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    <dcterms:title><![CDATA[opera photo]]></dcterms:title>
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    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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    <dcterms:title><![CDATA[opera photo]]></dcterms:title>
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    <dcterms:title><![CDATA[Pictures of Chartres Cathedral 01]]></dcterms:title>
    <dcterms:description><![CDATA[Architectural structure ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/04/2024 07:29:41 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
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    <dcterms:format><![CDATA[image/png]]></dcterms:format>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2291">
    <dcterms:title><![CDATA[Img of Chartres Cathedral]]></dcterms:title>
    <dcterms:description><![CDATA[Pictures of Chartres Cathedral]]></dcterms:description>
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    <dcterms:date><![CDATA[2019:12:24 12:10:24]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/04/2024 07:24:45 pm]]></dcterms:dateSubmitted>
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    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2290">
    <dcterms:title><![CDATA[pictures]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2019:12:24 12:10:24]]></dcterms:date>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2289">
    <dcterms:title><![CDATA[Embroidery]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/04/2024 06:45:37 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shao]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.xiaohongshu.com/explore/6357d028000000001601bea0]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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    <dcterms:title><![CDATA[Introduction of Chartres Cathedral]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Video of Chartres Cathedral]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[03/06/2010]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/04/2024 06:39:48 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
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    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
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    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
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    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
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    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
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    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[unesco]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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    <dcterms:title><![CDATA[Embroidery]]></dcterms:title>
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    <dcterms:title><![CDATA[Embroidery]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Embroidery, a traditional craft, is a decorative art form involving the embellishment of fabric using needle and thread. Known for its detailed and colorful designs, embroidery varies widely across cultures, each with its unique techniques and motifs. In China, famous styles like Suzhou, Hunan, Sichuan, and Guangdong embroidery each offer distinctive aesthetics, from the delicate, vibrant patterns of Suzhou to the bold, three-dimensional effects of Hunan. Embroidery serves not just as a form of artistic expression but also plays a crucial role in preserving cultural heritage, contributing to economic empowerment, particularly for women, and promoting sustainable practices in the textile industry.]]></dcterms:description>
    <dcterms:creator><![CDATA[Not a single person]]></dcterms:creator>
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    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
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    <dcterms:title><![CDATA[Embroidery]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Embroidery, a traditional craft, is a decorative art form involving the embellishment of fabric using needle and thread. Known for its detailed and colorful designs, embroidery varies widely across cultures, each with its unique techniques and motifs. In China, famous styles like Suzhou, Hunan, Sichuan, and Guangdong embroidery each offer distinctive aesthetics, from the delicate, vibrant patterns of Suzhou to the bold, three-dimensional effects of Hunan. Embroidery serves not just as a form of artistic expression but also plays a crucial role in preserving cultural heritage, contributing to economic empowerment, particularly for women, and promoting sustainable practices in the textile industry.]]></dcterms:description>
    <dcterms:creator><![CDATA[Not a single person]]></dcterms:creator>
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    <dcterms:contributor><![CDATA[Shao]]></dcterms:contributor>
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    <dcterms:title><![CDATA[Embroidery]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Embroidery, a traditional craft, is a decorative art form involving the embellishment of fabric using needle and thread. Known for its detailed and colorful designs, embroidery varies widely across cultures, each with its unique techniques and motifs. In China, famous styles like Suzhou, Hunan, Sichuan, and Guangdong embroidery each offer distinctive aesthetics, from the delicate, vibrant patterns of Suzhou to the bold, three-dimensional effects of Hunan. Embroidery serves not just as a form of artistic expression but also plays a crucial role in preserving cultural heritage, contributing to economic empowerment, particularly for women, and promoting sustainable practices in the textile industry.]]></dcterms:description>
    <dcterms:creator><![CDATA[Not a single person]]></dcterms:creator>
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    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shao]]></dcterms:contributor>
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    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
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    <dcterms:title><![CDATA[school of Computer science ]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Huanglong is renowned for its beautiful mountainous scenery, with relatively undisturbed and highly diverse forest ecosystems, combined with the more spectacular localised karst formations.
Topped by permanently snow-capped peaks rising from a base of 1,700 m up to 5,588 m, these include the easternmost glacier in China.
Its diverse forest ecosystems provide the home for a number of endangered plants and animals, including the giant panda and Sichuan golden snub-nosed monkey.]]></dcterms:description>
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    <dcterms:contributor><![CDATA[ll237@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[from website: https://whc.unesco.org/en/list/638]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1091]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,32.7353,103.8233;]]></dcterms:spatial>
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    <dcterms:title><![CDATA[Embroidery]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Embroidery, a traditional craft, is a decorative art form involving the embellishment of fabric using needle and thread. Known for its detailed and colorful designs, embroidery varies widely across cultures, each with its unique techniques and motifs. In China, famous styles like Suzhou, Hunan, Sichuan, and Guangdong embroidery each offer distinctive aesthetics, from the delicate, vibrant patterns of Suzhou to the bold, three-dimensional effects of Hunan. Embroidery serves not just as a form of artistic expression but also plays a crucial role in preserving cultural heritage, contributing to economic empowerment, particularly for women, and promoting sustainable practices in the textile industry.]]></dcterms:description>
    <dcterms:creator><![CDATA[Not a single person]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
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    <dcterms:contributor><![CDATA[Shao]]></dcterms:contributor>
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    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
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    <dcterms:title><![CDATA[Embroidery]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Embroidery, a traditional craft, is a decorative art form involving the embellishment of fabric using needle and thread. Known for its detailed and colorful designs, embroidery varies widely across cultures, each with its unique techniques and motifs. In China, famous styles like Suzhou, Hunan, Sichuan, and Guangdong embroidery each offer distinctive aesthetics, from the delicate, vibrant patterns of Suzhou to the bold, three-dimensional effects of Hunan. Embroidery serves not just as a form of artistic expression but also plays a crucial role in preserving cultural heritage, contributing to economic empowerment, particularly for women, and promoting sustainable practices in the textile industry.]]></dcterms:description>
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    <dcterms:contributor><![CDATA[Shao]]></dcterms:contributor>
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    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
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    <dcterms:title><![CDATA[Embroidery]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Embroidery, a traditional craft, is a decorative art form involving the embellishment of fabric using needle and thread. Known for its detailed and colorful designs, embroidery varies widely across cultures, each with its unique techniques and motifs. In China, famous styles like Suzhou, Hunan, Sichuan, and Guangdong embroidery each offer distinctive aesthetics, from the delicate, vibrant patterns of Suzhou to the bold, three-dimensional effects of Hunan. Embroidery serves not just as a form of artistic expression but also plays a crucial role in preserving cultural heritage, contributing to economic empowerment, particularly for women, and promoting sustainable practices in the textile industry.]]></dcterms:description>
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    <dcterms:contributor><![CDATA[Shao]]></dcterms:contributor>
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    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
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    <dcterms:title><![CDATA[Embroidery]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Embroidery, a traditional craft, is a decorative art form involving the embellishment of fabric using needle and thread. Known for its detailed and colorful designs, embroidery varies widely across cultures, each with its unique techniques and motifs. In China, famous styles like Suzhou, Hunan, Sichuan, and Guangdong embroidery each offer distinctive aesthetics, from the delicate, vibrant patterns of Suzhou to the bold, three-dimensional effects of Hunan. Embroidery serves not just as a form of artistic expression but also plays a crucial role in preserving cultural heritage, contributing to economic empowerment, particularly for women, and promoting sustainable practices in the textile industry.]]></dcterms:description>
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    <dcterms:><![CDATA[04/05/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[Shao]]></dcterms:contributor>
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    <dcterms:identifier><![CDATA[1087]]></dcterms:identifier>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2276">
    <dcterms:title><![CDATA[Magna Carta]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Magna Carta, also known as the Chapter of Freedom, is a historical document signed by King John in England in 1215. It is regarded as an important cornerstone of the modern rule of law and democracy. The Magna Carta mainly stipulates the principles that the power of the king is subject to the law, the protection of free trade and personal freedom, and emphasises that even the monarch is not above the law. In addition, the Magna Carta also established legal principles such as the ‘presumption of innocence’ and ‘due process’, which had a profound impact on the subsequent constitutional system and international law. Today, the spirit of the Magna Carta is still widely quoted and is a symbol of the development of the rule of law and democracy worldwide.]]></dcterms:description>
    <dcterms:creator><![CDATA[Multifaceted nobility]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[15/06/1215]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/05/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[Shao]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Magna_Carta]]></dcterms:references>
    <dcterms:extent><![CDATA[40cm x 50cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Magna_Carta]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[1086]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.5299,0.1276;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2275">
    <dcterms:title><![CDATA[Magna Carta]]></dcterms:title>
    <dcterms:description><![CDATA[Magna Carta]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/04/2024 05:54:39 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shao]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,51.5299, 0.1276;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2274">
    <dcterms:title><![CDATA[school of computer science]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ll237@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English ]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1085]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,E103 49 19.992,N32 45 15.012;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2273">
    <dcterms:title><![CDATA[Iwami Ginzan]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Iwami Ginzan Silver Mine and its Cultural Landscape, located in the Shimane Prefecture of Japan, is an exceptional example of a historic mining site that flourished from the 16th to the 20th centuries. The site includes the extensive underground mines, fortresses, transportation routes, and port towns that collectively illustrate the entire process of silver production and distribution during Japan's feudal period. The mining complex demonstrates the sophisticated technology and mining systems developed in Japan at the time, while the surrounding cultural landscape showcases the unique social and economic structures that supported the mining industry. The site's history is intertwined with the global trade of silver, which played a crucial role in the economic and cultural exchange between East and West. Today, the Iwami Ginzan Silver Mine and its Cultural Landscape face challenges posed by climate change, such as increased rainfall and landslides, which threaten the integrity of the mines and the surrounding landscape. Digital interpretation can help raise awareness about the importance of preserving this unique industrial heritage and promote sustainable tourism practices, contributing to SDG 8.9, which focuses on promoting sustainable tourism that creates jobs and promotes local culture and products.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yz246@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/en/list/1246/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://whc.unesco.org/en/list/1246/]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1084]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,35.11892569225974,132.44636535644534;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Japan]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2272">
    <dcterms:title><![CDATA[Not in use]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,48.4478,1.4878;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2271">
    <dcterms:title><![CDATA[Iwami Ginzan]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Japan, Shimane Prefecture. The historic Ryugenji Mabu mine. The area began to be developed in 1526, and as a result the mines have been in operation for almost 400 years. At the best of times, about 38 tons of silver were produced there annually, about one-third of the world's production! Listed as a World Heritage Site by UNESCO.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/04/2024 05:24:09 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yz246@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.youtube.com/watch?v=ACXk70eqD5U]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,35.11881188159529,132.44607433676723;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2270">
    <dcterms:title><![CDATA[The Great Wall]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Great Wall of China]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[04/05/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/04/2024 05:20:56 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shao]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.3440,116.0189;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2269">
    <dcterms:title><![CDATA[See Potala Palace, the Iconic Heart of Tibetan Buddhism]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[yx65@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29.6578,91.1169;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2268">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/04/2024 05:15:01 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx65@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2267">
    <dcterms:title><![CDATA[Chartres Cathedral]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Chartres Cathedral, a masterpiece of Gothic architecture in France, surpasses even Notre Dame de Paris in grandeur and preservation. Constructed between 1194 and 1250 on a historically revered site, the cathedral stands as a monument to medieval Christian art and architecture. Famous for its extensive use of stained glass, the cathedral’s walls are nearly entirely composed of colorful glass, making it a significant example of Gothic evolution from the Romanesque style.

The cathedral is renowned not only for its architectural structure but also for its intricate stained glass windows and rich Gothic sculptures, whose meanings are deeply studied by scholars. The cathedral features a 34-meter-high vault, which is 4 meters taller than that of Notre Dame, enhancing its majestic presence. Chartres Cathedral’s design includes a vast array of stained glass that covers 32,292 square feet, with most of the original 13th-century glass still intact, illustrating biblical stories and Christian doctrines in vibrant color and detail.

Notable for its scale and artistic detail, the cathedral’s interior is a pilgrimage site for its relic, the Sancta Camisa, said to be the tunic worn by the Virgin Mary during Christ's birth. This relic continues to draw pilgrims alongside tourists who come to admire the architectural and sculptural elements of the building. In 1979, Chartres Cathedral was designated a UNESCO World Heritage Site, recognizing its cultural and historical significance.

The cathedral’s design exemplifies the Gothic ideal, with its high, intricate vaults supported by external buttresses, allowing for larger windows and thus more light. The architectural plan features a long nave flanked by aisles and an apse at the eastern end, typical of French Gothic cathedrals. The exterior is dominated by two contrasting spires and three large rose windows, each adorned with detailed sculptures that narrate theological stories.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2019:12:24 12:10:24]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/04/2024 07:25:45 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:extent><![CDATA[13000cm x 1650cm x 3400cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1083]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,48.4478,1.4878;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Chartres City]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2266">
    <dcterms:title><![CDATA[The Great Wall]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Great Wall of China, one of the World Heritage Sites, is a symbol of China's brilliant military defence engineering in ancient times. Dating back to the 7th century BC, it was constructed and extended by a number of warring states and dynasties, most notably during the Ming Dynasty when it was reinforced and expanded. The Great Wall meanders over 21,000 kilometres across China's northern border, stretching from Shanhai Pass on the East China Sea to Jiayuguan Pass in Gansu. The Great Wall is not only an important barrier for military defence, but also a huge transport and communication route. The Great Wall has become a valuable treasure of China and even the world for its magnificent scale, superb construction techniques and far-reaching historical significance.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[7th century BC]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/04/2024 05:36:40 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[Shao]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Great_Wall_of_China]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1082]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.3440,116.0189;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2265">
    <dcterms:title><![CDATA[The Great Wall]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[7th century BC]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shao]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1081]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,116.0189°E,40.3440°N;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2264">
    <dcterms:title><![CDATA[Potala Palace]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Located in Lhasa, Tibet Autonomous Region of China, the Potala Palace is a palace complex of great historical, religious and cultural value. It was built in the 7th century A.D. and has been expanded over the years to become the winter palace of the Tibetan king and an important centre of Buddhism in Tibet. The Potala Palace is not only the most famous landmark and tourist attraction in Tibet, but also an important place for religious activities.

As a UNESCO World Heritage Site, the protection and conservation of the Potala Palace meets the requirements of SDG 11.4, which is to strengthen the protection and conservation of global cultural and natural heritage. The conservation of the Potala Palace concerns not only the building itself and the artefacts contained therein, but also its historical documents and the cultural activities associated with it, which are important components of cultural heritage.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2009:09:12 17:25:08]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/07/2024 08:22:53 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[yx65@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1080]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29.6578,91.1169;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2263">
    <dcterms:title><![CDATA[img_08-2.jpeg]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2019:12:24 12:10:24]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/04/2024 05:00:05 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2262">
    <dcterms:title><![CDATA[img_08-1.jpeg]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2019:12:24 12:10:24]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/04/2024 05:00:00 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2261">
    <dcterms:title><![CDATA[Potala Palace]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Located in Lhasa, Tibet Autonomous Region of China, the Potala Palace is a palace complex of great historical, religious and cultural value. It was built in the 7th century A.D. and has been expanded over the years to become the winter palace of the Tibetan king and an important centre of Buddhism in Tibet. The Potala Palace is not only the most famous landmark and tourist attraction in Tibet, but also an important place for religious activities.

As one of the UNESCO World Heritage Sites, the Potala Palace is internationally protected for its unique architectural art, religious significance, and its importance in Tibetan culture and history. Due to its location and structure, the Potala Palace is an immovable heritage site, meaning that it is closely associated with its location and cannot be relocated. The palace and the artefacts, artefacts, murals and libraries it contains are part of its cultural heritage and together they tell the story of the history and spiritual life of Tibet and its people.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx65@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1079]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29.6578°,91.1169° ;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2260">
    <dcterms:title><![CDATA[Potala Palace]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2009:09:12 17:25:08]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx65@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1078]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2259">
    <dcterms:title><![CDATA[&quot;Potala Palace]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Located in Lhasa, Tibet Autonomous Region of China, the Potala Palace is a palace complex of great historical, religious and cultural value. It was built in the 7th century A.D. and has been expanded over the years to become the winter palace of the Tibetan king and an important centre of Buddhism in Tibet. The Potala Palace is not only the most famous landmark and tourist attraction in Tibet, but also an important place for religious activities.

As one of the UNESCO World Heritage Sites, the Potala Palace is internationally protected for its unique architectural art, religious significance, and its importance in Tibetan culture and history. Due to its location and structure, the Potala Palace is an immovable heritage site, meaning that it is closely associated with its location and cannot be relocated. The palace and the artefacts, artefacts, murals and libraries it contains are part of its cultural heritage and together they tell the story of the history and spiritual life of Tibet and its people.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2009:09:12 17:25:08]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx65@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29°39′28″N,91°07′01″E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2258">
    <dcterms:title><![CDATA[The legendary history of the Terracotta Warriors and Horses]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This video will take you through the history of the Terracotta Warriors in five minutes!]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/04/2024 04:16:51 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx65@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34.3833° N,109.2733° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2257">
    <dcterms:title><![CDATA[Terracotta Warriors]]></dcterms:title>
    <dcterms:description><![CDATA[The Terracotta Warriors are a collection of ancient Chinese army sculptures located in the tomb area of Qin Shi Huangdi near the present-day city of Xi'an, Shaanxi Province. The sculptures are considered one of the greatest discoveries in Chinese archaeological history.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx65@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1077]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,34.3833° N,109.2733° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2256">
    <dcterms:title><![CDATA[Not in use]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2019:12:24 12:10:24]]></dcterms:date>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2255">
    <dcterms:title><![CDATA[Venice and its Lagoon, Italy]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Venice and its Lagoon form an extraordinary architectural masterpiece, with the city's unique setting, Gothic and Renaissance buildings, and its network of canals and islands. Founded in the 5th century and flourishing as a major maritime power from the 10th to the 16th centuries, Venice has had a profound influence on the development of architecture and monumental arts across Europe. The Lagoon's delicate ecosystem is threatened by climate change, rising sea levels, and human activities. Digital interpretation can raise awareness about these issues and support SDG 13.1, which focuses on strengthening resilience and adaptive capacity to climate-related hazards and natural disasters.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yz246@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/en/list/394/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://whc.unesco.org/en/list/394/]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1076]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,45.44471679159555,12.370605468750002;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Italy]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2254">
    <dcterms:title><![CDATA[Venice and its Lagoon(National Geographic)]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Venetian life exists among the city's hundreds of canals and diverse architecture. This short film from directors Olvier Astrologo and Nils Astrologo immerses us in the history and hidden places of Venice, Italy, revealing ancient folk traditions.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2017]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/04/2024 03:27:22 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yz246@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.youtube.com/watch?v=JphHw6iU4m8]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,45.43508099838452,12.387084960937502;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2253">
    <dcterms:title><![CDATA[Flamenco]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Flamenco is an artistic expression that fuses song (cante), dance (baile), and musicianship (toque). Originating from the Andalusian region of southern Spain, Flamenco has evolved over centuries, influenced by the cultural melting pot of Andalusia's history. It is characterized by its emotional intensity, haunting melodies, and intricate guitar playing. Flamenco is an integral part of Spain's cultural identity and continues to be passed down through generations. Digital interpretation of this intangible heritage can contribute to SDG 4.7, which aims to promote appreciation of cultural diversity and culture's contribution to sustainable development.]]></dcterms:description>
    <dcterms:creator><![CDATA[The book Las Cartas Marruecas (The Moroccan Letters) by José Cadalso]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1774]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yz246@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Flamenco#]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Flamenco#]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1075]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.48038142908172,-3.2080078125000004;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2252">
    <dcterms:title><![CDATA[Flamenco]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Flamenco (Spanish pronunciation: [flaˈmeŋko]) is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/04/2024 03:02:44 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yz246@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Flamenco#]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.54276511228886,-3.778781890869141;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2251">
    <dcterms:title><![CDATA[The Ancient City of Pingyao]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Ancient City of Pingyao, located in Shanxi Province, China, is an exceptionally well-preserved example of a traditional Han Chinese city from the Ming and Qing dynasties (14th-20th centuries). Its impressive city walls, temples, shops, and residential houses showcase the cultural, social, and economic development of Chinese civilization over five centuries. Pingyao's urban fabric and its many intact architectural features provide an outstanding picture of the evolution of Chinese city planning and historic conservation. Digital interpretation of this site can contribute to SDG 11.4, which aims to strengthen efforts to protect and safeguard the world's cultural and natural heritage.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[14 century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yz246@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/zh/list/812]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1074]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.19478361329807,112.17247009277345;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[China]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2250">
    <dcterms:title><![CDATA[The Ancient City of Pingyao]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Pingyao Ancient City is located in Pingyao County, Jinzhong City, Shanxi Province. It was first built in the period of King Xuan of Zhou Dynasty and expanded in the third year of Hongwu in Ming Dynasty (1370). It has a history of more than 2,800 years. It also relatively intactly retains the basic features of the county town during the Ming and Qing Dynasties, and is the most complete ancient city existing in the Han ethnic area of China. Moreover, in the development of Chinese history, it shows people an extraordinary complete picture of cultural, social, economic and religious development.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/04/2024 02:37:04 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yz246@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,37.1977918965233,112.18139648437501;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2249">
    <dcterms:title><![CDATA[Trevi Fountain]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The current Trevi Fountain was commissioned by Pope Clement XII, who held a competition in 1732, with architect Nicola Salvi's design chosen for its monumental scale and harmonious integration with the adjacent palace. The fountain, resembling a triumphal arch, features a central niche with the sculpted figure of Oceanus driving a shell-shaped chariot pulled by two horses, surrounded by allegorical reliefs and sculptures representing the beneficial effects of water. Salvi's masterpiece expertly blends history and nature, reflecting the ideals of the Enlightenment.
Digital interpretation of the Trevi Fountain can help achieve the goal of creating sustainable cities and communities (SDG 11). By using technology to share its history and cultural importance, it encourages responsible tourism and fosters local pride in preserving heritage sites. Furthermore, digital tools can help manage visitor numbers and minimize environmental impact, ensuring the fountain's long-term sustainability for residents and visitors alike.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1762]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yining]]></dcterms:contributor>
    <dcterms:extent><![CDATA[2630 highcm x 4915 widecm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.britannica.com/topic/Trevi-Fountain]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1073]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.900833,12.483056;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[City Council of Rome]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2248">
    <dcterms:title><![CDATA[Fontana di Trevi]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Fontana di Trevi, Trevi Fountain]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[12 Jan 2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/03/2024 07:21:27 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yining]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.900833,12.483056;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2246">
    <dcterms:title><![CDATA[Forbidden City]]></dcterms:title>
    <dcterms:description><![CDATA[Meridian Gate, Forbidden City]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[13 December 2015]]></dcterms:date>
    <dcterms:contributor><![CDATA[tj40@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2245">
    <dcterms:title><![CDATA[Forbidden City in Beijing]]></dcterms:title>
    <dcterms:description><![CDATA[ The Forbidden City, located in the heart of Beijing, China, stands as a testament to ancient Chinese culture and architectural prowess. Built during the Ming and Qing dynasties, it is one of the most extensive and well-preserved complexes of wooden structures worldwide, spanning approximately 72 hectares and boasting over 9,999 rooms. As a pinnacle of digital heritage, the Forbidden City has embraced modern technology to preserve and showcase its historical significance. Through digital archives, virtual tours, and augmented reality experiences, visitors can explore its intricate architecture, exquisite artwork, and priceless artifacts from anywhere in the world. This integration of digital innovation with cultural heritage not only enhances accessibility but also fosters a deeper understanding and appreciation of China's rich history. The Forbidden City thus stands not only as a symbol of China's past grandeur but also as a beacon of digital heritage, bridging the gap between tradition and modernity.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/03/2024 12:58:12 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[tj40@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1071]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.916345,116.397155;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2244">
    <dcterms:title><![CDATA[Pyramid]]></dcterms:title>
    <dcterms:description><![CDATA[El Castillo (pyramid of Kukulcán) in Chichén Itzá]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[18 August 2009]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/03/2024 12:14:22 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[tj40@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2243">
    <dcterms:title><![CDATA[Chenghuangmiao 城隍庙2]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:01 16:38:56]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/03/2024 12:14:19 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ll228@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,31.22740,121.48757;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2242">
    <dcterms:title><![CDATA[Notre Dame de Paris]]></dcterms:title>
    <dcterms:description><![CDATA[Southeast view of cathedral Notre-Dame de Paris, France]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[10 October 2015]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/03/2024 11:33:53 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[tj40@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2241">
    <dcterms:title><![CDATA[ZhangJiaJie 张家界]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Zhangjiajie National Forest Park, located in Hunan province, China, is known for its stunning sandstone pillars, lush vegetation, and unique geological formations. In December 1992, the unique quartz sandstone peak forest was included in the World Natural Heritage List by the United Nations. The natural scenery of Wulingyuan tourist area is famous for its peaks, secluded valleys and beautiful forests. There are more than 3,000 strange peaks in it, which are like people, beasts, utensils and objects. They are lifelike and spectacular. The park served as an inspiration for the fictional world of Pandora in the movie "Avatar." Its diverse flora and fauna make it an ecological hotspot and a significant natural heritage site. Goal 9 (Industry, Innovation, and Infrastructure): The integration of XR technology, VR, 5G, AI, and automated modeling represents innovative solutions, contributing to advancements in the tourism industry and creating new, engaging ways for visitors to experience cultural and natural heritage. Goal 11 (Sustainable Cities and Communities): The digital initiatives support sustainable tourism by providing an alternative, virtual experience that can help reduce the environmental impact associated with physical tourism. Goal 4 (Quality Education): The immersive and interactive nature of the digital experience contributes to educating tourists about the cultural and natural significance of Zhangjiajie, fostering awareness and appreciation. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ll228@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1070]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29.3153,110.4348;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2240">
    <dcterms:title><![CDATA[Zhangjiajie 张家界]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The introduction pictures from the official website of ZhangJiaJie ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/03/2024 11:03:25 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ll228@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,29.3153,110.4348;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2239">
    <dcterms:title><![CDATA[Sunset_over_the_River_of_Grass]]></dcterms:title>
    <dcterms:description><![CDATA[Sunset over the River of Grass, NPSphoto, G.Gardner]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[20 January 2013, 07:27]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/03/2024 11:02:38 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sg361]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2238">
    <dcterms:title><![CDATA[Chenghuangmiao 城隍庙]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Chenghuangmiao, also known as the City God Temple, is a traditional Chinese temple located in the heart of Shanghai. It dates back to the Ming and Qing dynasties and is dedicated to the City God, believed to protect the city and its inhabitants. The temple complex consists of various halls, courtyards, and altars, reflecting classical Chinese architecture and design. Chenghuangmiao is not only a religious site but also a cultural and historical landmark that represents Shanghai's rich heritage. Chenghuang Temple Daoist Temple, Old City God Temple Snacks, Lotus Pond, Huxinting Tea House, and Jiuquqiao together form a distinctive and characteristic cultural attraction known as the "Old City" in Shanghai, creating a unique tourism and cultural identity for the city. Goal 11 (Sustainable Cities and Communities): The digital platform promotes the sustainable use of cultural heritage by making it accessible to a global audience, fostering awareness and appreciation. Goal 4 (Quality Education): The inclusion of bilingual voice guides contributes to educational outreach, making cultural and historical information about Chenghuangmiao accessible to a wider range of people. Goal 9 (Industry, Innovation, and Infrastructure): The use of digital technology for virtual tours represents an innovative approach to heritage preservation and cultural dissemination. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:01 16:38:56]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ll228@st-andrews.ac.uk]]></dcterms:contributor>
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    <dcterms:identifier><![CDATA[1069]]></dcterms:identifier>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2237">
    <dcterms:title><![CDATA[Chenghuangmiao 城隍庙]]></dcterms:title>
    <dcterms:description><![CDATA[Chenghuangmiao, also known as the City God Temple, is a traditional Chinese temple located in the heart of Shanghai. It dates back to the Ming and Qing dynasties and is dedicated to the City God, believed to protect the city and its inhabitants. The temple complex consists of various halls, courtyards, and altars, reflecting classical Chinese architecture and design. Chenghuangmiao is not only a religious site but also a cultural and historical landmark that represents Shanghai's rich heritage. Chenghuang Temple Daoist Temple, Old City God Temple Snacks, Lotus Pond, Huxinting Tea House, and Jiuquqiao together form a distinctive and characteristic cultural attraction known as the "Old City" in Shanghai, creating a unique tourism and cultural identity for the city. Goal 11 (Sustainable Cities and Communities): The digital platform promotes the sustainable use of cultural heritage by making it accessible to a global audience, fostering awareness and appreciation. Goal 4 (Quality Education): The inclusion of bilingual voice guides contributes to educational outreach, making cultural and historical information about Chenghuangmiao accessible to a wider range of people. Goal 9 (Industry, Innovation, and Infrastructure): The use of digital technology for virtual tours represents an innovative approach to heritage preservation and cultural dissemination. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:01 16:38:56]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ll228@st-andrews.ac.uk]]></dcterms:contributor>
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    <dcterms:title><![CDATA[Chenghuangmiao 城隍庙]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:01 16:36:08]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ll228@st-andrews.ac.uk]]></dcterms:contributor>
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    <dcterms:title><![CDATA[Chenghuangmiao 城隍庙]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:01 16:16:42]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ll228@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
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    <dcterms:title><![CDATA[Chenghuangmiao 城隍庙]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/05/2024]]></dcterms:dateSubmitted>
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    <dcterms:title><![CDATA[Chenghuangmiao 城隍庙]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Photos taken on the new year of 2024 at Chenghuangmiao in Shanghai]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:01 16:07:46]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/03/2024 09:59:42 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ll228@st-andrews.ac.uk]]></dcterms:contributor>
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    <dcterms:title><![CDATA[Crail Harbour Tour 4]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/03/2024 04:06:07 am]]></dcterms:dateSubmitted>
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    <dcterms:title><![CDATA[Crail Harbour Tour 3]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/03/2024 04:05:23 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ea209@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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    <dcterms:title><![CDATA[Crail Harbour Tour 2]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/03/2024 04:04:19 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ea209@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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    <dcterms:title><![CDATA[Crail Harbour Tour 1]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/03/2024 04:03:31 am]]></dcterms:dateSubmitted>
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    <dcterms:title><![CDATA[Crail Harbour View 1]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/03/2024 04:02:58 am]]></dcterms:dateSubmitted>
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