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    <dcterms:contributor><![CDATA[npu1]]></dcterms:contributor>
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    <dcterms:title><![CDATA[-6.yaml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/10/2022 10:31:22 am]]></dcterms:>
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    <dcterms:title><![CDATA[-6.yaml]]></dcterms:title>
    <dcterms:date><![CDATA[2017:07:07 17:19:35]]></dcterms:date>
    <dcterms:contributor><![CDATA[npu1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/934">
    <dcterms:title><![CDATA[-7.yaml]]></dcterms:title>
    <dcterms:date><![CDATA[2017:07:07 17:19:35]]></dcterms:date>
    <dcterms:contributor><![CDATA[npu1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2194">
    <dcterms:title><![CDATA[...]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[02/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/02/2024 10:20:20 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[ea209@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1054]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,57.243281,-2.6474;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/895">
    <dcterms:title><![CDATA['kesi' Chinese silk textile]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Kesi is a type of Chinese silk tapestry weaving technique that first appeared during the Tang dynasty (618 -907) under Sogdians and the Uyghurs, a Turkic ethnic group culturally affiliated with the general region of Central Asia (Kares, 2008). The technique became popular and widely adopted in the Southern Song Dynasty (1127 – 1279), reaching its popularity peak in the Ming dynasty (1368-1644). Kesi has been known as the 'silk silt tapestry', a textile that depicts animals, flowers, and human figures in very fine detail by translating paintings into the fabric, with lightness and clarity of pattern retained. From a distance, kesi appeared to be paintings; as a viewer moves closer, she will see the investment of labour appearing in a three-dimensional appearance, with textured brushstrokes expressed. ]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[600]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[08/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/08/2022 09:22:09 am]]></dcterms:>
    <dcterms:contributor><![CDATA[yuqi2022]]></dcterms:contributor>
    <dcterms:references><![CDATA[Translation of Medium: Kesi Meets Painting ]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Kesi]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[519]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,31.2983,120.5832;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Various Owner]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2132">
    <dcterms:title><![CDATA[(IS5110 2024) The Longmen Grottoes]]></dcterms:title>
    <dcterms:description><![CDATA[The Longmen Grottoes, listed as a World Cultural Heritage site by the United Nations Educational, Scientific and Cultural Organization (UNESCO), are famous for their fantastic stone carvings. It is located in Luoyang, Henan province, China, with a history spanning thousands of years. These grottoes reflect the ancient royal will and behavior, strongly embodying the characteristics of the national religion. Therefore, the Longmen Grottoes provide significant political perspectives for us to research a particular Chinese historical period. Moreover, it is also valuable for researchers to study ancient Chinese calligraphy, painting, clothing, and architecture. Currently, Augmented Reality technology can “restore” some damaged Buddha statues, allowing visitors to appreciate the complete and beautiful statues. This contributes to the target 4.7 of SDG 4 (Quality Education), enabling people to appreciate the beautiful stone carving art, understand the culture behind it, and enhance the ability to appreciate cultural diversity.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[01/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Zhuoran Huang]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1023]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,34.557014331008965,112.47065685700365;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2133">
    <dcterms:title><![CDATA[(IS5110 2024) The Longmen Grottoes]]></dcterms:title>
    <dcterms:description><![CDATA[The Longmen Grottoes
 (This picture's author is xiquinhosilva, under CC BY from wikipedia)]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/01/2024 04:38:33 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Zhuoran Huang]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:27427-Luoyang_(49067744628).jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34.557014331008965,112.47065685700365;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3007">
    <dcterms:title><![CDATA[(IS5110 2025) St. Andrews Cathedral]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[St. Andrews Cathedral is a medieval cathedral in Scotland, built in the 12th century. It was once the largest church in the country, making St. Andrews the religious center of Scotland during the medieval period.  However, it fell into ruin due to weather and the Scottish Reformation, leaving only fragments of its original grandeur. Its architectural style blends Romanesque and Gothic elements, reflecting its long construction period and multiple phases of rebuilding, making it a unique landmark.

Although not a UNESCO site, St. Andrews Cathedral is protected by Historic Environment Scotland. Today, the ruins remain a symbol of Scotland’s religious, cultural, and architectural history, aligning with SDG 11 (Sustainable Cities & Communities) by preserving Scotland’s cultural heritage and ensuring public access to historical knowledge.

In terms of digital interpretation, while current efforts are somewhat lacking, potential 3D digital reconstructions or VR tours could contribute to SDG 9 (Industry, Innovation & Infrastructure) by using technology to overcome accessibility barriers, allowing both remote and on-site visitors to engage with the cathedral’s history more effectively.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[17/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/24/2025 02:53:00 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[ypc1@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1261]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.34005279457644,-2.789039311977469;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3502">
    <dcterms:title><![CDATA[(The Palace Museum / Forbidden City）]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420 and was the royal palace of the emperors of the Ming and Qing dynasties. It is also the largest and best-preserved wooden palace complex in the world.
Goal 11: Make cities and human settlements inclusive, safe, resilient and sustainable]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Chinese, English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1360]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[UNESCO World Heritage Centre]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3532">
    <dcterms:title><![CDATA[(The Palace Museum / Forbidden City)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420. It is the royal palace of the emperors of the Ming and Qing dynasties and is also the largest and best-preserved wooden palace complex in the world. The Palace Museum not only has a spectacular royal building complex, but also has more than 1.8 million precious collections, which contain rich historical and cultural connotations and craftsmanship wisdom.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 05:32:56 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3534">
    <dcterms:title><![CDATA[(The Palace Museum / Forbidden City）]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420. It is the royal palace of the emperors of the Ming and Qing dynasties and is also the largest and best-preserved wooden palace complex in the world. The Palace Museum not only has a spectacular royal building complex, but also has more than 1.8 million precious collections, which contain rich historical and cultural connotations and craftsmanship wisdom.
Related Sustainable Development Goals (SDGs):
Goal 11: Build inclusive, safe, resilient and sustainable cities and human settlements
Goal 4: Quality education]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Chinese, English/]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1376]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.91717540663561,116.39083385467531;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[State-owned (China)]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3510">
    <dcterms:title><![CDATA[(the palace museum/forbidden city)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420. It is the royal palace of the emperors of the Ming and Qing dynasties and is also the largest and best-preserved wooden palace complex in the world. The Palace Museum not only has a spectacular royal building complex, but also has more than 1.8 million precious collections, which contain rich historical and cultural connotations and craftsmanship wisdom.
Related Sustainable Development Goals (SDGs):
Goal 11: Build inclusive, safe, resilient and sustainable cities and human settlements]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 04:40:53 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.91725769384391,116.39076948165895;origin,39.91725769384391,116.39076948165895;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3511">
    <dcterms:title><![CDATA[(the palace museum/forbidden city)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420. It is the royal palace of the emperors of the Ming and Qing dynasties and is also the largest and best-preserved wooden palace complex in the world. The Palace Museum not only has a spectacular royal building complex, but also has more than 1.8 million precious collections, which contain rich historical and cultural connotations and craftsmanship wisdom.
Related Sustainable Development Goals (SDGs):
Goal 11: Build inclusive, safe, resilient and sustainable cities and human settlements]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 04:40:59 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.91725769384391,116.39076948165895;origin,39.91725769384391,116.39076948165895;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3544">
    <dcterms:title><![CDATA[(the palace museum/forbidden city)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Located in the center of Beijing, China, the Palace Museum was built in 1420. It was the royal palace of the Ming and Qing dynasties and is also the largest and best-preserved wooden palace complex in the world. The Palace Museum not only has a spectacular royal building complex, but also has more than 1.8 million precious collections, which contain rich historical and cultural connotations and craftsmanship wisdom.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 05:52:08 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3546">
    <dcterms:title><![CDATA[(the palace museum/forbidden city)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420. It is the royal palace of the emperors of the Ming and Qing dynasties and is also the largest and best-preserved wooden palace complex in the world. The Palace Museum not only has a spectacular royal building complex, but also has more than 1.8 million precious collections, which contain rich historical and cultural connotations and craftsmanship wisdom.
Related Sustainable Development Goals (SDGs):
Goal 11: Build inclusive, safe, resilient and sustainable cities and human settlements
Goal 4: Quality education]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:10:45]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Chinese, English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1382]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.917241236410135,116.39070510864259;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[State-owned]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1652">
    <dcterms:title><![CDATA[&quot;Grandmas Pies&quot; geotrail virtual tour (from Geotourism in insular geoparks)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[For visitors, the virtual tour offers a more immersive Psiloritis Geopark experience, allowing you to feel like you're actually on the road. In the meantime, you can skip the long walks and check out the locations of interest directly, which is convenient and time saving.

For geopark directors, the virtual tour helps attract more visitors by presenting promotional content more vividly than traditional text brochures.

Format: There is no suitable format option in the list above. I submitted the virtual tour in the form of a web page (html+javascript). If I want to store it locally, I should take .EXE(for PC) and .Dmg (for Mac) formats.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[November, 2017]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Tour]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,35.22851,24.85416;origin,35.22851,24.85416;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2259">
    <dcterms:title><![CDATA[&quot;Potala Palace]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Located in Lhasa, Tibet Autonomous Region of China, the Potala Palace is a palace complex of great historical, religious and cultural value. It was built in the 7th century A.D. and has been expanded over the years to become the winter palace of the Tibetan king and an important centre of Buddhism in Tibet. The Potala Palace is not only the most famous landmark and tourist attraction in Tibet, but also an important place for religious activities.

As one of the UNESCO World Heritage Sites, the Potala Palace is internationally protected for its unique architectural art, religious significance, and its importance in Tibetan culture and history. Due to its location and structure, the Potala Palace is an immovable heritage site, meaning that it is closely associated with its location and cannot be relocated. The palace and the artefacts, artefacts, murals and libraries it contains are part of its cultural heritage and together they tell the story of the history and spiritual life of Tibet and its people.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2009:09:12 17:25:08]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx65@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29°39′28″N,91°07′01″E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/388">
    <dcterms:title><![CDATA[&quot;Treasury&quot; (Al Khazneh) at Petra.]]></dcterms:title>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[2006:03:31 22:46:38 ]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/16/2021 10:19:51 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[qz35]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1056">
    <dcterms:title><![CDATA[&THORN;ingvellir National Park]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Iceland's Pingvellir National Park is a location with enormous historical and cultural value. The 
Alpingi, the world’s oldest parliamentary assembly in existence, was founded in the park in the 
year 930 AD. For centuries, the Alpingi served as a location for Icelanders to assemble, discuss and 
make choices regarding the country's future. Pingvellir is situated in the Mid-Atlantic Ridge, a 
marvel of nature that divides the tectonic plates of North America and Europe. This area has many 
beautiful natural features including deep fissures, clear streams, and spectacular waterfalls.
The heritage site is highly valuable due to its distinctive geological characteristics as well as its 
cultural and historical significance and can be considered as Immovable, Tangible Natural Heritage 
site. It has been declared a UNESCO World Heritage site and it should be preserved for future 
generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/27/2023 11:30:37 am]]></dcterms:>
    <dcterms:contributor><![CDATA[asgs1@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[577]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,64.66458026414742,-21.24320079678223;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1766">
    <dcterms:title><![CDATA[017ae75e1eaf79a80120a895740be1.jpg_1280w_1l_2o_100sh.jpg]]></dcterms:title>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 08:54:38 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yw232@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3052">
    <dcterms:title><![CDATA[1_jiuzhaigou_valley_five_colour_pond_2011.JPG]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[24/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zl203@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1286]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.79994121184769,-4.983704286656066;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1694">
    <dcterms:title><![CDATA[1.Picture of Statue of Liberty]]></dcterms:title>
    <dcterms:description><![CDATA[This picture is from https://www.pexels.com.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 11:04:39 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[RUI ZHOU]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.pexels.com/photo/new-york-statue-of-liberty-usa-monument-64271/]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.7,-74.0;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/480">
    <dcterms:title><![CDATA[1034px-Roman_Baths_in_Bath_Spa__England_-_July_2006.jpg]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/20/2021 01:00:50 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pm244]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://upload.wikimedia.org/wikipedia/commons/0/08/Roman_Baths_in_Bath_Spa%2C_England_-_July_2006.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/309">
    <dcterms:title><![CDATA[1127071802_16125758741931n.png]]></dcterms:title>
    <dcterms:contributor><![CDATA[jz88]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2004">
    <dcterms:title><![CDATA[123Dunhuang Mogao Caves]]></dcterms:title>
    <dcterms:description><![CDATA[Located beneath the Mingsha Mountains in Dunhuang, Gansu Province, China, the Mogao Caves are a testament to ancient Chinese Buddhist art and are home to spectacular murals and sculptures. However, these millennia-old cultural treasures are threatened by climate change. Rising temperatures are accelerating the degradation of the exquisite murals, while weather extremes such as heavy rainfall and sandstorms jeopardize the structural integrity of the grottoes. Increased humidity caused by rainfall threatens the preservation of works of art, while sandstorms can cause physical damage to external structures. In addition, climate change-induced water stresses may disrupt the grotto's groundwater system, which is critical to maintaining stable humidity and temperature conditions inside the grotto, posing a significant risk to the long-term preservation of these valuable artistic and historical artifacts.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[31 December 2013, 12:30:18]]></dcterms:date>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.037245,94.804455;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/397">
    <dcterms:title><![CDATA[1280px-Baba_Vida_Klearchos_1.jpg]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:source><![CDATA[isfiveoneonezero]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/17/2021 04:51:13 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gk64]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/311">
    <dcterms:title><![CDATA[1632222000-1.jpeg]]></dcterms:title>
    <dcterms:description><![CDATA[The Terracotta Army is part of a much larger necropolis. Ground-penetrating radar and core sampling have measured the area to be approximately 98 square kilometers (38 square miles).

The necropolis was constructed as a microcosm of the emperor's imperial palace or compound,[citation needed] and covers a large area around the tomb mound of the first emperor. The earthen tomb mound is located at the foot of Mount Li and built in a pyramidal shape, and is surrounded by two solidly built rammed earth walls with gateway entrances. The necropolis consists of several offices, halls, stables, other structures as well as an imperial park placed around the tomb mound.]]></dcterms:description>
    <dcterms:contributor><![CDATA[jz88]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4171">
    <dcterms:title><![CDATA[16th - 18thc Highland Clothing]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[Research document on the relevent clothing of the time.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[08/21/2025 03:59:48 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,57.99953398074425,-3.8757061958312993;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4172">
    <dcterms:title><![CDATA[16th - 18thc Highland Clothing]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[Research document on the relevent clothing of the time.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[08/21/2025 03:59:56 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,57.99953398074425,-3.8757061958312993;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4173">
    <dcterms:title><![CDATA[16th and 18thc Saltpans at Brora]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Understanding the archaeology of Brora saltpans.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2011]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[08/22/2025 11:38:23 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,58.003111219507446,-3.866425752639771;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2157">
    <dcterms:title><![CDATA[16th Street Baptist Church]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[The 16th Street Baptist Church in Birmingham, Alabama, US is a baptist church and the site of a racially motivated bombing that killed four young girls during the Civil Rights Movement. This bombing led to more widespread support for civil rights for black people from neighbouring white families, and the following year, the Civil Rights Act was signed into law. The church still operates today. It became a National Historic Landmark in 2006, and is on a short list for a World Heritage Site. In 2017, the church became part of the Birmingham Civil Rights National Monument.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1873]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[01/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mk289@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/16th_Street_Baptist_Church]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1037]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,33.51676394614756,-86.81498408317566;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/316">
    <dcterms:title><![CDATA[1920px-1_jiuzhaigou_valley_wu_hua_hai_2011b.jpg]]></dcterms:title>
    <dcterms:source><![CDATA[isfiveoneonezero]]></dcterms:source>
    <dcterms:date><![CDATA[ 1 January 2011]]></dcterms:date>
    <dcterms:contributor><![CDATA[mw283@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/806">
    <dcterms:title><![CDATA[1920px-Totes_Gebirge_Prielgruppe_Plateau.jpg]]></dcterms:title>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[10.09.2006]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/03/2022 05:29:01 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[awiso]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1593">
    <dcterms:title><![CDATA[2.png]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Eilean Donam Castle are tangible and Immovable culture heritage. It is one of the most
famous castles in the world, located in the Scotland Highlands, near the village of Dornie, in
the county of Ross-shire. It has great historical significance since exists spans over 800 years
and has been occupied by various clans and armies. While its history dates back to 1220 AD,
the original structure was destroyed in 1719, and in 1911 Lt Colonel John Macrae-Gilstrap
bought the island of Eilean Donan and set about rebuilding the ruined castle. It took just
over twenty years to rebuild, and the castle became an iconic symbol of Scotland.(Maciej
Serda et al., 2021). Additionally, it has been featured in numerous films and television shows,
adding to its cultural significance. The castle also houses a museum that showcases the
history and culture of the Scottish Highlands, including exhibits on the castle's history, the
clan system, and the Highland Clea]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2023 08:33:39 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xw70@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,57.2741989,-5.5162981;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4054">
    <dcterms:title><![CDATA[2008 Whithorn Priory Archaeological Inverstigations]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[In 1995-6 York Archaeological Trust undertook two seasons of excavation at Fey Field Whithorn,
directed by A. Clarke. The excavations uncovered the remains that were largely of 6th to 10
th
century date and related to the important early-medieval monastery at the site. The
excavations, the post-excavation work and the production of this web-based publication were
all generously funded by the Whithorn Trust.
This Pdf report represents a copy of a report which was designed as an interactive web report
that was originally hosted on York Archaeological Trust’s website. Due to changes in the design
of this website the original interactive report is no longer available. This Pdf was produced to
ensure that the information held in the original report remained widely available. As the original
report was designed for web-viewing, its’ design did not follow conventional publication
formats. There were some problems when converting the web information into this Pdf, notably
with the figures, which though perfectly clear when viewed on the web are slightly blurred when
transferred into Pdf format. In addition, there are no Plate numbers in the text, as the
photographs were originally simply embedded in the web-text at the relevant point. This Pdf
follows the layout of the original web report exactly, and readers should bear these limitations
in mind while reading the report.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2008]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/24/2025 06:11:22 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,54.734631656350764,-4.4184350967407235;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3043">
    <dcterms:title><![CDATA[20230123_Remaining_Berlin_Wall_section_at_Niederkirchnerstra__e_1.jpg]]></dcterms:title>
    <dcterms:description><![CDATA[A photograph showing a remaining Berlin Wall section at Niederkirchnerstraße]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023:01:23 14:39:42]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/22/2025 07:18:20 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:20230123_Remaining_Berlin_Wall_section_at_Niederkirchnerstra%C3%9Fe_1.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,52.507098399722224,13.3823907;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1763">
    <dcterms:title><![CDATA[21a4462309f790528f2e689e00f3d7ca7bcbd558.jpg]]></dcterms:title>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 08:49:38 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yw232@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2018">
    <dcterms:title><![CDATA[231019094240-01-sanxingdui-masks-hong-kong-exhibit-3.webp]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/23/2024 12:34:13 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shiwen]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4178">
    <dcterms:title><![CDATA[2D VR Scone Abbey]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Impression of Scone Abbey based on historical research.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2014]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[08/25/2025 11:32:06 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.42293168584918,-3.4365990757942204;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1086">
    <dcterms:title><![CDATA[3-8.png]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Museum owns parts of the oldest seagoing sailing ship ever found in northern Europe. This is also the earliest example of a Romano-Celtic shipbuilding tradition that extended from the Danube in the east to France and Britain in the west. Vessels of this type were suited to the tidal coasts of northern Europe, for they had flat bottoms so that cargoes could by loaded and unloaded on a beach at low tide.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[03/27/2023 11:32:20 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jn73@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,50.856277,0.594927;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1078">
    <dcterms:title><![CDATA[3.jpeg]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jl388@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[588]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-23.039297747769726,-43.154296875;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/540">
    <dcterms:title><![CDATA[350l1e000001ftlqx1716_C_760_506.jpeg]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/21/2021 01:09:15 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[missyicong@gmail.com]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4122">
    <dcterms:title><![CDATA[360 Tour]]></dcterms:title>
    <dcterms:description><![CDATA[360 tour of C1023 Whithorn reconstruction with characters.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Tour]]></dcterms:type>
    <dcterms:identifier><![CDATA[1533]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,54.73341752674034,-4.4199585914611825;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4123">
    <dcterms:title><![CDATA[360 Tour]]></dcterms:title>
    <dcterms:description><![CDATA[Whithorn has been a benchmark in archaeology, particularly thanks to the extensive research dig carried on in the 1980s by Peter Hill and his team. The stratigraphy of the site and the extensive medieval graveyard which interrupted lower layers made it a challenging site to interpret. Below the graveyard was evidence of a Hiberno-Norse trading settlement, with extensive evidence of manufacture, including high-status comb manufacture similar to those found at Viking Dublin. An extensive Northumbrian church complex was also uncovered and in the earliest layers, evidence of shrines, including those which seem to be a focal point for the other burials. Much of this seemed to support Bede’s account of a saint, buried with “many other saints”.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2022/23]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Tour]]></dcterms:type>
    <dcterms:identifier><![CDATA[1534]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,54.733268855308154,-4.4190359115600595;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4134">
    <dcterms:title><![CDATA[360 Tour]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[360 Tour of Village Bay, St Kilda as it may have looked in 1890 based on photographic evidence and documentation.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Tour]]></dcterms:type>
    <dcterms:identifier><![CDATA[1536]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,57.81217757210322,-8.568499088287355;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4164">
    <dcterms:title><![CDATA[360 Tour Hamilton Palace]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Tour]]></dcterms:type>
    <dcterms:identifier><![CDATA[1541]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.782654945200754,-4.0339994430542;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4098">
    <dcterms:title><![CDATA[360 tour of Camp Nelson]]></dcterms:title>
    <dcterms:description><![CDATA[Virtual digital interpretation inspired by a collection of photos from various locations within the camp during the Civil War. Created to give a greater understanding of the scale and layout of the camp during its use. All black and white photos are from the Camp Nelson Photographic Collection, 1864, University of Kentucky Special Collections Research Center.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Tour]]></dcterms:type>
    <dcterms:identifier><![CDATA[1528]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.7831974274346,-84.60150718688966;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/773">
    <dcterms:title><![CDATA[360 Virtual Tour of Gorham's Cave Viewing Platform]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A 360 tour taken from Gorham's Cave's Viewing Platform.  The platform was created to allow visitors to view the entrances of Gorham's Cave Complex from the mainland, and to provide information on the heritage site.  Gorham's Cave Complex is a UNESCO World Heritage Site due to the evidence that it has provided on the cultural traditions of the Neanderthals, which occupied the site for over 100,000 years.
Accompanying photographs of points of interest can be seen through Google Drive due to RoundMe server issues.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[Unknown]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[30/04/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/03/2022 12:05:09 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[spanayotti]]></dcterms:contributor>
    <dcterms:extent><![CDATA[28 hectarescm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[471]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,36.1203436,-5.3420725;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2013">
    <dcterms:title><![CDATA[36275-Leshan__49067653383_.jpg]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[36275-Leshan]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[23 May 2018, 14:46]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/22/2024 07:21:12 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuwei Ai]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29.553613333333335,103.76783833333333;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2127">
    <dcterms:title><![CDATA[3D Forbidden Ciry]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/30/2024 11:27:46 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xz84]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/x-jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.92046681784533,116.39061927795412;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/588">
    <dcterms:title><![CDATA[3D Longmen]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[ysl4]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1521">
    <dcterms:title><![CDATA[3D model of Jodha Bai Palace]]></dcterms:title>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/04/2023 12:38:08 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pdj1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:medium><![CDATA[https://www.artstation.com/artwork/qQdoAP]]></dcterms:medium>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,27.0945,77.6679;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/755">
    <dcterms:title><![CDATA[3d model of the Calanais Standing Stones]]></dcterms:title>
    <dcterms:description><![CDATA[A 3D model illustrating the central stone circle of the Calanais Standing Stones, along with the chambered cairn and rows and avenues of  standing stones. Is it thought that the stone circle and its central stone circle was erected first around 2900BC, whilst the chambered cairn and rows and avenues were thought to be added 500 years later. Read more about the Calanais Standing Stones by looking at the interactive map.]]></dcterms:description>
    <dcterms:source><![CDATA[standingstones]]></dcterms:source>
    <dcterms:date><![CDATA[November 30th 2021]]></dcterms:date>
    <dcterms:contributor><![CDATA[lj77]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:medium><![CDATA[https://sketchfab.com/3d-models/callanish-bf4e9b9a0e764b39b196537377c082ea]]></dcterms:medium>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,58.19759,-6.74513;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/732">
    <dcterms:title><![CDATA[3D Model of the Ring of Brodgar]]></dcterms:title>
    <dcterms:description><![CDATA["Ring of Brodgar, Orkney. Slightly unfinished model made from over 500 pole-camera photos." - eddiemartin

An unfinished model of the Ring of Brodgar, which appears to show what the monument looked like in 2015 as it does not show the missing stones (there were thought to be 60 stones originally).
]]></dcterms:description>
    <dcterms:source><![CDATA[standingstones]]></dcterms:source>
    <dcterms:date><![CDATA[June 15th 2015]]></dcterms:date>
    <dcterms:contributor><![CDATA[lj77]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:medium><![CDATA[https://sketchfab.com/3d-models/ring-of-brodgar-780fdc25985c405e8d6469a59591a0b8]]></dcterms:medium>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,59.00149,-3.22969;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/647">
    <dcterms:title><![CDATA[3d model of the standing stones of stenness]]></dcterms:title>
    <dcterms:description><![CDATA[3D model demonstrating what the Standing Stones of Stenness look like today and also showing where the missing stones would have been placed, as there are only four out of twelve left.]]></dcterms:description>
    <dcterms:source><![CDATA[standingstones]]></dcterms:source>
    <dcterms:date><![CDATA[2015:11:02]]></dcterms:date>
    <dcterms:contributor><![CDATA[lj77]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial License]]></dcterms:license>
    <dcterms:medium><![CDATA[https://sketchfab.com/3d-models/standing-stones-of-stenness-orkney-3788f4eeee054a27b81efc5b4fcf8884]]></dcterms:medium>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,58.99403,-3.20803;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/733">
    <dcterms:title><![CDATA[3D Model of Victorian Graffiti at the Ring of Brodgar]]></dcterms:title>
    <dcterms:description><![CDATA["This is a high resolution model of one face of a standing stone that forms part of the Ring of Brodgar Stone Circle, Orkney. This stone has been incised with numerous names, initials and dates. A few place names also feature - Evie appears at least 3 times. Many good Orcadian names can be found - Isbister, Marwick and Anderson to name a few. The earliest date I’ve seen on this stone is 1859, with most dates from the 1870s and 1880s.

The stones were not protected when this graffiti was made, but they are now listed as a scheduled ancient monument and it is illegal to deface the stones." - Dr Hugo Anderson-Whymark]]></dcterms:description>
    <dcterms:source><![CDATA[standingstones]]></dcterms:source>
    <dcterms:date><![CDATA[Oct 28th 2015]]></dcterms:date>
    <dcterms:contributor><![CDATA[lj77]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial License]]></dcterms:license>
    <dcterms:medium><![CDATA[https://sketchfab.com/3d-models/victorian-graffiti-at-the-ring-of-brodgar-1da0b29beab349f7b388abf049b89e19]]></dcterms:medium>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,59.00149,-3.22969;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2371">
    <dcterms:title><![CDATA[43a7d933c895d14310ddf0507ef082025aaf071d-1.webp]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/04/2024 10:26:14 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ll237@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2372">
    <dcterms:title><![CDATA[43a7d933c895d14310ddf0507ef082025aaf071d-2.webp]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/04/2024 10:26:18 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ll237@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2373">
    <dcterms:title><![CDATA[43a7d933c895d14310ddf0507ef082025aaf071d-3.webp]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/04/2024 10:26:22 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ll237@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2370">
    <dcterms:title><![CDATA[43a7d933c895d14310ddf0507ef082025aaf071d.webp]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/04/2024 10:26:09 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ll237@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/627">
    <dcterms:title><![CDATA[512px-Botticelli-primavera.jpeg]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/15/2022 01:23:56 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Avneet Kaur ]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,43°46′04.03″N ,11°15′19.12″E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/401">
    <dcterms:title><![CDATA[7e3e6709c93d70cf26a606faf1dcd100bba12bec.jpg]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/17/2021 07:49:16 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuhui Hou]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3757">
    <dcterms:title><![CDATA[A hyacinth macaw in the Pantanal]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A Hyacinth Macaw, the largest flying parrot species in its natural habitat, Brazil’s Pantanal. Natural to South America, the Hyacinth Macaw is a vulnerable species whose presence in the Pantanal reflects the region's vital role in supporting threatened wildlife and maintaining ecological diversity.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 04:20:25 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[rsdo1@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.ecowatch.com/worlds-largest-wetland-pantanal-2626630113.html]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1682">
    <dcterms:title><![CDATA[A resident at a festival]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A local resident wearing traditional dress attends the festival.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[Published on November 4, 2019]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 02:08:22 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jn73@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Unsplash (reference: https://unsplash.com/)]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,19.4322987,-99.1323909;origin,19.4322987,-99.1323909;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1683">
    <dcterms:title><![CDATA[A resident at a festival]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A local resident wearing traditional dress attends the festival.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[Published on November 4, 2019]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 02:08:50 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jn73@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Unsplash (reference: https://unsplash.com/)]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,19.4322987,-99.1323909;origin,19.4322987,-99.1323909;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/731">
    <dcterms:title><![CDATA[A sketch of standing stones in Orkney, thought to be a sketch of the Ring of Brogdar]]></dcterms:title>
    <dcterms:description><![CDATA["This drawing was by a J. Mc [?], the rest of the name now being lost. It may date from 1807. This picture, although labelled Stenness, may actually be a representation of the Ring of Brodgar, further along the same track" - National Library of Scotland

One of the main reasons that this sketch may be thought to depict the Ring of Brogdar rather than the Standing Stones of Stenness may be due to the number of stones in the sketch. The Standing Stones of Stenness were thought to be smaller (twelve stones in total) than the Ring of Brogdar and there are more than twelve stones in the sketch. The Ring of Brogdar is close in location to the standing stones of Stenness. The creator of the sketch has written "Druidical stones" on the sketch, indicating that the creator may have believed that the stones were used for druidical worship.]]></dcterms:description>
    <dcterms:source><![CDATA[standingstones]]></dcterms:source>
    <dcterms:date><![CDATA[Estimated 1807. Published electronically 2005.]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/22/2022 09:09:48 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lj77]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://digital.nls.uk/74635402]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,59.00149,-3.22969;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1630">
    <dcterms:title><![CDATA[A vision of the Longmen Grottoes]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/06/2023 07:47:53 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sc428]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://whc.unesco.org/en/list/1003/gallery/&index=1&maxrows=12]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3571">
    <dcterms:title><![CDATA[A Walk Through Ancient Roman Life]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Roman Empire left behind incredible architectural and cultural legacies, but much of Roman daily life has been lost to time. This project aims to digitally reconstruct a Roman square using immersive 3D environments and AI-powered characters — allowing users to walk through history and experience a day in the life of a Roman citizen. From conversing with merchants to attending a public forum, this concept brings archaeology to life in a way that is interactive, educational, and deeply human.

It connects the ancient past with modern learning by using digital heritage tools to promote critical thinking, cultural awareness, and appreciation of historical lifestyles. This virtual heritage experience supports SDG 11.4 by contributing to cultural preservation and public access to historical environments.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/25/2025 09:42:36 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[Christian D'Agostino]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.worldhistory.org/article/635/markets-in-the-roman-empire/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Inspired by historical research, archaeological studies, and ancient Roman writings.]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1395]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.8925,12.4853;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Not applicable – virtual educational experience based on public heritage sites.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/145">
    <dcterms:title><![CDATA[Abernethy]]></dcterms:title>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[23/12/2020]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[136]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.33314623033842,-3.3111548423767094;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/144">
    <dcterms:title><![CDATA[Abernethy - 1072]]></dcterms:title>
    <dcterms:description><![CDATA[In 1072 the small Scottish village of Abernethy was the site of a meeting between the King of Scots, Malcolm Canmore, and William of Normandy (who had recently conquered England). In a show of force William brought a fleet of ships up the River Tay, and Malcolm made an oath of loyalty to the English ruler. Exactly what Malcolm believed he was promising is still debated by historians.

At this time Abernethy was an important religious centre, and home to a community of Culdees or Céli Dé (which means ‘client of God’ in Gaelic). The Culdees were Christian holy men who followed a form of religious life developed in Ireland during the Early Middle Ages.

Today Abernethy is famous for its tall early medieval round tower – an extraordinary survival from the time of the Culdees. There is only one other tower of this type in Scotland (at Brechin Cathedral), although they are more common in Ireland. The tower probably served as a bell tower and treasury.

Researchers from the University of St Andrews’ Open Virtual Worlds team and Smart History collaborated with the Tay Landscape Partnership and Perth and Kinross Heritage Trust to recreate how Abernethy might have looked in the 1070s. The resulting digital reconstruction shows the tower, church, and dwellings of the Culdees and their tenants. 

An interactive virtual reality version of the reconstruction can be explored at the Museum of Abernethy.]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions,tours]]></dcterms:source>
    <dcterms:date><![CDATA[2018]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[175]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.3325,-3.311944;]]></dcterms:spatial>
</rdf:Description></rdf:RDF>