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<rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/918">
    <dcterms:title><![CDATA[Pet&auml;j&auml;vesi Old Church]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Petäjävesi Old Church is a Lutheran log church built between 1763 and 1765. It was inscribed on the UNESCO World Heritage List in 1994 for exemplifying traditional wooden church architecture of the Nordic countries. The church is located on a peninsula at Lake Solikkojärvi in central Finland. According to UNESCO, the construction of the church was led by local master builder Jaakko Leppänen, after which it was taken care of and improved by relatives such as the grandson Erkki Leppänen in 1821. About the church’s characteristics UNESCO writes that it is “representative of the architectural tradition of wooden churches in northern Europe”. What adds to the uniqueness of the church is the masterful appliance of traditional log construction techniques of the local peasantry. Today the church is a popular tourist destination as well as a functional Lutheran church in the summer.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[1763]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[09/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[edvinpohto]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/en/list/584/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://petajavesioldchurch.fi/]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[524]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,62.250079031670644,25.1839900003688;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/919">
    <dcterms:title><![CDATA[Hazelius, A.I. (1881): Det inre af en badstuga.]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A depiction of the inside of a Finnish "bath-hut" by Hazelius, A.I. in 1881.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[1881]]></dcterms:date>
    <dcterms:contributor><![CDATA[edvinpohto]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://fi.wikipedia.org/wiki/Suomalainen_sauna#/media/Tiedosto:HAZELIUS(1881)_Vol.1,_Abb.70,_p091.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/920">
    <dcterms:title><![CDATA[Finnish Sauna Culture]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Finnish sauna culture is an intangible cultural heritage inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2020. As told by UNESCO, the sauna is an inseparable part of Finnish culture, present in songs, mythology, as well as everyday life and customs. A telling sign of the prominence and importance of the sauna for Finns is that there are around 3.3 million saunas and only 5.5 million inhabitants in Finland. In practice this means most homes have their own sauna, and some families may have multiple. The sauna has traditionally been a place to clean oneself, but also to relax and find inner peace. As UNESCO puts it, the sauna has traditionally been considered as a sacred space – a ‘church of nature’. The act of enjoying the sauna involves something called ‘löyly’ in Finnish. Löyly is the act of throwing water onto a pile of hot stones placed on top of the stove. Many different kinds of saunas exist, including electric, smoke, and infra-red. The most traditional version is however one heated by wood. Depending on one’s liking, a traditional sauna is heated to anywhere from 70°C to even 120°C.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[09/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[09/05/2022]]></dcterms:>
    <dcterms:contributor><![CDATA[edvinpohto]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Finnish_sauna]]></dcterms:references>
    <dcterms:medium><![CDATA[https://ich.unesco.org/en/RL/sauna-culture-in-finland-01596]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[525]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,62.8992232034877,26.156247854232788;find,62.8992232034877,26.156247854232788;]]></dcterms:spatial>
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    <dcterms:title><![CDATA[-27.yaml]]></dcterms:title>
    <dcterms:contributor><![CDATA[npu1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/922">
    <dcterms:title><![CDATA[-5.yaml]]></dcterms:title>
    <dcterms:contributor><![CDATA[npu1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/923">
    <dcterms:title><![CDATA[-1.]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[10/05/2022]]></dcterms:>
    <dcterms:contributor><![CDATA[npu1]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[526]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/924">
    <dcterms:title><![CDATA[-6.yaml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/10/2022 10:29:44 am]]></dcterms:>
    <dcterms:contributor><![CDATA[npu1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[527]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,26.57758924145869,93.1745231151581;]]></dcterms:spatial>
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    <dcterms:title><![CDATA[-6.yaml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/10/2022 10:30:23 am]]></dcterms:>
    <dcterms:contributor><![CDATA[npu1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[528]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,26.577531,93.171122;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/926">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 09:38:41 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[dy28]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:medium><![CDATA[https://www.youtube.com/watch?v=8-mzqxZNp2g]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/927">
    <dcterms:title><![CDATA[-28.yaml]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/10/2022 05:34:27 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[npu1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[529]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,26.580544497979563,93.16943764686586;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/928">
    <dcterms:title><![CDATA[Mount rushmore]]></dcterms:title>
    <dcterms:subject><![CDATA[Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Four of America's most significant presidents - George Washington, Abraham Lincoln, Teddy Roosevelt, and Thomas Jefferson – stand prominently in the Black Hills of South Dakota. The Lakota Sioux, a tribe native to the area, believed the Black Hills, where Mount Rushmore was built, to be holy, and they still do. The monument, which was developed by a South Dakota historian to include the faces of both Native American and western pioneer heroes, irrevocably transformed the landscape. [1]

Mount Rushmore was scanned with a laser in May of 2010. This virtual experience was made possible by 3D data collected at Mt. Rushmore as part of a cooperation between CyArk, a non-profit devoted to digitally conserving the world's cultural monuments, Historic Environment Scotland, the Glasgow School of Art, and the US National Park Service. For several weeks, experienced capture teams scanned and photographed Mt. Rushmore and most of the surrounding park, either from the ground or hung from ropes—it was an endeavour that, at least in its intricacy, mimicked the original sculpting process. The project aimed to establish the understanding about how the mountain was sculpted, the 3D model was paired with an interview with Blaine Kourtemayer, Assistant Chief of Interpretation.
Using the data gathered on the field, CyArk made resources available on a dedicated section in their website. The Website contains, EXIHBIT section which has all the information explaining the legacy, Historic context of Mount Rushmore. Exhibit section has the very vital information on preservation of the sculptures. Along with how the digitalization of the park is done. CyArk compiled a well structured digital guided tour of the park and Unstructured virtual tour of park. Most intriguing part of the project is the 3D Model of the park, which is highly detailed and these models are made available on the website with complete freedom of exploration on all the direction and scale. 
]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[1927]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/10/2022 07:07:25 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[psr1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[530]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.879110212402544,-103.45908816010207;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/929">
    <dcterms:title><![CDATA[-6.yaml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/10/2022 10:31:22 am]]></dcterms:>
    <dcterms:contributor><![CDATA[npu1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[531]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,26.577531,93.171122;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/930">
    <dcterms:title><![CDATA[[Untitled]]]></dcterms:title>
    <dcterms:contributor><![CDATA[npu1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Own work]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/931">
    <dcterms:title><![CDATA[Chinese Shadow puppets]]></dcterms:title>
    <dcterms:description><![CDATA[This Chinese shadow puppet is illustrative of the ornate detail that goes into the figures.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2011:10:25 11:56:16]]></dcterms:date>
    <dcterms:contributor><![CDATA[dy28]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:The_Childrens_Museum_of_Indianapolis_-_Han_shadow_puppet.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34.4993,109.503;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/932">
    <dcterms:title><![CDATA[Classical Gardens of Suzhou]]></dcterms:title>
    <dcterms:description><![CDATA[Pavilion of Surging Waves of Classical Gardens of Suzhou]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[06.06.2021]]></dcterms:date>
    <dcterms:contributor><![CDATA[lw218]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,31° 17′ 49.3″,120° 37′ 16.1″;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/933">
    <dcterms:title><![CDATA[-12.yaml]]></dcterms:title>
    <dcterms:subject><![CDATA[Tourism]]></dcterms:subject>
    <dcterms:date><![CDATA[2017:07:07 17:19:35]]></dcterms:date>
    <dcterms:contributor><![CDATA[npu1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/934">
    <dcterms:title><![CDATA[-7.yaml]]></dcterms:title>
    <dcterms:date><![CDATA[2017:07:07 17:19:35]]></dcterms:date>
    <dcterms:contributor><![CDATA[npu1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/935">
    <dcterms:title><![CDATA[-6.yaml]]></dcterms:title>
    <dcterms:date><![CDATA[2017:07:07 17:19:35]]></dcterms:date>
    <dcterms:contributor><![CDATA[npu1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/936">
    <dcterms:title><![CDATA[-13.yaml]]></dcterms:title>
    <dcterms:contributor><![CDATA[npu1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/937">
    <dcterms:title><![CDATA[Classical Gardens of Suzhou]]></dcterms:title>
    <dcterms:description><![CDATA[Suzhou is located in the water town of the south of the Yangtze River, and the Classical Gardens of Suzhou, China are collectively known as Suzhou Classical Gardens. Many of these gardens are included in the World Heritage Site. Whether they were designed and built by literati or dignitaries, the gardens were meticulously designed and constructed with great care and skill. These factors greatly contributed to the development of Suzhou's gardens. In terms of the survival of Suzhou's gardens, from the magnificent Liuzheng Garden and Humble Administrator's Garden to the small gardens of a hill and a ravine, there are not only a large number of gardens, but also a good number of them. Most of these gardens are located in the city, especially in the area between Gate of Heaven and Guanqian Street, followed by Northeast Street. Among the remaining gardens in Suzhou, private gardens account for almost 90% of the total number of gardens, except for the Pavilion of Surging Waves, a famous pavilion, a few ancestral halls and Buddhist temples. The Pavilion of Surging Waves dates back to the middle of the Northern Song Dynasty, the Lion Grove to the end of the Yuan Dynasty, and the rest, such as the Humble Administrator's Garden and the Art Garden, to the middle and end of the Ming Dynasty. What really impresses people about Suzhou's classical gardens is not only the beauty of the mountains, water, plants and buildings themselves, but also their relationship with each other.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[514 BC]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/10/2022 06:38:22 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[lw218]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[532]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,31,120;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/938">
    <dcterms:title><![CDATA[-26.yaml]]></dcterms:title>
    <dcterms:contributor><![CDATA[npu1]]></dcterms:contributor>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/939">
    <dcterms:title><![CDATA[-23.yaml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/10/2022 11:37:02 am]]></dcterms:>
    <dcterms:contributor><![CDATA[npu1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[533]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/940">
    <dcterms:title><![CDATA[The Royal and Ancient Clubhouse Front View]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[This image depicts the front view of the Royal and Ancient clubhouse at St Andrews.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2021:10:03 17:12:39]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 12:34:57 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[JosephCameron]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.343158333333335,-2.804586111111111;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/941">
    <dcterms:title><![CDATA[The Royal and Ancient Clubhouse]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Royal and Ancient Clubhouse is a historic building located in St Andrews that serves as the headquarters of the Royal and Ancient Golf Club of St Andrews (R&A). The foundation stone for the building was laid on the 13th of July 1853 by R&A member John Whyte Melville, and the building was completed 11 months later in 1854. The clubhouse overlooks the 1st tee and the 18th green of the iconic Old Course at St Andrews. The famous balcony near the top of the building is the site of the infamous past Open Champions gathering event that occurs when the Open Championship is hosted by St Andrews. For many years, the R&A clubhouse has been an iconic structure for the game of golf and it will continue to be revered by golfers for many years to come.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[1854]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[JosephCameron]]></dcterms:contributor>
    <dcterms:extent><![CDATA[2500cm x 1500cm x 1500cm]]></dcterms:extent>
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Source: UNESCO TV / © NHK Nippon Hoso Kyokai]]></dcterms:description>
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    <dcterms:title><![CDATA[Mogao Caves]]></dcterms:title>
    <dcterms:description><![CDATA[Exterior view of Mogao Caves]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2015:10:10 10:10:07]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 02:17:25 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xg29]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40°02'29.8"N,94°48'32.8"E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/964">
    <dcterms:title><![CDATA[Mogao Caves]]></dcterms:title>
    <dcterms:description><![CDATA[Exterior view of Mogao Caves]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2015:10:10 10:10:07]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 02:17:29 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xg29]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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    <dcterms:medium><![CDATA[wiki]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40°02'29.8"N,94°48'32.8"E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/965">
    <dcterms:title><![CDATA[Mogao Caves]]></dcterms:title>
    <dcterms:description><![CDATA[Exterior view of Mogao Caves]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2015:10:10 10:10:07]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 02:17:33 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xg29]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/966">
    <dcterms:title><![CDATA[Mogao Caves]]></dcterms:title>
    <dcterms:description><![CDATA[Exterior view of Mogao Caves]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2015:10:10 10:10:07]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 02:17:37 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xg29]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[wiki]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40°02'29.8"N,94°48'32.8"E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/967">
    <dcterms:title><![CDATA[Mogao Caves]]></dcterms:title>
    <dcterms:description><![CDATA[Exterior view of Mogao Caves]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2015:10:10 10:10:07]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 02:17:41 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xg29]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[wiki]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/968">
    <dcterms:title><![CDATA[Mogao Caves]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Exterior view of Mogao Caves]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2015:10:10 10:10:07]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 02:22:45 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xg29]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[wiki]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40°02'29.8"N,94°48'32.8"E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/969">
    <dcterms:title><![CDATA[Mogao Caves]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Exterior view of Mogao Caves]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2015:10:10 10:10:07]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 02:22:48 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xg29]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/970">
    <dcterms:title><![CDATA[Mogao Caves]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Exterior view of Mogao Caves]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2015:10:10 10:10:07]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 02:22:51 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xg29]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[wiki]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40°02'29.8"N,94°48'32.8"E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/971">
    <dcterms:title><![CDATA[Mogao Caves]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Exterior view of Mogao Caves]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2015:10:10 10:10:07]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 02:22:54 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xg29]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/972">
    <dcterms:title><![CDATA[Mogao Caves]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Exterior view of Mogao Caves]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2015:10:10 10:10:07]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 02:22:57 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xg29]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[wiki]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40°02'29.8"N,94°48'32.8"E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/973">
    <dcterms:title><![CDATA[Mogao Caves]]></dcterms:title>
    <dcterms:description><![CDATA[Exterior view of Mogao Caves]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2015:10:10 10:10:07]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 02:23:01 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xg29]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40°02'29.8"N,94°48'32.8"E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/974">
    <dcterms:title><![CDATA[Mogao Caves]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Exterior view of Mogao Caves]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2015:10:10 10:10:07]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 02:23:05 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xg29]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[wiki]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40°02'29.8"N,94°48'32.8"E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/975">
    <dcterms:title><![CDATA[Mogao Caves]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2015:10:10 10:10:07]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 02:30:03 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xg29]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/976">
    <dcterms:title><![CDATA[Mogao Caves]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Located in Dunhuang, Gansu Province, China, the Mogao Caves are the world's largest and richest surviving Buddhist shrine, with 735 caves, renowned for their exquisite murals and statues. The integrity of the Mogao Caves and Dunhuang art has been greatly compromised by poor excavation and conservation. Also because of the potentially irreversible damage to the artwork, especially the colours of the murals, caused by the carbon dioxide exhaled by humans, the management began to limit the number of visitors to the Mogao Caves. In order to showcase these precious works of art to the world, they have undertaken a comprehensive digital capture, processing and storage of the artworks in the caves, taking into account their characteristics. At present, photographic capture of 120 caves, image processing of 40 caves, panoramic roaming of 120 caves and 3D reconstruction of 20 painted sculptures have been completed. ]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[250]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xg29]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[350]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[535]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40°02'29.7"N,94°48'32.8"E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/977">
    <dcterms:title><![CDATA[Buddhas of Bamiyan]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2015:01:24 15:00:35]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 02:54:12 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xg29]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34.832287847047056,67.82709079150746;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/978">
    <dcterms:title><![CDATA[Buddhas of Bamiyan]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Buddhas of Bamiyan are two standing Buddha statues that once sat on the cliffs of the Bamiyan Valley in Afghanistan. They were built in the sixth century AD and carved from red sandstone. They are classic works of Greek Buddhist art. However, two of the giant standing Buddha statues were bombed by the Taliban in 2001. ICOMOS began to protect the Bamiyan Buddha statue in Afghanistan in 2003. In the autumn of 2006, the University of Aachen in Germany cooperated with the Vienna University of Technology to use a 3D laser measurement system and a digital camera to survey the niches of the Bamiyan Buddha and the surrounding cave structures. An accurate, realistic 3D model of this heavily damaged niche was obtained. Subsequently, the researchers used historical documents and pictures to create a virtual 3D model to restore the Buddha of Bamiyan. Based on this virtual model, researchers are expected to reconstruct part or the entire Buddha statue in the future. In 2015, a couple of adventurers from China used 3D laser projection technology to reproduce the Buddha statue on the original site and presented the whole set of light and shadow equipment to the local government. In 2021, on the 20th anniversary of the bombing of the Bamiyan Buddha, the local people once again used 3D projection to reproduce the Buddha statue on the original site.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[6th-century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xg29]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[536]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,34.83211176239926,67.82709079150746;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/979">
    <dcterms:title><![CDATA[Along the River During the Qingming Festival]]></dcterms:title>
    <dcterms:description><![CDATA[Picture of painting]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 03:00:49 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xg29]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/980">
    <dcterms:title><![CDATA[Along the River During the Qingming Festival]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Along the River During the Qingming Festival is a famous Chinese painting by the Northern Song painter Zhang Zeduan, the scroll is about 24.8cm high and 528cm long, depicting the bustling scene inside and outside the city gates and on both sides of the Bian River, the capital of the Northern Song Dynasty. There are about 814 people, 60 livestock, 28 boats, 30 houses, 20 carts, 8 sedan chairs and 170 trees in the painting, and the activities of the characters are lifelike and episodic, making it a world-famous realist painting of customs. And Along the River During the Qingming Festival is an outstanding work of ancient Chinese genre painting. Painted on silk in a long scroll, it uses a scattered perspective composition to vividly record the urban landscape of Bianjing (now Kaifeng, Henan Province), the capital of China during the Northern Song Dynasty, and the living conditions of people from all walks of life at that time and is a testimony to the prosperity of Bianjing at that time.]]></dcterms:description>
    <dcterms:creator><![CDATA[Zhang Zheduan]]></dcterms:creator>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[1085-1145]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xg29]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[537]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.91781523864264,116.3904900742346;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/981">
    <dcterms:title><![CDATA[Chinese Shadow puppets]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Shadow puppets is one of the oldest Chinese opera genres, and was inscribed on the Intangible Cultural Heritage of Humanity list in 2011.
The main features of shadow puppetry are white curtains, dolls made of animal skins and scene props.
The shadow puppets are manipulated with wooden poles behind a white curtain, and the light shines through the translucent curtain to create a dynamic image, accompanied by music and singing, mostly in folk dialects, to tell local stories.
The shadow-making process is extremely complex, with many folk craft techniques involved, from selecting and making the skin to carving and colouring it. The hand-carved shadows are not only props for performances, but also a beautiful piece of art. There are eight steps in the making of a shadow: selecting the skin, making the skin, drawing, carving, colouring, dehydrating, oiling and mounting. A beautifully crafted shadow requires more than 3,000 strokes of carving, making the process extremely complex.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[1000 BC]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[10/05/2022]]></dcterms:>
    <dcterms:contributor><![CDATA[dy28]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[538]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,34,109;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/982">
    <dcterms:title><![CDATA[Huangmei opera]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Huangmei opera is one of the five major Chinese opera genres, formerly known as Huangmei tune and Caicha opera, which originated in Huangmei, Hubei Province and developed in Anqing, Anhui Province. Huangmei opera began in the countryside and later entered the city, absorbing the singing styles of Beijing opera, Chu opera and Han opera, and eventually forming its own unique style: a strong country voice, a common language structure, a rich musical singing style, and a unique idyllic style of quotation. The singing style of Huangmei opera belongs to the board change body, there are three major cavities: flower cavity, colour cavity and main tune. Huangmei opera to lyricism, rich rhythm, singing pure and fresh, delicate and moving, to bright and lyrical, with rich expressive power, and easy to understand, easy to popularise,
 
loved by the masses around. His masterpieces include "The Matching of the Immortals", "The Lady in Harness" and "The Cowherd and the Weaving Maiden".]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[18th century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[10/05/2022]]></dcterms:>
    <dcterms:contributor><![CDATA[dy28]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[539]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,30.532,117.115;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/983">
    <dcterms:title><![CDATA[Chinese Shadow puppets]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Shadow puppets is one of the oldest Chinese opera genres, and was inscribed on the Intangible Cultural Heritage of Humanity list in 2011.
The main features of shadow puppetry are white curtains, dolls made of animal skins and scene props.
The shadow puppets are manipulated with wooden poles behind a white curtain, and the light shines through the translucent curtain to create a dynamic image, accompanied by music and singing, mostly in folk dialects, to tell local stories.
The shadow-making process is extremely complex, with many folk craft techniques involved, from selecting and making the skin to carving and colouring it. The hand-carved shadows are not only props for performances, but also a beautiful piece of art. There are eight steps in the making of a shadow: selecting the skin, making the skin, drawing, carving, colouring, dehydrating, oiling and mounting. A beautifully crafted shadow requires more than 3,000 strokes of carving, making the process extremely complex.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[1000 BC]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[10/05/2022]]></dcterms:>
    <dcterms:contributor><![CDATA[dy28]]></dcterms:contributor>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:The_Childrens_Museum_of_Indianapolis_-_Han_shadow_puppet.jpg]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[540]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,35.739,107.632;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/984">
    <dcterms:title><![CDATA[The Potala Palace in Lhasa]]></dcterms:title>
    <dcterms:description><![CDATA[The Potala Palace is a dzong fortress in the Lhasa, Tibet, China. From Wikipedia]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2014:02:06 23:02:25]]></dcterms:date>
    <dcterms:contributor><![CDATA[lw218]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Potala_Palace_HR.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29,91;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/985">
    <dcterms:title><![CDATA[The Potala Palace in Lhasa]]></dcterms:title>
    <dcterms:description><![CDATA[The Potala Palace is a dzong fortress in the Lhasa, Tibet, China. From Wikipedia]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2014:02:06 23:02:25]]></dcterms:date>
    <dcterms:contributor><![CDATA[lw218]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Potala_Palace_HR.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29,91;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/986">
    <dcterms:title><![CDATA[The Potala Palace in Lhasa]]></dcterms:title>
    <dcterms:description><![CDATA[The majestic Potala Palace stands in Lhasa, Tibet, on the southwestern border of China. As an important representative of Chinese culture, the Potala Palace has survived the vicissitudes and witnessed the extraordinary history of interaction and intermingling of Chinese ethnic groups on the Tibetan plateau, and is a living museum of national treasures. The Potala Palace has collected and preserved many cultural relics reflecting Tibetan political and religious activities and folk activities of various ethnic groups, including murals, objects, buildings, inscriptions, etc. These treasures, rich in connotation, carry the profound history of interactions and exchanges among various ethnic groups. The Potala Palace is the epitome of Tibetan architectural art, a concentrated embodiment of Tibetan architectural craftsmanship, a comprehensive architectural complex integrating Tibetan monastic architecture, palaces, dzongsan, gardens and residential architecture. Potala Palace from the Tubo period to the present has a history of a thousand years, from its overall design ideas and building specific implementation, all strongly reflect the religious and political colors of Tibetan society. From the building site layout, external decoration to the internal furnishings, all show the Tibetan craftsmen's superb architectural techniques and aesthetic sensibilities, is the collection of ancient Tibetan architectural art.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[640 BC]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/10/2022 06:50:47 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[lw218]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[541]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29,91;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/987">
    <dcterms:title><![CDATA[Along the River During the Qingming Festival]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Along the River During the Qingming Festival is a famous Chinese painting by the Northern Song painter Zhang Zeduan, the scroll is about 24.8cm high and 528cm long, depicting the bustling scene inside and outside the city gates and on both sides of the Bian River, the capital of the Northern Song Dynasty. There are about 814 people, 60 livestock, 28 boats, 30 houses, 20 carts, 8 sedan chairs and 170 trees in the painting, and the activities of the characters are lifelike and episodic, making it a world-famous realist painting of customs. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Zhang Zheduan]]></dcterms:creator>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[6th-century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xg29]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[542]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.918210212642755,,116.39306499486952;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/988">
    <dcterms:title><![CDATA[Olympic National Park]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 03:39:32 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[chrisreilly]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/989">
    <dcterms:title><![CDATA[Olympic National Park]]></dcterms:title>
    <dcterms:description><![CDATA[The Olympic National Park is located in the United States of America in the state of Washington. The park has four different types of areas and they are, the pacific coastline, temperate rainforest, alpine areas and the forest on the east side of the national park. Currently the park covers 933,650 acres or 3,733.8 km2.  

The park came a national park in 1938 after President Franklin D. Roosevelt signed it into law and its name became the Olympic National Park as we know it today. In1976 UNESCO designated it as an International Biosphere Reserve due to its unique ecosystem and in 1981 it was  designated a UNESCO world heritage site. Currently the park is one the most visited National parks in America 
]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/10/2022 04:09:47 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[chrisreilly]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[543]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,47.802109,-123.604355;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/990">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 04:01:38 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[chrisreilly]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/991">
    <dcterms:title><![CDATA[seven lakes basin, Olympic national park]]></dcterms:title>
    <dcterms:description><![CDATA["seven lakes basin, olympic national park" by ((brian)) is marked with CC BY 2.0.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 04:09:36 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[chrisreilly]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Zero]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/992">
    <dcterms:title><![CDATA[Castles and Town Walls of King Edward in Gwynedd]]></dcterms:title>
    <dcterms:description><![CDATA["Caernarfon Castle - Black Tower - view of the North-East Tower, Watch Tower and Queen's Gate and the Cistern Tower" by ell brown is marked with CC BY-NC-SA 2.0.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 04:15:56 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[chrisreilly]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/993">
    <dcterms:title><![CDATA[ Castles and Town Walls of King Edward in Gwynedd]]></dcterms:title>
    <dcterms:description><![CDATA[Castles and Town Walls of King Edward in Gwynedd is a UNESCO-designated World Heritage Site located in North Wales in the county of Gwynedd. The heritage site is made up of numerous sites and they are Caernarfon Castle, Harlech Castle, Conwy Castle, Beaumaris Castle, Caernarfon town walls and Conwy town walls. The castles and town walls were builts as fortifications by the King at that time Edward I after invading North Wales in 1282. 

The castles and town walls were still used fortifications up until the 17th century. Where in the 18th and 19th century the castles became ruinous and unusable. But in the 20th and 21st century  a lot of focus was put on restoring the castle and walls to its former glory. Castles and Town Walls of King Edward became a world heritage site in 1986. 
]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[chrisreilly]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[544]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,53.2801, -3.8256;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/994">
    <dcterms:title><![CDATA[wadden sea mirror 4]]></dcterms:title>
    <dcterms:description><![CDATA["wadden sea mirror 2" by Bas Kers (NL) is marked with CC BY-NC-SA 2.0.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 04:34:12 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[chrisreilly]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/995">
    <dcterms:title><![CDATA[Wadden Sea]]></dcterms:title>
    <dcterms:description><![CDATA[The Wadden Sea is a UNESCO World Heritage Site and an intertidal zone. The Wadden Sea is located in the North Sea and it stretches from the Netherlands past Germany and ends in Northern Denmark. The total coastline is 500km or 310 miles and has an area size of 10,000km2 .

The Wadden Sea became a UNESCO World Heritage Site in 2009 but  only the area that covers the Netherlands and Germany, the Denmark section was added in 2014. The Wadden Sea is well known for its shallow water depth with a range of tidal flats and wetlands. The Sea is also an important area for migrating birds as well as breeding birds. 
]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/10/2022 04:49:16 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[chrisreilly]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[545]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,53.915912,8.496741;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/996">
    <dcterms:title><![CDATA[-28.yaml]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/10/2022 06:15:19 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[npu1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[546]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,24.8299644,79.9118257;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/997">
    <dcterms:title><![CDATA[Khajuraho Group of Monuments]]></dcterms:title>
    <dcterms:description><![CDATA[are a group of Hindu and Jain temples in Chhatarpur district Madhya Pradesh, India, about 175 kilometres southeast of Jhansi. They are a UNESCO World Heritage Site. The temples are famous for their nagara-style architectural symbolism and a few erotic sculptures.Most Khajuraho temples were built between 885 AD and 1050 AD by the Chandela dynasty.[Historical records note that the Khajuraho temple site had 85 temples by the 12th century, spread over 20 square kilometers. Of these, only about 25 temples have survived, spread over six square kilometers.[2] Of the surviving temples, the Kandariya Mahadeva Temple is decorated with a profusion of sculptures with intricate details, symbolism and expressiveness of ancient Indian art.When these monuments were built, the boys in the place lived in hermitages, by being brahmcharis (bachelor) until they attained manhood and these sculptures helped them to learn about the worldly role of 'householder'.The Khajuraho group of temples were built together but were dedicated to two religions, Hinduism and Jainism, suggesting a tradition of acceptance and respect for diverse religious views among Hindus and Jains in the region]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2017:09:30 17:03:53]]></dcterms:date>
    <dcterms:contributor><![CDATA[npu1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Khajuraho_Group_of_Monuments_4.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/998">
    <dcterms:title><![CDATA[Charminar pictures]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2009:01:14 01:55:49]]></dcterms:date>
    <dcterms:contributor><![CDATA[psr1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikipedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,17.36157250224649,78.47464039921762;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/999">
    <dcterms:title><![CDATA[Mount Rushmore]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:contributor><![CDATA[psr1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1000">
    <dcterms:title><![CDATA[Mausoleum of the First Qin Emperor]]></dcterms:title>
    <dcterms:description><![CDATA[This mausoleum was constructed over 38 years, from 246 to 208 BC, and is situated underneath a 76-meter-tall tomb mound shaped like a truncated pyramid.From Wikipedia]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2016:07:01 12:00:28]]></dcterms:date>
    <dcterms:contributor><![CDATA[lw218]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Tomb_of_the_First_Emperor_Qin_Shi_Huang_Di,_Xi%27an,_China_-_panoramio.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34,109;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1001">
    <dcterms:title><![CDATA[Charminar]]></dcterms:title>
    <dcterms:description><![CDATA[The Charminar was built at the intersection of the historical trade route connecting the markets of Golkonda with the port city of Machhilipatnam. The city of Hyderabad was designed with the Charminar at its center, spread around in four quadrants along the four cardinal directions. Mir Momin Astarabadi of the Qutb Shahi dynasty played an important role and ordered extensive preparations for the design and layout along with that of the new capital city. Architects from Persia were invited to provide additional designs and suggestions. 

Inspired by the shapes of Shiya Tazias built to commemorate the tragic death of Prophet Muhammed’s grandson, Hussain at the battle of Karbala, the structure of the Charminar is perfectly square, with each side measuring 20m. The four grand arches open into four different streets and stand 11m wide. The square structure accommodates four minarets in each corner. The minarets are 56 meters high, house two balconies, and are topped with small delicate domes and intricate carvings on the outside walls. Unlike other prominent Islamic monuments, the minarets are built into the main structure. Inside the minarets there is a spiral staircase with 149 steps and 12 landings. The structure is a fine example of Indo-Islamic architecture with ample Persian influences. While arches and the domes show the influence of Islamic architecture, the minarets reflect Persian influence. The delicate stucco floral ornamentations on the ceiling, the balconies and the outside walls speak of Hindu influences.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[1591]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/10/2022 07:15:47 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[psr1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[547]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,17.361722308612038,78.47469131930615;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1002">
    <dcterms:title><![CDATA[Mausoleum of the First Qin Emperor]]></dcterms:title>
    <dcterms:description><![CDATA[Located in the Lintong District of Xi'an, Shaanxi Province, the Mausoleum of Qin Shi Huang is the tomb of the first emperor in Chinese history, the largest and richest of the ancient tombs of Chinese emperors, and a great testimony to the culture of the Qin Dynasty. The discovery of the Terracotta Warriors and Horses Pit in 1974 brought the important cultural heritage of Qin Shi Huang's tomb to the world. The site is supported by the mausoleum and is surrounded by more than 300 burial pits of various kinds, forming a rich and complete system of imperial tombs and providing a solid foundation for future generations to study imperial tombs. From the distribution of cultural relics, the concept of Qin Shi Huang's tombs can be divided into three spatial levels: the mausoleum area, the mausoleum garden and the tombs, and the culture of the Qin Dynasty can be understood through the study of terracotta warriors, which is a treasure of human culture.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[247 BC]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/10/2022 08:34:51 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[lw218]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[548]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,34,109;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1003">
    <dcterms:title><![CDATA[Charminar_titlePicture]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2009:01:14 01:55:49]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 07:15:08 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[psr1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,17.361870555555555,78.4750036111111;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1004">
    <dcterms:title><![CDATA[knp-entrance]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 07:23:58 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[psr1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1005">
    <dcterms:title><![CDATA[Mount Kilimanjaro National Park]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Mount Kilimanjaro National Park covers an area of 1668 sq km and is located in northern Tanzania close to the town of Moshi, 200 miles South of the Equator. the Park has been a game reserve since 1921 and was designated a National Park in 1973. The park was declared a World Heritage Site by UNESCO in 1987. the rainforest is home to many species of animals and birds including, leopard, rhino, elephant, buffalo.
Kilimanjaro is the highest mountain in Africa, and the tallest free-standing mountain in the world, reaching a height of 5895 meters (19,336 feet). It is a dormant volcano, with the diameter at its base being 40 miles. There are two main snow capped peaks, Kibo and Mawenzi. The vegetation around and up the mountain is very diverse and varied. Montane forest occurs between 1700 m and 2800m.
From about 2800m to 4000m it is a Semi-Desert where giant groundsels (Senecio Kilimanjari) that seem to guard the heights, are abundant. above 4000m the landscape is alpine desert which supports little life other than mosses and lichen. From here to the summit the land gradually changes into barren, bare rock and loose scree slopes. The summit, Uhuru Peak (5895m), is on the volcanic crater rim, with glaciers on the surrounding slopes and in the crater are several ice fields.
]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[1973]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/10/2022 07:36:05 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[psr1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[549]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-3.049943052317152,37.35991122944572;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1006">
    <dcterms:title><![CDATA[Knp - Gallery]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 07:33:34 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[psr1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1007">
    <dcterms:title><![CDATA[S&eacute; Catedral de Santa Catarina]]></dcterms:title>
    <dcterms:description><![CDATA[Sé Catedral de Santa Catarina, known as Se Cathedral, is the cathedral of the Latin Rite Roman Catholic Archdiocese of Goa and Daman and the seat of the Patriarch of the East Indies. It is part of the World Heritage Site, Churches and convents of Goa located in Old Goa, India. The Se Cathedral was built to commemorate the victory of the Portuguese under Afonso de Albuquerque over a Muslim army, leading to the capture of the city of Goa in 1510. Since the day of the victory happened to be on the feast of Saint Catherine, the cathedral was dedicated to her. It was commissioned by Governor George Cabral to be enlarged in 1552 on the remains of an earlier structure. Construction of the church began in 1562 in the reign of King Dom Sebastião The cathedral was completed in 1619 and was consecrated. in 1640. It had two towers, but one collapsed in 1776 and was never rebuilt. In 1953, the Cathedral was presented with "The Golden Rose" by Venerable Pope Pius XII.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/10/2022 07:47:13 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[npu1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[550]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,15.5038769,73.9121918;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1008">
    <dcterms:title><![CDATA[Huangmei Opera]]></dcterms:title>
    <dcterms:description><![CDATA[Huangmei opera performance in Shanghai, featuring two female performers From Wikipedia]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[17 January 2007]]></dcterms:date>
    <dcterms:contributor><![CDATA[dy28]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:HuangmeiOpera.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1009">
    <dcterms:title><![CDATA[Mausoleum of the First Qin Emperor--picture]]></dcterms:title>
    <dcterms:description><![CDATA[This mausoleum was constructed over 38 years, from 246 to 208 BC, and is situated underneath a 76-meter-tall tomb mound shaped like a truncated pyramid.From Wikipedia]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2016:07:01 12:00:28]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 08:05:51 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lw218]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Tomb_of_the_First_Emperor_Qin_Shi_Huang_Di,_Xi%27an,_China_-_panoramio.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34° 22′ 54″,109° 15′ 14″;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1010">
    <dcterms:title><![CDATA[Mausoleum ]]></dcterms:title>
    <dcterms:description><![CDATA[This mausoleum was constructed over 38 years, from 246 to 208 BC, and is situated underneath a 76-meter-tall tomb mound shaped like a truncated pyramid.From Wikipedia]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2007:10:25 10:58:07]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 08:33:57 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lw218]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Terracotta_Army_Pit_1_front_rank.JPG]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34° 22′ 54″,109° 15′ 14″;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1011">
    <dcterms:title><![CDATA[Imperial Palaces of the Ming and Qing Dynasties]]></dcterms:title>
    <dcterms:description><![CDATA[The Forbidden City in Beijing, China]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2013:07:29 17:26:12]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 08:50:52 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[dy28]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Forbidden_City_Panorama_1.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.91658,116.39072;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1012">
    <dcterms:title><![CDATA[Imperial Palaces of the Ming and Qing Dynasties]]></dcterms:title>
    <dcterms:description><![CDATA[The Forbidden City in Beijing is a royal palace of the Ming and Qing dynasties of China, formerly known as the Forbidden City, located in the center of the central axis of Beijing.
The Forbidden City is about 960 meters long from north to south and 750 meters wide from east to west, covering an area of more than 720,000 square meters, with more than 8,000 existing houses. It is surrounded by a 10-meter-high wall and a 52-meter-wide moat outside the wall.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[1406]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/11/2022 03:27:24 am]]></dcterms:>
    <dcterms:contributor><![CDATA[dy28]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[551]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.91658,116.39072;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1013">
    <dcterms:title><![CDATA[Dunhuang Grottoes]]></dcterms:title>
    <dcterms:description><![CDATA[Scenery of Mogao Grottoes]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 09:07:15 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wz41@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.getty.edu/conservation/publications_resources/newsletters/31_1/peerless_caves.html]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.041476,94.8069443;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1014">
    <dcterms:title><![CDATA[Mogao Grottoes]]></dcterms:title>
    <dcterms:description><![CDATA[Mogao Grottoes, hailed as the most valuable cultural discovery of the 20th century, is located in Dunhuang at the western end of the Hexi Corridor and is famous for its exquisite murals and statues. In December 1987, Mogao Grottoes in Dunhuang, Gansu province, a treasure house of Buddhist art, was inscribed on the World Heritage List. ]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[A.D.366]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wz41@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[552]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.041476,94.8069443;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1015">
    <dcterms:title><![CDATA[Kaiyuan Temple]]></dcterms:title>
    <dcterms:description><![CDATA[Scenery of Kaiyuan Temple]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 09:15:28 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wz41@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[https://stock.adobe.com/uk/search?k=kaiyuan&asset_id=309782093]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,24.914112,118.5831703;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1016">
    <dcterms:title><![CDATA[Kaiyuan Temple]]></dcterms:title>
    <dcterms:description><![CDATA[Kaiyuan Temple is located in west Street, Licheng District, Quanzhou City, Fujian Province in China. It is an important cultural relic and historic site in southeast China and the largest Buddhist temple in Fujian Province. The temple was founded in the early Tang Dynasty two years (686), the initial name lotus Taoist, kaiyuan twenty-sixth year (738) renamed Kaiyuan Temple. The main existing temples, built in Ming and Qing dynasties, are 260 meters long from north to south and 300 meters wide from east to west, covering an area of 78,000 square meters. In 1982, Kaiyuan Temple was listed as the second batch of national key cultural relics protection units. ]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[A.D.686]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wz41@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[553]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,24.914112,118.5831703;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1017">
    <dcterms:title><![CDATA[Kaiyuan Temple]]></dcterms:title>
    <dcterms:description><![CDATA[Kaiyuan Temple is located in west Street, Licheng District, Quanzhou City, Fujian Province in China. It is an important cultural relic and historic site in southeast China and the largest Buddhist temple in Fujian Province. The temple was founded in the early Tang Dynasty two years (686), the initial name lotus Taoist, kaiyuan twenty-sixth year (738) renamed Kaiyuan Temple. The main existing temples, built in Ming and Qing dynasties, are 260 meters long from north to south and 300 meters wide from east to west, covering an area of 78,000 square meters. In 1982, Kaiyuan Temple was listed as the second batch of national key cultural relics protection units. ]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[A.D.686]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wz41@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[554]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,24.914112,118.5831703;]]></dcterms:spatial>
</rdf:Description></rdf:RDF>