<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3155">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:43:24 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,20.9152° N,100.7452° W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3156">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:43:28 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,20.9152° N,100.7452° W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3157">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:43:32 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,20.9152° N,100.7452° W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3158">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:43:36 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,20.9152° N,100.7452° W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3159">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:43:41 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,20.9152° N,100.7452° W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3160">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:43:45 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,20.9152° N,100.7452° W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3161">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:43:50 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,20.9152° N,100.7452° W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3162">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:43:55 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,20.9152° N,100.7452° W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3163">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:43:59 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,20.9152° N,100.7452° W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3164">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:44:03 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,20.9152° N,100.7452° W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3165">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:44:08 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,20.9152° N,100.7452° W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3166">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:44:14 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,20.9152° N,100.7452° W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3167">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:44:21 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,20.9152° N,100.7452° W;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3168">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:47:59 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3169">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:48:03 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3170">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:48:08 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3171">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:48:12 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3172">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:48:17 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3173">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:48:22 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3174">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 04:48:29 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3175">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[24/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/24/2025 05:46:06 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1290]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,20.9152,-100.7452;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1649">
    <dcterms:title><![CDATA[Psiloritis geopark presentation]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A very complete video showing the nearly 40 different scenic spots in the Psiloritis Geopark with lots of amazing overhead shots.

If you can't get out of your house right now for some reason or don't have time to travel, taking five minutes to watch this video will not only give you a better sense of the situation, but also help you plan your next field trip.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[20th, August, 2018]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/07/2023 06:28:50 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jn73@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:medium><![CDATA[(1)Psiloritis Natural Park - UNESCO Global Geopark (reference: https://www.psiloritisgeopark.gr/en/fysiko-parko-psiloriti-pagkosmio-gewparko-unesco/) (2).YouTube (reference: https://www.youtube.com/watch?v=q9hvNCRBIiE&list=PPSV)]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,35.22851,24.85416;origin,35.22851,24.85416;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1650">
    <dcterms:title><![CDATA[Psiloritis geopark presentation]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A very complete video showing the nearly 40 different scenic spots in the Psiloritis Geopark with lots of amazing overhead shots.

If you can't get out of your house right now for some reason or don't have time to travel, taking five minutes to watch this video will not only give you a better sense of the situation, but also help you plan your next field trip.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[20th, August, 2018]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/07/2023 06:28:54 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jn73@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:medium><![CDATA[(1)Psiloritis Natural Park - UNESCO Global Geopark (reference: https://www.psiloritisgeopark.gr/en/fysiko-parko-psiloriti-pagkosmio-gewparko-unesco/) (2).YouTube (reference: https://www.youtube.com/watch?v=q9hvNCRBIiE&list=PPSV)]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,35.22851,24.85416;origin,35.22851,24.85416;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1651">
    <dcterms:title><![CDATA[Psiloritis geopark presentation]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A very complete video showing the nearly 40 different scenic spots in the Psiloritis Geopark with lots of amazing overhead shots.

If you can't get out of your house right now for some reason or don't have time to travel, taking five minutes to watch this video will not only give you a better sense of the situation, but also help you plan your next field trip.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[20th, August, 2018]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/07/2023 06:28:57 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jn73@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:medium><![CDATA[(1)Psiloritis Natural Park - UNESCO Global Geopark (reference: https://www.psiloritisgeopark.gr/en/fysiko-parko-psiloriti-pagkosmio-gewparko-unesco/) (2).YouTube (reference: https://www.youtube.com/watch?v=q9hvNCRBIiE&list=PPSV)]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,35.22851,24.85416;origin,35.22851,24.85416;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1654">
    <dcterms:title><![CDATA[PSILORITIS UNESCO GLOBAL GEOPARK (Greece)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The PSILORITIS UNESCO GLOBAL GEOPARK, located on the Greek island of Crete, occupies the central part of the island and was established in 2001.

It is rich in geological diversity, with cross sections of various rock types such as ophiolite, providing an excellent vantage point for understanding the progress of the Earth.

The fascinating caves and deep canyons, its traditional cuisine, hundreds of species of plants and animals, its stunning scenery, and the many ways in which travelers can choose to visit Crete have given it an international reputation.

Due to the COVID-19 pandemic, a normal trip to Geopark became impossible, but a variety of digital technologies were subsequently found to be available for participation. 

Because UNESCO GLOBAL GEOPARK is a heritage site that serves both the functions of a park and educational purposes, it is particularly important to design a variety of visiting formats for this purpose.

Even after the end of the virus, digital media is a good way to visit Geopark virtually, avoid pollution and other problems caused by too many tourists, maintain sustainability, continue green tourism, and play a positive role in climate change. This includes reducing the carbon emissions that people cause by travelling to their destinations.

I have added a variety of different forms of media here. There are three different types in total, including photo, video and virtual tour. You can experience this UNESCO GLOBAL GEOPARK in a variety of ways and enjoy a brand-new travel experience.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[Year 2001 ]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/05/2023]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/09/2023 08:08:36 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[jn73@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[(1).https://en.unesco.org/global-geoparks/psiloritis (2).https://www.psiloritisgeopark.gr/en/fysiko-parko-psiloriti-pagkosmio-gewparko-unesco/ (3).https://www.alltrails.com/parks/greece/crete/psiloritis-natural-park-unesco-global-geopark (4).https://en.wikipedia.org/wiki/Psiloritis_Natural_Park (5).https://www.youtube.com/@psiloritisnaturalpark-unes1697/about]]></dcterms:references>
    <dcterms:extent><![CDATA[area1200 km2cm x  height 2456 mcm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[(1).WWW.UNESCO.ORG (2).Psiloritis Natural Park Anogeia Rethymnon 74051 Crete Greece (3).2023 AllTrails, LLC All Rights Reserved (4).Wikipedia (5).Youtube]]></dcterms:medium>
    <dcterms:language><![CDATA[English / Ελληνικά (Modern Greek)]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[763]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,35.22851,24.85416;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[UNESCO Global Geoparks Network]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3749">
    <dcterms:title><![CDATA[Pura Taman Ayun, Bali, Indonesia]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Pura Taman Ayun is a compound of Balinese temple and garden located in Mengwi district in Badung Regency, Bali, Indonesia. Its water features are an integral part of the local Subak system]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2011:02:23 11:16:09]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 02:27:04 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ravish Kumar]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikipedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-8.5416,115.1726;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3748">
    <dcterms:title><![CDATA[Pura Tirta Empul, Ubud, Bali]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[A beautiful and old Hindu temple which hosts rituals. The temple has holy springs in which devotees bathe.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2012:12:24 13:15:26]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 02:19:07 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ravish Kumar]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikipedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-8.414666666666667,115.316;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3600">
    <dcterms:title><![CDATA[Pushkarani step well, Hampi]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Each major Hindu temple complex in Hampi had a large water tank which were called Pushkarani (Jain temples of Hampi also feature a small water tank, usually in front and also stepped). The Pushkarani were symmetrical, either square or joined double square. In the center of these some water tanks was a shrine with a statue. These were public utilities, while bathing facilities and ghat facilities existed on the banks of the Tungabhadra river with several mandapa and shrines. The water tanks had steps to walk down and fetch water. The most intricate five level highly symmetric gray stone step well was fed by an stone aqua duct near the Maha Ramanavami (Mahanavami) procession and events performance platform, housed within the royal and court residence campus.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2017:09:08 12:42:06]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 01:08:29 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ravish Kumar]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikipedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,15.315138888888889,76.47041388888888;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2224">
    <dcterms:title><![CDATA[Pyramid]]></dcterms:title>
    <dcterms:description><![CDATA[The Egyptian pyramids are among the most famous and mysterious ancient structures in the world, representing the power of the ancient Egyptian pharaohs. Constructed during the period from the 27th to the 22nd century BCE, these immense triangular structures were intended as tombs for the pharaohs in order to perpetuate their power. They are not only architectural wonders but also symbols of the splendor of ancient Egyptian civilization and cultural heritage. Tourists and scholars flock to these mysterious structures, hoping to uncover the secrets behind 2 them and experience the glorious history of ancient Egypt. Through archaeology and technological advancements, our understanding of the interior of the pyramids continues to grow, aiming to reveal more of the mysteries of ancient Egyptian civilization. The historical value of the pyramids lies not only in their enormous size and exquisite craftsmanship but also in their role as carriers of the historical heritage and belief systems from ancient Egyptian dynasties to the modern world.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[02/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/03/2024 12:28:56 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[tj40@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1062]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29.9792,31.1342;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2244">
    <dcterms:title><![CDATA[Pyramid]]></dcterms:title>
    <dcterms:description><![CDATA[El Castillo (pyramid of Kukulcán) in Chichén Itzá]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[18 August 2009]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/03/2024 12:14:22 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[tj40@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1743">
    <dcterms:title><![CDATA[Qian Gu - Ghost Grabbing]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a traditional event held in July of Lunar Calendar. Participants will climb up to the 10 meters high tower supported by bamboo poles to compete the prize hung on the top. The poles will be fully covered in animal grease that this increases the difficulty of getting the prize. The participants represent hungry ghosts, and their competition is for freaking out those real ghosts.
The climate threats this event faces are rising sea level. Because Taiwan is a small island that it always has the potential risk of being flooded. If the region is flooded, the intangible heritage will have the possibility of disappearing.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[09/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mis25000@gmail.com]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[817]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.005260752288446,120.750390067386731;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1742">
    <dcterms:title><![CDATA[Qian_gu.jpg]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 07:33:13 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mis25000@gmail.com]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,22.005260752288446,120.750390067386731;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1416">
    <dcterms:title><![CDATA[Qingcheng Mountain]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[04/30/2023 04:44:43 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wo7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,30.899696522436695,103.57023518532515;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1418">
    <dcterms:title><![CDATA[Qingcheng Mountain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a picture of a landscape with a Taoist temple on Mount Qingcheng.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/30/2023 04:57:12 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wo7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,30.89948478266421,103.57089266180995;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1419">
    <dcterms:title><![CDATA[Qingcheng Mountain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a picture of a landscape with a Taoist temple on Mount Qingcheng.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/30/2023 04:57:17 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wo7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,30.89948478266421,103.57089266180995;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1420">
    <dcterms:title><![CDATA[Qingcheng Mountain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a picture of a landscape with a Taoist temple on Mount Qingcheng.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/30/2023 04:57:21 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wo7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,30.89948478266421,103.57089266180995;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1421">
    <dcterms:title><![CDATA[Qingcheng Mountain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a picture of a landscape with a Taoist temple on Mount Qingcheng.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/30/2023 04:57:25 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wo7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,30.89948478266421,103.57089266180995;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1422">
    <dcterms:title><![CDATA[Qingcheng Mountain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a picture of a landscape with a Taoist temple on Mount Qingcheng.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/30/2023 04:57:29 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wo7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,30.89948478266421,103.57089266180995;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1423">
    <dcterms:title><![CDATA[Qingcheng Mountain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a picture of a landscape with a Taoist temple on Mount Qingcheng.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/30/2023 04:57:33 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wo7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,30.89948478266421,103.57089266180995;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1424">
    <dcterms:title><![CDATA[Qingcheng Mountain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a picture of a landscape with a Taoist temple on Mount Qingcheng.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/30/2023 04:57:36 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wo7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,30.89948478266421,103.57089266180995;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1425">
    <dcterms:title><![CDATA[Qingcheng Mountain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a picture of a landscape with a Taoist temple on Mount Qingcheng.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/30/2023 04:57:40 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wo7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,30.89948478266421,103.57089266180995;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1426">
    <dcterms:title><![CDATA[Qingcheng Mountain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a picture of a landscape with a Taoist temple on Mount Qingcheng.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/30/2023 04:57:44 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wo7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,30.89948478266421,103.57089266180995;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1427">
    <dcterms:title><![CDATA[Qingcheng Mountain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a picture of a landscape with a Taoist temple on Mount Qingcheng.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/30/2023 04:57:48 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wo7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,30.89948478266421,103.57089266180995;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1428">
    <dcterms:title><![CDATA[Qingcheng Mountain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a picture of a landscape with a Taoist temple on Mount Qingcheng.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/30/2023 04:57:52 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wo7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,30.89948478266421,103.57089266180995;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1429">
    <dcterms:title><![CDATA[Qingcheng Mountain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a picture of a landscape with a Taoist temple on Mount Qingcheng.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/30/2023 04:57:56 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wo7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,30.89948478266421,103.57089266180995;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1430">
    <dcterms:title><![CDATA[Qingcheng Mountain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a picture of a landscape with a Taoist temple on Mount Qingcheng.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/30/2023 04:58:00 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wo7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,30.89948478266421,103.57089266180995;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1431">
    <dcterms:title><![CDATA[Qingcheng Mountain]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a picture of a landscape with a Taoist temple on Mount Qingcheng.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/30/2023 04:58:04 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wo7@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,30.89948478266421,103.57089266180995;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3876">
    <dcterms:title><![CDATA[Qinghai Hoh Xil]]></dcterms:title>
    <dcterms:description><![CDATA[Qinghai Hoh Xil Nature]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[20 March 2009]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/29/2025 08:24:58 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yilei Xiao]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[e	http://cc.nphoto.net/view/2008/12566.shtml]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,35°22′49″N ,92°26′21″E;origin,35°22′49″N ,92°26′21″E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3878">
    <dcterms:title><![CDATA[Qinghai Hoh Xil]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Qinghai Hoh Xil, situated in the northeastern part of the Qinghai-Tibetan Plateau, is one of the world’s largest, highest, and youngest plateaus. Covering an area of 3,735,632 hectares with a 2,290,904-hectare buffer zone, it consists of vast alpine mountains and steppe landscapes at elevations exceeding 4,500 meters. Often referred to as the "Third Pole," Hoh Xil experiences a harsh, frigid plateau climate that shapes its unique ecosystems.

The region is home to remarkable biodiversity, with its extreme environment supporting a range of specialized species. It plays a crucial role in the survival of the Tibetan antelope, providing key calving grounds and migration routes for nearly 40% of the global population. Recognized as a UNESCO World Heritage site, Hoh Xil holds outstanding ecological and scientific value. Its well-preserved natural environment makes it essential for biodiversity conservation and an important site for climate research.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[29/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yilei Xiao]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Hoh_Xil]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://whc.unesco.org/en/list/1540/]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1454]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,35°22′49″N,92°26′21″E;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[CHINA]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3990">
    <dcterms:title><![CDATA[Qiyi Glacier]]></dcterms:title>
    <dcterms:description><![CDATA[Qiyi Glacier, 116 km southwest of Jiayuguan City in Gansu Province, China, on the northern slopes of the Torai Mountains in the Qilian Mountains. It is the closest viewable glacier in Asia to the city, but is shrinking in recent years.]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[1506]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.0413988,94.8090217;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3964">
    <dcterms:title><![CDATA[Quarry Robben Island]]></dcterms:title>
    <dcterms:date><![CDATA[2018:07:25 19:33:13]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/26/2025 10:42:20 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Robben_island,_Sud%C3%A1frica_02.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-33.805540451602084,18.37391281106648;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1684">
    <dcterms:title><![CDATA[Quill VR - Day of the Dead]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Wonderful theme park for Day of the Dead

Format: The list of formatting options above may not be suitable, and the format for 3d could be OBJ or STL.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[Published 4 years ago]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 02:42:13 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jn73@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[Sketchfab (Reference:https://sketchfab.com/feed)]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,19.4322987,-99.1323909;origin,19.4322987,-99.1323909;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1685">
    <dcterms:title><![CDATA[Quill VR - Day of the Dead]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Wonderful theme park for Day of the Dead

Format: The list of formatting options above may not be suitable, and the format for 3d could be OBJ or STL.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[Published 4 years ago]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 02:42:20 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jn73@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[Sketchfab (Reference:https://sketchfab.com/feed)]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,19.4322987,-99.1323909;origin,19.4322987,-99.1323909;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1686">
    <dcterms:title><![CDATA[Quill VR - Day of the Dead]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Wonderful theme park for Day of the Dead

Format: The list of formatting options above may not be suitable, and the format for 3d could be OBJ or STL.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[Published 4 years ago]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 02:42:25 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jn73@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[Sketchfab (Reference:https://sketchfab.com/feed)]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,19.4322987,-99.1323909;origin,19.4322987,-99.1323909;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/698">
    <dcterms:title><![CDATA[Ramesses I tomb (KV 1)]]></dcterms:title>
    <dcterms:source><![CDATA[valley of the kings tombs]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/04/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[dv43]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[442]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,25.742306230618645,32.60194539879867;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/694">
    <dcterms:title><![CDATA[Ramesses V and Ramesses VI tomb (KV 9)]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[valley of the kings tombs]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/04/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/18/2022 03:49:50 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[dv43]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[438]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,25.740275612299133,32.601460816220246;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/890">
    <dcterms:title><![CDATA[Rank Badge with Mandarin Duck]]></dcterms:title>
    <dcterms:description><![CDATA[The mandarin duck corresponds to the seventh rank of civil officials.

By the end of the seventeenth century, Qing dynasty norms had developed and taken hold in the iconography of rank badges. At that time the animals and birds on badges were depicted looking at a sun disk, said to represent the emperor. It is seen in the upper right of this badge.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[late 17th–early 18th century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/08/2022 09:08:38 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yuqi2022]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3788">
    <dcterms:title><![CDATA[Ranthambore national Park]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[am770]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1422]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,26,76;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3790">
    <dcterms:title><![CDATA[Ranthambore_National_Park.JPG]]></dcterms:title>
    <dcterms:description><![CDATA[Ranthambore National Park is a part of the forts (Hill forts of Rajasthan) and comes right next to
the Ranthambore fort. This forest has a variety of flora and fauna but is known for the tigers found
here. Due to poaching the species had been endangered but after several reforms by the
government it has been put to an end. The animals' skin was treated as a luxury item in several
parts of Asia. The national park is also home to another endangered species known as the
black buck (a form of deer). It is an attraction for tourists and is the prey to the tigers in the forest. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[am770]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Hindi/ Marwadi]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1424]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,26.0173,76.5026;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/464">
    <dcterms:title><![CDATA[Rapa Nui National Park]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Much has been written about what is considered "the most island island", due to its remote location in the Pacific Ocean. The gigantic volcanic stone statues, known as moai, the still undeciphered writing of the Rongo Rongo symbols, and the history of some inhabitants who were about to disappear, have originated the myth of Easter Island.

The island was discovered on Easter Sunday in 1722, and taken over by Chile in 1888. Its fame and World Heritage status arise from the 887 extant stone statues known by the name "moai", whose creation is attributed to the early Rapa Nui people who inhabited the island around 300 AD. The moai in the park are of varying height from 2 to 20 meters (6 to 65 ft). The volcanic rock formations quarried for sculpting are a distinctive yellow-brown volcanic tuff found only at the Ranu Raraku on the southeast side of the island. Some of the moai were also carved from red scoria. The ceremonial shrines where they are erected for offering worship are known as "ahu". Of impressive size and form, they are normally built close to the coast and parallel to it.]]></dcterms:description>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[19/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jcbo1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[321]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-27.12595935,-109.349576422058;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3038">
    <dcterms:title><![CDATA[Ravish Kumar (Author)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/22/2025 06:22:56 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ravish Kumar]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,15.335165°N,76.458727°E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4102">
    <dcterms:title><![CDATA[Recoloured St Madoes Stone]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[A recoloured and restored model of St Madoes stone, found near Perth, Scotland.]]></dcterms:description>
    <dcterms:source><![CDATA[standingstones,is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2020]]></dcterms:date>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.39586633357682,-3.4294080734252934;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/261">
    <dcterms:title><![CDATA[Reconstruction Map Key]]></dcterms:title>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/471">
    <dcterms:title><![CDATA[Reconstruction of 3,000-year-old Ceramic Lion]]></dcterms:title>
    <dcterms:description><![CDATA[The Semitic Museum at Harvard University used 3D printers and 3D scanning technology to reconstruct a ceramic lion that was shattered around 3,000 years ago when Assyrians destroyed Nuzi, an ancient Mesopotamian city situated in modern Iraq.
The Harvard team shot sculpture fragments from hundreds of angles to create 3D reproductions of each artefact, then combined them to shape a partially complete 3D image of the original artefact. The process is known as "photogrammetry" which is a photo modelling technique commonly used to create 3D reproductions of buildings, artefacts and objects. This technique is particularly useful to the digital preservation of cultural heritage as historical sites and artefacts are often damaged. The digital version was assessed and compared to scanned versions of complete artefacts found in the same environment. Any holes were identified, and absent fragments and support systems were meticulously fabricated from 3D prints and CNC carved foam. The images show the complete lion and fragments of the Nuzi lion during the photo modelling process.
]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[19/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pkal]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[326]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,36.67557848857605,43.010787963867195;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/472">
    <dcterms:title><![CDATA[Reconstruction of 3,000-year-old Ceramic Lion]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/19/2021 11:51:08 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pkal]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/232">
    <dcterms:title><![CDATA[Reconstructions Map]]></dcterms:title>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Map]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/227">
    <dcterms:title><![CDATA[Redware Bowl]]></dcterms:title>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/228">
    <dcterms:title><![CDATA[Redware Bowl]]></dcterms:title>
    <dcterms:description><![CDATA[Red polished hand made bowl with loop on the rim for threading an attachment to a belt or bag. Thought to be a drinking vessel or multi-purpose bowl. Bronze Age.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[03/03/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[223]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/68">
    <dcterms:title><![CDATA[Region Varmland]]></dcterms:title>
    <dcterms:description><![CDATA[Region Värmland has arranged and facilitated regional and international events to develop technological innovations, based upon virtual reality for example and other hybrid forms of storytelling. Our experience and expertise is an asset for the project, as we have knowledge of initiating and managing projects that benefit from both commercial, as well as cultural values, for entrepreneurs in the cultural sector. The region has a long tradition of business support and business innovation.]]></dcterms:description>
    <dcterms:source><![CDATA[collaborations]]></dcterms:source>
    <dcterms:extent><![CDATA[x x]]></dcterms:extent>
    <dcterms:type><![CDATA[Museum]]></dcterms:type>
    <dcterms:identifier><![CDATA[68]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.373975028090825,13.50915294260559;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1296">
    <dcterms:title><![CDATA[reshow Bamiyan]]></dcterms:title>
    <dcterms:description><![CDATA[In 2015, a team from China will use data technology to restore the Buddha statue with 3D projection, so that the Buddha statue will briefly reappear in its ruins, giving people a chance to admire and imagine this heritage]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/28/2023 08:36:21 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Jiantong]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34°49′55.35'' N,67°49′36.49″E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2898">
    <dcterms:title><![CDATA[Residenze Reali Sabaude Piemonte]]></dcterms:title>
    <dcterms:source><![CDATA[collaborations]]></dcterms:source>
    <dcterms:extent><![CDATA[x x]]></dcterms:extent>
    <dcterms:type><![CDATA[Museum]]></dcterms:type>
    <dcterms:identifier><![CDATA[1223]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,45.0741333,7.6859841;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4140">
    <dcterms:title><![CDATA[Restaurant]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[08/12/2025 04:11:36 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.34028276718712,-2.8080797195434575;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/422">
    <dcterms:title><![CDATA[Retezat Mountains]]></dcterms:title>
    <dcterms:description><![CDATA[The Retezat Mountains (Romanian: Munții Retezat, Hungarian: Retyezát-hegység) are one of the highest massifs in Romania, being part of the Southern Carpathians. The highest peak is Peleaga (Vârful Peleaga), at an altitude of 2,509 metres (8,232 ft). Other important peaks are Păpușa (Vârful Păpușa, "the Doll Peak") and Retezat Peak (Vârful Retezat). The name means "cut off" in Romanian.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/18/2021 12:28:50 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ma306@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,45.30750875758899,22.794183462958877;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/423">
    <dcterms:title><![CDATA[Retezat Mountains]]></dcterms:title>
    <dcterms:description><![CDATA[The Retezat Mountains (Romanian: Munții Retezat, Hungarian: Retyezát-hegység) are one of the highest massifs in Romania, being part of the Southern Carpathians. The highest peak is Peleaga (Vârful Peleaga), at an altitude of 2,509 metres (8,232 ft). Other important peaks are Păpușa (Vârful Păpușa, "the Doll Peak") and Retezat Peak (Vârful Retezat). The name means "cut off" in Romanian.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ma306@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[306]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,45.31666584983693,22.776430703498242;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/56">
    <dcterms:title><![CDATA[Rhynie Woman]]></dcterms:title>
    <dcterms:source><![CDATA[collaborations]]></dcterms:source>
    <dcterms:extent><![CDATA[x x]]></dcterms:extent>
    <dcterms:type><![CDATA[Museum]]></dcterms:type>
    <dcterms:identifier><![CDATA[56]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,57.3328652,-2.8337761;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1629">
    <dcterms:title><![CDATA[Richat Structure-The Eye of Sahara]]></dcterms:title>
    <dcterms:subject><![CDATA[Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Eye of the Sahara, also referred to as the Richat Structure, is a geological phenomenon of significant cultural, historical, and scientific value in Mauritania. The structure emerged over millions of years due to the gradual erosion of rock layers and is visible from space. It holds immense importance for archaeology, given its composition of bimodal tholeiitic and alkaline volcanism dating back to the Cretaceous era. Because of its striking circular shape, the structure remains a subject of considerable scientific inquiry. Its study has contributed significantly to our understanding of plate tectonics and the evolution of the Earth's surface.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[100 million years ago]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[06/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[DiMei]]></dcterms:contributor>
    <dcterms:references><![CDATA[[1] Matton G, Jébrak M. The “eye of Africa”(Richat dome, Mauritania): An isolated Cretaceous alkaline–hydrothermal complex[J]. Journal of African Earth Sciences, 2014, 97: 109-124. [2] Abdeina E H, Bazin S, Chazot G, et al. Geophysical modelling of the deep structure of the Richat magmatic intrusion (northern Mauritania): insights into its kinematics of emplacement[J]. Arabian Journal of Geosciences, 2021, 14: 1-13.]]></dcterms:references>
    <dcterms:extent><![CDATA[-cm x -cm x -cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Richat_Structure]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[752]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,20.54,11.24;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[-]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/504">
    <dcterms:title><![CDATA[Ritan Park]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer,ritan park]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/20/2021 01:33:13 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yl241@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,39.914163626779455,116.43738627433778;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/507">
    <dcterms:title><![CDATA[Ritan Park]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Ritan Park, also known as ‘chaoritan’, is located in the southeast of Chaoyang Gate in Beijing. It is the place where the emperors of Ming and Qing Dynasties offered sacrifices to the sun, the God of Ming Dynasty. It was originally built by Xiao Yingdi of the royal guards of Ming Dynasty in 1530. To the west of the altar, a square platform is made of white stone. The surface of the altar is red glazed in the Ming Dynasty to symbolize the sun. Due to its use and history, Ritan Park is an indispensable part of China's cultural heritage.]]></dcterms:description>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer,ritan park]]></dcterms:source>
    <dcterms:date><![CDATA[1530]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[20/05/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/21/2021 07:02:11 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[yl241@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://baike.baidu.com/item/%E6%97%A5%E5%9D%9B%E5%85%AC%E5%9B%AD/8617015?fr=aladdin]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://baike.baidu.com/item/%E6%97%A5%E5%9D%9B%E5%85%AC%E5%9B%AD/8617015?fr=aladdin]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[339]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.91414716860219,116.43737554550172;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3041">
    <dcterms:title><![CDATA[Robben Island]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Robben Island is a UNESCO world heritage site due to the intangible heritage that the site represents. It served as a political prison for the Apartheid government of South Africa, where they held numerous people who fought against their regime. The most notable prisoner is Nelson Mandela who spent 18 years on the island through his 27 years of imprisonment by the Apartheid government. He then became the first President of a post-Apartheid South Africa. While most known for its Apartheid-era usage, it has been used a political prison since the 1600s, where Dutch colonialists imprisoned indigenous tribal leaders, opposition colonial leaders as well as the leaders of a mutiny on a slave ship, the Meermin. It also holds natural value, for example, scientists study the population of penguins resident on the island.

Digital interpretation of Robben Island contributes to Goal 16 of the UN Sustainable Development Goals as it will allow promotion of justice, by teaching about prior injustice. This also links to Goal 10, reducing inequalities. Furthermore, it will contribute to Goal 11.4 through the strengthening of Cultural Heritage as it represents a key site for the story of the fight against Apartheid.  ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[1600s]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[22/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/22/2025 06:49:11 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.robben-island.org.za/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1280]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-33.8034784063154,18.368994711781856;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Government of South Africa]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3039">
    <dcterms:title><![CDATA[Robben Island - Cape Town, South Africa]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A photograph showing an overhead view of the entirety of Robben Island, with mainland in the background.]]></dcterms:description>
    <dcterms:date><![CDATA[2006:02:17 11:27:55]]></dcterms:date>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[South African Tourism]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-33.8038278784108,18.36946678187815;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3956">
    <dcterms:title><![CDATA[Robben Island African Penguin Colony]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Robben Island is an important site for the African Penguin, and is home to the third largest breeding colony of the species. In the 1600s, Dutch colonial settlers released rabbits on the island for food for any passing sailors. Unfortunately, the rabbit population destroyed the island's vegetation and so destroying the penguin breeding locations. This led to the complete decimation of the penguin population with none left by the 1800s. Today, there are thousands of penguins back on the island and the site is managed to ensure their continued existence.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025,robbenisland]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[http://penguins.neaq.org/2010/06/penguin-pals-robben-ii.html#:~:text=When%20Robben%20Island%20was%20first,not%20endanger%20the%20native%20penguins.&text=Being%20one%20of%20our%20younger,their%20mold%20in%20this%20entry.)]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1479]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-33.79330028391936,18.37126922502648;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Government of South Africa]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3959">
    <dcterms:title><![CDATA[Robben Island Kramat]]></dcterms:title>
    <dcterms:date><![CDATA[2013:12:01 13:56:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/26/2025 10:32:37 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Moturu_Kramat.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-33.79881298922443,18.371835708339862;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3958">
    <dcterms:title><![CDATA[Robben Island Lighthouse]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[In the 1600s, large fires were set at the top of Minto Hill by the Dutch colonial settlers, to warn passing ships to keep away from the rocks surrounding the island. Eventually, a full lighthouse was built, completed in the 1860s.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[1862]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[26/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://artefacts.co.za/main/Buildings/bldgframes.php?bldgid=11578]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1480]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-33.81467508125609,18.37413114270021;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3963">
    <dcterms:title><![CDATA[Robben Island Maximum Security Prison]]></dcterms:title>
    <dcterms:description><![CDATA[The Maximum Security Prison was built in the 1960s by prisoners on the island, with stone coming from quarries on the island (again, worked in by the prisoners). There were blocks where prisoners were housed together, as well as cells for those in solitary confinement, and for different categories of political prisoners. The cell where Nelson Mandela spent much of his time on the island is a key point on the tour.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[1860s]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[26/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1482]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-33.80030812558472,18.371786355710356;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Government of South Africa]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/468">
    <dcterms:title><![CDATA[Robert Burns Birthplace Museum]]></dcterms:title>
    <dcterms:description><![CDATA[Robert Burns - born in Alloway, Ayrshire, Scotland in 1759 - is considered the national poet of Scotland and was voted "The Greatest Scot" of all time in 2009. The small, traditional cottage he was born and raised in is an important landmark for the village of Alloway and is visited by many fans and admirers of Burns. The cottage museum contains over 5,000 Burns artefacts including his handwritten manuscripts. Tourists can walk in the footsteps of the great poet, celebrate his legacy, and eat traditional Scottish food such as haggis, neeps and tatties in the museum café. Using the cottage museum as a base point, visitors can explore throughout the village of Alloway and view important village landmarks in the life of Burns along the way. ]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[19/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pm244]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[324]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.4328191771637,-4.633873701204721;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/475">
    <dcterms:title><![CDATA[Robert Burns Birthplace Museum]]></dcterms:title>
    <dcterms:date><![CDATA[2018:02:23 01:21:27]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/20/2021 12:01:09 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pm244]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Burns_Cottage]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,55.432743333333335,-4.6332933333333335;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/585">
    <dcterms:title><![CDATA[Rock Carving]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/26/2021 06:05:00 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ysl4]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[https://k.sina.cn/article_7055636087_p1a48c767700100wwv9.html]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/586">
    <dcterms:title><![CDATA[Rock Carving - ox]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/26/2021 06:24:17 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ysl4]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://m.thepaper.cn/newsDetail_forward_5933610]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/554">
    <dcterms:title><![CDATA[Rokuon-ji]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/21/2021 02:13:02 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shiruo Zhao]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2963">
    <dcterms:title><![CDATA[Roman Colosseum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[An iconic Roman amphitheatre and revolutionary for its time. Capable of housing over 50,000 onlookers at its peak, it was known for bloody gladiatorial contests, spectacles and naval battles. Throughout time, the Colosseum has been affected by earthquakes, overtourism, climate change, looting and vandalism, and has endured the test of time as a symbol of Rome's genius and power. Digital representations will help make progress towards UN SDG goal 11 of Sustainable Cities and Communities in order to ensure responsible and sustainable tourism.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2015]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/13/2025 11:45:23 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kae4@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.flickr.com/photos/132084522@N05/16800139540]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.8902° N,12.4922° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2964">
    <dcterms:title><![CDATA[Roman Colosseum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[An iconic Roman amphitheatre and revolutionary for its time. Capable of housing over 50,000 onlookers at its peak, it was known for bloody gladiatorial contests, spectacles and naval battles. Throughout time, the Colosseum has been affected by earthquakes, overtourism, climate change, looting and vandalism, and has endured the test of time as a symbol of Rome's genius and power. Digital representations will help make progress towards UN SDG goal 11 of Sustainable Cities and Communities in order to ensure responsible and sustainable tourism.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2015]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/13/2025 11:45:28 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kae4@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.flickr.com/photos/132084522@N05/16800139540]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.8902° N,12.4922° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2967">
    <dcterms:title><![CDATA[Roman Colosseum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[An iconic Roman amphitheatre and revolutionary for its time. Capable of housing over 50,000 onlookers at its peak, it was known for bloody gladiatorial contests, spectacles and naval battles. Throughout time, the Colosseum has been affected by earthquakes, overtourism, climate change, looting and vandalism, and has endured the test of time as a symbol of Rome's genius and power. Digital representations will help make progress towards UN SDG goal 11 of Sustainable Cities and Communities in order to ensure responsible and sustainable tourism.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[14/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kae4@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.flickr.com/photos/132084522@N05/16800139540]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1258]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.8902°,12.4922;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Sam Valadi]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3995">
    <dcterms:title><![CDATA[Roman Fort and Bathhouse 142AD - Cramond]]></dcterms:title>
    <dcterms:description><![CDATA[The small village of Cramond, on the edge of Edinburgh, is one of Scotland’s most important archaeological sites. People have lived in and around Cramond for at least ten thousand years.
In the Mesolithic era, hunter-gatherers camped here, taking advantage of the many foodstuffs found beside the Firth of Forth. Many centuries later, Cramond became a significant Roman settlement, with a large fort which may have served as a supply depot for the Antonine Wall.
Cramond also has a rich medieval heritage. The village boasts a stone tower house which once belonged to the Bishops of Dunkeld, whilst the parish Kirk has been on its current site since at least the thirteenth century. Today, Cramond is a pleasant commuter village for Edinburgh, but there remain numerous reminders of its extraordinary past.
]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:date><![CDATA[2015]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[1511]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.972115,-3.3106663;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4085">
    <dcterms:title><![CDATA[Roman Fort Plan]]></dcterms:title>
    <dcterms:description><![CDATA[Scale plan of Cramond's Roman Fort.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/28/2025 02:34:06 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,55.97437454215272,-3.298730850219727;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3568">
    <dcterms:title><![CDATA[Roman Market Reconstruction]]></dcterms:title>
    <dcterms:description><![CDATA[The Roman Empire left behind incredible architectural and cultural legacies, but much of Roman daily life has been lost to time. This project aims to reconstruct an ancient Roman square using immersive 3D environments and AI-powered characters — allowing users to “walk through history” and experience a day in the life of a Roman citizen. From conversing with a merchant to observing a blacksmith or attending a public forum, this idea brings archaeology to life in a way that is interactive, educational, and deeply human. This kind of virtual preservation supports SDG 11.4 by promoting cultural awareness and digital access to heritage, especially for those unable to travel to physical sites. It would also open new ways to teach history through experience, not just textbooks.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Christian D'Agostino]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1393]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.885880,12.505673;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1060">
    <dcterms:title><![CDATA[Roman Ship, c.150 AD]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[03/27/2023 11:18:05 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jn73@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1061">
    <dcterms:title><![CDATA[Roman Ship, c.150 AD]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[03/27/2023 11:18:07 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jn73@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1062">
    <dcterms:title><![CDATA[Roman Ship, c.150 AD]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[03/27/2023 11:18:11 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jn73@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1063">
    <dcterms:title><![CDATA[Roman Ship, c.150 AD]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[03/27/2023 11:18:13 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jn73@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1064">
    <dcterms:title><![CDATA[Roman Ship, c.150 AD]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[03/27/2023 11:18:16 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jn73@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description></rdf:RDF>
