<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2897">
    <dcterms:title><![CDATA[Politecnico di Torino]]></dcterms:title>
    <dcterms:source><![CDATA[collaborations]]></dcterms:source>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:type><![CDATA[Museum]]></dcterms:type>
    <dcterms:identifier><![CDATA[1222]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,45.0632477,7.6599862;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2898">
    <dcterms:title><![CDATA[Residenze Reali Sabaude Piemonte]]></dcterms:title>
    <dcterms:source><![CDATA[collaborations]]></dcterms:source>
    <dcterms:extent><![CDATA[x x]]></dcterms:extent>
    <dcterms:type><![CDATA[Museum]]></dcterms:type>
    <dcterms:identifier><![CDATA[1223]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,45.0741333,7.6859841;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2899">
    <dcterms:title><![CDATA[Scientific Research Centre of Slvenian Academy of Sciences in Arts]]></dcterms:title>
    <dcterms:source><![CDATA[collaborations]]></dcterms:source>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:type><![CDATA[Museum]]></dcterms:type>
    <dcterms:identifier><![CDATA[1224]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,46.0475888,14.504558;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2901">
    <dcterms:title><![CDATA[SUSTAIN]]></dcterms:title>
    <dcterms:source><![CDATA[collaborations]]></dcterms:source>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:type><![CDATA[Museum]]></dcterms:type>
    <dcterms:identifier><![CDATA[1226]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2902">
    <dcterms:title><![CDATA[Tanzania]]></dcterms:title>
    <dcterms:source><![CDATA[collaborations]]></dcterms:source>
    <dcterms:extent><![CDATA[x x]]></dcterms:extent>
    <dcterms:type><![CDATA[Museum]]></dcterms:type>
    <dcterms:identifier><![CDATA[1227]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-7.434688731462843,35.32016607717274;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2903">
    <dcterms:title><![CDATA[Universidad De Aveiro]]></dcterms:title>
    <dcterms:source><![CDATA[collaborations]]></dcterms:source>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:type><![CDATA[Museum]]></dcterms:type>
    <dcterms:identifier><![CDATA[1228]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.6305621,-8.6576411;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2904">
    <dcterms:title><![CDATA[University de Oveiedo]]></dcterms:title>
    <dcterms:source><![CDATA[collaborations]]></dcterms:source>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:type><![CDATA[Museum]]></dcterms:type>
    <dcterms:identifier><![CDATA[1229]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,43.361952,-5.8464234;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2905">
    <dcterms:title><![CDATA[Royal Albert Docks]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[24/02/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kae4]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1230]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,53.40236844250481,-2.9964866669615735;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2906">
    <dcterms:title><![CDATA[Colloseum]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[02/24/2025 01:49:33 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2907">
    <dcterms:title><![CDATA[Painting original-240002187]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[Van Gogh’s Olive Trees belongs to a series of paintings, with this piece housed in the National Gallery of Scotland. As a tangible cultural heritage asset, it continues to inspire artists who study Van Gogh’s life, artistic spirit, and techniques to create meaningful works for future generations. As illustrated in the accompanying image, visitors observing the painting up close can see the textured brushstrokes left by the oil paint, still vibrant as if freshly applied. A closer look invites the viewer into Van Gogh’s world, evoking a profound sense of connection across time.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[02/24/2025 01:51:57 pm]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[02/24/2025 02:18:52 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[lx20@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Collection]]></dcterms:type>
    <dcterms:identifier><![CDATA[1231]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.950851815661196,-3.1955981252394854;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2908">
    <dcterms:title><![CDATA[Colloseum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Colloseum  is a World Heritage site, one of the most important buildings from the Roman era]]></dcterms:description>
    <dcterms:creator><![CDATA[Romans]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[24/02/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[1232]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.889923,12.494687;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2909">
    <dcterms:title><![CDATA[Royal Albert Docks]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[24/02/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kae4]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1233]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,53.399927487308844,-2.993885995529127;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2910">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[24/02/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zyyyyyyyyy]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1234]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,54.580284264324874,-3.146752864122391;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2911">
    <dcterms:title><![CDATA[Pantanal Wetlands]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Pantanal is the world’s largest tropical wetland, covering approximately 17 million hectares across Brazil, Bolivia and Paraguay. It is a globally important ecosystem, home to an extraordinary diversity of species, including jaguars, capybaras, caimans, giant otters and the iconic hyacinth macaw. The region is shaped by seasonal flood pulses that sustain complex food webs and support both terrestrial and aquatic life. As one of the most biodiverse habitats in South America, the Pantanal plays a critical role in freshwater regulation, climate stability and carbon storage.

Despite its ecological significance, the Pantanal faces growing threats from deforestation, climate change, agriculture and unsustainable development. This digital representation aims to raise awareness of the Pantanal’s unique biodiversity and promote conservation through accessible education and immersive engagement. In doing so, it supports Sustainable Development Goal 15: Life on Land, which calls for the protection, restoration and sustainable use of terrestrial ecosystems. By promoting environmental awareness, this initiative contributes to the preservation of one of the planet’s most vital and fragile natural areas.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[24/02/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/23/2025 05:12:21 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[rsdo1@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1235]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-17.716637,-57.383518;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2912">
    <dcterms:title><![CDATA[Emperor Qinshihuang's Mausoleum Site Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This museum contains the tomb of the first emperor of China Qin Shi Huang, which also has the collection of the Terracotta Army, a UNESCO World Heritage Site. The Terracotta Army is a piece of immovable tangible cultural heritage located in Xi'an, China. This piece of heritage is part of the tomb of the first emperor of China, as one of the largest of its kind in an impressive display. Beyond its grand scale and impressive display of Chinese history, it is also deemed universally significant for cultural heritage. This site has provided numerous insights into historical culture of the Qin dynasty and the people particularly soldiers, of that time. Additionally, this provides more insight into the period which unified the country and standardized systems such as writing, another point of cultural significance. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[247-206 BC]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[24/02/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/27/2025 02:31:08 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[ajk28]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1236]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,34.387344539955905,109.2782826864277;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2913">
    <dcterms:title><![CDATA[Batik Art ]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Painting inspired by peacock, elephant]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[28 April 2014]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/24/2025 02:11:47 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[rksk1@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikipedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Object Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,5.487502019076684,101.87622070312501;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2914">
    <dcterms:title><![CDATA[Museum of Folk Architecture]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Poland's largest open-air folk museum.

Abandoned buildings from various cultures across Poland were moved to the open-air museum in Sanok and renovated to keep displaced culture alive after the First and Second World Wars.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[16th June 2023]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/24/2025 02:16:46 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Diana]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,49.57688810133919,22.205414772006407;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2915">
    <dcterms:title><![CDATA[Komodo Island]]></dcterms:title>
    <dcterms:description><![CDATA[Komodo National Park is a UNESCO World heritage site in Indonesia which in 1980 was created by the Indonesian government in order to protect the komodo dragon (UNESCO World Heritage Centre, 2010). Komodo national park has over 1,000 species of tropical fish and notably around 5,700 komodo dragons who roam across the island. The Komodo national park utilises technology, notably a SMART system which enabled for increasing data collection and expanded patrol coverage. Subsequently, this resulted in greater wildlife monitoring meaning for effective conservation of species on the island (World, 2022). Moreover, surveillance cameras are utilised on the island to prevent the poaching of species, in particular to komodo dragon (Park, 2023). In relation to the United Nations sustainable development goals, Komodo National Park aligns with the goals of Goal 8: Life on Land as the park has wildlife monitoring tools such as SMART and GPS-enabled devices to aid the conservation of the komodo dragon. Moreover, it aligns with Goal 14 Life below water as patrolling teams cover marine areas and can  monitor boats entering the Komodo National Park marine zone both fishing and tourist boats (World, 2022b). Moreover, Goal 8: Decent Work and Economic Growth is another goal the park meets as park rangers promote sustainable tourism and bolster local employment opportunities and with visitors set to reach more than 1 million in 2025 the economic growth from visitors is positive alongside a new (Cosmos, 2024).


]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[24/2/2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[od42@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-8.543333,119.489441;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2916">
    <dcterms:title><![CDATA[Example of a Neon Sign in Hong Kong ]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The use of neon signs as an advertising method for shops increased post-war in the 1950s, alongside a boom in incoming migration and setting up of shops and stores. As business owners typically planned for their businesses to be passed on through generations, they were known to ‘invest a lot in getting a sign commissioned’ as it carried a lot of significance and identity. As the economy prospered in the later half of the 20th century, the signs became de rigueur in the urban cityscape – an icon in its own right, and inspiring many cultural references in movies and media. 

The above neon sign is for the restaurant chain "新英記 Sun Ying Kee", and is located in Causeway Bay.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[7 June 2021]]></dcterms:date>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,22.302711,114.177216;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2917">
    <dcterms:title><![CDATA[香港 HK 銅鑼灣 Causeway Bay 蟾宮大廈 Empire Court 新英記 Sun Ying Kee, 2021.jpg]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Neon Sign in Hong Kong ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[7 June 2021]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/24/2025 02:27:24 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,22.302711,114.177216;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2918">
    <dcterms:title><![CDATA[香港 HK 銅鑼灣 Causeway Bay 蟾宮大廈 Empire Court 新英記 Sun Ying Kee, 2021.jpg]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Neon Sign in Hong Kong ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[7 June 2021]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/24/2025 02:27:28 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,22.302711,114.177216;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2919">
    <dcterms:title><![CDATA[香港 HK 銅鑼灣 Causeway Bay 蟾宮大廈 Empire Court 新英記 Sun Ying Kee, 2021.jpg]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Neon Sign in Hong Kong ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[7 June 2021]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/24/2025 02:27:32 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,22.302711,114.177216;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2920">
    <dcterms:title><![CDATA[香港 HK 銅鑼灣 Causeway Bay 蟾宮大廈 Empire Court 新英記 Sun Ying Kee, 2021.jpg]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Neon Sign in Hong Kong ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[7 June 2021]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/24/2025 02:27:35 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,22.302711,114.177216;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2921">
    <dcterms:title><![CDATA[香港 HK 銅鑼灣 Causeway Bay 蟾宮大廈 Empire Court 新英記 Sun Ying Kee, 2021.jpg]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Neon Sign in Hong Kong ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[7 June 2021]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/24/2025 02:27:39 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,22.302711,114.177216;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2922">
    <dcterms:title><![CDATA[Neon signs in Hong Kong]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The use of neon signs as an advertising method for shops increased post-war in the 1950s, alongside a boom in incoming migration and setting up of shops and stores. As business owners typically planned for their businesses to be passed on through generations, they were known to ‘invest a lot in getting a sign commissioned’ as it carried a lot of significance and identity. As the economy prospered in the later half of the 20th century, the signs became de rigueur in the urban cityscape – an icon in its own right, and inspiring many cultural references in movies and media. 

After the city’s handover to China in 1997, there have been tightening regulations on ‘unauthorized’ neon signs and enhanced safety regulations, with removal orders issued spiking in 2017-2021. As paperwork to appeal for authorization of the signs is complicated and upkeep of the signs get more expensive, more shopkeepers have elected to remove the signs in favor of switching to cheaper LED alternatives. ]]></dcterms:description>
    <dcterms:creator><![CDATA[gnlw]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[25 March 2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[24/02/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[26/03/2025]]></dcterms:>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1237]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.302711,114.177216;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2923">
    <dcterms:title><![CDATA[Neon signs in Hong Kong]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Neon Signs in Hong Kong - an increasingly lost part of history]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[24/02/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1238]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.302711,114.177216;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2924">
    <dcterms:title><![CDATA[Neon signs in Hong Kong]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Neon Signs in Hong Kong - an increasingly lost part of history]]></dcterms:description>
    <dcterms:creator><![CDATA[gnlw]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[24/02/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1239]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.302711,114.177216;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2925">
    <dcterms:title><![CDATA[Original drawings by Van Gogh, Monet and other painters-240002187]]></dcterms:title>
    <dcterms:description><![CDATA[The nature and value of ‘Olive Trees’ heritage:
Van Gogh’s Olive Trees belongs to a series of paintings, with this piece housed in the National Gallery of Scotland. As a tangible cultural heritage asset, it continues to inspire artists who study Van Gogh’s life, artistic spirit, and techniques to create meaningful works for future generations. As illustrated in the accompanying image, visitors observing the painting up close can see the textured brushstrokes left by the oil paint, still vibrant as if freshly applied. A closer look invites the viewer into Van Gogh’s world, evoking a profound sense of connection across time.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[02/24/2025 02:41:45 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lx20@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Collection]]></dcterms:type>
    <dcterms:identifier><![CDATA[1240]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.9508438062022,-3.195565939386143;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2926">
    <dcterms:title><![CDATA[Dolly the Sheep-240002187]]></dcterms:title>
    <dcterms:description><![CDATA[The nature and value of ‘Sheep Dolly’ heritage
In China, the middle school education curriculum includes Dolly, the world’s first cloned sheep, in its textbooks. This means that all Chinese students learn about Dolly, admire the Roslin Institute in Edinburgh, and recognize Scotland’s leadership in scientific research. At the time, Dolly sent shockwaves through the scientific community and became a monumental milestone in history (Oliveira, 2012). Both the cloning technology and Dolly’s preserved specimen have become an integral part of Scotland’s scientific heritage. As long as it exists, it will continue to contribute to scientific discourse and public knowledge for generations to come.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[02/24/2025 02:45:01 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lx20@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Collection]]></dcterms:type>
    <dcterms:identifier><![CDATA[1241]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2927">
    <dcterms:title><![CDATA[Sheep Dolly]]></dcterms:title>
    <dcterms:description><![CDATA[The nature and value of ‘Sheep Dolly’ heritage
In China, the middle school education curriculum includes Dolly, the world’s first cloned sheep, in its textbooks. This means that all Chinese students learn about Dolly, admire the Roslin Institute in Edinburgh, and recognize Scotland’s leadership in scientific research. At the time, Dolly sent shockwaves through the scientific community and became a monumental milestone in history (Oliveira, 2012). Both the cloning technology and Dolly’s preserved specimen have become an integral part of Scotland’s scientific heritage. As long as it exists, it will continue to contribute to scientific discourse and public knowledge for generations to come.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[02/24/2025 02:53:32 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lx20@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Collection]]></dcterms:type>
    <dcterms:identifier><![CDATA[1242]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.94705513186378,-3.189332485635532;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2928">
    <dcterms:title><![CDATA[Edinburgh_Calton_Hill.jpg]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2012:02:17 01:53:29]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/24/2025 03:54:32 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lx20@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,55.95512664209391,-3.182144164165948;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2929">
    <dcterms:title><![CDATA[Edinburgh_Calton_Hill-1.jpg]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2012:02:17 01:53:29]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/24/2025 03:54:36 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lx20@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,55.95512664209391,-3.182144164165948;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2930">
    <dcterms:title><![CDATA[Edinburgh_Calton_Hill-2.jpg]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2012:02:17 01:53:29]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/24/2025 03:54:41 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lx20@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,55.95512664209391,-3.182144164165948;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2931">
    <dcterms:title><![CDATA[Edinburgh_Calton_Hill-3.jpg]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2012:02:17 01:53:29]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/24/2025 03:54:44 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lx20@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,55.95512664209391,-3.182144164165948;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2932">
    <dcterms:title><![CDATA[Edinburgh_Calton_Hill-4.jpg]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2012:02:17 01:53:29]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[02/24/2025 03:54:48 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lx20@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,55.95512664209391,-3.182144164165948;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2933">
    <dcterms:title><![CDATA[Calton Hill-240002187]]></dcterms:title>
    <dcterms:description><![CDATA[The Scottish government’s commitment to preserving both cultural and natural heritage has created an environment that resonates with artistic expression, inspiring musicians and artists worldwide. As a result, Jay Chou’s fans have developed a deep appreciation for Edinburgh. Beyond its contemporary cultural influence, Calton Hill holds significant historical value as part of Edinburgh’s UNESCO World Heritage designation. Its landmarks, such as the National Monument and Nelson Monument, embody Scotland’s Enlightenment ideals and commemorate influential historical figures, solidifying its importance as an architectural and intellectual heritage site.
Calton Hill, located in the eastern part of Edinburgh, is often referred to as the “Athens of the North.” Its monuments and ruins honor prominent figures of the Scottish Enlightenment and the Napoleonic Wars. Digital technology has documented Calton Hill’s unique landscape, including its historic cemetery and urban prison, generating widespread interest among Scottish intellectuals (McKee, 2015). Preserving the natural and cultural landscape of Calton Hill contributes to global sustainability efforts, ensuring a balanced coexistence between economic growth and environmental protection.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[24/02/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lx20@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1243]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.95536690177143,-3.182201388990507;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2934">
    <dcterms:title><![CDATA[Act4Hope]]></dcterms:title>
    <dcterms:source><![CDATA[collaborations]]></dcterms:source>
    <dcterms:extent><![CDATA[x x]]></dcterms:extent>
    <dcterms:type><![CDATA[Museum]]></dcterms:type>
    <dcterms:identifier><![CDATA[1244]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,33.8925112,35.4917617;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2935">
    <dcterms:title><![CDATA[Angkor Wat]]></dcterms:title>
    <dcterms:subject><![CDATA[Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Angkor Wat is situated in Siem Reap, Cambodia and is made up of 12 main temples which are the remains of the Khmer Empire of the 9th to 15th century and is the largest religious monument in the world which was originally a hindu temple (Patricija, 2021). Angkor Wat is considered one of Southeast Asia's most important cultural landmarks. Historically, when buddhism was of preference over hinduism, buddha faces were subsequently carved into temples around the site, therefore, showcasing the hinduism and buddhism influences  (Patricija, 2021). 
Digital technologies have played an important role in preserving Angkor Wat. Projects such as 3D mapping and modeling have created detailed reconstructions of the city and its inhabitants. The ‘Virtual Angkor’ platform allows users to explore the site remotely, offering an immersive experience  (Virtual Angkor, n.d.). Additionally, LiDAR technology has visually shown hidden infrastructure including ancient roads and water systems, providing greater insights into the site's historical significance  (Evans et al., 2013).
Angkor Wat can use digital interpretation to address the sustainable development targets of Goal 8 Decent Work and Economic Growth and Goal 11 of Sustainable Cities and communities.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[1110]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/10/2025 05:13:56 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[od42@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[UNESCO World Heritage Centre (2013). Works of Antoni Gaudí. [online] Unesco.org. Available at: https://whc.unesco.org/en/list/320/.]]></dcterms:references>
    <dcterms:extent><![CDATA[" x " x "]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1245]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,13.4125,103.867;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2936">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[10/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[od42@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[Blog Sagrada Família. (2017). 3 -D Glasses - Blog Sagrada Família. [online] Available at: https://blog.sagradafamilia.org/en/divulgation/3d-glasses/ [Accessed 5 Feb. 2025]. UNESCO World Heritage Centre (2013). Works of Antoni Gaudí. [online] Unesco.org. Available at: https://whc.unesco.org/en/list/320/. Prinseps (2019). Modernism in Art, Origins and Key Figures. [online] Prinseps. Available at: https://prinseps.com/research/modernism-art-history-origin-artists/?srsltid=AfmBOoo1EnGKcJ19y_uQiqx46E9kUQI0RtP-fsmLAr0jYCQAA05CDZaE [Accessed 5 Feb. 2025].]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1246]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2937">
    <dcterms:title><![CDATA[Sagrada Familia ]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[The Sagrada Familia is the most famous project by Gaudi, has been under construction since 1882 and is the most visited landmark in Spain and was deemed a World Heritage site in 2005 UNESCO World Heritage Centre (2013). 
The Sagrada Familia combines Gothic and Art Nouveau styles inspired by nature and Gaudi’s inspiration can be rooted in nature and the 19th century modernism movement, which rejected traditional values and styles and prioritised new materials and textures (Prinseps, 2019). Digital technologies such as CAD, 3D modeling, and virtual reality have facilitated construction and tourist experiences (Blog Sagrada Família, 2017), such as virtual exploration for remote tourists. 
The Sagrada Familia largely contributes to Spain’s economic growth through tourism and supports education with educational programs and workshops. Using digital interpretation, the Sagrada Familia can meet the sustainable development targets of goal 8,decent work and economic growth and goal 4 of Quality education. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[1882]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/21/2025 03:05:07 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[od42@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[UNESCO World Heritage Centre (2013). Works of Antoni Gaudí. [online] Unesco.org. Available at: https://whc.unesco.org/en/list/320/.]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1247]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.4036,2.1744;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Architect: Antoni Gaudí]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2938">
    <dcterms:title><![CDATA[Kowloon Walled City (Remains)]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[Formerly the most densely populated area in the world, initially built as a military fort to report on the British during their colonization of Hong Kong. Afterwards it kept growing and became a non-governed area, attracting refugees and people with no where else to go.
Firstly, the actual historical conditions of the city, as a “lawless slum” in addition to being the most densely populated area in recorded history, holds value as an example of urban density and self-organization contrasted with current standards. Furthermore, the Walled City was during an Hong Kong’s its colonization to Britian, as a means for the Chinese to keep watch on the British (Roos). Lastly, the walled city is also a point of interest for pop culture, particularly the “cyberpunk” genre. 

Currently, the Kowloon Walled City is being digitally preserved in some capacity, through virtual reality. However, unlike the other two examples, what is being preserved is not a one-to-one representation of the former city, but rather the essence of its aesthetics. This is done through digital media, utilizing the city as an inspiration for settings in video games (Bedingfield), as well as being settings within films. This improves the sustainable goal of education by informing of the existence of the walled city, and its cultural impact. ely populated area in the world, initially built as a military fort to report on the British during their colonization of Hong Kong. Afterwards it kept growing and became a non-governed area, attracting refugees and people with no where else to go.]]></dcterms:description>
    <dcterms:creator><![CDATA[ajk28]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[10/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[27/03/2025]]></dcterms:>
    <dcterms:contributor><![CDATA[ajk28@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1248]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.332222,114.190278;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2939">
    <dcterms:title><![CDATA[Kowloon Walled City (Remains)]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Formerly the most densely populated area in the world, initially built as a military fort to report on the British during their colonization of Hong Kong. Afterwards it kept growing and became a non-governed area, attracting refugees and people with no where else to go.
Firstly, the actual historical conditions of the city, as a “lawless slum” in addition to being the most densely populated area in recorded history, holds value as an example of urban density and self-organization contrasted with current standards. Furthermore, the Walled City was during an Hong Kong’s its colonization to Britian, as a means for the Chinese to keep watch on the British (Roos). Lastly, the walled city is also a point of interest for pop culture, particularly the “cyberpunk” genre. 

Currently, the Kowloon Walled City is being digitally preserved in some capacity, through virtual reality. However, unlike the other two examples, what is being preserved is not a one-to-one representation of the former city, but rather the essence of its aesthetics. This is done through digital media, utilizing the city as an inspiration for settings in video games (Bedingfield), as well as being settings within films. This improves the sustainable goal of education by informing of the existence of the walled city, and its cultural impact. ]]></dcterms:description>
    <dcterms:creator><![CDATA[ajk28]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[10/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[27/03/2025]]></dcterms:>
    <dcterms:contributor><![CDATA[ajk28@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1249]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,22.332260396901283,114.19047442353988;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2940">
    <dcterms:title><![CDATA[Sagrada Familia]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Image of the Sagrada Familia]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[N/A]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/10/2025 04:51:18 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[od42@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.4036,2.1744°;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2941">
    <dcterms:title><![CDATA[Angkor Wat]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Image of Angkor Wat]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[Jun 19, 2020]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/10/2025 05:01:54 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[od42@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,13.4125,103.8670°;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2942">
    <dcterms:title><![CDATA[Angkor Wat]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Image of Angkor Wat]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[Jun 19, 2020]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/10/2025 05:02:00 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[od42@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,13.4125,103.8670°;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2943">
    <dcterms:title><![CDATA[Angkor Wat]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Image of Angkor Wat]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[Jun 19, 2020]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/10/2025 05:02:07 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[od42@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,13.4125,103.8670°;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2944">
    <dcterms:title><![CDATA[Angkor Wat]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Image of Angkor Wat]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[Jun 19, 2020]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/10/2025 05:02:15 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[od42@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,13.4125,103.8670°;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2945">
    <dcterms:title><![CDATA[Angkor Wat]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Image of Angkor Wat]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[Jun 19, 2020]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/10/2025 05:02:20 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[od42@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,13.4125,103.8670°;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2946">
    <dcterms:title><![CDATA[Komodo National Park]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[Mar 23, 2018]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/10/2025 05:08:59 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[od42@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-8.543333,119.489441;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2947">
    <dcterms:title><![CDATA[Komodo National Park]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[Mar 23, 2018]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/10/2025 05:09:04 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[od42@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-8.543333,119.489441;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2948">
    <dcterms:title><![CDATA[Komodo National Park]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[Mar 23, 2018]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/10/2025 05:09:09 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[od42@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-8.543333,119.489441;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2949">
    <dcterms:title><![CDATA[Komodo National Park]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Komodo National Park, located in Indonesia, is a UNESCO World Heritage site established in 1980 to protect the endangered Komodo dragon and the park is home to approximately 5,700 Komodo dragons and over 1,000 species of tropical fish (UNESCO World Heritage Centre, 2010).Moreover, by 2000, around 1,200 people were living on Komodo island (WWF.Panda.org In 1991, Komodo was recognized as a UNESCO World Heritage site (WWF.Panda.org,) 
To support conservation, the park uses advanced technologies such as the SMART system, which enhances data collection and expands patrol coverage  (World, 2022). This has vastly improved wildlife monitoring, ensuring the protection of key species like the Komodo dragon. Surveillance cameras are also used to prevent poaching and other illegal activities (Park, 2023).
The use of digital interpretation on Komodo Island can facilitate the sustainable development targets of goal 15, life on land and goal 14 of life below water.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[1910]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/21/2025 03:18:24 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[od42@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1250]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-8.543333,119.489441;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2950">
    <dcterms:title><![CDATA[The Great Wall of China]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[View of the Great Wall of China]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/11/2025 08:40:56 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[by9@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Pexels]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.35993942784035, 116.02000966745575;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2951">
    <dcterms:title><![CDATA[The Great Wall of China]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Great Wall of China is one of the most famous defensive structures in history, originally built in the 7th century BC. As a UNESCO World Heritage Site, the Great Wall symbolizes China's military, political, and cultural evolution. Today, it faces threats such as natural erosion and excessive tourism. Digital preservation methods, including 3D reconstruction, virtual reality (VR), and augmented reality (AR), are being used to document and protect the site while enhancing visitor experiences and providing educational resources. These initiatives contribute to United Nations Sustainable Development Goal 4 (Quality Education) by ensuring the conservation of this historical landmark for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[11/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/11/2025 11:02:54 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[by9@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/en/documents/109757]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1251]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40,116;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2952">
    <dcterms:title><![CDATA[Pingyao Ancient City]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Pingyao Ancient City, located in Shanxi Province, China, is one of the best-preserved ancient towns in the country. Originally built during the Western Zhou Dynasty, it flourished during the Ming and Qing Dynasties as a major financial and trade center. The city is renowned for its well-preserved city walls, traditional courtyards, and ancient banking institutions. In 1997, Pingyao was designated a UNESCO World Heritage Site due to its authentic architectural style and historical significance. However, the city faces challenges such as urbanization and tourism pressure. Digital preservation methods, including 3D scanning and virtual tours are being used to document and protect the site while enhancing public engagement. These efforts contribute to United Nations Sustainable Development Goal 11 (Sustainable Cities and Communities) by ensuring the conservation of this invaluable cultural heritage for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/11/2025 09:05:50 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[by9@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Pexels]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,37.21135915889364,112.18186921835431;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2953">
    <dcterms:title><![CDATA[Pingyao Ancient City]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Pingyao Ancient City, located in Shanxi Province, China, is one of the best-preserved ancient towns in the country. Originally built during the Western Zhou Dynasty, it flourished during the Ming and Qing Dynasties as a major financial and trade center. The city is renowned for its well-preserved city walls, traditional courtyards, and ancient banking institutions. In 1997, Pingyao was designated a UNESCO World Heritage Site due to its authentic architectural style and historical significance. However, the city faces challenges such as urbanization and tourism pressure. Digital preservation methods, including 3D scanning and virtual tours are being used to document and protect the site while enhancing public engagement. These efforts contribute to United Nations Sustainable Development Goal 11 (Sustainable Cities and Communities) by ensuring the conservation of this invaluable cultural heritage for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[11/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/11/2025 10:26:51 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[by9@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/en/list/812/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.pexels.com/zh-cn/photo/18506159/]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1252]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.21126896200732,112.18175596409309;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2954">
    <dcterms:title><![CDATA[The Great Wall of China]]></dcterms:title>
    <dcterms:description><![CDATA[The Great Wall of China is one of the most famous defensive structures in history, originally built in the 7th century BC. As a UNESCO World Heritage Site, the Great Wall symbolizes China's military, political, and cultural evolution. Today, it faces threats such as natural erosion and excessive tourism. Digital preservation methods, including 3D reconstruction, virtual reality (VR), and augmented reality (AR), are being used to document and protect the site while enhancing visitor experiences and providing educational resources. These initiatives contribute to United Nations Sustainable Development Goal 4 (Quality Education) by ensuring the conservation of this historical landmark for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/11/2025 09:37:59 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[by9@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Pexels]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.35991,116.02002;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2955">
    <dcterms:title><![CDATA[pingyao ancient city]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Pingyao Ancient City, located in Shanxi Province, China, is one of the best-preserved ancient towns in the country. Originally built during the Western Zhou Dynasty, it flourished during the Ming and Qing Dynasties as a major financial and trade center. The city is renowned for its well-preserved city walls, traditional courtyards, and ancient banking institutions. In 1997, Pingyao was designated a UNESCO World Heritage Site due to its authentic architectural style and historical significance. However, the city faces challenges such as urbanization and tourism pressure. Digital preservation methods, including 3D scanning and virtual tours are being used to document and protect the site while enhancing public engagement. These efforts contribute to United Nations Sustainable Development Goal 11 (Sustainable Cities and Communities) by ensuring the conservation of this invaluable cultural heritage for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/11/2025 09:54:20 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[by9@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Zero]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.pexels.com/zh-cn/photo/18506159/]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,37.210982953466925 ,112.18175280963906;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2956">
    <dcterms:title><![CDATA[the Great Wall in China]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Great Wall of China is one of the most famous defensive structures in history, originally built in the 7th century BC. As a UNESCO World Heritage Site, the Great Wall symbolizes China's military, political, and cultural evolution. Today, it faces threats such as natural erosion and excessive tourism. Digital preservation methods, including 3D reconstruction, virtual reality (VR), and augmented reality (AR), are being used to document and protect the site while enhancing visitor experiences and providing educational resources. These initiatives contribute to United Nations Sustainable Development Goal 4 (Quality Education) by ensuring the conservation of this historical landmark for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/11/2025 10:03:10 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[by9@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Zero]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Pexels]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.35998030422475,116.01993456560643;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2957">
    <dcterms:title><![CDATA[Great wall of china]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Great Wall of China is one of the most famous defensive structures in history, originally built in the 7th century BC. As a UNESCO World Heritage Site, the Great Wall symbolizes China's military, political, and cultural evolution. Today, it faces threats such as natural erosion and excessive tourism. Digital preservation methods, including 3D reconstruction, virtual reality (VR), and augmented reality (AR), are being used to document and protect the site while enhancing visitor experiences and providing educational resources. These initiatives contribute to United Nations Sustainable Development Goal 4 (Quality Education) by ensuring the conservation of this historical landmark for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/11/2025 10:41:17 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[by9@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Zero]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Pexels]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.35,116.01;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2958">
    <dcterms:title><![CDATA[Great Wall In CHINA]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Great Wall of China is one of the most famous defensive structures in history, originally built in the 7th century BC. As a UNESCO World Heritage Site, the Great Wall symbolizes China's military, political, and cultural evolution. Today, it faces threats such as natural erosion and excessive tourism. Digital preservation methods, including 3D reconstruction, virtual reality (VR), and augmented reality (AR), are being used to document and protect the site while enhancing visitor experiences and providing educational resources. These initiatives contribute to United Nations Sustainable Development Goal 4 (Quality Education) by ensuring the conservation of this historical landmark for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/11/2025 10:57:37 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[by9@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Zero]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Pexels]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.35,116.01;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2959">
    <dcterms:title><![CDATA[jiuzhaigou]]></dcterms:title>
    <dcterms:subject><![CDATA[Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Jiuzhaigou Valley, located in Sichuan Province, China, is a stunning natural reserve renowned for its multi-colored lakes, cascading waterfalls, snow-capped peaks, and rich Tibetan culture. Designated as a UNESCO World Natural Heritage Site in 1992, it is often referred to as a "fairyland on Earth" due to its vibrant blue, green, and purple waters, which result from mineral deposits and light refraction. The valley is home to rare wildlife, making it an ecologically significant area. However, earthquakes, climate change, and excessive tourism pose challenges to its preservation. In response, digital conservation techniques such as 3D imaging, virtual reality (VR), and environmental monitoring are being implemented to safeguard its fragile ecosystem. These efforts align with the United Nations Sustainable Development Goal 15 (Life on Land), ensuring that Jiuzhaigou's breathtaking landscapes are preserved for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/11/2025 11:35:33 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[by9@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Zero]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[pxhere]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,33.2,103.9;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2960">
    <dcterms:title><![CDATA[Jiuzhaigou Valley]]></dcterms:title>
    <dcterms:subject><![CDATA[Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Jiuzhaigou Valley, located in Sichuan Province, China, is a stunning natural reserve renowned for its multi-colored lakes, cascading waterfalls, snow-capped peaks, and rich Tibetan culture. Designated as a UNESCO World Natural Heritage Site in 1992, it is often referred to as a "fairyland on Earth" due to its vibrant blue, green, and purple waters, which result from mineral deposits and light refraction. The valley is home to rare wildlife, making it an ecologically significant area. However, earthquakes, climate change, and excessive tourism pose challenges to its preservation. In response, digital conservation techniques such as 3D imaging, virtual reality (VR), and environmental monitoring are being implemented to safeguard its fragile ecosystem. These efforts align with the United Nations Sustainable Development Goal 15 (Life on Land), ensuring that Jiuzhaigou's breathtaking landscapes are preserved for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[11/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/12/2025 12:06:18 am]]></dcterms:>
    <dcterms:contributor><![CDATA[by9@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/en/list/637]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1253]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,33.20421624483389,103.90356319087448;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2961">
    <dcterms:title><![CDATA[Terracotta Army, China]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[The Terracotta Army is a collection of life-sized terracotta sculptures depicting the armies of Qin Shi Huang, the first Emperor of China. Discovered in 1974 near Xi'an in Shaanxi Province, this archaeological marvel dates to 210-209 BCE and was created as funerary art to protect the emperor in his afterlife. The site contains thousands of individually crafted warriors, each with unique facial features, expressions, and attire, alongside chariots, horses, and weapons. The remarkable craftsmanship demonstrates the advanced artistic and military organization of the Qin Dynasty. The warriors are part of a larger imperial mausoleum complex that remains largely unexplored. Today, this UNESCO World Heritage Site provides invaluable insights into ancient Chinese history, culture, and artistry while continuing to attract researchers and visitors from around the world.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[12/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1254]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current, 34.3841° N,109.2785° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2962">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[12/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1255]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2963">
    <dcterms:title><![CDATA[Roman Colosseum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[An iconic Roman amphitheatre and revolutionary for its time. Capable of housing over 50,000 onlookers at its peak, it was known for bloody gladiatorial contests, spectacles and naval battles. Throughout time, the Colosseum has been affected by earthquakes, overtourism, climate change, looting and vandalism, and has endured the test of time as a symbol of Rome's genius and power. Digital representations will help make progress towards UN SDG goal 11 of Sustainable Cities and Communities in order to ensure responsible and sustainable tourism.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2015]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/13/2025 11:45:23 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kae4@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.flickr.com/photos/132084522@N05/16800139540]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.8902° N,12.4922° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2964">
    <dcterms:title><![CDATA[Roman Colosseum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[An iconic Roman amphitheatre and revolutionary for its time. Capable of housing over 50,000 onlookers at its peak, it was known for bloody gladiatorial contests, spectacles and naval battles. Throughout time, the Colosseum has been affected by earthquakes, overtourism, climate change, looting and vandalism, and has endured the test of time as a symbol of Rome's genius and power. Digital representations will help make progress towards UN SDG goal 11 of Sustainable Cities and Communities in order to ensure responsible and sustainable tourism.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2015]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/13/2025 11:45:28 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kae4@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.flickr.com/photos/132084522@N05/16800139540]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,41.8902° N,12.4922° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2965">
    <dcterms:title><![CDATA[Royal Albert Docks]]></dcterms:title>
    <dcterms:description><![CDATA[Opened in 1846, the docks revolutionised maritime trade and has a long historical significance during wartime periods. The docks were vital to Liverpools global shipping routes, and have undergone a regeneration in the 1980s. Today, the docks are filled with vibrant bars, art museums , galleries and light installations, giving the area a vibrant and modern touch. Cultural events nearby symvolise Liverpools transition from key industrial player to a world-renowned cultural hub. Digitising the area fulfills SDG goal 8 of Decent Work and Economic Growth as the area provides lots of jobs and cultural events for people, and shows how funding towards heritage regeneration can help out the local economy while representing Liverpudlian culture.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[13/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kae4@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.flickr.com/photos/neilsingapore/37231155741]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1256]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,53.40032152920469,-2.992722988128662;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Neil Howard]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2966">
    <dcterms:title><![CDATA[Bamburgh Castle]]></dcterms:title>
    <dcterms:description><![CDATA[Overlooking the North Sea, this castle has had its fair share of battles throughout British history. Previously seating Northumbrian kinds, the castle was invaded by Vikings and endured shifts in British political history as a significant stronghold of the North. Bamburgh Castle still houses impressive collections of arms, artefacts and armour, which recall the stories of Britain's power struggle throughout time. Bamburgh is quintessential to England's cultural background, being a popular tourist site due to hit Vikings shows on Netflix being based on the castle. By digitising this structure, we achieve UN SDG Goal 4 of Quality Education by giving virtual tours of the castle with digital artefacts to explore and broaden the educational reach while preserving history. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[14/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kae4@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.flickr.com/photos/emberton/27065728297]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1257]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.608948,-1.710176;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[James Emberton]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2967">
    <dcterms:title><![CDATA[Roman Colosseum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[An iconic Roman amphitheatre and revolutionary for its time. Capable of housing over 50,000 onlookers at its peak, it was known for bloody gladiatorial contests, spectacles and naval battles. Throughout time, the Colosseum has been affected by earthquakes, overtourism, climate change, looting and vandalism, and has endured the test of time as a symbol of Rome's genius and power. Digital representations will help make progress towards UN SDG goal 11 of Sustainable Cities and Communities in order to ensure responsible and sustainable tourism.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[14/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kae4@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.flickr.com/photos/132084522@N05/16800139540]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1258]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.8902°,12.4922;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Sam Valadi]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3004">
    <dcterms:title><![CDATA[Bopomofo Handwritting version]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2025.03.16]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/17/2025 02:35:35 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ypc1@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3005">
    <dcterms:title><![CDATA[Bopomofo (ㄅㄆㄇㄈ)]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Bopomofo (ㄅㄆㄇㄈ), also called Zhuyin Fuhao, is an intangible cultural heritage of Taiwan. It is a phonetic transcription system used exclusively in Taiwan to represent Mandarin pronunciation. Originating in the late Qing Dynasty, it was created to make Mandarin more approachable for learners and improve literacy rates.

Unlike Pinyin, which uses the Latin alphabet, Bopomofo was designed as a completely independent script, aligning with the traditional vertical writing format of Chinese. It was added to the Unicode block in 1991, a crucial step in digital preservation. Today, it remains widely used in Taiwan—not only for typing and education but also as a symbol of cultural identity, appearing in signage, songs, merchandise, and business branding.
Some experts argue that Bopomofo is a more efficient system for learning Mandarin because it aligns better with Chinese character structure. Digital interpretation, such as interactive language-learning apps and online courses using Bopomofo, can further engage both native speakers and learners. These advancements align with SDG4 (Quality Education) by making language learning more accessible and SDG11 (Sustainable Cities & Communities) by supporting the cultural sustainability of Taiwan’s linguistic heritage.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[17/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ypc1@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1260]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,25.042682963967337, 121.51917119629742;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3006">
    <dcterms:title><![CDATA[St.Andrews Cathedral, 2024 September.]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024.09.14]]></dcterms:date>
    <dcterms:contributor><![CDATA[ypc1@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.34027213408851,-2.7885116677544053;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3007">
    <dcterms:title><![CDATA[(IS5110 2025) St. Andrews Cathedral]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[St. Andrews Cathedral is a medieval cathedral in Scotland, built in the 12th century. It was once the largest church in the country, making St. Andrews the religious center of Scotland during the medieval period.  However, it fell into ruin due to weather and the Scottish Reformation, leaving only fragments of its original grandeur. Its architectural style blends Romanesque and Gothic elements, reflecting its long construction period and multiple phases of rebuilding, making it a unique landmark.

Although not a UNESCO site, St. Andrews Cathedral is protected by Historic Environment Scotland. Today, the ruins remain a symbol of Scotland’s religious, cultural, and architectural history, aligning with SDG 11 (Sustainable Cities & Communities) by preserving Scotland’s cultural heritage and ensuring public access to historical knowledge.

In terms of digital interpretation, while current efforts are somewhat lacking, potential 3D digital reconstructions or VR tours could contribute to SDG 9 (Industry, Innovation & Infrastructure) by using technology to overcome accessibility barriers, allowing both remote and on-site visitors to engage with the cathedral’s history more effectively.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[17/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/24/2025 02:53:00 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[ypc1@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1261]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.34005279457644,-2.789039311977469;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3008">
    <dcterms:title><![CDATA[Aeryeong Pond (애령지, 愛蓮池)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The most famous pond in Huwon, the secret garden.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2021.11.11]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/17/2025 03:22:17 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ypc1@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3009">
    <dcterms:title><![CDATA[The Secret Garden (Huwon, 후원)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Secret Garden (Huwon, 후원), now famous for its stunning autumn scenery, is a royal garden inside Changdeokgung Palace in Seoul, South Korea. Built in the early 15th century during the Joseon Dynasty, it served as a hideaway for the royal family, featuring pavilions, lotus ponds, and even areas for reading and farming. Unlike typical royal gardens, which were often lavish and heavily ornamented, Huwon was designed to emphasize harmony with nature. Instead of reshaping the land, its structures were carefully built around the existing landscape—preserving hills, waterways, and ancient trees that still stand today.

As part of a UNESCO World Heritage Site, entry to the garden is strictly controlled, requiring reservations and limiting visitor numbers to prevent over-tourism. This aligns with SDG 11 (Sustainable Cities & Communities) by prioritizing preservation over mass tourism. However, digital interpretation remains limited beyond basic photos and descriptions. Virtual tours and AR experiences could offer visitors access to restricted areas without harming fragile ecosystems, further supporting SDG 15 (Life on Land) while making the site more accessible to global audiences.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[17/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/25/2025 01:28:16 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[ypc1@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1262]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.58227671838873,126.99320075378186;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3010">
    <dcterms:title><![CDATA[Mapa de la V&iacute;a Franc&iacute;gena (ruta completa) con indicaci&oacute;n de las principales poblaciones]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[25 November 2015]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/18/2025 03:13:35 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hs277@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://upload.wikimedia.org/wikipedia/commons/c/c1/VF_Ruta_completa_con_principales_poblaciones.svg]]></dcterms:medium>
    <dcterms:type><![CDATA[Map]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,46.10732683107832,7.09002688061446;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3011">
    <dcterms:title><![CDATA[Terracotta Army, China]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1263]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current, 34.3841° N,109.2785° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3012">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1264]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3013">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1265]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3014">
    <dcterms:title><![CDATA[Via Francigena]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Via Francigena is a historic pilgrim’s route from Canterbury to Rome. First travelled by Sigeric the Serious, Archbishop of Canterbury in the year 990, this historic pilgrimage route is now travelled by around 50,000 hikers yearly. The route begins at Canterbury cathedral, traveling to Dover and across the English Channel. The route continues through France into Switzerland, crossing the alps at the Great St Bernard Pass. After crossing the Italian border, the route continues down the eastern side of Italy and finishes at Rome. The route is mostly footpaths and rough trails, with substantial elevation change in some stages. This difficult terrain promotes SDG 3: good health and wellbeing. Walking is a far more environmentally responsible mode of transport than air travel, car or train, so as well as benefiting pilgrims traveling on the route, promoting walking tourism (which the Via Francigena is an example of) can help contribute to SDG 13: climate action. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Sigeric the Serious]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[circa 990]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[18/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hs277@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://our-wanderlust.com/2022/05/via-francigena-the-beginning/#:~:text=The%202%2C000%2Dkilometre%20way%20was,our%20journey%20at%20Canterbury%20Cathedral, https://www.viefrancigene.org/en/the-path/, https://www.viefrancigene.org/en/the-via-francigena-and-sustainable-development-goals/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.viefrancigene.org/en/]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1266]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.279633229215925,1.0828120708220015;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3015">
    <dcterms:title><![CDATA[Via Francigena]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Via Francigena is a historic pilgrim’s route from Canterbury to Rome. First travelled by Sigeric the Serious, Archbishop of Canterbury in the year 990, this historic pilgrimage route is now travelled by around 50,000 hikers yearly. The route begins at Canterbury cathedral, traveling to Dover and across the English Channel. The route continues through France into Switzerland, crossing the alps at the Great St Bernard Pass. After crossing the Italian border, the route continues down the eastern side of Italy and finishes at Rome. The route is mostly footpaths and rough trails, with substantial elevation change in some stages. This difficult terrain promotes SDG 3: good health and wellbeing. Walking is a far more environmentally responsible mode of transport than air travel, car or train, so as well as benefiting pilgrims traveling on the route, promoting walking tourism (which the Via Francigena is an example of) can help contribute to SDG 13: climate action. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Sigeric the Serious]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[circa 990]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[18/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hs277@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://our-wanderlust.com/2022/05/via-francigena-the-beginning/#:~:text=The%202%2C000%2Dkilometre%20way%20was,our%20journey%20at%20Canterbury%20Cathedral, https://www.viefrancigene.org/en/the-path/, https://www.viefrancigene.org/en/the-via-francigena-and-sustainable-development-goals/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.viefrancigene.org/en/]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1267]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.279633229215925,1.0828120708220015;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3016">
    <dcterms:title><![CDATA[Via Francigena]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Via Francigena is a historic pilgrim’s route from Canterbury to Rome. First travelled by Sigeric the Serious, Archbishop of Canterbury in the year 990, this historic pilgrimage route is now travelled by around 50,000 hikers yearly. The route begins at Canterbury cathedral, traveling to Dover and across the English Channel. The route continues through France into Switzerland, crossing the alps at the Great St Bernard Pass. After crossing the Italian border, the route continues down the eastern side of Italy and finishes at Rome. The route is mostly footpaths and rough trails, with substantial elevation change in some stages. This difficult terrain promotes SDG 3: good health and wellbeing. Walking is a far more environmentally responsible mode of transport than air travel, car or train, so as well as benefiting pilgrims traveling on the route, promoting walking tourism (which the Via Francigena is an example of) can help contribute to SDG 13: climate action. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Sigeric the Serious]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[circa 990]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[18/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hs277@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://our-wanderlust.com/2022/05/via-francigena-the-beginning/#:~:text=The%202%2C000%2Dkilometre%20way%20was,our%20journey%20at%20Canterbury%20Cathedral, https://www.viefrancigene.org/en/the-path/, https://www.viefrancigene.org/en/the-via-francigena-and-sustainable-development-goals/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.viefrancigene.org/en/]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1268]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.279633229215925,1.0828120708220015;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3017">
    <dcterms:title><![CDATA[Baa Atoll Biosphere Reserve]]></dcterms:title>
    <dcterms:description><![CDATA[The Baa Atoll Biosphere Reserve is located in the central western Maldives in the Indian Ocean, north of the Kashidhoo Kandhoo channel. Designated as a UNESCO Biosphere Reserve in 2011, it encompasses 1,200 square kilometers of coral reefs, islands, seagrass meadows, and mangroves. The atoll supports one of the largest and most diverse reef systems in the Indian Ocean, functioning as a vital ecological bridge for marine species between the eastern and western Indian Ocean. Home to over 250 species of coral and 1,200 reef and pelagic fish species, the reserve is particularly renowned for its seasonal aggregations of plankton-feeding manta rays and whale sharks. The area demonstrates a long history of sustainable human interaction with the environment through traditional fishing practices. Today, it faces significant threats from climate change, including coral bleaching, sea-level rise, and increasing water temperatures.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1269]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current, 5.1417° N,73.0664° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3018">
    <dcterms:title><![CDATA[Protective Town of San Miguel and the Sanctuary of Jes&uacute;s Nazareno de Atotonilco ]]></dcterms:title>
    <dcterms:description><![CDATA[The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/24/2025 05:19:34 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[cx27@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1270]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,20.9152,-100.7452;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3019">
    <dcterms:title><![CDATA[Via Francigena]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Via Francigena is a historic pilgrim’s route from Canterbury to Rome. First travelled by Sigeric the Serious, Archbishop of Canterbury in the year 990, this historic pilgrimage route is now travelled by around 50,000 hikers yearly. The route begins at Canterbury cathedral, traveling to Dover and across the English Channel. The route continues through France into Switzerland, crossing the alps at the Great St Bernard Pass. After crossing the Italian border, the route continues down the eastern side of Italy and finishes at Rome. The route is mostly footpaths and rough trails, with substantial elevation change in some stages. This difficult terrain promotes SDG 3: good health and wellbeing. Walking is a far more environmentally responsible mode of transport than air travel, car or train, so as well as benefiting pilgrims traveling on the route, promoting walking tourism (which the Via Francigena is an example of) can help contribute to SDG 13: climate action. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Sigeric the Serious]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[circa 990]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[18/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hs277@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://our-wanderlust.com/2022/05/via-francigena-the-beginning/#:~:text=The%202%2C000%2Dkilometre%20way%20was,our%20journey%20at%20Canterbury%20Cathedral, https://www.viefrancigene.org/en/the-path/, https://www.viefrancigene.org/en/the-via-francigena-and-sustainable-development-goals/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.viefrancigene.org/en/]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1271]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.279633229215925,1.0828120708220015;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3020">
    <dcterms:title><![CDATA[Via Francigena]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Via Francigena is a historic pilgrim’s route from Canterbury to Rome. First travelled by Sigeric the Serious, Archbishop of Canterbury in the year 990, this historic pilgrimage route is now travelled by around 50,000 hikers yearly. The route begins at Canterbury cathedral, traveling to Dover and across the English Channel. The route continues through France into Switzerland, crossing the alps at the Great St Bernard Pass. After crossing the Italian border, the route continues down the eastern side of Italy and finishes at Rome. The route is mostly footpaths and rough trails, with substantial elevation change in some stages. This difficult terrain promotes SDG 3: good health and wellbeing. Walking is a far more environmentally responsible mode of transport than air travel, car or train, so as well as benefiting pilgrims traveling on the route, promoting walking tourism (which the Via Francigena is an example of) can help contribute to SDG 13: climate action. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Sigeric the Serious]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[circa 990]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[18/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hs277@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://our-wanderlust.com/2022/05/via-francigena-the-beginning/#:~:text=The%202%2C000%2Dkilometre%20way%20was,our%20journey%20at%20Canterbury%20Cathedral, https://www.viefrancigene.org/en/the-path/, https://www.viefrancigene.org/en/the-via-francigena-and-sustainable-development-goals/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.viefrancigene.org/en/]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1272]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.279633229215925,1.0828120708220015;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3021">
    <dcterms:title><![CDATA[Via Francigena]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Via Francigena is a historic pilgrim’s route from Canterbury to Rome. First travelled by Sigeric the Serious, Archbishop of Canterbury in the year 990, this historic pilgrimage route is now travelled by around 50,000 hikers yearly. The route begins at Canterbury cathedral, traveling to Dover and across the English Channel. The route continues through France into Switzerland, crossing the alps at the Great St Bernard Pass. After crossing the Italian border, the route continues down the eastern side of Italy and finishes at Rome. The route is mostly footpaths and rough trails, with substantial elevation change in some stages. This difficult terrain promotes SDG 3: good health and wellbeing. Walking is a far more environmentally responsible mode of transport than air travel, car or train, so as well as benefiting pilgrims traveling on the route, promoting walking tourism (which the Via Francigena is an example of) can help contribute to SDG 13: climate action. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Sigeric the Serious]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[circa 990]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[18/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hs277@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://our-wanderlust.com/2022/05/via-francigena-the-beginning/#:~:text=The%202%2C000%2Dkilometre%20way%20was,our%20journey%20at%20Canterbury%20Cathedral, https://www.viefrancigene.org/en/the-path/, https://www.viefrancigene.org/en/the-via-francigena-and-sustainable-development-goals/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.viefrancigene.org/en/]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1273]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.279633229215925,1.0828120708220015;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3022">
    <dcterms:title><![CDATA[Via Francigena]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Via Francigena is a historic pilgrim’s route from Canterbury to Rome. First travelled by Sigeric the Serious, Archbishop of Canterbury in the year 990, this historic pilgrimage route is now travelled by around 50,000 hikers yearly. The route begins at Canterbury cathedral, traveling to Dover and across the English Channel. The route continues through France into Switzerland, crossing the alps at the Great St Bernard Pass. After crossing the Italian border, the route continues down the eastern side of Italy and finishes at Rome. The route is mostly footpaths and rough trails, with substantial elevation change in some stages. This difficult terrain promotes SDG 3: good health and wellbeing. Walking is a far more environmentally responsible mode of transport than air travel, car or train, so as well as benefiting pilgrims traveling on the route, promoting walking tourism (which the Via Francigena is an example of) can help contribute to SDG 13: climate action. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Sigeric the Serious]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[circa 990]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[18/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hs277@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://our-wanderlust.com/2022/05/via-francigena-the-beginning/#:~:text=The%202%2C000%2Dkilometre%20way%20was,our%20journey%20at%20Canterbury%20Cathedral, https://www.viefrancigene.org/en/the-path/, https://www.viefrancigene.org/en/the-via-francigena-and-sustainable-development-goals/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.viefrancigene.org/en/]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1274]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.279633229215925,1.0828120708220015;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3023">
    <dcterms:title><![CDATA[Via Francigena]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Via Francigena is a historic pilgrim’s route from Canterbury to Rome. First travelled by Sigeric the Serious, Archbishop of Canterbury in the year 990, this historic pilgrimage route is now travelled by around 50,000 hikers yearly. The route begins at Canterbury cathedral, traveling to Dover and across the English Channel. The route continues through France into Switzerland, crossing the alps at the Great St Bernard Pass. After crossing the Italian border, the route continues down the eastern side of Italy and finishes at Rome. The route is mostly footpaths and rough trails, with substantial elevation change in some stages. This difficult terrain promotes SDG 3: good health and wellbeing. Walking is a far more environmentally responsible mode of transport than air travel, car or train, so promoting walking tourism (which the Via Francigena is an example of) can help contribute to SDG 13: climate action. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[990]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[19/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[hs277@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.viefrancigene.org/en/walking/, o	https://our-wanderlust.com/2022/05/via-francigena-the-beginning/#:~:text=The%202%2C000%2Dkilometre%20way%20was,our%20journey%20at%20Canterbury%20Cathedral]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1275]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.279767115534426,1.0826876162172994;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3024">
    <dcterms:title><![CDATA[Image of Adem Jashari's House]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The house of Adem Jashari stands as a memorial in Kosovo in remembrance of the war that occurred from 1998 - 1999. 
In March 1998, Serbian police killed the Kosovo Liberation Army leader Adem Jashari and more than 50 of his family members. The only survivor, Bersarta, was Adem's niece, who was age 10 during the massacre. The house is preserved to remember the events that took place in Kosovo and as an act of resilience. Beyond the house, there is also a memorial complex that consists of a cemetery for Adem's family and a museum. Digitisation of the house and memorial complex could promote Sustainable Development Goal 16 to ensure individuals have access to education on the effects of the war. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/19/2025 10:21:57 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Diana]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,42.753498717229334,20.805587769727936;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3025">
    <dcterms:title><![CDATA[Image of Adem Jashari's House]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The house of Adem Jashari stands as a memorial in Kosovo in remembrance of the war that occurred from 1998 - 1999. 
In March 1998, Serbian police killed the Kosovo Liberation Army leader Adem Jashari and more than 50 of his family members. The only survivor, Bersarta, was Adem's niece, who was age 10 during the massacre. The house is preserved to remember the events that took place in Kosovo and as an act of resilience. Beyond the house, there is also a memorial complex that consists of a cemetery for Adem's family and a museum. Digitisation of the house and memorial complex could promote Sustainable Development Goal 16 to ensure individuals have access to education on the effects of the war. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/19/2025 10:22:03 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Diana]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,42.753498717229334,20.805587769727936;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3026">
    <dcterms:title><![CDATA[Kakum NATIONAL PARK]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[Apr 2, 2022]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/21/2025 03:34:32 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[fe31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:medium><![CDATA[www.youtube.com/@goghana]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,5.614818° North,-0.205874° East ;origin,5.5,-1.675;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3027">
    <dcterms:title><![CDATA[Kakum National Park, Ghana]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[21/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/24/2025 02:32:04 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[fe31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1276]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,5.469396622452026,-1.343882605433464;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3028">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Kakum National Park
The Kakum National Park is in the central region of Ghana near Cape Coast. It covers an area of about 145 square miles (approx. 375 sq km). The park is named after a river called Kakum, which begins inside the park. Kakum National Park is ranked as the most visited natural attraction in Ghana.

The park is considered to be the first rainforest canopy walkway in Africa and one of the best places in Africa to feature a canopy walk through trees. It even has tree houses and covers about 1,150 feet while connecting through seven different trees.

The elevation of the park ranges from 443 feet to 820 feet. The park reports having different wildlife, including forest elephants, civets, Colobus monkeys, buffalo, red river hogs, pangolins, dwarf crocodiles, giant forest hogs, and North African crested porcupines.  Brace yourself! Who knows what you will discover when you take the guided treks on the jungle floor or the canopy walkway up in the heights of the trees. Watching from a bird' s-eye view may give you a better chance to discover some new species.

So far, 266 species of birds have been discovered within the park's boundaries. The Diana monkey, yellow-backed duiker, African elephant, and giant bongo antelope are some endangered species protected inside Kakum National Park. Are you interested in hiking? Then you have found the right place.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[21/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[fe31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[[1] https://youtu.be/O4UmMaYh-Vo?feature=shared]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Kakum_National_Park]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1277]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,5.442226966442839,-1.3509545009583237;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3029">
    <dcterms:title><![CDATA[Kakum National Park Photos]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Images from Kakum National Park, Cape Coast, Ghana]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/21/2025 05:19:25 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[fe31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.bing.com/images/search?q=kakum+national+park+ghana&qpvt=kakum+national+park+ghana&form=IGRE&first=1&cw=1737&ch=938]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,5.438065217709503,-1.3486532494425774;origin,5.5,-1.675;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3030">
    <dcterms:title><![CDATA[Kakum National Park Cinematic DRONE Shot, Ghana]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Kakum National Park]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[Apr 2, 2022]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/21/2025 05:24:44 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[fe31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:medium><![CDATA[www.youtube.com/@goghana]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,5.442226966442839,-1.3486532494425774;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3031">
    <dcterms:title><![CDATA[Kakum National Park, Ghana]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Kakum National Park
The Kakum National Park is in the central region of Ghana near Cape Coast. It covers an area of about 145 square miles (approx. 375 sq km). The park is named after a river called Kakum, which begins inside the park. Kakum National Park is ranked as the most visited natural attraction in Ghana.

The park is considered to be the first rainforest canopy walkway in Africa and one of the best places in Africa to feature a canopy walk through trees. It even has tree houses and covers about 1,150 feet while connecting through seven different trees.

The elevation of the park ranges from 443 feet to 820 feet. The park reports having different wildlife, including forest elephants, civets, Colobus monkeys, buffalo, red river hogs, pangolins, dwarf crocodiles, giant forest hogs, and North African crested porcupines.  Brace yourself! Who knows what you will discover when you take the guided treks on the jungle floor or the canopy walkway up in the heights of the trees. Watching from a bird' s-eye view may give you a better chance to discover some new species.

So far, 266 species of birds have been discovered within the park's boundaries. The Diana monkey, yellow-backed duiker, African elephant, and giant bongo antelope are some endangered species protected inside Kakum National Park. Are you interested in hiking? Then you have found the right place.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[21/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[fe31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[[1] https://youtu.be/O4UmMaYh-Vo?feature=shared]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Kakum_National_Park]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1278]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,5.442226966442839,-1.3509545009583237;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3032">
    <dcterms:title><![CDATA[Forth Bridge]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A photograph showing the whole of the Forth Bridge from a diagonal onlook position on the banks of the Forth of Firth, on a sunny but mildly cloudy day.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023:09:10 08:17:18]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/22/2025 01:55:41 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[MrMasterKeyboard, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.00150069459078,-3.388973233595607;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3033">
    <dcterms:title><![CDATA[Forth Bridge]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A photograph showing the whole of the Forth Bridge from a diagonal onlook position on the banks of the Forth of Firth, on a sunny but mildly cloudy day.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023:09:10 08:17:18]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/22/2025 01:55:49 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[MrMasterKeyboard, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.00150069459078,-3.388973233595607;]]></dcterms:spatial>
</rdf:Description></rdf:RDF>