 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[at316]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,35.2965° N, 10.7069° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/791">
    <dcterms:title><![CDATA[Amphitheatre of El Jem]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Amphitheatre of El Jem was built in 238 AD and is located in the town of El Djem in Tunisia. At the time it was built, El Djem was known as Thysdrus, which was a Roman province. It was built for spectator events, and is one of the biggest amphitheatres in the world, as well as one of the best preserved Roman ruins. 

In terms of size, it spans 148 metres by 122 metres and was estimated to host around 35,000 spectators. During the Middle Ages, Thysdrus was attacked by the Vandals in 430 AD and by Arabs in 647 AD, and the amphitheatre was used as a fortress for shelter by the population. At the end of the 18th and 19th centuries, the amphitheatre was used for the manufacture of saltpeter. Later on in the 19th century, the amphitheatre was used for shops, shelter and the storage of grain. 
]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[238 AD]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/02/2022 05:32:29 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[at316]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Amphitheatre_of_El_Jem]]></dcterms:references>
    <dcterms:extent><![CDATA[14800cm x 12200cm x 3000cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[480]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,35.2965,10.7069;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/792">
    <dcterms:title><![CDATA[Virupaksha Temple, Hampi]]></dcterms:title>
    <dcterms:description><![CDATA[The Virupaksha or the Pampapathi temple is the main center of pilgrimage at Hampi.
]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[20/03/2010]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/02/2022 05:57:45 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[at316]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,15.3351° N,76.4587° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/793">
    <dcterms:title><![CDATA[Hampi]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Vijayanagara Empire's capital, Hampi was a fortified city during the 14th century, and is located in the state of Karnataka. At the time, it was India's richest city which drew traders from Portugal and Persia. In 1565, the Vijayanagara Empire was conquered by a coalition of Muslim sultanates, and Hampi was pillaged and destroyed and ultimately left in ruins. 

Currently, Hampi is a religious centre, and UNESCO describes it consist of "forts, riverside features, royal and sacred complexes, temples, shrines, pillared halls, mandapas, memorial structures, water structures and others". Arab and European travellers from the time describe Hampi to have been a prosperous and wealthy city, with numerous markets and temples. ]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[02/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/02/2022 06:36:03 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[at316]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Hampi_(town)]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[481]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,15.335,76.46;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/794">
    <dcterms:title><![CDATA[Larger 55 meter Western Buddha (before 2001)]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/02/2022 06:50:41 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[at316]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34.8321° N,67.8268° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/795">
    <dcterms:title><![CDATA[Buddhas of Bamiyan]]></dcterms:title>
    <dcterms:description><![CDATA[The Buddhas of Bamiyan were two statues that were carved into the side of a cliff in the Bamiyan valley which is in central Afghanistan. The two buddhas are referred to as the Western and Eastern Buddha, the image pictured is the Western Buddha. Through carbon dating, they were found to have been built around 618 AD and 570 AD respectively. The site is surrounded with caves and surfaces covered with paintings that were said to be a combination of Buddhist and Gupta art from India. 

Unfortunately, in 2001, the Taliban had ordered for the statues to be destroyed, which caused a wave of protest and condemnation worldwide. For one day in 2015, 3D laser light projection technology was used to fill the empty cavities of the statues.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[02/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/02/2022 07:11:33 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[at316]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[482]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,34.8321,67.8268;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/796">
    <dcterms:title><![CDATA[The Remaining Standing Stones of Stenness]]></dcterms:title>
    <dcterms:description><![CDATA[Image taken in 2014 of the Standing Stones of Stenness, showing three out of four of the remaining stones. ]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2014:08:05 13:38:37]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/03/2022 11:05:53 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lj77]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Standing_Stones_of_Stenness,_Aug_2014.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,58.99403,-3.20803;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/797">
    <dcterms:title><![CDATA[The Standing Stones of Stenness]]></dcterms:title>
    <dcterms:description><![CDATA[The Standing Stones of Stenness are thought to have been built over 5000 years in 3100 - 2900 BC. The henge is considered one of the earliest in Britain and is part of a world heritage site called "The Heart of Neolithic Orkney". The stones have a rich history and there are many fascinating legends and stories which surround them. Visit the following link https://stage.openvirtualworlds.org/map/?mapid=6 which will take you to an interactive map, where you can learn more about the Standing Stones of Stenness and other standing stones in Scotland. You will find audio descriptions of each site, pictures and 3D models of how the site looks today and how it is thought it looked hundreds of years ago.


]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[Estimated 3100-2900BC]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/03/2022 11:10:19 am]]></dcterms:>
    <dcterms:contributor><![CDATA[lj77]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[483]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.99403,-3.20803;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/798">
    <dcterms:title><![CDATA[Numerous gannets flying around Stac an Armin]]></dcterms:title>
    <dcterms:description><![CDATA[Stac an Armin is a sea stack within St Kilda. At 196m tall, it is the highest sea stack in Scotland and the British Isles. This image shows many gannets flying around Stac an Armin.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[15 June 1988]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/03/2022 11:29:17 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lj77]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Stac_an_Armin , https://commons.wikimedia.org/wiki/File:And_yet_more_gannets_over_Stac_an_Armin_-_geograph.org.uk_-_721544.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,57.88158,-8.4959;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/799">
    <dcterms:title><![CDATA[Stac an Armin]]></dcterms:title>
    <dcterms:description><![CDATA["Stac an Armin The northern end and steep western side of Stac an Armin with Boreray in the background." - Richard Webb
Stac an Armin is a sea stack within St Kilda. At 196m tall, it is the highest sea stack in Scotland and the British Isles. ]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2009:04:12 14:23:51]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/03/2022 11:38:24 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lj77]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Stac_an_Armin_-_geograph.org.uk_-_1264544.jpg , https://en.wikipedia.org/wiki/Stac_an_Armin]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,57.88106,-8.4971;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/800">
    <dcterms:title><![CDATA[Gorham's Cave 360 Virtual Tour]]></dcterms:title>
    <dcterms:description><![CDATA[A 360 tour taken from Gorham's Cave's Viewing Platform.  The platform was created to allow visitors to view the entrances of Gorham's Cave Complex from the mainland, and to provide information on the heritage site.  Gorham's Cave Complex is a UNESCO World Heritage Site due to the evidence which it has provided on the cultural traditions of the Neanderthals, which occupied the site over 100,000 years.
Accompanying photographs of points of interest can be seen through Google Drive due to RoundMe server issues.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[26/04/2022]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Tour]]></dcterms:type>
    <dcterms:identifier><![CDATA[484]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,36.1203436,-5.3420725;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/801">
    <dcterms:title><![CDATA[The Gateway of India]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:date><![CDATA[8 May 2012]]></dcterms:date>
    <dcterms:contributor><![CDATA[Alan Cherian]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Authors own work]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,18.922064,72.834641;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/802">
    <dcterms:title><![CDATA[The Gateway Of India]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Gateway of India is a building that was constructed in 1924. The arch is made of basalt, and it stands at 85 feet high. It is located on the waterfront at the Apollo Bunder in South Mumbai. It has been often described as the Taj Mahal of Mumbai due to its popular tourist activity. The site is managed by the Archaeological Survey of India. While the Gateway is symbolic of colonial subjugation, it also evokes a sense of cultural identity and belonging to those in Mumbai, which can be paradoxical to some.
The Gateway of India was constructed to serve as a symbolic ceremonial entrance for important colonial personnel.
In terms of the design, the design was conducted by Scottish architect George Wittet, it combines diverse elements of Hindu and Muslim architecture with Gothic cusped arches and domes and spires. The structure was built using yellow basalt stones enmeshed into a reinforced concrete structure and features impressive carved stone latticework known as jali. Jali is a common feature of Indo-Islamic architecture, jali meaning “net” is a form of architectural decoration of perforated stone through the use of geometric or calligraphic designs.
]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/04/2022 11:32:40 am]]></dcterms:>
    <dcterms:contributor><![CDATA[Alan Cherian]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://commons.wikimedia.org/wiki/File:Gateway_of_India_-Mumbai.jpg]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[485]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,18.922064,72.834641;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/803">
    <dcterms:title><![CDATA[Castillo de Ponferrada]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[1178]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[awiso]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://es.wikipedia.org/wiki/Castillo_de_Ponferrada]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[486]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/804">
    <dcterms:title><![CDATA[Lairig_Leacach_Bothy.jpg]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2005:07:05 22:54:19]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/03/2022 05:20:27 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[awiso]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Bothy#/media/File:Lairig_Leacach_Bothy.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/805">
    <dcterms:title><![CDATA[Lairig Leacach Bothy]]></dcterms:title>
    <dcterms:description><![CDATA[Though they are not a single piece of heritage, bothies represent a broader historical and cultural phenomenon in the United Kingdom, especially Northern England and Scotland. A bothy is a rudimentary shelter in the wilderness which is typically only accessible on foot. Many bothies originally served as shelters for gamekeepers and estate workers, though now they are most commonly used recreationally by hikers. Underpinning the use of bothies is the Scottish Outdoor Access Code, which set legal standards for the long running tradition of free access to privately owned land in Scotland. The largest concentration of bothies can be found in the Scottish Highlands.
Excerpt from P1.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[1977]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[awiso]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[487]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.822557,-4.815731;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/806">
    <dcterms:title><![CDATA[1920px-Totes_Gebirge_Prielgruppe_Plateau.jpg]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[10.09.2006]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/03/2022 05:29:01 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[awiso]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/807">
    <dcterms:title><![CDATA[Totes Gebirge]]></dcterms:title>
    <dcterms:description><![CDATA[The Totes Gebirge, or “Dead Mountains”, is a mountain range spanning the Austrian states of Styria and Upper Austria. The range gets its name from its grey appearance due to the lack of water from natural springs and altitude. Despite this, the mountains in this range are valued for their stark beauty and challenging sport offerings in the form of hiking, climbing, skiing, and more. The highest peak in this range with an altitude of 2515 meters is Großer Priel, located in the Prielgruppe subgroup.
Excerpt from P1.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[awiso]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[488]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,47.717076,14.064224;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/808">
    <dcterms:title><![CDATA[Victoria Memorial]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2019:07:22 15:23:24]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/04/2022 11:41:15 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Alan Cherian]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Victoria_Memorial_on_the_lake,_Kolkata,_India.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,22.545011318274927,88.34250415325347;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/809">
    <dcterms:title><![CDATA[Victoria Memorial]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Victoria Memorial is a building that was constructed in 1921. The building is made of white marble and measures 109m. It has been often described as a veritable icon of the city of Kolkata. The Victoria Memorial was constructed to serve and be dedicated to the memory of Queen Victoria and stands as an architectural gem but also reminiscence to the rule of the British Crown.

In terms of the design, the design was conducted by William Emerson who was the chief architect behind Victoria Memorial and the design showcases the Indo-Saracenic Revivalist template. It fuses several Mughal and British architectural elements with touches of Egyptian and Venetian styles, along with architectural influences
]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Alan Cherian]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://commons.wikimedia.org/wiki/File:Victoria_Memorial_on_the_lake,_Kolkata,_India.jpg]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[489]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.54486385810691,88.34256649017335;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/810">
    <dcterms:title><![CDATA[Royal Albert Dock]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/04/2022 12:32:06 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Alan Cherian]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,53.40020769591055,-2.99098171994737;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/811">
    <dcterms:title><![CDATA[Royal Albert Dock]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Royal Albert Dock is a complex of dock buildings and warehouses in Liverpool, England. Designed by Jesse Hartley and Philip Hardwick, it was opened in 1846, and was the first structure in Britain to be built from cast iron, brick and stone, with no structural wood. As a result, it was the first non-combustible warehouse system in the world. It was known simply as the Albert Dock until 2018, when it was granted a royal charter and had the honorific "Royal" added to its name.
At the time of its construction the dock was considered to be revolutionary in its design because ships were loaded and unloaded directly from or to the warehouses. Two years after it opened it was modified to feature the world's first hydraulic cranes. Due to its open yet secure design, the dock became a popular store for valuable cargoes such as brandy, cotton, tea, silk, tobacco, ivory and sugar. However, despite its advanced design, the rapid development of shipping technology meant that, within 50 years, larger and more open docks were required, although the Albert Dock remained a valuable store for cargo.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Alan Cherian]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://commons.wikimedia.org/wiki/File:Albert_Dock_Liverpool_-_panoramio_(1).jpg]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[490]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,53.40020769591055,-2.99098171994737;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/812">
    <dcterms:title><![CDATA[ Mogao Caves IS5110 2022]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Carved into the cliffs above the Dachuan River, the Mogao Caves comprise the largest, most richly endowed, and longest used treasure house of Buddhist art in the world. It was first constructed in 366AD and represents the great achievement of Buddhist art from the 4th to the 14th century. 492 caves are presently preserved, housing about 45,000 square meters of murals and more than 2,000 painted sculptures. 
As evidence of the evolution of Buddhist art in the northwest region of China, the Mogao Caves are of unmatched historical value. These works provide an abundance of vivid materials depicting various aspects of medieval politics, economics, culture, arts, religion, ethnic relations, and daily dress in western China. The unique artistic style of Dunhuang art is not only the amalgamation of Han Chinese artistic tradition and styles assimilated from ancient Indian and Gandharan customs, but also an integration of the arts of the Turks, ancient Tibetans and other Chinese ethnic minorities. Many of these masterpieces are creations of an unparalleled aesthetic talent.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/05/2022 11:34:18 am]]></dcterms:>
    <dcterms:contributor><![CDATA[zj32]]></dcterms:contributor>
    <dcterms:references><![CDATA[Murray, Stuart A. P. (2009). The Library: An Illustrated History. Chicago: Skyhorse Publishing. p. 49. ISBN 978-1-61608-453-0.]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://whc.unesco.org/en/list/440/]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[491]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.041476,94.8069443;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[CHINA]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/813">
    <dcterms:title><![CDATA[-4.yaml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[04/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/04/2022 10:06:48 pm]]></dcterms:>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[492]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/814">
    <dcterms:title><![CDATA[site_0440_0002-1000-750-20200821115337.jpeg]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/04/2022 10:09:21 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zj32]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/815">
    <dcterms:title><![CDATA[site_0440_0002-1000-750-20200821115337-1.jpeg]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/04/2022 10:09:24 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zj32]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/816">
    <dcterms:title><![CDATA[Full view ]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2022 11:34:01 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zj32]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.041476,94.8069443;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/817">
    <dcterms:title><![CDATA[Full view ]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2022 11:34:04 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zj32]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.041476,94.8069443;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/818">
    <dcterms:title><![CDATA[Sakyamuni]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/05/2022 11:41:05 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zj32]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29.64826,91.1313913;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/819">
    <dcterms:title><![CDATA[Thangka IS5110 2022]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Thang-ka, usually depicting a Buddhist deity, scene, or mandala. Most Thang-kas were intended for personal meditation or instruction of monastic students. They often have elaborate compositions including many very small figures. A central deity is often surrounded by other identified figures in a symmetrical composition. Narrative scenes are less common but do appear.
Thang-ka perform several different functions. Images of deities can be used as teaching tools when depicting the life (or lives) of the Buddha, describing historical events concerning important Lamas, or retelling myths associated with other deities. Devotional images act as the centerpiece during a ritual or ceremony and are often used as mediums through which one can offer prayers or make requests. Overall, and perhaps most importantly, religious art is used as a meditation tool to help bring one further down the path to enlightenment. The Buddhist Vajrayana practitioner uses a Thang-ka image of their yidam, or meditation deity, as a guide, by visualising "themselves as being that deity, thereby internalising the Buddha qualities" Thang-ka hang on or beside altars, and may be hung in the bedrooms or offices of monks and other devotees.

]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/05/2022]]></dcterms:>
    <dcterms:contributor><![CDATA[zj32]]></dcterms:contributor>
    <dcterms:references><![CDATA[Kossak, Steven M., Singer, Jane Casey, (eds.), Sacred Visions: Early Paintings from Central Tibet (exhibition catalogue), Metropolitan Museum of Art, 1998 ]]></dcterms:references>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Thangka]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[493]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29.64826,91.1313913;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/820">
    <dcterms:title><![CDATA[Green Tara Mantra]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2022 12:26:06 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zj32]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:medium><![CDATA[http://www.wuzhenfestival.com/index2018_en.php?m=Xijujie&a=teyaojumu&aid=638]]></dcterms:medium>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29.64826,91.1313913;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/822">
    <dcterms:title><![CDATA[Thangka Depicting Vajrabhairava, ca. 1740, Sotheby's]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2022 01:33:27 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zj32]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Thangka#/media/File:Thangka_Depicting_Vajrabhairava,_ca._1740,_Sotheby's.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/823">
    <dcterms:title><![CDATA[Thangka of Buddha with the One Hundred Jataka Tales, Tibet]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Thangka of Buddha with the One Hundred Jataka Tales, Tibet, 13th-14th century, 114.3 x 84.4 cm.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[13-14c]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/05/2022 01:38:55 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zj32]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Thangka#/media/File:Thangka_of_Buddha_with_the_One_Hundred_Jataka_Tales,_Tibet,_13th-14th_century.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29.64826,91.1313913;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/824">
    <dcterms:title><![CDATA[Hawa Mahal]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2022 11:28:53 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sb430]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/825">
    <dcterms:title><![CDATA[Hawa Mahal]]></dcterms:title>
    <dcterms:subject><![CDATA[Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[With 953 honeycomb-shaped and beautifully carved windows on the outside wall, Hawa 	
Mahal is located in Badi Choupad, Pink City of Jaipur, India. It was constructed in 1799 by the Kachhwaha Rajput ruler, Sawai Pratap Singh, grandson of Maharaja Sawai Jai Singh as an extension to Royal City Palace. The building consists of five stores and builds in the form of Krishna's crown as the king was a devotee of Shri Krishna. Windows allow the breeze to blow through the palace making it a perfect summer destination. In contrast to the rich exterior of the Palace, the interior is comparatively simple but gives the visitors the best views of the pink city.
]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[1799]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sb430]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[495]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,26.923861629236285,75.82672637661744;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/826">
    <dcterms:title><![CDATA[Phulkari embroidery]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2022 11:50:22 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sb430]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr.com]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/827">
    <dcterms:title><![CDATA[Phulkari embroidery]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2022 11:56:01 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sb430]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr.com]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/828">
    <dcterms:title><![CDATA[Phulkari embroidery]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2022 11:56:05 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sb430]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr.com]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/829">
    <dcterms:title><![CDATA[Phulkari embroidery]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2022 11:56:08 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sb430]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr.com]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/830">
    <dcterms:title><![CDATA[Phulkari embroidery]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2022 11:56:11 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sb430]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr.com]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/831">
    <dcterms:title><![CDATA[Phulkari embroidery]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2022 11:56:14 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sb430]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr.com]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/832">
    <dcterms:title><![CDATA[Phulkari embroidery]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2022 11:56:17 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sb430]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr.com]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/833">
    <dcterms:title><![CDATA[Phulkari embroidery]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2022 11:56:20 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sb430]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr.com]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/834">
    <dcterms:title><![CDATA[Phulkari embroidery]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2022 11:56:23 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sb430]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr.com]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/835">
    <dcterms:title><![CDATA[Phulkari embroidery]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2022 11:56:26 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sb430]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr.com]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/836">
    <dcterms:title><![CDATA[Phulkari embroidery]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2022 11:56:30 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sb430]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr.com]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/837">
    <dcterms:title><![CDATA[Phulkari embroidery]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2022 11:56:33 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sb430]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr.com]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/838">
    <dcterms:title><![CDATA[Phulkari embroidery]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2022 11:56:36 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sb430]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr.com]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/839">
    <dcterms:title><![CDATA[Phulkari embroidery]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2022 11:56:39 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sb430]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr.com]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/840">
    <dcterms:title><![CDATA[Phulkari embroidery]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2022 11:56:42 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sb430]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr.com]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/841">
    <dcterms:title><![CDATA[Phulkari embroidery]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2022 11:56:45 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sb430]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr.com]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/843">
    <dcterms:title><![CDATA[The Golden Temple]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/06/2022 12:06:20 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sb430]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Commons.wikimedia.org]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/844">
    <dcterms:title><![CDATA[The Golden temple]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/06/2022 12:07:44 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sb430]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Commons.wikimedia.org]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/845">
    <dcterms:title><![CDATA[Itsukushima Shrine]]></dcterms:title>
    <dcterms:description><![CDATA[A photo of Itsukushima Shrine taken at high-tide at night.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2017:04:10 21:21:35]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/06/2022 02:25:17 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sag24]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Personal Collection]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,34.297304333133745,132.3181487916918;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/846">
    <dcterms:title><![CDATA[ Torii at Itsukushima Shrine]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The fifty foot shrine stands about 500 feet in front of the Itsukushima Shrine on the island of Itsukushima (Miyajima) in Japan. The shine itself is a UNESCO World heritage site and the shrine that stands today is from the 13th century. The gate itself was most recently rebuilt in 1875. It is noted that it at its most beautiful at high tide when the gate and the shrine itself appear to float on the water. At low tide is possible to walk up to and around the gate pictured. The island itself has been considered holy for many hundreds of years. It's thought that the first shrine erected here was in the 6th century. The 13th century style preserved today is an outstanding example of shindenzukuri style of architecture and provides invaluable information as to the evolving spiritual culture of Shintoism and the concept of scenic beauty, which is why it was considered a World Heritage Site in 2001 ]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[6th Century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[06/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sag24]]></dcterms:contributor>
    <dcterms:references><![CDATA[Cali, Joseph; Dougill, John; Ciotti, Geoff (2013). Shinto Shrines: A Guide to the Sacred Sites of Japan's Ancient Religion. University of Hawai'i Press]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[497]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,34.29730433306614,132.31813859900285;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/847">
    <dcterms:title><![CDATA[Helsinki Cathedral]]></dcterms:title>
    <dcterms:description><![CDATA[Helsinki Cathedral viewed from Senate Square]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2017:08:12]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/06/2022 03:10:03 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sag24]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Private Collection]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,60.170278,24.952222;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/848">
    <dcterms:title><![CDATA[Helsinki Cathedral]]></dcterms:title>
    <dcterms:description><![CDATA[Standing to the north side of Senate Square in Helsinki, Helsinki Cathedral is a Lutheran Cathedral built between 1830 - 1852 and designed by Carl Ludvig Engel (d. 1840). The Building was later altered by Ernst Lohrmann who added the four small domes around the edge and 12 statues to the roof. The building and crypt are popular tourist destinations and were visited by half a million people in 2018. It is however not a UNESCO World Heritage Site. The design of the cathedral is based upon a Greek Cross and the ends are supported by six Corinthian columns. 12 zinc apostles adorn the edge of the roof and are the largest unified collections of zinc statues in the world.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[06/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/10/2022 12:36:06 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[sag24]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.seurakuntalainen.fi/uutiset/helsingin-tuomiokirkko-harkitsee-paasymaksun-perimista/, https://helsingintuomiokirkko.fi/index/kirkontarina.html#arkkitehtuuri]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[498]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,60.170278,24.952222;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/849">
    <dcterms:title><![CDATA[Sydney Opera House at Sunset]]></dcterms:title>
    <dcterms:description><![CDATA[Sydney Opera House at Sunset. View across Circular Quay from Four Seasons Hotel]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[20/09/2019]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/06/2022 03:45:48 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sag24]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-33.85688477407285,151.21500921210102;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/850">
    <dcterms:title><![CDATA[Sydney Opera House at Sunset]]></dcterms:title>
    <dcterms:description><![CDATA[Sydney Opera House at Sunset. View across Circular Quay from Four Seasons Hotel]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[20/09/2019]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/06/2022 03:45:53 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sag24]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-33.85688477407285,151.21500921210102;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/851">
    <dcterms:title><![CDATA[Sydney Opera House]]></dcterms:title>
    <dcterms:description><![CDATA[Inaugurated in 1973, The Sydney Opera House is Australia's most famous building and one of the Worlds most famous sites. It was inscribed as a UNESCO World Heritage site in 2007. It is an icon of 20th century architecture and is a stunning sculpture set amongst a fantastic waterscape. As a daring experiment in architecture when building began in 1958 its influence on design and architecture since is unparalleled. It is a functional performing arts centre hosting 1600 performances a year and privy to eight million visitors annually. It is a marvel of engineering at the time and featured one of the first uses of computers to perform structural analysis however the project was completed 10 years late and 1357% over budget. It stands from completion as a key feature of the Sydney Harbour Skyline and one of the most recognisable buildings in the world. Its shape is synonymous with Australia and features as one of its most significant tourism draws. ]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[1973]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[06/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sag24]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/en/list/166/, https://int.sydney.com/destinations/sydney/sydney-city/city-centre/attractions/sydney-opera-house]]></dcterms:references>
    <dcterms:extent><![CDATA[18300cm x 12000cm x 6700cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[499]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-33.856788550269144,151.21507358446254;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/852">
    <dcterms:title><![CDATA[Tainan Confucian Temple]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The temple was built in 1665 during the Koxinga dynasty (Ming dynasty). In 1685, soon after the Taiwan was annexed by the Qing dynasty, the first Taiwan Regional Chief Administrator Chou Chang and Taiwan Prefecture Magistrate Chiang Yu-ying began their efforts to have the temple renovated and reconstructed into Taiwan Prefecture Academy. Since then, the compound has been renovated and expanded several times.

After 1895, Taiwan was under Japanese rule, the temple was once again used as a public school and military barracks and was considerably damaged. The temple has been renovated several times over the past 300 years, most recently between 1987 and 1989, during the time of Republic of China (Taiwan). Today the temple serves as a popular tourist attraction and also preserves ancient Confucian ceremonies, which are conducted on a regular basis. The temple also includes storerooms for the ritual implements and musical instruments that are used in these ceremonies.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[1665]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[06/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/06/2022 07:58:33 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[ytw1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://zh.wikipedia.org/wiki/%E8%87%BA%E5%8D%97%E5%AD%94%E5%AD%90%E5%BB%9F]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://zh.wikipedia.org/wiki/%E8%87%BA%E5%8D%97%E5%AD%94%E5%AD%90%E5%BB%9F]]></dcterms:medium>
    <dcterms:language><![CDATA[Mandarin Chinese]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[500]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.9903744,120.2031067;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/853">
    <dcterms:title><![CDATA[Golden Gate Bridge]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Golden Gate Bridge is a suspension bridge spanning the Golden Gate, the one-mile-wide (1.6 km) strait connecting San Francisco Bay and the Pacific Ocean. The structure links the U.S. city of San Francisco, California—the northern tip of the San Francisco Peninsula—to Marin County, carrying both U.S. Route 101 and California State Route 1 across the strait.

Before the bridge was built, the only practical short route between San Francisco and what is now Marin County was by boat across a section of San Francisco Bay hence many wanted to build a bridge to connect San Francisco to Marin County. However, many experts said that the ferocious winds and blinding fogs would prevent construction and operation. Eventually, the proposal of construction of the bridge was made in a 1916 San Francisco Bulletin article by former engineering student James Wilkins.

Eventually, the bridge was completed in May 27th, 1937 and has become of the biggest attractions and landmark of San Francisco.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[1937]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[06/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/06/2022 08:30:00 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[ytw1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Golden_Gate_Bridge]]></dcterms:references>
    <dcterms:extent><![CDATA[height: 22,700cm x span: 128,000cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[I took the picture back in October, 2019]]></dcterms:medium>
    <dcterms:language><![CDATA[English (USA)]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[501]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.8199328,-122.4804438;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/854">
    <dcterms:title><![CDATA[Great Wall of China]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Great Wall of China is a series of fortifications that were built across the historical northern borders of ancient Chinese states and Imperial China as protection against various nomadic groups from the Eurasian Steppe. Several walls were built from as early as the 7th century BC, with selective stretches later joined together by Qin Shi Huang (220–206 BC).

Apart from defense, other purposes of the Great Wall have included border controls, allowing the imposition of duties on goods transported along the Silk Road, regulation or encouragement of trade and the control of immigration and emigration. The frontier walls built by different dynasties have multiple courses. Collectively, they stretch from Liaodong in the east to Lop Lake in the west, from the present-day Sino–Russian border in the north to Tao River (Taohe) in the south; along an arc that roughly delineates the edge of the Mongolian steppe.

Today, the defensive system of the Great Wall is generally recognized as one of the most impressive architectural feats in history.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[7th century BC]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[06/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/06/2022 08:36:20 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[ytw1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Great_Wall_of_China]]></dcterms:references>
    <dcterms:extent><![CDATA[length: 2,119,600,000cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.epochtimes.com/gb/20/5/28/n12143528.htm]]></dcterms:medium>
    <dcterms:language><![CDATA[Mandarin Chinese]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[502]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.4319118,116.5681862;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/855">
    <dcterms:title><![CDATA[Tainan Confucian Temple Gallery]]></dcterms:title>
    <dcterms:description><![CDATA[This is a photo of a monument in Taiwan identified by the ID DA09602000348.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2013:07:10 10:19:09]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/06/2022 07:58:09 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ytw1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://zh.wikipedia.org/wiki/%E8%87%BA%E5%8D%97%E5%AD%94%E5%AD%90%E5%BB%9F#/media/File:%E8%87%BA%E5%8D%97%E5%AD%94%E5%AD%90%E5%BB%9F_%E5%A4%A7%E6%88%90%E5%9D%8A.JPG]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,22.9904444,120.2043056;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/856">
    <dcterms:title><![CDATA[Golden Gate Bridge]]></dcterms:title>
    <dcterms:description><![CDATA[This is the picture of the Golden Gate Bridge, taken at vista point in San Francisco.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2019/10/30]]></dcterms:date>
    <dcterms:contributor><![CDATA[ytw1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Myself]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,37.8199249,-122.4809445;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/857">
    <dcterms:title><![CDATA[Golden Gate Bridge]]></dcterms:title>
    <dcterms:description><![CDATA[This is the picture of the Golden Gate Bridge, taken at vista point in San Francisco.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2019/10/30]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/06/2022 08:04:39 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ytw1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Myself]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,37.8199249,-122.4809445;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/858">
    <dcterms:title><![CDATA[Golden Gate Bridge]]></dcterms:title>
    <dcterms:description><![CDATA[This is the picture of Golden Gate Bridge, taken at vista point in San Francisco.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2019/10/30]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/06/2022 08:20:09 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ytw1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Myself]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,37.8199328,-122.4804438;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/859">
    <dcterms:title><![CDATA[Golden Gate Bridge]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Golden Gate Bridge is a suspension bridge spanning the Golden Gate, the one-mile-wide strait connecting San Francisco Bay and the Pacific Ocean. The structure links the U.S. city of San Francisco, California—the northern tip of the San Francisco Peninsula—to Marin County, carrying both U.S. Route 101 and California State Route 1 across the strait. 

Before the bridge was built, the only practical short route between San Francisco and what is now Marin County was by boat across a section of San Francisco Bay hence many wanted to build a bridge to connect San Francisco to Marin County. Although San Francisco was the largest American city still served primarily by ferry boats. Because it did not have a permanent link with communities around the bay, the city's growth rate was below the national average.

Back then, experts said that ferocious winds and blinding fogs would prevent construction and operation. As a result, the proposal of the construction of the bridge was not made until 1916. Today, the bridge is the biggest attraction and landmark in the city of San Francisco.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[1937]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[06/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ytw1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Golden_Gate_Bridge]]></dcterms:references>
    <dcterms:extent><![CDATA[height: 22,700cm x span: 128,000cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English (USA)]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[503]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.8199328,-122.4804438;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/860">
    <dcterms:title><![CDATA[Great Wall of China]]></dcterms:title>
    <dcterms:description><![CDATA[The Great Wall of China at Jinshanling.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[8 June 2013, 21:15:53]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/06/2022 08:36:12 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ytw1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Media Creator's own work]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.4319118,116.5681862;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/861">
    <dcterms:title><![CDATA[Empire State Building]]></dcterms:title>
    <dcterms:description><![CDATA[This file has been extracted from another file: Empire State Building, New York, NY.jpg]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2017:09:24 22:46:14]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/07/2022 11:35:42 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ytw1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.flickr.com/photos/132084522@N05/17339180506]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.7484445,-73.9878531;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/862">
    <dcterms:title><![CDATA[Empire State Building]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Empire State Building is a 102-story Art Deco skyscraper in Midtown Manhattan, New York City and is located on the west side of Fifth Avenue in Manhattan, between 33rd Street to the south and 34th Street to the north. The building was designed by Shreve, Lamb & Harmon and built from 1930 to 1931. Its name is derived from "Empire State", the nickname of the state of New York. The building has a roof height of 1,250 feet (380 m) and stands a total of 1,454 feet (443.2 m) tall, including its antenna.

Bethlehem Engineering Corporation originally intended to build a 25-story office building on the Waldorf–Astoria site. The company's president paid $100,000 of the $1 million down payment required to start construction on the building was then unable to secure additional funding. Hence, the land was resold to Empire State Inc. The company announced the construction of an 80-story building on the site, to be taller than any other buildings in existence to the public in August 1929.

The Empire State Building officially opened on May 1, 1931, forty-five days ahead of its projected opening date, and eighteen months from the start of construction.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[11th, April, 1931]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ytw1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Empire_State_Building]]></dcterms:references>
    <dcterms:extent><![CDATA[height: 44,300cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English (USA)]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[504]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.7484445,-73.9878531;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Empire State Realty Trust]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/863">
    <dcterms:title><![CDATA[Al Ahsa Oasis]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a picture taken by a user on their Nokia phone in 2007]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2007:02:10 18:22:19]]></dcterms:date>
    <dcterms:contributor><![CDATA[zk43]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Jawatha_Mosque_in_Al-Ahsa_(2007).jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,25,49;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/864">
    <dcterms:title><![CDATA[-1.]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[07/05/2022]]></dcterms:>
    <dcterms:contributor><![CDATA[zk43]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[505]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/865">
    <dcterms:title><![CDATA[Al Ahsa Oasis]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Al-Aḥsāʾ (Arabic: الْأَحْسَاء, al-ʾAhsā), also known as al-Ḥasāʾ (الْحَسَاء) or Hajar (هَجَر), is a traditional oasis historical region in eastern Saudi Arabia whose name is used by the Al-Ahsa Governorate, which makes up much of that country's Eastern Province. The oasis is located about 60 km (37 mi) inland from the coast of the Persian Gulf.

Al-Ahsa Oasis composed four main cities two and 22 villages. Two of these four main cities are Al-Mubarraz and Al-Hofuf, which are two of the 15 largest cities in Saudi Arabia.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[7th Century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/07/2022 08:44:55 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[zk43]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Wikipedia]]></dcterms:medium>
    <dcterms:language><![CDATA[Arabic]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[506]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,25,49;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Al Sauds]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/866">
    <dcterms:title><![CDATA[Hagia Sophia]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a picture of Hagia Sophia]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2020:09:23 13:36:55]]></dcterms:date>
    <dcterms:contributor><![CDATA[zk43]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Own Work]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41° 0′ 30.48″ N,28° 58′ 48.93″ E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/867">
    <dcterms:title><![CDATA[Hagia Sophia]]></dcterms:title>
    <dcterms:description><![CDATA[Hagia Sophia (Turkish: Ayasofya; Koinē Greek: Ἁγία Σοφία, romanized: Hagía Sophía; Latin: Sancta Sophia, lit. 'Holy Wisdom'), officially known as the Hagia Sophia Grand Mosque (Turkish: Ayasofya-i Kebir Cami-i Şerifi)[3] and formerly as the Church of Holy Wisdom (Greek: Ναός της Αγίας του Θεού Σοφίας, romanized: Naós tis Ayías tou Theoú Sofías),[4] is a Late Antique place of worship in Istanbul, designed by the Greek geometers Isidore of Miletus and Anthemius of Tralles.[5] Built in 537 as the patriarchal cathedral of the imperial capital of Constantinople, it was the largest Christian church of the eastern Roman Empire (the Byzantine Empire) and the Eastern Orthodox Church, except during the Latin Empire from 1204 to 1261, when it temporarily became a Roman Catholic cathedral. In 1453, after the Fall of Constantinople to the Ottoman Empire, it was converted into a mosque. In 1935, the Republic of Turkey established it as a museum. In 2020, it was reconverted into a mosque.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[537]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/07/2022 09:06:26 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[zk43]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Hagia_Sophia]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[507]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41,28;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/868">
    <dcterms:title><![CDATA[Bharatanatyam]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This is an image of a girl dancing in the Indian Classical Dance form Bharatanatyam]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[31st May 2014]]></dcterms:date>
    <dcterms:contributor><![CDATA[zk43]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Own work]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,20.5937,78.9629;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/869">
    <dcterms:title><![CDATA[Bharatanatyam]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Bharatanatyam is a major Hindu form of Indian classical dance that originated in Tamil Nadu. The Natya Shastra by Bharata Muni and Abhinaya Darpana (Mirror of Gesture) by Nandikeshvara are considered to be the original sources one of Bharatanatyam (an Indian classical dance form). The dance form is also briefly mentioned in Kannada text Manasollasa written by Someshwara III. It has flourished in the temples and courts of southern India since ancient times.[1][2][3] It is one of eight widely recognized Indian classical dance forms and it expresses South Indian religious themes and spiritual ideas, particularly of Shaivism, Vaishnavism and Shaktism, collectively Hinduism.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[07/05/2022]]></dcterms:>
    <dcterms:contributor><![CDATA[zk43]]></dcterms:contributor>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Bharatanatyam#:~:text=Bharatanatyam%20is%20the%20oldest%20classical,contains%20different%20types%20of%20banis.]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[508]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,20.5937,78.9629;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/870">
    <dcterms:title><![CDATA[-1.]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[07/05/2022]]></dcterms:>
    <dcterms:contributor><![CDATA[zk43]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[509]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/871">
    <dcterms:title><![CDATA[-1.]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[07/05/2022]]></dcterms:>
    <dcterms:contributor><![CDATA[zk43]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[510]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/872">
    <dcterms:title><![CDATA[-1.]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[07/05/2022]]></dcterms:>
    <dcterms:contributor><![CDATA[zk43]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[511]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/873">
    <dcterms:title><![CDATA[-1.]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[07/05/2022]]></dcterms:>
    <dcterms:contributor><![CDATA[zk43]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[512]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/874">
    <dcterms:title><![CDATA[-1.]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[07/05/2022]]></dcterms:>
    <dcterms:contributor><![CDATA[zk43]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[513]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/875">
    <dcterms:title><![CDATA[Weifang World Kite Museum ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Weifang World Kite Museum (Chinese: 潍坊世界风筝博物馆) is a museum in the Kuiwen District of Weifang, China. First opened in 1989, it has twelve galleries with models and kites from China's ancient past to modern times and kites from around the world.
Weifang is renowned as the "World Capital of Kites".

-- Wikipedia]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[1989]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[08/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yuqi2022]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Weifang_World_Kite_Museum]]></dcterms:medium>
    <dcterms:language><![CDATA[Chinese]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[514]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,36.7086,119.1328;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Chinese government]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/876">
    <dcterms:title><![CDATA[Archaeological Site of Olympia]]></dcterms:title>
    <dcterms:description><![CDATA[The Archaeological Site of Olympia was located in the Ilia region in the west of the Peloponnese, 
a valley of the Alpheios River. This site was built in honor of the Greek God Zeus from the 10th 
century BC (World Heritage Journeys, n.d.). It includes the principal temples of Zeus and Hera, 
athletic premises for the preparation of the Olympic Games, and other ancient sanctuaries,
buildings, and monuments (Visit Greece, n.d.). The famous sporting event, The Olympic Games 
was originated from here. In 1989 this site was designated as a UNESCO World Heritage site 
for its historical importance to human beings]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[10th century B.C]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[08/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/08/2022 02:05:50 am]]></dcterms:>
    <dcterms:contributor><![CDATA[yz223]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[515]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.6384588,21.6298796;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/877">
    <dcterms:title><![CDATA[Ancient Olympia, Greece2.jpg]]></dcterms:title>
    <dcterms:description><![CDATA[Ancient Olympia, Greece. Photo taken with Nokia N8 (12 Megapixel).]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/08/2022 02:05:33 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yz223]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/878">
    <dcterms:title><![CDATA[Notre-Dame de Paris-France.JPG]]></dcterms:title>
    <dcterms:description><![CDATA[Cathédrale Notre-Dame de Paris sur l'Île de la Cité à Paris, France.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[October 2011]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/08/2022 02:13:33 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yz223]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/879">
    <dcterms:title><![CDATA[Notre Dame Cathedral Paris]]></dcterms:title>
    <dcterms:description><![CDATA[Notre Dame Cathedral Paris, which means “our lady of Paris” in French, is located in the fourth 
arrondissement of Paris, France. The building started in the 12th century and spent 300 years 
to its completion, it was considered one of the best French Gothic architectures in the world 
and one of the most notable monuments in all of Europe.
Inside the Notre Dame Cathedral, there are lots of precious collections of artwork on display, 
and many historical events took place here. For example, Henry VI was made king of France
here in 1431; Napoleon was crowned emperor inside Notre Dame in 1804, and Joan of Arc, 
was beatified by Pope Pius X there in 1909. It has witnessed 
French history for over 800 years and is now still being used for Sunday Mass of the Roman 
Catholic Church.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[1163]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[08/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/08/2022 02:25:40 am]]></dcterms:>
    <dcterms:contributor><![CDATA[yz223]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[516]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,48.8529682,2.3499021;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/880">
    <dcterms:title><![CDATA[Notre-Dame de Paris-France.JPG]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Cathédrale Notre-Dame de Paris sur l'Île de la Cité à Paris, France.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[October 2011]]></dcterms:date>
    <dcterms:contributor><![CDATA[yz223]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,48.852940885107614,2.350060343742371;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/881">
    <dcterms:title><![CDATA[Notre-Dame de Paris-France]]></dcterms:title>
    <dcterms:description><![CDATA[Cathédrale Notre-Dame de Paris sur l'Île de la Cité à Paris, France.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[October 2011]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/08/2022 02:24:51 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yz223]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/882">
    <dcterms:title><![CDATA[Blue and white jar Jingdezhen 1271 1368.jpg]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2010:07:18 08:08:45 ]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/08/2022 02:32:39 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yz223]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/883">
    <dcterms:title><![CDATA[Blue and White Porcelain]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Blue and White Porcelain meaning blue flowers in Chinese, is one of the most famous porcelain 
in China. It was first founded in the Tang dynasty, its technology came to maturity in the Yuan 
dynasty and reach its peak in the Qing dynasty. Blue and White Porcelain not only loved by 
Chinese people but also were popular in the world. In ancient times, Blue and White Porcelain
was exported to many countries, stunning the world with its high quality and exotic aesthetics. 
Many countries imitated it to create their own porcelain, and in ancient Europe, it was 
equivalent to gold and be collected as artwork. Blue and White Porcelain had its influence on 
the whole world thus needed to be promoted and persevered.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[08/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yz223]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[517]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29.2963495,117.1953035;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/884">
    <dcterms:title><![CDATA[Blue and White Porcelain]]></dcterms:title>
    <dcterms:description><![CDATA[Blue and White Porcelain meaning blue flowers in Chinese, is one of the most famous porcelain 
in China. It was first founded in the Tang dynasty, its technology came to maturity in the Yuan 
dynasty and reach its peak in the Qing dynasty. Blue and White Porcelain not only loved by 
Chinese people but also were popular in the world. In ancient times, Blue and White Porcelain
was exported to many countries, stunning the world with its high quality and exotic aesthetics. 
Many countries imitated it to create their own porcelain, and in ancient Europe, it was 
equivalent to gold and be collected as artwork. Blue and White Porcelain had its influence on 
the whole world thus needed to be promoted and persevered. ]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[Tang Dynasty]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[08/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yz223]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[518]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29.2962764,117.0552181;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/885">
    <dcterms:title><![CDATA[Panel with a Phoenix and Birds in a Rock Garden]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The eight treasures at the top of this panel, which are auspicious motifs derived from Buddhism, reinforce the meaning of the main image—a phoenix surrounded by smaller birds, symbolizing a virtuous monarch or leader welcomed by followers. This massive panel was hung over a wall to demonstrate the owner’s power and luxury, reflected in the rich colors and extraordinary craftsmanship.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/08/2022 08:22:01 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yuqi2022]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Zero]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Object Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/886">
    <dcterms:title><![CDATA[Panel with a Phoenix and Birds in a Rock Garden]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The eight treasures at the top of this panel, which are auspicious motifs derived from Buddhism, reinforce the meaning of the main image—a phoenix surrounded by smaller birds, symbolizing a virtuous monarch or leader welcomed by followers. This massive panel was hung over a wall to demonstrate the owner’s power and luxury, reflected in the rich colors and extraordinary craftsmanship.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/08/2022 08:23:30 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yuqi2022]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Zero]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/887">
    <dcterms:title><![CDATA[Scroll Cover with Animals, Birds, and Flowers]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A classic example of Song tapestry, this elegant scroll cover resembles a famous uncut piece (now in Liaoning Provincial Museum, China). This tapestry entered the Museum’s collection as the handscroll cover for the masterpiece Old Trees, Level Distance by Guo Xi (ca. 1020–ca. 1090). The placement of the animals in the pattern illustrates a strong connection with tapestries from Central Asia, which may have served as the source for the introduction of the tapestry technique to China.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/08/2022 09:05:33 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yuqi2022]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description></rdf:RDF>