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<rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2127">
    <dcterms:title><![CDATA[3D Forbidden Ciry]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/30/2024 11:27:46 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xz84]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/x-jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2126">
    <dcterms:title><![CDATA[The Forbidden City]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Forbidden City, nestled in Beijing, China, is an ancient imperial palace complex, housing Chinese emperors for nearly 500 years. Constructed from 1406 to 1420, its sprawling 180-acre area encompasses almost 1,000 buildings and over 8,700 rooms. This architectural masterpiece showcases traditional Chinese design, boasting symmetrical layouts, golden roofs adorned with intricate carvings, and vibrant tiles. Serving as the political and ceremonial hub of the Chinese empire, it hosted crucial state events and rituals. Today, as a UNESCO World Heritage Site, it remains a beacon of China's imperial past, drawing millions of tourists annually to explore its rich history, cultural treasures, and stunning architecture.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[30/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/01/2024 04:00:31 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[xz84]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1021]]></dcterms:identifier>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2125">
    <dcterms:title><![CDATA[Vineyard Landscape of Piedmont: Langhe-Roero and Monferrato]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Vineyard Landscape of Piedmont: Langhe-Roero and Monferrato, a UNESCO World Heritage Site nestled in northern Italy's Piedmont region, showcases three distinct wine-growing areas: the Langhe, Roero, and Monferrato regions. Characterized by picturesque landscapes, rolling hills, and terraced vineyards interspersed with historic towns, this region embodies centuries of human interaction with the land and traditional agricultural practices. Amidst its beauty, digital interpretation offers a pathway towards achieving Sustainable Development Goal 12: Responsible Consumption and Production, which seeks to ensure sustainable consumption and production patterns worldwide. Through interactive websites and virtual tours these tools can enlighten visitors about sustainable agriculture, organic farming practices, and biodiversity conservation within the vineyard landscape. They promote responsible consumption by advocating for support of local, sustainable food systems and reducing food waste. However, the region faces notable climate threats such as extreme weather events and changing precipitation patterns, which can impact grape cultivation, vineyard management, and ecosystem health. These climate challenges highlight the importance of Sustainable Development Goal 13: Climate Action. Digital interpretation holds the potential to address these challenges by disseminating information on climate-resilient farming practices, water management strategies, and sustainable land-use techniques. By raising awareness about climate change impacts and inspiring collective action, virtual platforms can contribute to the sustainable management and preservation of this cultural and natural heritage site.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[30/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cje5@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Italy]]></dcterms:medium>
    <dcterms:language><![CDATA[Italian]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1020]]></dcterms:identifier>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2124">
    <dcterms:title><![CDATA[Vineyard Landscape of Piedmont: Langhe-Roero and Monferrato]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Vineyard Landscape of Piedmont: Langhe-Roero and Monferrato is a UNESCO World Heritage Site located in the Piedmont region of northern Italy. Inscribed on the UNESCO list in 2014, this cultural landscape encompasses three distinct wine-growing areas: the Langhe, Roero, and Monferrato regions.
The site is renowned for its picturesque landscapes, characterized by rolling hills, terraced vineyards, and historic towns and villages nestled among the vineyards. The landscape reflects centuries of human interaction with the land, as well as the traditional agricultural practices and techniques employed in viticulture.
The Langhe-Roero and Monferrato regions are known for producing high-quality wines, including Barolo, Barbaresco, and Barbera, among others. The vineyards are meticulously maintained and managed, with traditional grape cultivation methods passed down through generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[25 June 2011]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/30/2024 06:27:31 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cje5@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,44.6250,8.0431;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2123">
    <dcterms:title><![CDATA[Vineyard Landscape of Piedmont: Langhe-Roero and Monferrato]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Vineyard Landscape of Piedmont: Langhe-Roero and Monferrato is a UNESCO World Heritage Site located in the Piedmont region of northern Italy. Inscribed on the UNESCO list in 2014, this cultural landscape encompasses three distinct wine-growing areas: the Langhe, Roero, and Monferrato regions.
The site is renowned for its picturesque landscapes, characterized by rolling hills, terraced vineyards, and historic towns and villages nestled among the vineyards. The landscape reflects centuries of human interaction with the land, as well as the traditional agricultural practices and techniques employed in viticulture.
The Langhe-Roero and Monferrato regions are known for producing high-quality wines, including Barolo, Barbaresco, and Barbera, among others. The vineyards are meticulously maintained and managed, with traditional grape cultivation methods passed down through generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[25 June 2011]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/30/2024 06:27:24 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cje5@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,44.6250,8.0431;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2122">
    <dcterms:title><![CDATA[Great Wall of China]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Great Wall is a magnificent piece of ancient Chinese engineering that winds its way across thousands of kilometers along China's northern border. It has a long history and was built over centuries to resist foreign aggression and safeguard the tranquility of the motherland. The Great Wall is not only a symbol of China's long history, but also one of the most magnificent buildings in the world, attracting countless tourists to admire its majesty. Its majestic figure witnesses the glory of ancient Chinese civilization, and also carries national pride and cultural identity. The existence of the Great Wall is not only a reminder of history, but also a celebration of perseverance. It inspires people's desire to pursue peace and security, and has become a shining pearl in the world's cultural heritage.

SDG 11: Sustainable Cities and Communities - By protecting and maintaining the Great Wall, tourism can be promoted, jobs created, and economic growth in local communities. This helps achieve SDG 11’s goal of creating inclusive, safe, resilient and sustainable cities and communities.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[30/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuhang Zhu]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1019]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.43489485454445,116.56139374215856;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2121">
    <dcterms:title><![CDATA[How Was The Great Wall Of China Built?]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/30/2024 02:39:22 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuhang Zhu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2120">
    <dcterms:title><![CDATA[The Forbidden City]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Forbidden City is a magnificent palace complex located in Beijing, the capital of China. It represents the royal history and culture of China since the Ming and Qing dynasties, and embodies the exquisite skills of ancient architectural art (Guo, 2018).

Digital technology application: Digital technologies such as augmented reality (AR) and virtual reality (VR) can enhance visitor experience, provide immersive tours and historical reenactments, and digitize cultural relics through the establishment of digital artifact libraries so that they can be widely accessed and utilized online. , a history that preserves heritage for future generations.

Contribution to United Nations Sustainable development goals:

SDG 4 Quality Education Target 4.7

The Forbidden City has carried out a large number of educational and cultural popularization activities to teach the public Chinese traditional culture, historical knowledge and artistic skills, and promote the popularization and dissemination of cultural education.

SDG 11 Make cities inclusive, safe, resilient and sustainable Target 11.4 

As an ancient Chinese imperial palace, the Forbidden City has rich historical and cultural heritage and artistic treasures. Its active participation in the protection, restoration and inheritance of cultural relics helps achieve the cultural protection and inheritance goals of the United Nations Sustainable Development Goals.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[30/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuhang Zhu]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1018]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.913263907956924,116.39094829515673;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2119">
    <dcterms:title><![CDATA[_____________2024-04-30_015103.png]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/30/2024 01:54:01 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuhang Zhu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.916034347176755,116.3913917541504;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2118">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This is website of 3D Giza pyramid.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/30/2024 01:34:58 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuhang Zhu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29.97615737603455,31.13312959801988;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2117">
    <dcterms:title><![CDATA[Egyptian Pyramids]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[30/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuhang Zhu]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1017]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,27.261140372887404,;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2116">
    <dcterms:title><![CDATA[Sukur Cultural Landscape]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Sukur Cultural Landscape is a UNESCO World Heritage Site located in the Mandara Mountains of north-eastern Nigeria. This landscape encompasses the Sukur settlement, which is notable for its unique architecture, agricultural terraces, and cultural traditions. The Sukur Cultural Landscape features a well-preserved hilltop settlement that is surrounded by a series of terraces, which were constructed for agricultural purposes. 

The architecture of the Sukur settlement is characterized by stone houses with thatched roofs, arranged in a compact manner around a central area known as the Hidi's compound. The Hidi is the traditional ruler of the Sukur people, and the compound serves as the administrative and ceremonial center of the community.
Designated as a UNESCO World Heritage Site in 1999, the Sukur Cultural Landscape is recognised for its outstanding universal value and serves as a testament to the harmonious relationship between humans and their natural environment. Efforts to preserve and protect the Sukur Cultural Landscape are essential for safeguarding this unique cultural heritage for future generations. Digital interpretation efforts play a crucial role in addressing the notable threats faced by the Sukur Cultural Landscape while aligning with SDG 11.4, which aims to protect and safeguard the world's cultural and natural heritage. These threats include environmental degradation, cultural erosion, tourism pressure, and conflict and instability. By leveraging digital platforms such as virtual tours, interactive websites, and educational apps, efforts can raise awareness about the impact of these threats on the landscape's ecological balance and cultural integrity.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cje5@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Nigeria]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1016]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,10.7755,13.5306;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2115">
    <dcterms:title><![CDATA[Sukur Cultural Landscape]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Sukur Cultural Landscape is a UNESCO World Heritage Site located in the Mandara Mountains of northeastern Nigeria. This landscape encompasses the Sukur settlement, which is notable for its unique architecture, agricultural terraces, and cultural traditions. The Sukur Cultural Landscape features a well-preserved hilltop settlement that is surrounded by a series of terraces, which were constructed for agricultural purposes. The terraces demonstrate the innovative farming techniques employed by the Sukur people to cultivate crops such as millet, sorghum, and vegetables in a challenging mountainous environment.

The architecture of the Sukur settlement is characterized by stone houses with thatched roofs, arranged in a compact manner around a central area known as the Hidi's compound. The Hidi is the traditional ruler of the Sukur people, and the compound serves as the administrative and ceremonial center of the community.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[14 June 2017]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/29/2024 08:20:26 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cje5@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,10.7755,13.5306;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2114">
    <dcterms:title><![CDATA[Karnak Temple]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Karnak Temple, located near Luxor in Egypt, is one of the largest religious complexes in the world. Built over a period of 2000 years, from the Middle Kingdom to the Ptolemaic period, it was dedicated to the god Amun, his wife Mut, and their son Khonsu. The temple complex covers an area of over 200 acres and includes massive pylons, obelisks, statues, and chapels. The most iconic feature is the Hypostyle Hall, with its towering columns adorned with intricate hieroglyphs and reliefs.
Sustainable Development Target:
Target 11: Sustainable Cities and Communities - Digital interpretation of Karnak Temple can contribute to sustainable tourism by allowing visitors to explore the site virtually, reducing the environmental impact of physical tourism. It also facilitates cultural exchange and preservation by providing access to historical and archaeological information without the need for extensive travel.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Lizhi Wang]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1015]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,25.719076226576266,32.65724883925169;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2113">
    <dcterms:title><![CDATA[ Karnak Temple]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Karnak Temple, located near Luxor in Egypt, is one of the largest religious complexes in the world. Built over a period of 2000 years, from the Middle Kingdom to the Ptolemaic period, it was dedicated to the god Amun, his wife Mut, and their son Khonsu. The temple complex covers an area of over 200 acres and includes massive pylons, obelisks, statues, and chapels. The most iconic feature is the Hypostyle Hall, with its towering columns adorned with intricate hieroglyphs and reliefs.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[ February 16, 2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/29/2024 03:22:42 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Lizhi Wang]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,25.719076226576266,32.65724883925169;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2112">
    <dcterms:title><![CDATA[Abu Simbel Temples]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Abu Simbel Temples, dedicated to Pharaoh Ramesses II and Queen Nefertari, stand as colossal rock-cut structures in southern Egypt. Carved into the mountainside, they exemplify the grandeur of ancient Egyptian art and religious devotion. The intricate details of the statues and hieroglyphics reflect the cultural significance and artistic achievements of the New Kingdom.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[Built 1264 – 1244 BCE]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/29/2024 03:30:22 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[Lizhi Wang]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1014]]></dcterms:identifier>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2111">
    <dcterms:title><![CDATA[Abu Simbel temple - The Great Temple of Ramesses II]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Abu Simbel Temples, dedicated to Pharaoh Ramesses II and Queen Nefertari, stand as colossal rock-cut structures in southern Egypt. Carved into the mountainside, they exemplify the grandeur of ancient Egyptian art and religious devotion. The intricate details of the statues and hieroglyphics reflect the cultural significance and artistic achievements of the New Kingdom.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[October 2, 2021]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/29/2024 03:03:22 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Lizhi Wang]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,22.337767158803107,31.625912431680675;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2110">
    <dcterms:title><![CDATA[Rosslyn Chapel]]></dcterms:title>
    <dcterms:description><![CDATA[Rosslyn Chapel is a Catholic collegiate church located in the village of Roslin, Midlothian, Scotland. Its architecture is considered among the finest in Scotland. What is particularly interesting is that beyond the architectural and religious significance brought about by its complex, intricate, and diverse carvings, the chapel's unique historical background and mysterious legends also wield a considerable impact in popular culture. As an exemplar, Rosslyn Chapel demonstrates the potential value that cultural heritage holds within popular culture.
Utilizing digital technology to improve accessibility and education, Rosslyn Chapel contributes to SDG 4 (Quality Education) and SDG 11 (Sustainable Cities and Communities). The chapel's efforts in showcasing cultural heritage via online platforms help protectingcultural identity and wisdom. This approach is in harmony with the overarching objectives of sustainable development, as it nurtures a global understanding and appreciation for cultural diversity.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2022:11:13 11:20:32]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Chuhan Wang]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1013]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.85535560002541,-3.159851100064439;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Rosslyn Chapel Trust]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2109">
    <dcterms:title><![CDATA[Daming Lake]]></dcterms:title>
    <dcterms:description><![CDATA[Daming Lake, located in Jinan, Shandong Province, is a renowned natural scenic area celebrated for its tranquil waters and rich cultural history. As one of the symbols of Jinan, Daming Lake is connected to the surrounding springs, forming a beautiful waterscape that exemplifies the harmonious coexistence of nature and the urban environment. The lake, adorned with lotus flowers that change with the seasons, has attracted countless poets and artists who have left behind many enduring works.
With the aid of digital technology, Daming Lake is more than just a tourist attraction; it has become an educational platform demonstrating sustainable development. The green tourism practices and cultural education programs in the Daming Lake area align with SDG 4 (Quality Education) and 11 (Sustainable Cities and Communities), educating the public about the role of cultural heritage in promoting community sustainability. Daming Lake is not only a hallmark of Jinan but also a vivid example of the harmonious integration of culture and nature.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2020:10:22 17:03:45]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Chuhan Wang]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1012]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,36.67435121182668,117.0161369070411;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2108">
    <dcterms:title><![CDATA[Daming Lake]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[22 October 2020, 17:03:45]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/29/2024 01:59:57 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Chuhan Wang]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://upload.wikimedia.org/wikipedia/commons/6/6e/Daming_Lake_20201022_170345.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,36.67678333333333,117.01708888888889;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2107">
    <dcterms:title><![CDATA[Daming Lake]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[22 October 2020, 17:03:45]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/29/2024 01:59:47 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Chuhan Wang]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://upload.wikimedia.org/wikipedia/commons/6/6e/Daming_Lake_20201022_170345.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,36.67678333333333,117.01708888888889;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2106">
    <dcterms:title><![CDATA[Digital Gza]]></dcterms:title>
    <dcterms:description><![CDATA[archaeology, we assemble, curate, and present archaeological records about one of the most famous archaeological sites in the world, the Giza Pyramids and surrounding cemeteries and settlements. The Project manages arguably the world’s largest digital archive of Giza material. We use this data to build immersive 3D model reconstructions and other media as we develop powerful new teaching technologies and research tools.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/29/2024 01:58:17 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Lizhi Wang]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[http://giza.fas.harvard.edu/]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,42.3745045994232,-71.11827354929135;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2105">
    <dcterms:title><![CDATA[Digital Giza]]></dcterms:title>
    <dcterms:description><![CDATA[The Giza Project is a non-profit international initiative based at Harvard University. Through digital archaeology, we assemble, curate, and present archaeological records about one of the most famous archaeological sites in the world, the Giza Pyramids and surrounding cemeteries and settlements. The Project manages arguably the world’s largest digital archive of Giza material. We use this data to build immersive 3D model reconstructions and other media as we develop powerful new teaching technologies and research tools.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2011]]></dcterms:date>
    <dcterms:contributor><![CDATA[giza@fas.harvard.edu]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Museum]]></dcterms:type>
    <dcterms:identifier><![CDATA[1011]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,42.3745045994232,-71.11827354929135;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2104">
    <dcterms:title><![CDATA[http://giza.fas.harvard.edu/]]></dcterms:title>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:type><![CDATA[Museum]]></dcterms:type>
    <dcterms:identifier><![CDATA[1010]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2103">
    <dcterms:title><![CDATA[Baotu Spring]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Baotu Spring, nestled in Jinan, Shandong Province, is famed as the "Number One Spring under the Heaven." It's celebrated for its crystal-clear waters and has historically inspired countless poets and artists across China. This spring stands as a symbol of Jinan's natural beauty and cultural heritage, presenting the harmonious relationship between nature and humanity in Chinese philosophy.
The digital techniques on Baotu Spring helps it meet SDG 6 (Clean Water and Sanitation), showing the importance of taking care of water. Also, its role in teaching about culture and supporting green tourism fits with SDG 4 (Quality Education) and SDG 11 (Sustainable Cities and Communities). This highlights how cultural heritage is part of sustainable development.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2014:03:30 18:09:35]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Chuhan Wang]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1009]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,36.6617,117.0168;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2102">
    <dcterms:title><![CDATA[Baotu Spring]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Baotu Spring, nestled in Jinan, Shandong Province, is famed as the "Number One Spring under the Heaven." It's celebrated for its crystal-clear waters and has historically inspired countless poets and artists across China. This spring stands as a symbol of Jinan's natural beauty and cultural heritage, presenting the harmonious relationship between nature and humanity in Chinese philosophy.
The digital techniques on Baotu Spring helps it meet SDG 6 (Clean Water and Sanitation), showing the importance of taking care of water. Also, its role in teaching about culture and supporting green tourism fits with SDG 4 (Quality Education) and SDG 11 (Sustainable Cities and Communities). This highlights how cultural heritage is part of sustainable development.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2014:03:30 18:09:35]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/29/2024 01:38:10 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Chuhan Wang]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://upload.wikimedia.org/wikipedia/commons/b/b2/Baotu_Spring%2C_Jinan_in_Oct_2013.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,36.6617,117.0168;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2101">
    <dcterms:title><![CDATA[Edinburgh Castle]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[Yuhang Zhu]]></dcterms:contributor>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,55.94865515149199,-3.200383187022453;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2100">
    <dcterms:title><![CDATA[Edinburgh Castle]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[Yuhang Zhu]]></dcterms:contributor>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,55.94865515149199,-3.200383187022453;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2098">
    <dcterms:title><![CDATA[Edinburgh Castle]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Edinburgh Castle is one of the oldest fortifications in Europe and an important symbol of Scotland and Edinburgh. Built between the 12th and 16th centuries, it witnessed Scotland's historical wars and later became a military base. It is now owned by Scotland. Over the centuries, it has witnessed numerous historical events as a royal residence, prison and symbol of Scottish heritage.

Heritage value:
Edinburgh Castle is a symbol of Scotland's rich cultural and historical heritage. Located on top of Castle Rock, Edinburgh Castle houses a variety of artifacts and artworks that attract tourists from around the world and boost Scotland's tourism and economy.

Contribution to the United Nations Sustainable Development Goals:
SDG 4 Quality Education Target 4.7:
Edinburgh Castle’s digital initiatives contribute to education by providing online access to historical resources and exhibits.

SDG 11 Make cities inclusive, safe, resilient and sustainable Target 11.4:
Strengthen efforts to protect and safeguard the world’s cultural and natural heritage]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[12th and 16th centuries]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuhang Zhu]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Edinburgh_Castle]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1008]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.948563036608434,-3.2005333904817235;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2097">
    <dcterms:title><![CDATA[Edinburgh Castle]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Edinburgh Castle is one of the oldest fortifications in Europe and an important symbol of Scotland and Edinburgh. Built between the 12th and 16th centuries, it witnessed Scotland's historical wars and later became a military base. It is now owned by Scotland. Over the centuries, it has witnessed numerous historical events as a royal residence, prison and symbol of Scottish heritage.

Heritage value:
Edinburgh Castle is a symbol of Scotland's rich cultural and historical heritage. Located on top of Castle Rock, Edinburgh Castle houses a variety of artifacts and artworks that attract tourists from around the world and boost Scotland's tourism and economy.

Contribution to the United Nations Sustainable Development Goals:
SDG 4 Quality Education Target 4.7:
Edinburgh Castle’s digital initiatives contribute to education by providing online access to historical resources and exhibits.

SDG 11 Make cities inclusive, safe, resilient and sustainable Target 11.4:
Strengthen efforts to protect and safeguard the world’s cultural and natural heritage]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[12th and 16th centuries]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuhang Zhu]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Edinburgh_Castle]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1007]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.948563036608434,-3.2005333904817235;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2096">
    <dcterms:title><![CDATA[The pyramids of Giza, just outside Cairo.]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[a group of people walking around a pyramid
The pyramids of Giza, just outside Cairo.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[September 14, 2022]]></dcterms:date>
    <dcterms:contributor><![CDATA[Lizhi Wang]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://creativecommons.org/licenses/by-nc/4.0/?ref=chooser-v1]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29.979157602862095,31.13419899447569;origin,39.914163626779455,116.43738627433778;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2094">
    <dcterms:title><![CDATA[The Pyramids of Giza]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Great Pyramid of Giza is the largest Egyptian pyramid and served as the tomb of pharaoh Khufu, who ruled during the Fourth Dynasty of the Old Kingdom. Built in the early 26th century BC, over a period of about 27 years, The Pyramid is the oldest of the Seven Wonders of the Ancient World and the only one that has remained largely intact. It symbolizes the spiritual beliefs of the Egyptians and serves as a pathway to the afterlife for pharaohs. 
The digital initiatives surrounding the Pyramids align with SDG 4 (Quality Education). Virtual accessibility ensures a wider reach, promoting global cultural exchange and understanding. Targets
4.4 and 4.7 emphasize skills development and knowledge acquisition for sustainable development. By utilizing digital platforms, the Pyramids contribute to achieving these targets, providing relevant skills and promoting a culture of peace and non-violence. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[Early 26th century BC]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/29/2024 11:47:11 am]]></dcterms:>
    <dcterms:contributor><![CDATA[Lizhi Wang]]></dcterms:contributor>
    <dcterms:references><![CDATA[[1]Pavlidis, G., Koutsoudis, A., Arnaoutoglou, F., Tsioukas, V., & Chamzas, C. (2007). Methods for 3D digitization of Cultural Heritage. Journal of Cultural Heritage, 8, 93-98. https://doi.org/10.1016/J.CULHER.2006.10.007. [2]Mustafa, M. (2021). Cultural Heritage: A Tourism Product of Egypt under Risk. Journal of Environmental Management and Tourism. https://doi.org/10.14505/JEMT.V12.1(49).21. [3]Tallet, Pierre (2017). Les Papyrus de la Mer Rouge I: Le Journal de Merer. Institut français d'archéologie orientale. ISBN 978-2724707069.]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1006]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29.979157602862095,31.13419899447569;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2093">
    <dcterms:title><![CDATA[The Grand Canal]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Grand Canal, the world's longest ancient artificial waterway, links Beijing and Hangzhou, China, and has been crucial since the 5th century BC. It not only facilitated the evolution of Chinese society but also showcases ancient China's prowess in hydraulic engineering and waterway management.
As a cultural artery, it significantly impacts literature, art, and language, reflecting centuries of cultural integration. Modern technologies such as intelligent construction and digital navigation ensure its operational integrity. Moreover, digital tools like panoramic technology and 3D modeling enable virtual tours, enhancing public understanding and preservation efforts.
The canal's application of technology also advances several Sustainable Development Goals (SDGs). Goal 9 (Industry, Innovation, and Infrastructure) is supported by improving reliability and efficiency through digital innovations. Goal 4 (Quality Education) benefits from interactive learning experiences created by these technologies. Lastly, Goal 15 (Life on Land) is addressed by smart management systems that monitor and protect the canal's ecosystem, promoting sustainability and ecological protection. These efforts underscore the Grand Canal's continuing importance in sustainable development and cultural heritage.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yh82@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.m.wikipedia.org/wiki/Grand_Canal_(China)]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://whc.unesco.org/en/list/1443/]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1005]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,31.685895886710952,120.1248423010111;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2092">
    <dcterms:title><![CDATA[The Grand Canal]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Grand Canal]]></dcterms:description>
    <dcterms:date><![CDATA[14 Nov 2012]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/29/2024 07:47:49 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yh82@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://whc.unesco.org/en/documents/129550]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,N34,41,38,E112,28,6;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2091">
    <dcterms:title><![CDATA[Kun Qu opera]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Kunqu Opera, a classical Chinese drama form, originated in the early Ming Dynasty and showcases a blend of singing, acting, recitation, and martial arts. It reflects deep philosophical and ethical concepts through its narratives, serving as a vital carrier of Chinese culture. With the rise of digital technology, Kunqu Opera has embraced modern methods to reach broader audiences. Productions like "The Legend of the White Snake - Love" utilize 4K technology, enhancing visual appeal and attracting contemporary viewers. Additionally, digital tools have helped preserve traditional Gongche notation by facilitating its access and distribution through platforms like gongchepu.net.
By promoting cultural innovation and infrastructure through digital platforms, it aligns with Goal 9. It also supports Goal 4 by using immersive technologies like VR and 4K to engage and educate younger generations. Furthermore, these digital advancements help achieve Goal 10 by making cultural education more accessible, thereby reducing inequalities in cultural appreciation and knowledge.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yh82@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.m.wikipedia.org/wiki/Kunqu]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://ich.unesco.org/en/RL/kun-qu-opera-00004]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1004]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,31.386682931636464,120.97529031336309;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2090">
    <dcterms:title><![CDATA[Kun Qu opera_Performance at the Peking University]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Kun Qu opera. Performance at the Peking University]]></dcterms:description>
    <dcterms:date><![CDATA[18 April 2006]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/29/2024 06:55:01 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yh82@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.flickr.com/photos/antonis/131184445/sizes/o/]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,31.38654726525001,120.97427576780322;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2089">
    <dcterms:title><![CDATA[Classical Gardens of Suzhou]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Classical Gardens of Suzhou exemplify ancient Chinese garden art, merging aesthetic design with cultural depth and architectural skill. These gardens embody Chinese philosophical, literary, and artistic traditions, demonstrating an integration of natural beauty and humanistic values.
To preserve and showcase these gardens, the Suzhou Classical Garden Database was established, cataloging over 5,000 elements from 19 gardens. Additionally, the "Digital Gardens" online platform provides interactive digital models, enhancing accessibility and engagement globally.
The conservation of these gardens supports Sustainable Development Goals, particularly Goal 11 (Sustainable Cities and Communities) by protecting cultural diversity and natural heritage. Under Goal 4 (Quality Education), digital tools promote educational opportunities, allowing broad access to the gardens' rich historical and cultural narratives, thereby encouraging lifelong learning and appreciation of cultural heritage.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yh82@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.m.wikipedia.org/wiki/Classical_Gardens_of_Suzhou]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://whc.unesco.org/en/list/813/]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1003]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,31.30890138655634,120.61815083026887;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2088">
    <dcterms:title><![CDATA[Classical Gardens of Suzhou]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Classical Gardens of Suzhou exemplify ancient Chinese garden art, merging aesthetic design with cultural depth and architectural skill. These gardens embody Chinese philosophical, literary, and artistic traditions, demonstrating an integration of natural beauty and humanistic values.
To preserve and showcase these gardens, the Suzhou Classical Garden Database was established, cataloging over 5,000 elements from 19 gardens. Additionally, the "Digital Gardens" online platform provides interactive digital models, enhancing accessibility and engagement globally.
The conservation of these gardens supports Sustainable Development Goals, particularly Goal 11 (Sustainable Cities and Communities) by protecting cultural diversity and natural heritage. Under Goal 4 (Quality Education), digital tools promote educational opportunities, allowing broad access to the gardens' rich historical and cultural narratives, thereby encouraging lifelong learning and appreciation of cultural heritage.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yh82@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1002]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,31.309112215421475,120.61838150024415;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2087">
    <dcterms:title><![CDATA[Classical Gardens of Suzhou_Humble Administrators Garden]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Xiangzhou of Humble Administrators Garden Suzhou]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[23 October 2009]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/29/2024 06:23:04 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yh82@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Xiangzhou_of_Zhuozhengyuan_Suzhou_4th_Aug_2006.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,31.32624102091559,120.62406128738078;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2086">
    <dcterms:title><![CDATA[The Nok Terracotta Heritage]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Nok Terracotta stands as a testament to the rich cultural heritage of the Nok people of Nigeria, dating back to 500 B.C.E. Crafted with clay, these sculptures represent a significant milestone in early pottery art within sub-Saharan Africa. These artefacts offer invaluable insights into the skilled craftsmanship and cultural traditions of the ancient 'Nok' city. These sculptures with distinct triangular or oval shapes on human faces have emerged as iconic symbols of Nok Art, showcasing the culture's unique stylistic elements. Digital interpretation efforts, including virtual reality experiences, immersive, and interactive learning, have provided unprecedented access to these artefacts for global audience, thereby fostering a deeper appreciation for cultural diversity, heritage preservation, and promoting sustainable development. This engagement advances SDG 4.7's goal of ensuring that all learners acquire the knowledge and skills needed to promote sustainable development. However, despite their historical significance, Nok Terracotta faces notable threats to its preservation. Factors such as environmental degradation, including erosion and climate change, pose significant risks to the integrity of these artefacts. Additionally, looting and illegal trade of cultural heritage items contribute to the loss and destruction of Nok Terracotta sculptures. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Nok People, Nigeria ]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[500 B.C.E.]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[29/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:medium><![CDATA[Nok Culture, Nigeria]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[1001]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,9.7264,8.9107;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2085">
    <dcterms:title><![CDATA[The Nok Terracota Sculptures]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Nok terracotta sculptures, discovered in Nigeria, represent one of the earliest known examples of African figurative art dating back to around 500 BCE to 200 CE. Crafted primarily from terracotta clay, these remarkable sculptures depict human figures, human heads and animals, offering valuable insights into the cultural and artistic traditions of ancient West Africa. Crafted with exquisite detail and finesse, the Nok terracotta sculptures showcase the advanced sculptural techniques and artistic prowess of their creators. The production process of these sculptures involved the shaping the clay by hand or using basic tools, followed by firing in kilns to harden the material. As archaeological treasures, the Nok terracotta sculptures serve as a testament to the rich artistic heritage of Nigeria.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[29/04/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/29/2024 05:09:55 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cje5@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,9.7264° N,8.9107° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2084">
    <dcterms:title><![CDATA[The Great Barrier Reef, Queensland, Cairns (Ank kumar)]]></dcterms:title>
    <dcterms:description><![CDATA[The Great Barrier Reef, Queensland, Cairns]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[10 October 2016]]></dcterms:date>
    <dcterms:contributor><![CDATA[wz44@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2083">
    <dcterms:title><![CDATA[Great Barrier Reef]]></dcterms:title>
    <dcterms:subject><![CDATA[Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Great Barrier Reef, located off the northeast coast of Australia, is the world's largest coral reef system, comprising over 600 types of coral, 1,500 species of fish, and 4,000 species of mollusks. It hosts rich ecosystems and biodiversity, crucial for the stability of global ecosystems, and was inscribed on the UNESCO World Heritage List in 1981.It makes direct contributions to achieving the United Nations' 2030 Sustainable Development Goals (SDGs), such as SDG 13 (Climate Action): By monitoring and showcasing the climate change challenges facing the Great Barrier Reef, it promotes global climate action. SDG 14 (Life Below Water): It supports efforts to conserve marine biodiversity.Digitization can utilize drone technology for aerial photography and remote sensing, providing high-resolution imagery data to help scientists gain a more comprehensive understanding of the geographic features and trends of the Great Barrier Reef. Additionally, employing sonar technology and underwater robotic detectors allows for precise monitoring and assessment of the growth status of coral reefs, fish habitats, and marine pollution deep underwater. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wz44@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Great_Barrier_Reef]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1000]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-18.230125805271264,146.79813623428348;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2082">
    <dcterms:title><![CDATA[Machu Picchu with Huayna Picchu 16 novembre 2011]]></dcterms:title>
    <dcterms:description><![CDATA[This is a photo of a monument in Peru, identified by ID CUS-125.]]></dcterms:description>
    <dcterms:date><![CDATA[16 November 2011]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/28/2024 09:55:20 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wz44@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-13.164277777777778,-72.54511111111111;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2081">
    <dcterms:title><![CDATA[Machu Picchu and Waynapicchu (Portrait)]]></dcterms:title>
    <dcterms:description><![CDATA[View of Waynapicchu Mountain from Machu Picchu.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[May 28, 2015]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/28/2024 09:45:48 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wz44@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2080">
    <dcterms:title><![CDATA[Flamenco Music and Dance]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Flamenco is a passionate and expressive art form originating from the Andalusian region of Spain. It encompasses various elements, including singing (cante), guitar playing (toque), dance (baile), handclaps (palmas), and finger snapping (pitos). With roots in the diverse cultural traditions of Spain, including Romani, Moorish, Jewish, and Andalusian influences, flamenco is a vibrant and dynamic expression of emotion, storytelling, and cultural identity. Through intricate footwork, intricate rhythms, and soulful melodies, flamenco performers convey a wide range of emotions, from joy and love to sorrow and longing.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[999]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.3886°,-5.9826°;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2079">
    <dcterms:title><![CDATA[Flamenco Music and Dance]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Flamenco is a passionate and expressive art form originating from the Andalusian region of Spain. It encompasses various elements, including singing (cante), guitar playing (toque), dance (baile), handclaps (palmas), and finger snapping (pitos). With roots in the diverse cultural traditions of Spain, including Romani, Moorish, Jewish, and Andalusian influences, flamenco is a vibrant and dynamic expression of emotion, storytelling, and cultural identity. Through intricate footwork, intricate rhythms, and soulful melodies, flamenco performers convey a wide range of emotions, from joy and love to sorrow and longing.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[998]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.3886°,-5.9826° ;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2078">
    <dcterms:title><![CDATA[Flamenco Music and Dance]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Flamenco is a passionate and expressive art form originating from the Andalusian region of Spain. It encompasses various elements, including singing (cante), guitar playing (toque), dance (baile), handclaps (palmas), and finger snapping (pitos). With roots in the diverse cultural traditions of Spain, including Romani, Moorish, Jewish, and Andalusian influences, flamenco is a vibrant and dynamic expression of emotion, storytelling, and cultural identity. Through intricate footwork, intricate rhythms, and soulful melodies, flamenco performers convey a wide range of emotions, from joy and love to sorrow and longing.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[997]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.3886°,-5.9826° ;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2077">
    <dcterms:title><![CDATA[Flamenco Music and Dance]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Flamenco is a passionate and expressive art form originating from the Andalusian region of Spain. It encompasses various elements, including singing (cante), guitar playing (toque), dance (baile), handclaps (palmas), and finger snapping (pitos). With roots in the diverse cultural traditions of Spain, including Romani, Moorish, Jewish, and Andalusian influences, flamenco is a vibrant and dynamic expression of emotion, storytelling, and cultural identity. Through intricate footwork, intricate rhythms, and soulful melodies, flamenco performers convey a wide range of emotions, from joy and love to sorrow and longing.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[996]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.3886°,-5.9826° ;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2076">
    <dcterms:title><![CDATA[Flamenco Music and Dance]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Flamenco is a passionate and expressive art form originating from the Andalusian region of Spain. It encompasses various elements, including singing (cante), guitar playing (toque), dance (baile), handclaps (palmas), and finger snapping (pitos). With roots in the diverse cultural traditions of Spain, including Romani, Moorish, Jewish, and Andalusian influences, flamenco is a vibrant and dynamic expression of emotion, storytelling, and cultural identity. Through intricate footwork, intricate rhythms, and soulful melodies, flamenco performers convey a wide range of emotions, from joy and love to sorrow and longing.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[995]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.3886°,5.9826°;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2075">
    <dcterms:title><![CDATA[Flamenco Music and Dance]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Flamenco is a passionate and expressive art form originating from the Andalusian region of Spain. It encompasses various elements, including singing (cante), guitar playing (toque), dance (baile), handclaps (palmas), and finger snapping (pitos). With roots in the diverse cultural traditions of Spain, including Romani, Moorish, Jewish, and Andalusian influences, flamenco is a vibrant and dynamic expression of emotion, storytelling, and cultural identity. Through intricate footwork, intricate rhythms, and soulful melodies, flamenco performers convey a wide range of emotions, from joy and love to sorrow and longing. By leveraging digital platforms, it promotes quality education (SDG 4) by offering insights into the cultural heritage, history, and significance of Flamenco. Furthermore, it contributes to sustainable cities and communities (SDG 11) by providing access to Flamenco performances and educational resources online, reducing the need for physical travel and thus decreasing carbon emissions. Additionally, it supports industry, innovation, and infrastructure (SDG 9) by driving technological advancements in the dissemination and preservation of Flamenco art forms. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[28/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[994]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.3886,-5.9826;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2074">
    <dcterms:title><![CDATA[Flamenco Music and Dance]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Flamenco is a passionate and expressive art form originating from the Andalusian region of Spain. It encompasses various elements, including singing (cante), guitar playing (toque), dance (baile), handclaps (palmas), and finger snapping (pitos). With roots in the diverse cultural traditions of Spain, including Romani, Moorish, Jewish, and Andalusian influences, flamenco is a vibrant and dynamic expression of emotion, storytelling, and cultural identity. Through intricate footwork, intricate rhythms, and soulful melodies, flamenco performers convey a wide range of emotions, from joy and love to sorrow and longing.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[28/04/2024]]></dcterms:date>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,37.3886,-5.9826;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2073">
    <dcterms:title><![CDATA[The Great Wall of China]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Great Wall of China stands as an extraordinary feat of ancient engineering and a symbol of China's rich history and culture. Stretching over 13,000 miles across various landscapes, it was built to protect Chinese states and empires from invasions and raids. Constructed and reconstructed over centuries, it embodies the collective efforts of numerous dynasties. Made primarily of stone, brick, tamped earth, wood, and other materials, the wall is an architectural marvel, offering breathtaking views of China's diverse terrain. By leveraging digital platforms, it promotes quality education (SDG 4) by offering insights into the historical significance and architectural marvels of the Great Wall. Furthermore, it contributes to sustainable cities and communities (SDG 11) by reducing the need for physical travel to the site, thereby mitigating carbon emissions. Additionally, it supports industry, innovation, and infrastructure (SDG 9) by driving technological advancements in the preservation and interpretation of cultural heritage sites.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/28/2024 11:35:31 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:extent><![CDATA[21,196,000cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[993]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.4319,116.5704;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Owned by the Chinese government]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2072">
    <dcterms:title><![CDATA[The Great Wall of China]]></dcterms:title>
    <dcterms:description><![CDATA[The Great Wall of China stands as an extraordinary feat of ancient engineering and a symbol of China's rich history and culture. Stretching over 13,000 miles across various landscapes, it was built to protect Chinese states and empires from invasions and raids. Constructed and reconstructed over centuries, it embodies the collective efforts of numerous dynasties. Made primarily of stone, brick, tamped earth, wood, and other materials, the wall is an architectural marvel, offering breathtaking views of China's diverse terrain.]]></dcterms:description>
    <dcterms:date><![CDATA[28/04/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/28/2024 06:52:53 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.4319°,116.5704°;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2071">
    <dcterms:title><![CDATA[The Mona Lisa]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Mona Lisa, arguably the most famous painting in the world, resides in the Louvre Museum in Paris, France. Painted by Leonardo da Vinci, this enigmatic portrait of Lisa Gherardini captivates viewers with her subtle smile and mysterious gaze. The painting's exquisite details, including its use of sfumato technique and lifelike portrayal, have earned it a revered status in the art world. Protected behind bulletproof glass and surrounded by throngs of admirers, the Mona Lisa continues to fascinate and inspire countless individuals from around the globe. 
Digital interpretation of the Mona Lisa addresses several Sustainable Development Goals (SDGs). By leveraging digital platforms, it promotes quality education (SDG 4) by offering insights into the artwork's historical context and artistic significance. Furthermore, it contributes to sustainable cities and communities (SDG 11) by reducing the need for physical travel to museums, thereby mitigating carbon emissions. Additionally, it supports industry, innovation, and infrastructure (SDG 9) by driving technological advancements in the cultural sector. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Leonardo da Vinci]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[Estimated around 1503-1506]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[28/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:extent><![CDATA[53cm x 77cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Leonardo da Vinci created the Mona Lisa during the Italian Renaissance]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[992]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,48.8606,2.3376;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2070">
    <dcterms:title><![CDATA[The Mona Lisa]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Mona Lisa, arguably the most famous painting in the world, resides in the Louvre Museum in Paris, France. Painted by Leonardo da Vinci, this enigmatic portrait of Lisa Gherardini captivates viewers with her subtle smile and mysterious gaze.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[28/04/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/28/2024 06:24:39 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,48.8606°,2.3376°;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2069">
    <dcterms:title><![CDATA[The Mona Lisa]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Mona Lisa, arguably the most famous painting in the world, resides in the Louvre Museum in Paris, France. Painted by Leonardo da Vinci, this enigmatic portrait of Lisa Gherardini captivates viewers with her subtle smile and mysterious gaze.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[28/04/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/28/2024 06:24:21 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,48.8606°,2.3376°;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2068">
    <dcterms:title><![CDATA[Machu Picchu Ancient Temple]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Machu Picchu is a renowned archaeological site of the pre-Columbian Inca Empire, built in the 15th century in Peru. It is also one of the New Seven Wonders of the World and was inscribed as a mixed cultural and natural heritage site in the UNESCO World Heritage List in 1983. Due to its unique geographical location, mysterious religious ceremonies, and advanced architectural techniques, it is one of the most significant archaeological centers in South America. SDG 11 Sustainable Cities and Communities: As a world-famous tourist destination, Machu Picchu faces challenges of tourist pressure and environmental conservation. Leveraging technologies such as virtual tours and 3D models enables individuals to delve deeper into aspects like the structure, history, and cultural significance of historical relics, thereby enhancing historical understanding. Additionally, documenting detailed information and conditions of historical sites aids in their protection and conservation efforts. This approach helps reduce physical visitations to the sites, thereby minimizing human-induced damage and environmental pressures, thus fostering the sustainable development of historical relics.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/28/2024 09:04:56 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[wz44@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.machupicchu.gob.pe/?lang=en]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.machupicchu.gob.pe/?lang=en]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[991]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-13.162814729637555,-72.54530221223833;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Peru]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2067">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wz44@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[990]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-13.1633,-72.5456;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2066">
    <dcterms:title><![CDATA[The Rwanda Ethnographic Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The Rwanda Ethnographic Museum Image]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[04/27/2024 04:38:17 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2065">
    <dcterms:title><![CDATA[Gwacheon National Science Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Gwacheon National Science Museum in South Korea is a heritage institution committed to scientific education, exploration, and discovery. Opened in 2008, it stands as a testament to the country`s dedication to scientific exploration and sustainable development. The museum's undertaking is to encourage curiosity, foster scientific literacy, and promote innovation amongst site visitors of all ages. 

The Museum boasts numerous famous and interactive displays showcasing numerous scientific disciplines, along with physics, biology, astronomy, and technology. 

Digital interpretation at the Gwacheon National Science Museum can significantly contribute to achieving SDG 4: Quality Education. This SDG focuses on ensuring inclusive and equitable access to quality education at all levels. By providing digital exhibits, virtual tours, and online resources, the museum can extend its educational reach beyond physical limitations or geographical barriers. This allows people from all over the world, including those in remote areas or with mobility challenges, to learn about science and technology in an engaging and interactive way. Furthermore, digital interpretation can be translated into multiple languages, promoting inclusivity and knowledge sharing on a global scale. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/29/2024 05:22:49 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[989]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.43924,127.00535;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2064">
    <dcterms:title><![CDATA[Gwacheon National Science Museum]]></dcterms:title>
    <dcterms:description><![CDATA[Image of Gwacheon National Science Museum, South Korea]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/27/2024 03:26:30 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,37.43924000,127.00535000;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2063">
    <dcterms:title><![CDATA[Rwanda Ethnographic Museum ]]></dcterms:title>
    <dcterms:description><![CDATA[The Rwanda Ethnographic Museum, located in Huye, Rwanda, is a treasure trove of the country's rich history. Walk through its seven galleries and discover Rwanda's story, from its unique landscapes to the lives of its people. See displays of traditional tools, clothing, and even models of homes, offering a window into Rwandan culture, past and present. There's even a section dedicated to the Rwandan monarchy, where you can learn about the role of kings and see historical artifacts. More than just a museum, it's a place to celebrate Rwanda's enduring cultural heritage and connect with its past.  

By implementing digital interpretation with features like online resources, virtual tours, and 3D scans, the Rwanda Ethnographic Museum can address two Sustainable Development Goals (SDGs). Firstly, it supports SDG 4: Quality Education by promoting cultural diversity through broader access to Rwandan history and culture, aligning with Target 4.7. Secondly, digital preservation efforts contribute to SDG 11: Sustainable Cities and Communities by safeguarding cultural heritage through digital archives, as highlighted in Target 11.4. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[27/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[988]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-2.7016350479445204,29.630126953125004;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2062">
    <dcterms:title><![CDATA[Petra ancient-civilization-exploration-background]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Petra ancient-civilization-exploration-background]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/27/2024 12:45:17 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2061">
    <dcterms:title><![CDATA[Petra Archaeological Park, Jordan ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Unearthed from Jordan's rose-red sandstone cliffs, Petra, a UNESCO World Heritage Site, whispers the tales of a lost civilization. This ancient Nabataean city, flourishing over 2,000 years ago, boasts unique architecture carved directly into the rock face. Nicknamed the "Rose City" for its natural hues, Petra is a testament to the Nabataeans' remarkable engineering and artistry. 

Beyond the iconic Treasury, with its intricate facade seemingly rising magically from the mountain, lies a network of passageways, tombs, temples, and an amphitheater. Here, the ingenuity of the Nabataeans is evident in their complex water management system, allowing this desert city to thrive for centuries. 

Digital interpretation in Petra Archaeological Park to be addressed is SDG 11: Sustainable Cities and Communities, particularly by protecting cultural heritage (Target 11.4) through reduced wear and tear from virtual tours, and by promoting sustainable tourism practices (Target 11.b) through enhanced visitor flow management, improved accessibility with VR/AR for all, and increased visitor awareness and education about the site's significance. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/27/2024 12:16:42 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[987]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,30.56063498633056,35.79895019531251;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2060">
    <dcterms:title><![CDATA[The Younger Memnon]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Younger Memnon is a statue of the upper body and head of Ramses II that originally adorned the entrance of the Ramesseum, Ramses Ii's mortuary temple. Originally this statue was part of a pair, but the other statue has been lost. This artefact has traveled the globe – now situated in the British Museum, the hieroglyphs reflect the name and titles of Ramses II, along with part of a dedication to the god Amun-Ra, which situates the statue's religious and cultural significance. In 1817, historians recorded traces of colour on the statue, which suggests that during antiquity the statue may have been painted red. 

This moveable heritage addresses Quality Education 4.7 and Climate Action 13.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[26/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[27/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.britishmuseum.org/collection/object/Y_EA19?_gl=1%2akqs80a%2a_up%2aMQ..%2a_ga%2aNDIwMTIwNTcwLjE3MTQxMzUwMjM.%2a_ga_08TLB9R8X1%2aMTcxNDEzNTAyMi4xLjEuMTcxNDEzNTAzMi4wLjAuMA..]]></dcterms:references>
    <dcterms:extent><![CDATA[203.30cm x 266.80cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[The British Museum ]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[986]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.518757,-0.126168;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2059">
    <dcterms:title><![CDATA[Huangshan]]></dcterms:title>
    <dcterms:description><![CDATA[As a world cultural and natural heritage site, Mount Huangshan is claimed to be a Global Geopark, National Scenic Spot, National Civilized Scenery Tourist Area, and National AAAAA Level Tourist Attraction. It is an outstanding representation of the magnificent mountains and rivers and the splendid culture of China. Known as Wonderland on Earth and The First Strange Mountain in the World, it is famous for its Unique Scenery, including strange pines, stones, seas of clouds, and hot springs.

Digital interpretation can effectively address Sustainable Development Goal (SDG) 15.4, which aims to conserve mountain ecosystems, including their biodiversity.

Digital tools such as interactive apps, virtual tours, and augmented reality experiences can provide detailed information about the biodiversity of Mount Huangshan. These platforms can educate users about the unique flora and fauna of the region, as well as the ecological significance of mountain ecosystems. By increasing awareness, digital interpretation encourages a deeper appreciation and a stronger commitment to conserving these natural resources.

Digital tools can also aid in researching and monitoring ecological changes on Mount Huangshan. By integrating data collection features in apps or other digital platforms, researchers can gather valuable data about climate conditions, species distribution, and environmental impacts over time. This data is crucial for making informed decisions about conservation strategies and managing the mountain ecosystem sustainably.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[26/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/05/2024 12:06:02 am]]></dcterms:>
    <dcterms:contributor><![CDATA[xm31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[985]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,30.175340437437512,118.1739315390587;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2058">
    <dcterms:title><![CDATA[The Younger Memnon]]></dcterms:title>
    <dcterms:description><![CDATA[Photograph of the Younger Memnon ]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[04/26/2024 01:40:41 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[The British Museum ]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,51.518757,-0.126168;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2057">
    <dcterms:title><![CDATA[HUangshan image]]></dcterms:title>
    <dcterms:date><![CDATA[2017-06-09]]></dcterms:date>
    <dcterms:contributor><![CDATA[xm31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[Huangshan's sea of clouds]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2056">
    <dcterms:title><![CDATA[Huangshan VIDEO]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2023/2/23]]></dcterms:date>
    <dcterms:contributor><![CDATA[xm31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:medium><![CDATA[Awesome Scenery of Mount Huangshan in Spring and Winter]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2055">
    <dcterms:title><![CDATA[Bronze statue of Eros sleeping]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This bronze statue of a sleeping Eros, the Roman god of love, is at the pinnacle of Hellenistic sculpture work. The Hellenistic period ushered in the "accurate characterisation of age," which this sculpture exemplifies through the depiction of Eros as a baby. The importance of this statue can be understood through the sheer number of replicas of it – the Roman period was rich with sleeping baby Eros statues throughout public spaces. This sculpture also reframes the narrative around Eros; his softness and vulnerability as depicted here is contrasted with the powerful and cruel characteristic he displays in the poetry of the time. 

This moveable heritage addresses Quality Education 4.7 and Climate Action 13.]]></dcterms:description>
    <dcterms:creator><![CDATA[The Met Museum ]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[3rd–2nd century BCE]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[26/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[27/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.metmuseum.org/art/collection/search/254502]]></dcterms:references>
    <dcterms:extent><![CDATA[41.9cm x 35.6cm x 85.2cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Met Museum ]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[984]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.7794,-73.9632;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2054">
    <dcterms:title><![CDATA[Bronze statue of Eros sleeping]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Photograph of a bronze statue of Eros sleeping ]]></dcterms:description>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.metmuseum.org/art/collection/search/254502]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.779434,-73.963402;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2053">
    <dcterms:title><![CDATA[La Sagrada Fam&iacute;lia]]></dcterms:title>
    <dcterms:description><![CDATA[Nestled in the heart of Barcelona, the Basilica de la Sagrada Familia stands as a monumental testament to the genius of Antoni Gaudí, one of the most innovative architects of the modern era. Conceived in 1882 and still under construction, this majestic structure embodies Gaudí's unique approach to Art Nouveau, merging Gothic and curvilinear Art Nouveau forms. In 1984, it was registered as a United Nations World Heritage under the name "Works of Antoni Gaudí".

The Sagrada Familia is not merely a church but a canvas of Christian narrative and Catalan identity carved into stone and glass. Gaudí's design is replete with curves that defy traditional architectural lines, reflecting his belief that there are no straight lines or sharp corners in nature. Through these sinuous forms, often referred to as "curves for God," Gaudí sought to bring a slice of the divine to earth, capturing the essence of sacred geometry and the organic patterns of nature.

Digital interpretation can significantly address the Sustainable Development Goal (SDG) 11.4, which is Enhancing Accessibility and Education. Via Digital tools and platforms, such as virtual tours, augmented reality (AR), and interactive apps,  La Sagrada Familia can be more accessible to a global audience. People who cannot physically visit the site due to geographic, economic, or physical constraints can still explore its architectural beauty and historical significance. This increased accessibility helps educate a broader audience about the importance of cultural preservation and the architectural innovations of Antoni Gaudí.

Digital interpretation tools can also promote the integration of cultural heritage into sustainable urban development plans. They allow policymakers, educators, and tourists to recognize the value of cultural heritage, encouraging more responsible tourism and sustainable management practices that respect and preserve historic sites.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/04/2024 11:05:09 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[xm31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[La Sagrada Familia]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[983]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.40369,2.17433;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2052">
    <dcterms:title><![CDATA[familia2]]></dcterms:title>
    <dcterms:contributor><![CDATA[xm31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[The Temple of light]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2051">
    <dcterms:title><![CDATA[Sagrada Familia_1]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2023:11:08 22:18:07]]></dcterms:date>
    <dcterms:contributor><![CDATA[xm31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[The Sagrada Família and the Barcelona skyline]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.4036,2.1744;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2050">
    <dcterms:title><![CDATA[Rwanda Memorial sites of the Tutsi Genocide: Nyamata, Murambi, Gisozi and Bisesero ]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[In Rwanda, four stark memorials serve as chilling reminders of the 1994 genocide against Tutsi. These sites are: Nyamata, Murambi, Gisozi, and Bisesero. In 2023, these sites were inscribed on the UNESCO World Heritage List. 

Nyamata and Murambi were places of refuge that turned into killing grounds.  

Gisozi, located in Kigali, is the largest memorial, containing the final resting place of over 250,000 victims. 

Bisesero stands apart, commemorating the resistance of Tutsis who fought back against the killers.  

These Rwandan memorials serve as burial grounds and powerful tools for education, remembrance, and reconciliation. They ensure that the voices of the victims are not silenced, and the horrors of the past are never forgotten. 

Contribution to SDGs: The primary Sustainable Development Goal (SDG) addressed by digital interpretation in the UNESCO Rwanda Tutsi Genocide Memorial Sites is SDG 16: Peace, Justice, and Strong Institutions Target 16.a: Promote peaceful and inclusive societies for sustainable development, provide access to justice for all, and build effective, accountable, and inclusive institutions at all levels. 

Additionally, digital interpretation aligns with aspects of SDG 4 by providing educational resources and promoting lifelong learning. Interactive exhibits and online resources enhance visitors understanding of the genocide and its historical context.]]></dcterms:description>
    <dcterms:creator><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[25/04/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[27/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/en/list/1586/gallery/&maxrows=14]]></dcterms:references>
    <dcterms:medium><![CDATA[https://kgm.rw/]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[982]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-1.9482278584891548,30.08142471313477;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2049">
    <dcterms:title><![CDATA[Images of Memorial Sites of the Genocide: Nyamata, Murambi, Gisozi and Bisesero ]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Images of Memorial Sites of the Genocide: Nyamata, Murambi, Gisozi and Bisesero ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[25/04/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/25/2024 09:03:29 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-1.9445,30.0820;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2048">
    <dcterms:title><![CDATA[Images of Memorial Sites of the Genocide: Nyamata, Murambi, Gisozi and Bisesero ]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Images of Memorial Sites of the Genocide: Nyamata, Murambi, Gisozi and Bisesero ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[25/04/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/25/2024 09:03:25 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-1.9445,30.0820;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2047">
    <dcterms:title><![CDATA[Images of Memorial Sites of the Genocide: Nyamata, Murambi, Gisozi and Bisesero ]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Images of Memorial Sites of the Genocide: Nyamata, Murambi, Gisozi and Bisesero ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[25/04/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/25/2024 09:03:20 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-1.9445,30.0820;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2046">
    <dcterms:title><![CDATA[Mona Lisa]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[04/25/2024 03:30:53 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Mona_Lisa]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2045">
    <dcterms:title><![CDATA[Mona Lisa]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[04/25/2024 03:30:48 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Mona_Lisa]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2044">
    <dcterms:title><![CDATA[Mona Lisa]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[04/25/2024 03:30:44 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Mona_Lisa]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2043">
    <dcterms:title><![CDATA[Mona Lisa]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Mona Lisa, painted by Leonardo da Vinci in the early 1500s, is considered the most famous painting in the world. The painting depicts a young woman with an intriguing smile and is currently housed in the Louvre Museum in Paris. Millions of people visit the Louvre each year, and it is estimated that 80% of them visit for the Mona Lisa itself. An exemplification of the Italian Renaissance, the painting became globally known after it was stolen twice, in the late 19th and early 20th centuries. While extremely valuable, this painting is now the property of France and has been in the Louvre since 1797. 

This moveable heritage addresses Quality Education 4.7 and Climate Action 13.]]></dcterms:description>
    <dcterms:creator><![CDATA[Leonardo da Vinci]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[1503-1506]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[27/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[77cm x 53cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Mona_Lisa]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[981]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,48.860294,2.338629;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2042">
    <dcterms:title><![CDATA[[Untitled]]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:dateSubmitted><![CDATA[25/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[25/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[sl350@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[980]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2041">
    <dcterms:title><![CDATA[Jiuzhaigou National Park ]]></dcterms:title>
    <dcterms:description><![CDATA[Features the mystical National Park in Sichuan Province located near Tibet in central China. 
Features clear blue lakes on top of waterfalls, Tibetan villages, tall mountains, trees, rivers, canyons, ancient town.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2017/7/20]]></dcterms:date>
    <dcterms:contributor><![CDATA[xm31]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:medium><![CDATA[Mystical Jiu Zhai Gou, Central China - 4K Drone]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2040">
    <dcterms:title><![CDATA[Jiuzhai Valley National Park]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Jiuzhai Valley National Park is a nature reserve located in the north of Sichuan Province in southwestern China. A long valley running north to south, Jiuzhaigou was inscribed by UNESCO as a World Heritage Site in 1992 and a World Biosphere Reserve in 1997. It belongs to category V (Protected Landscape) in the IUCN system of protected area categorization.

The Jiuzhai Valley is part of the Min Mountains on the edge of the Tibetan Plateau and stretches over 72,000 hectares (180,000 acres). It has an altitude of over 4800 meters and is composed of diverse forest ecosystems. It is known for its many multi-level waterfalls, colourful lakes, and snow-capped peaks. Its elevation ranges from 2,000 to 4,500 metres (6,600 to 14,800 ft).

Digital interpretation can effectively address Sustainable Development Goal (SDG) 15.1, which focuses on ensuring the conservation, restoration, and sustainable use of terrestrial and inland freshwater ecosystems and their services.

Jiuzhai Valley is prone to natural disasters such as earthquakes and landslides. Digital interpretation systems can include features that educate and inform visitors about what to do in case of emergencies, thereby enhancing safety. Additionally, these systems can be used to monitor the park’s condition in real-time, aiding in quick response and recovery efforts following natural disasters.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[24/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/05/2024 12:11:29 am]]></dcterms:>
    <dcterms:contributor><![CDATA[xm31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[979]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,33.115124501496865,103.88397216796876;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2039">
    <dcterms:title><![CDATA[Jiuzhaigou2]]></dcterms:title>
    <dcterms:description><![CDATA[Fairytale setting, numerous lakes, waterfalls, limestone terraces, and clear mineral-rich waters are nestled in the spectacular alpine mountains. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2023/4/18]]></dcterms:date>
    <dcterms:contributor><![CDATA[xm31]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:medium><![CDATA[As a UNESCO site, Jiuzhaigou is renowned for its scenic and aesthetic majesty & forest ecosystem.]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,33.115124501496865,103.88397216796876;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2038">
    <dcterms:title><![CDATA[Greenwich Park, Maritime Greenwich View]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a photo taken by yx66 about the view of Maritime Greenwich]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2022:03:27 14:02:35]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/24/2024 07:13:12 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx66@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,51.477961111111114,-0.0007666666666666666;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2037">
    <dcterms:title><![CDATA[Maritime Greenwich, United Kingdom]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Maritime Greenwich is located along the bank of the River Thames in the Royal Borough of Greenwich, London, United Kingdom. It has been a World Heritage Site since 1997. The site contains a rich royal history, with various heritage buildings in Royal Greenwich Park, including the Royal Observatory, the Queen’s House, and the Old Royal Naval College. 

Maritime Greenwich has a significant impact on the world. The most important one is the Greenwich Mean Time (GMT). It used to be the standard time worldwide. Although it has now been replaced by UTC, it is still being used in the UK, e.g. Royal Navy. The Greenwich Park is beautiful in the city. It provides a great environment for people to enjoy the view and appreciate the surrounding heritages. 

Maritime Greenwich's technological interpretation will address Goal 11: Make cities and human settlements inclusive, safe, resilient and sustainable. Goal 13: Take urgent action to combat climate change and its impacts. Goal 15: Protect, restore and promote sustainable use of terrestrial ecosystems, sustainably manage forests, combat desertification, and halt and reverse land degradation and halt biodiversity loss. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[24/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx66@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/en/list/795/ https://www.greenwichworldheritage.org/maritime-greenwich/outstanding-universal-value https://www.rmg.co.uk/stories/topics/greenwich-mean-time-gmt  https://sdgs.un.org/goals]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[978]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.4810,0.000;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[The Crown]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2036">
    <dcterms:title><![CDATA[Maritime Greenwich]]></dcterms:title>
    <dcterms:description><![CDATA[Maritime Greenwich is a World Heritage Site located in London, United Kingdom. ]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[24/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx66@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[977]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.45,0.000;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2035">
    <dcterms:title><![CDATA[Tongariro National Park Volcano Sunrise]]></dcterms:title>
    <dcterms:subject><![CDATA[Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[This is the photo taken by yx66 in Tongariro National Park, New Zealand.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2019:04:17 06:55:35]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/24/2024 05:29:53 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx66@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-39.25175,175.5607138888889;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2034">
    <dcterms:title><![CDATA[Tongariro National Park, North Island, New Zealand]]></dcterms:title>
    <dcterms:subject><![CDATA[Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Tongariro National Park is a World Heritage Site located on the North Island of New Zealand. It is famous for its volcanic scenery. The park has three major volcanos: Mount Ruapehu, the highest peak of the North Island, Mount Tongariro, and Mount Ngauruhoe. They are all part of the Pacific Ring of Fire. All of the volcanos are still classified as active, so there is a reasonable possibility that they may erupt. Statistics data show that Mount Ngauruhoe erupts every nine years. Unique local birds and vegetation can be found in Tongariro, e.g. whio, kiwi birds, and a large number of alpine plant species.

The area is significantly important to the local Maori people as a spiritual link between the people and nature. Preserving the culture is essential.

Technological interpretation will address Goal 13: Take urgent action to combat climate change and its impacts and Goal 15:
Protect, restore and promote sustainable use of terrestrial ecosystems, sustainably manage forests, combat desertification, and halt and reverse land degradation and halt biodiversity loss. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[24/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx66@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.doc.govt.nz/parks-and-recreation/places-to-go/central-north-island/places/tongariro-national-park/about-tongariro-national-park/ https://www.un.org/sustainabledevelopment/climate-change/ https://sdgs.un.org/goals/goal15]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[976]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-39.1928,175.5938;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[The Government and People of New Zealand]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2033">
    <dcterms:title><![CDATA[The Fiordland National Park, Te Wāhipounamu - South West New Zealand World Heritage Area]]></dcterms:title>
    <dcterms:subject><![CDATA[Tourism]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[2016:01:16 13:54:58]]></dcterms:date>
    <dcterms:contributor><![CDATA[yx66@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://upload.wikimedia.org/wikipedia/commons/b/b3/The_Fiordland_National_Park._%288366209611%29.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-45.4085,167.3591;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2032">
    <dcterms:title><![CDATA[Te Wahipounamu &ndash; South West New Zealand]]></dcterms:title>
    <dcterms:subject><![CDATA[Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The World Heritage Site, Te Wahipounamu, is located on the South Island of New Zealand. It is a massive natural area that covers approximately 10% of New Zealand's land. Stunning views and various natural features are included in this area, e.g. valleys, glaciers, lakes, peaks etc. It is special because it has New Zealand's local unique ecological environment. Endangered birds, e.g., the special parrot, the kea, and the tekeha, live in the area. Kiwi birds, the symbol of New Zealand, also can be found there. The southern beaches are visible as well.

Technological interpretation can be used to address Goal 13: Take urgent action to combat climate change and its impacts. By doing so, the unique natural heritage, such as glaciers and lakes, can be well preserved, and the untouched ecological system can be well protected.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[24/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/24/2024 07:07:12 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[yx66@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.doc.govt.nz/about-us/international-agreements/world-heritage/te-wahipounamu/ https://sdgs.un.org/goals/goal13]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[975]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-45.036,167.32;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[The Government and People of New Zealand]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2031">
    <dcterms:title><![CDATA[Te Wahipounamu &ndash; South West New Zealand]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[24/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx66@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[974]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2030">
    <dcterms:title><![CDATA[Te Wāhipounamu - South West New Zealand World Heritage Area]]></dcterms:title>
    <dcterms:subject><![CDATA[Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The World Heritage Site Te Wāhipounamu is located on the South Island of New Zealand. It occupied approximately 10% of New Zealand's land. It is an extensive natural heritage area which contains valleys, peaks, lakes, glaciers and other various natural features. There are four national parks in Te Wāhipounamu, which are Mount Cook, Westland Tai Poutini, Mount Aspiring and Fiordland. Since they are located close together, the scenery density in this area is significantly high. Despite its stunning scenery, it is special because of its unique New Zealand ecological system. Endangered birds, the kea and takahē, can be found in this area. The national symbol of New Zealand, the kiwi bird, is visible as well. In addition, regarding trees, the southern beech also lives here. 

Digital interpretation can address the Goal 13: Take urgent action to combat climate change and its impacts. By doing so, the natural landscape, features, e.g. glaciers, and the unique ecological system can be protected and preserved.

]]></dcterms:description>
    <dcterms:date><![CDATA[2016:01:16 13:54:58]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[24/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx66@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://latitude.to/articles-by-country/nz/new-zealand/44435/te-wahipounamu  https://www.doc.govt.nz/about-us/international-agreements/world-heritage/te-wahipounamu/  https://www.un.org/sustainabledevelopment/climate-change/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[973]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-45.036,167.32;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[The Government and People of New Zealand]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2029">
    <dcterms:title><![CDATA[Noh]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Noh (能, Nō), a traditional Japanese art form originating in the 14th century, uniquely combines music, dance, and drama. Recognized as an Intangible Cultural Heritage by UNESCO, noh, together with its comedic counterpart kyogen, forms nogaku theater.

]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.youtube.com/embed/88v-HYGAKMQ]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,35.016,135.7824;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2028">
    <dcterms:title><![CDATA[Not in use]]></dcterms:title>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[Zhen Tu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,35.016,135.7824;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2027">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[04/24/2024 01:19:06 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xm31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,103.46,33.635480403900154;origin,103.46,33.63;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2026">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:description><![CDATA[32°54'~33°19' 103°46']]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[04/24/2024 01:18:35 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xm31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,103.46,33.635480403900154;]]></dcterms:spatial>
</rdf:Description></rdf:RDF>