<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/202">
    <dcterms:title><![CDATA[Edinburgh  - Grassmarket c1544]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Our depiction of Edinburgh and the Canongate was inspired by a drawing in the British Library made by the English military engineer Richard Lee, who accompanied Hertford’s forces in 1544. Lee’s drawing is the earliest moderately realistic picture of Edinburgh and would influence how the English portrayed the Scottish capital into the seventeenth century (a variant of Lee’s illustration is included in John Speed’s atlas, The Theatre of the Empire of Great Britain, published c.1611). It is possible that Lee’s plan was created to explain the outcome of the Edinburgh expedition to Henry VIII of England. On 19 May 1544 the Earl of Hertford informed Henry that he was sending him ‘Master Lee, who I assure your Majesty hath served in the journey both honestly and willingly, [and] doth bring unto your Highness a plat of Leith and Edinburgh so as your Majesty shall perceive the situations of the same, which is undoubtedly set forth as well as is possible.’]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:date><![CDATA[2017]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[190]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.9475,-3.196111;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/203">
    <dcterms:title><![CDATA[Grassmarket]]></dcterms:title>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[29/12/2020]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[165]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.9473467,-3.1962692;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/204">
    <dcterms:title><![CDATA[Poets&rsquo; Neuk &ndash; St Andrews]]></dcterms:title>
    <dcterms:description><![CDATA[In 2018, we collaborated with Bill Borthwick from the St Andrews Preservation Trust on a virtual representation of Poets’ Neuk, Mary Queen of Scots Memorial Garden, an abandoned plot on the corner of St Mary's Place and Greyfriars Garden in St Andrews. 
A Community Body known as Poets' Neuk had Scottish Government approval to register an interest under the Community Right to Buy legislation, and 3D visuals were needed to support their proposal.]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:date><![CDATA[2018]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[217]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.340413297947116,-2.799044730251861;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/205">
    <dcterms:title><![CDATA[St Andrews Garden]]></dcterms:title>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[29/12/2020]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[166]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.340441,-2.799114;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/206">
    <dcterms:title><![CDATA[Virtual Harlem - 1920]]></dcterms:title>
    <dcterms:description><![CDATA[The Virtual Harlem Project is a virtual representation of Harlem, NY as it existed during the 1920s Jazz Age.  Created by Dr Bryan Carter @bcmini

In 2012, the Virtual Harlem Project was ported to Open Sim.  The project is currently housed by us, Open Virtual Worlds @standrewsovw School of Computer Science, University of St. Andrews.]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:date><![CDATA[2012]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[191]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.8116,-73.9465;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/207">
    <dcterms:title><![CDATA[Harlem]]></dcterms:title>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[30/12/2020]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[167]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.8156191,-73.9489363;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/208">
    <dcterms:title><![CDATA[Brora Salt Pans - 16th and 18th century]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Virtual Histories Project was a collaboration between four museums (Eyemouth Museum, Shetland Museum, Taigh Chearsabhagh and Timespan) and the University of St Andrews School of Computer Science, the School of History and the SCAPE Trust.  

In 2009, a community excavation of the site took place.   The Brora saltpans community archaeology project: a partnership between the Clyne Heritage Society and the SCAPE Trust.  The project documents a significant archaeological site in the town of Brora in Sutherland, Scotland.

Producing salt was a very important industry in Scotland and the sixteenth and seventeenth centuries. Using coal from the most northerly outcrop in the UK, the Sutherland Estate constructed industrial buildings to house saltpans, large metal trays used to evaporate seawater.

Using laser scan data, together with supporting information from the excavation, we have created a virtual reconstruction of the Salt Pans as they would have stood in the 16th and 18th centuries.

The site at the time of the dig and scan was under dire threat from coastal erosion; now, sadly, after some particularly bad storms in 2012 and 2013, the site has all but been washed away.   This highlights the importance of recording and learning from these coastal erosion sites that are in danger before they are lost.

The Brora Salt Pans project was a collaboration between Clyne Heritage Society, the SCAPE Trust, Timespan Museum and Arts Centre, and the University of St Andrews.]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:date><![CDATA[2013]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[178]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.002675076676425,-3.8662648200988774;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/209">
    <dcterms:title><![CDATA[Brora]]></dcterms:title>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[30/12/2020]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[168]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.0112064,-3.8445256;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/210">
    <dcterms:title><![CDATA[St Andrews Tolbooth - 1565]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Location: Middle of Market Street. Date Built: Twelfth to nineteenth centuries.
Outlined in the paving on Market Street is the location of St Andrews' former tolbooth (the Scottish equivalent of a town hall). We do not know precisely when St Andrews’ tolbooth was built, but recent archaeological excavation suggests the site has been in use since the twelfth century. The tolbooth underwent several major renovations and was almost completely rebuilt in the sixteenth century. 
As in other Scottish towns, the tolbooth was a meeting place for the local council and community. It also acted as a prison. St Andrews' tolbooth was eventually demolished in the 1860s as it was regarded as an obstruction to traffic.
In front of the tolbooth, stood the tron - a weighing beam with the city's official weights and measures. During the Middle Ages, weights and measures were not standardised across the country. Each town had its own measures.

Like most Scottish towns, St Andrews was administered by a committee known as the burgh council. The council was led by the provost (the Scottish equivalent of a mayor). In theory, the provost was elected. However, for most of the sixteenth century, the provost of St Andrews was always a member of the Learmonth family. The Learmonths aggressively dealt with any opposition. They reputedly even resorted to murder to get their way!

The burgh court met regularly in the Tolbooth. Many of the issues dealt with by the court concerned property disputes. For example, squabbles about non-payment of rents or disputed boundaries were often resolved by the burgh court.

The Tolbooth was extended in the 1560s in order to provide more meeting space for the burgh council. The building work was financed with money previously allocated to the Catholic Church.]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:date><![CDATA[2014]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[210]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.34040466404158,-2.796016712692856;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/211">
    <dcterms:title><![CDATA[St Andrews tolbooth]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[30/12/2020]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[169]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.340381,-2.795430;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/212">
    <dcterms:title><![CDATA[Callanish Stone Circle ]]></dcterms:title>
    <dcterms:description><![CDATA[Callanish X (also known as "Na Dromannan" and "Druim Nan Eun") Callanish (or "Calanais") Stone Circle.
The Isle of Lewis has an extraordinarily rich prehistoric landscape, with monuments dating back more than 5,000 years to the Neolithic period. The area around Callanish appears to have been a particularly important Neolithic ritual centre, with a concentration of impressive standing stones. The most famous of these is a cross-shaped arrangement of stones now known as Callanish I.

The surrounding landscape contains the remains of several other megalithic structures, including the former stone circle now called Callanish X or Na Dromannan. The stones at Callanish X now lie on their sides but are thought to have once stood upright. These stones have now been scanned as part of the Calanais Virtual Reconstruction Project. Using 3D models of the stones and drone footage of the surrounding landscape, we created a digital reconstruction of how the stones may have appeared when they were in their original locations.

The Calanais Virtual Reconstruction Project was a collaboration between Urras nan Tursachan (the trust which runs the Calanais Visitor Centre), the University of Bradford, and the University of St Andrews. The project was led by Dr Richard Bates from the University of St Andrews’ School of Earth and Environmental Sciences, and was funded by Highlands and Islands Enterprise. ]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:date><![CDATA[2017]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[180]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.20224654059231,-6.74551699042794;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/213">
    <dcterms:title><![CDATA[Callanish Site 10]]></dcterms:title>
    <dcterms:description><![CDATA[The site sits on top of a hill to the north of the main Calanais site and was excavated by Colin Richards. The site was surveyed and amodel reconstructed by the University of St Andrews as part of the Beneath the Peat project in conjunction with the Callanish Visitor Center.]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[30/12/2020]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[170]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.20350539307718,-6.718590259552003;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/214">
    <dcterms:title><![CDATA[Linlithgow Palace - 1560]]></dcterms:title>
    <dcterms:description><![CDATA[The ruins of Linlithgow Palace are situated in the town of Linlithgow, West Lothian, Scotland, 15 miles (24 km) west of Edinburgh. The palace was one of the principal residences of the monarchs of Scotland in the 15th and 16th centuries, and the birthplace of Mary Queen of Scots.  Although maintained after Scotland’s monarchs left for England in 1603, the palace was little used, and was burned out in 1746.  It is now a visitor attraction in the care of Historic Scotland.

An earlier reconstruction of Linlithgow Palace undertaken by Education Scotland and Historic Scotland is now being developed further by ourselves, we have further developed the Palace model and added more detailed terrain data.]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:date><![CDATA[2010]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[197]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.9789,-3.6008;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/215">
    <dcterms:title><![CDATA[Linlithgow Palace]]></dcterms:title>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[06/01/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[171]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.978714804915676,-3.600872308015824;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/216">
    <dcterms:title><![CDATA[IS5110 2021]]></dcterms:title>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Museum]]></dcterms:type>
    <dcterms:identifier><![CDATA[172]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/217">
    <dcterms:title><![CDATA[The Xagħra Twin Seated Figure]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Twin figurine found in the Xagħra Stone Circle on the island of Gozo (Malta), dated between 4,100 and 2,500 BC. Thought to represent fertility, the left figurine is holding a baby figure. 
Currently at the Ġgantija Temples Interpretation Centre. Photographed on: 27/06/2020]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[SharonPisani]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,36.049014383586616,14.267930388450624;origin,36.04723177158004,14.269059598445894;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/218">
    <dcterms:title><![CDATA[The Xagħra Twin Seated Figure]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Twin figurine found in the Xagħra Stone Circle on the island of Gozo (Malta), dated between 4,100 and 2,500 BC. Thought to represent fertility, the left figurine is holding a baby figure. 
Currently at the Ġgantija Temples Interpretation Centre. Photographed on: 27/06/2020]]></dcterms:description>
    <dcterms:date><![CDATA[Prehistoric]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[11/02/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[18/03/2021]]></dcterms:>
    <dcterms:contributor><![CDATA[SharonPisani]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://culturemalta.org/the-xaghra-twins-by-alexis-martin-faaberg/ ; https://heritagemalta.org/ggantija-temples/]]></dcterms:references>
    <dcterms:extent><![CDATA[11cm x 12.5cm x 9cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[173]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,36.049020889395926,14.267923682928087;find,36.0471862298686,14.269031435251238;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/219">
    <dcterms:title><![CDATA[The Bridges Collection]]></dcterms:title>
    <dcterms:description><![CDATA[The Bridges Collection was donated to the University of St Andrews by Mrs Bridges of St Andrews. Several cultural periods of Cyprus are represented by the artifacts in the collection. The Bronze and Iron Ages (particularly the Late Bronze and Early Iron Age) are very well represented with a variety of terracotta polished ware bowls, jugs and a sizable collection of figurines including masks and plank figurines commonly associated with this period in Cyprus. These periods have a large number of artifacts and therefore separate pages are available to view them in more detail. This digital collection was created by Catherine Cruickshank and was made possible by a collaboration between several departments within the University of St Andrews: School of Classics, Open Virtual Worlds (School of Computer Science), Museum Collections and School of Art History.]]></dcterms:description>
    <dcterms:contributor><![CDATA[museums@eu-lac.org]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Collection]]></dcterms:type>
    <dcterms:identifier><![CDATA[219]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.34288109983074,-2.7940277984619115;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/221">
    <dcterms:title><![CDATA[Bell]]></dcterms:title>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/222">
    <dcterms:title><![CDATA[Bell]]></dcterms:title>
    <dcterms:description><![CDATA[Terracotta fashioned into an anthropomorphic figurine. Red painted geometric design and inside a small hole can clearly be seen where a thread could be tied to hold a bell. Bronze Age.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[03/03/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[220]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/223">
    <dcterms:title><![CDATA[Plank]]></dcterms:title>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/224">
    <dcterms:title><![CDATA[Plank]]></dcterms:title>
    <dcterms:description><![CDATA[Plank Figurine. Anthropomorphic design with a halo. Terracotta red painted geometric design which is well preserved. Plank figurines were commonly found in grave contexts in Cyprus. Late Bronze Age/Early Iron Age.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[03/03/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[221]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/225">
    <dcterms:title><![CDATA[Whorl]]></dcterms:title>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/226">
    <dcterms:title><![CDATA[Whorl]]></dcterms:title>
    <dcterms:description><![CDATA[White on black ceramic spindle whorl with incised geometric design typical of the period. The white decoration is thought to be a paste which was used to infill the incisions. Spindle whorls are often found in grave contexts suggesting that there was a connection between the importance of domestic implements and the afterlife (Knapp, 1999). Bronze Age.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[03/03/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/03/2021]]></dcterms:>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[222]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/227">
    <dcterms:title><![CDATA[Redware Bowl]]></dcterms:title>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/228">
    <dcterms:title><![CDATA[Redware Bowl]]></dcterms:title>
    <dcterms:description><![CDATA[Red polished hand made bowl with loop on the rim for threading an attachment to a belt or bag. Thought to be a drinking vessel or multi-purpose bowl. Bronze Age.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[03/03/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[223]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/229">
    <dcterms:title><![CDATA[St Salvator's Chapel, St Andrews]]></dcterms:title>
    <dcterms:description><![CDATA[The Chapel was founded by Bishop James Kennedy in 1450, and consecrated in October 1460. After this time the Chapel has evolved and been altered into the building as it stands today.]]></dcterms:description>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Tour]]></dcterms:type>
    <dcterms:identifier><![CDATA[224]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.3413844,-2.7943692;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/230">
    <dcterms:title><![CDATA[St Giles Kirk]]></dcterms:title>
    <dcterms:description><![CDATA[St Giles’ was the most important church in the burgh of Edinburgh (although it was not a cathedral until the 1630s). In 1544 St Giles’ was still a Catholic Church. It was lavishly decorated with statues and stained glass, and housed the altars of the local craft guilds. The feast day of St Giles (on 1st September) was marked by a religious procession along the Royal Mile. In 1558 Protestant Reformers disrupted the religious festivities, throwing a statue of St Giles to the ground, and smashing it upon the paving stones. Two years later Scotland officially rejected Catholicism, and St Giles’ became a Protestant place of worship.

Music by the Edinburgh Renaissance Band - Ane Lessone upone the first psalme.
Digital Reconstruction and video - Sarah Kennedy - Head of Virtual Visualisations - Smart History
Historical Research - Dr Bess Rhodes - - Head of Historical Research - Smart History]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/231">
    <dcterms:title><![CDATA[Collaborators]]></dcterms:title>
    <dcterms:source><![CDATA[collaborations]]></dcterms:source>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Map]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/232">
    <dcterms:title><![CDATA[Reconstructions Map]]></dcterms:title>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Map]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/233">
    <dcterms:title><![CDATA[Map Key]]></dcterms:title>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/234">
    <dcterms:title><![CDATA[Edinburgh]]></dcterms:title>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Collection]]></dcterms:type>
    <dcterms:identifier><![CDATA[225]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/235">
    <dcterms:title><![CDATA[Logo]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[2020:04:21 14:32:56]]></dcterms:date>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/236">
    <dcterms:title><![CDATA[Place]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/03/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[226]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-27.68352808378776,131.83593750000003;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/237">
    <dcterms:title><![CDATA[Magao Caves]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[08/04/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[alanm64]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[227]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.0284296,94.8064465;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/238">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[08/04/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[alanm64]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[228]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.0284296,94.8064465;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/239">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[08/04/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[alanm64]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[229]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.0284296,94.8064465;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/240">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[08/04/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[alanm64]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[230]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.0284296,94.8064465;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/241">
    <dcterms:title><![CDATA[Guoqing Temple]]></dcterms:title>
    <dcterms:description><![CDATA[The Guoqing Temple is a Buddhist temple on Mount Tiantai, in Taizhou, Zhejiang Province, China. Originally built in 598 during the Sui Dynasty, and renovated during the reign of the Qing Yongzheng Emperor (r. 1722–1735). It was the initial site for the creation of the Tiantai school of Mahayana Buddhism, founded by Zhiyi (538–597 AD).
In 598, according to Master Zhizhe's last wish, the ruler of Sui dynasty (581–618) built Guoqing Temple on Mount Tiantai. The Tiantai sect is the first Chinese Buddhist sect to evolve from the original Buddhism after it was spread to China. Its founder, Master Zhizhe, lived on Mount Tiantai in Zhejiang for a long time - hence the name Tiantai sect.
In the Tang dynasty (618–907), a large number of Japanese diplomats came to China. In the second year of the Zhenyuan Period, namely AD 804, the eminent Japanese monk Saichō came with the diplomats. He learned the Tiantai doctrine in Guoqing Temple on Mount Tiantai introduced by Lu Chun, prefectural governor of Ningbo, Zhejiang. One year later, Saicho returned to Japan. Since then, the Guoqing Temple became the cradle of the Tiantai sect in Japan.
This mountain temple is the site where indigenous Chinese Buddhism branched away from Buddhist teachings and doctrine commonly found in India. From there, the Tiantai sect of Buddhism spread to both Korea and Japan during the Tang Dynasty (618–907 AD). The tall brick Guoqing Pagoda built at the temple in the year 597 AD is still standing, making it one of the oldest surviving brick pagodas in China ]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[598AD]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[08/04/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/26/2021 07:03:11 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[ql27]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[231]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29.172757796680834,121.04349446257405;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/242">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[08/04/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[alanm64]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[232]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.999847210746616,;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/243">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[08/04/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[alanm64]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[233]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.0284296,94.8064465;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/244">
    <dcterms:title><![CDATA[Mogao Cave]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Mogao Caves, a site of great historic interest, lots of temples carved into the rockside.]]></dcterms:description>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[08/04/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/08/2021 03:21:04 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[alanm64]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[234]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,38.924172011083854,96.50873856925968;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/245">
    <dcterms:title><![CDATA[Dunhuang_Mogao_Ku_2013.12.31_12-30-18.jpg]]></dcterms:title>
    <dcterms:date><![CDATA[2014:11:11 21:02:34]]></dcterms:date>
    <dcterms:contributor><![CDATA[alanm64]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.037245,94.804455;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/246">
    <dcterms:title><![CDATA[Giant's Causeway]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:date><![CDATA[August 7, 2010]]></dcterms:date>
    <dcterms:contributor><![CDATA[ef93]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,55.23131135877274,-6.518239974975587;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/247">
    <dcterms:title><![CDATA[Giant's Causeway]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Out of all of the many attractions that can be found in Northern Ireland, few, if any, are more famous and more renowned than the Giants Causeway. The Giant's Causeway is a location that would fit well into a fantasy novel or movie due to its alien appearance. It consists of roughly 40,000 hexagonal basalt columns that were formed in ancient times due to a number of volcanic eruptions that occurred over 50 million years ago. The name however comes from local legends that tell of an Irish giant who constructed the causeway, which was then destroyed when the giant got into a fight with another giant, who happened to be Scottish.

In the current year, the Giants Causeway is a World Heritage site and receives hundreds of thousands of visitors a year and is often considered the most popular tourist attraction in Northern Ireland.]]></dcterms:description>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[16/04/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/16/2021 11:42:53 am]]></dcterms:>
    <dcterms:contributor><![CDATA[ef93]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[235]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.23116451985708,-6.51814877986908;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/248">
    <dcterms:title><![CDATA[Notre Dame]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:date><![CDATA[July 22, 2011]]></dcterms:date>
    <dcterms:contributor><![CDATA[ef93]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,48.852940885107614,2.350060343742371;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/249">
    <dcterms:title><![CDATA[Cath&eacute;drale Notre-Dame de Paris]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[It could be argued that the pinnacle of architectural design from medieval times can be found at the heart of the city of Paris. Cathédrale Notre-Dame de Paris, more commonly known simply as Notre-Dame, is a Catholic Cathedral that began construction around the year 1163 and took 182 years to complete. Even after 1345, changes and modifications were made to it to keep it preserved. It’s design was a pioneer for many different architectural techniques such as the flying buttress technique and the rib vault architecture.

It is well known around the world due to its magnificent architecture and design and in 1991, was commissioned as a world heritage site by UNESCO due to its significance in the heritage sector. ]]></dcterms:description>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[1163]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[16/04/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ef93]]></dcterms:contributor>
    <dcterms:extent><![CDATA[12800cm x 4800cm x 6900cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[236]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,48.85291088218431,2.3500643670558934;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/250">
    <dcterms:title><![CDATA[Gowrie House Memorial Plaque]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:date><![CDATA[2nd April 2021]]></dcterms:date>
    <dcterms:contributor><![CDATA[ef93]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.39440409961554,-3.4259641170501713;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/251">
    <dcterms:title><![CDATA[Gowrie House]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Gowrie House is an intriguing piece of lost heritage. It was an old townhouse located in Perth, Scotland beside the River Tay and was constructed in the early 1520s. It was owned by the Ruthven family, an infamous yet noble family who held great power and wealth around the county. 

The most significant event to occur at the Gowrie House was a peculiar assaiantion attempt on King James VI of Scotland which took place on the 5th of August 1600. This event is known as the Gowrie Conspiracy and it involved the king being lured to Gowrie House by Alexander Ruthven who then tried to take the king's life, however both Alexander Ruthven and the 3rd Earl of Gowrie were subdued and murdered. The strange thing about this story is that it cannot be corroborated and most of the story was King James VI’s account. Many think the king had made the story up as there was a lot to gain from murdering the Ruthvens. 

Gowrie House was demolished in 1807 and the Sheriff court was built in its place. The only tangible thing left to acknowledge it is a plaque on the side of the courthouse.]]></dcterms:description>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[1520]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[16/04/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/16/2021 12:09:16 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[ef93]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[237]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.394940011170256,-3.425937294960022;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/252">
    <dcterms:title><![CDATA[Museo Lagomar]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Underwater Cultural Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[One of Lanzarote’s most spectacular private properties, majestically formed around the same rocks from which it was built, a volcanic quarry with natural labyrinths and caves. A truly spectacular work of art created by Nature from the molten lava which once flowed down these same slopes of the ancient volcano above LagOmar.
Originally conceived by César Manrique and designed by the artist Jesús Soto for the British developer Sam Benady with an architectural vision which could evoke mental imagery from the arabian nights mythology.
In the early 1970s actor Omar Sharif came to Lanzarote to film “The Mysterious Island”, he visited LagOmar, fell in love with it and bought it.

San Benady knowing Sharif’s reputation as a card player challenged him to a game of Bridge. Sharif accepted the challenge, not realizing that Benady was also a champion Bridge player, and allegedly lost the house.

In 1989 architects Dominik von Boettinger from Germany and Beatriz van Hoff from Uruguay bought the house and initiated the last phase of development. They sought the advice of local artists and created a vernacular architecture inspired by the elements and the island’s capricious topography.

The existing caves were refurbished using wood and artifacts from local shipwrecks, for the beams and lights. Local flora was incorporated in the design: cactus, palm, aloes and bougainvillea, to form an oasis within the rock. They used glass, washed concrete and pebbles to generate circular patios, the lake, cascades and a series of curvaceous spaces avoiding all forms of square tiling whatsoever.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[19/04/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/24/2021 09:37:55 am]]></dcterms:>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:references><![CDATA[http://www.lag-o-mar.com/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[http://www.lag-o-mar.com/]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[238]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29.04515401020823,-13.555105179548265;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Private property]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/253">
    <dcterms:title><![CDATA[Museo Lagomar]]></dcterms:title>
    <dcterms:description><![CDATA[One of Lanzarote’s most spectacular private properties, majestically formed around the same rocks from which it was built, a volcanic quarry with natural labyrinths and caves. A truly spectacular work of art created by Nature from the molten lava which once flowed down these same slopes of the ancient volcano above LagOmar.
Originally conceived by César Manrique and designed by the artist Jesús Soto for the British developer Sam Benady with an architectural vision which could evoke mental imagery from the arabian nights mythology.
In the early 1970s actor Omar Sharif came to Lanzarote to film “The Mysterious Island”, he visited LagOmar, fell in love with it and bought it.

San Benady knowing Sharif’s reputation as a card player challenged him to a game of Bridge. Sharif accepted the challenge, not realizing that Benady was also a champion Bridge player, and allegedly lost the house.

In 1989 architects Dominik von Boettinger from Germany and Beatriz van Hoff from Uruguay bought the house and initiated the last phase of development. They sought the advice of local artists and created a vernacular architecture inspired by the elements and the island’s capricious topography.

The existing caves were refurbished using wood and artifacts from local shipwrecks, for the beams and lights. Local flora was incorporated in the design: cactus, palm, aloes and bougainvillea, to form an oasis within the rock. They used glass, washed concrete and pebbles to generate circular patios, the lake, cascades and a series of curvaceous spaces avoiding all forms of square tiling whatsoever.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[19/04/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/24/2021 09:37:38 am]]></dcterms:>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[239]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/254">
    <dcterms:title><![CDATA[Museo Lagomar]]></dcterms:title>
    <dcterms:description><![CDATA[One of Lanzarote’s most spectacular private properties, majestically formed around the same rocks from which it was built, a volcanic quarry with natural labyrinths and caves. A truly spectacular work of art created by Nature from the molten lava which once flowed down these same slopes of the ancient volcano above LagOmar.
Originally conceived by César Manrique and designed by the artist Jesús Soto for the British developer Sam Benady with an architectural vision which could evoke mental imagery from the arabian nights mythology.
In the early 1970s actor Omar Sharif came to Lanzarote to film “The Mysterious Island”, he visited LagOmar, fell in love with it and bought it.

San Benady knowing Sharif’s reputation as a card player challenged him to a game of Bridge. Sharif accepted the challenge, not realizing that Benady was also a champion Bridge player, and allegedly lost the house.

In 1989 architects Dominik von Boettinger from Germany and Beatriz van Hoff from Uruguay bought the house and initiated the last phase of development. They sought the advice of local artists and created a vernacular architecture inspired by the elements and the island’s capricious topography.

The existing caves were refurbished using wood and artifacts from local shipwrecks, for the beams and lights. Local flora was incorporated in the design: cactus, palm, aloes and bougainvillea, to form an oasis within the rock. They used glass, washed concrete and pebbles to generate circular patios, the lake, cascades and a series of curvaceous spaces avoiding all forms of square tiling whatsoever.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[19/04/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/24/2021 09:39:42 am]]></dcterms:>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[http://www.lag-o-mar.com/]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[240]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/255">
    <dcterms:title><![CDATA[Museo Lagomar]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:source><![CDATA[worldheritagelayer,worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[http://www.lag-o-mar.com/]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29.04517042441829,-13.555095791816713;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/256">
    <dcterms:title><![CDATA[Museo Lagomar]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer,worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[http://www.lag-o-mar.com/]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29.04517042441829,-13.555095791816713;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/257">
    <dcterms:title><![CDATA[Museo Lagomar]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[http://www.lag-o-mar.com/]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29.04517042441829,-13.555095791816713;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/258">
    <dcterms:title><![CDATA[-2.yaml]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:date><![CDATA[2006:05:03 18:41:32]]></dcterms:date>
    <dcterms:contributor><![CDATA[js458]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/259">
    <dcterms:title><![CDATA[Makapan Valley]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Together with Taung Skull Fossil Sites, Sterkfontein, Swartkrans, Kromdraai, and Environs, Makapan Valley is currently protected as National Heritage sites. And they are collectively called Fossil Hominid Sites of South Africa, also dubbed the 'Cradle of Humankind'. It is an important palaeontological site of human origin which is located about 300km to the northeast in Limpopo Province. The archaeological caves are essential as evidence of human occupation and evolution. The traces and wealth of animal and hominid fossil here prove that the early hominids can be dated back to 3.3 million years. Makapansgat limeworks is the oldest of the cave sites in Makapan Valley which dates back to 4.0 million years until about 1.6 million years ago. Abundant of fossile bones was found here.]]></dcterms:description>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[22/04/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/22/2021 02:27:26 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[js458]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[241]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-24.14821801923093,29.185423854505647;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/260">
    <dcterms:title><![CDATA[Makapan Valley]]></dcterms:title>
    <dcterms:date><![CDATA[2006:05:03 18:41:32]]></dcterms:date>
    <dcterms:contributor><![CDATA[js458]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/261">
    <dcterms:title><![CDATA[Reconstruction Map Key]]></dcterms:title>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/262">
    <dcterms:title><![CDATA[Collaborations Map Key]]></dcterms:title>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/263">
    <dcterms:title><![CDATA[Map Key]]></dcterms:title>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/264">
    <dcterms:title><![CDATA[IS5110 Map Key]]></dcterms:title>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/265">
    <dcterms:title><![CDATA[Lake Nakuru National Park]]></dcterms:title>
    <dcterms:description><![CDATA[The Kenya Lake System, which is located in the Great Rift Valley, covers three of Africa’s most spectacular lakes. The gross area is about 320 km2. It has a complicated and changeable landform, steaming and hot spring, and massive flocks of flamingos for its inhabitants. Lakes Nakuru, one of the parts of the Kenya Lake System, is designated National Park and also the protecting habitats of many wild species, and most of them are endangered. Kinds of birds flourish this place, as do warthogs, baboons, black rhino, the greater kudu and so many mammal animals. The most famous species here are flamingos. At the most time of the year, up to 4 million Lesser Flamingos live here, which make the lake a significant wildlife spectacle. ]]></dcterms:description>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[22/04/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/22/2021 04:21:18 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[js458]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[242]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-0.362815248893494,36.08604859776135;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/266">
    <dcterms:title><![CDATA[Lake Nakuru National Park]]></dcterms:title>
    <dcterms:contributor><![CDATA[js458]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/267">
    <dcterms:title><![CDATA[Nairobi National Museums]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Movable Cultural Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The National Museums of Kenya (NMK) is a state corporation and it manages all the regional museums, sites and monuments in Kenya. It is established by an Act of Parliament, the Museums and natural heritage. Nairobi National Museum and the headquarters of NMK are located on Museum Hill together.  The purpose of NMK is to enhancing knowledge, appreciation, respect and sustainable utilization of these resources for the benefit of Kenya and the world, for now, and posterity. Nairobi National Museum aims to interpret Kenya’s rich heritage and offers a one-stop for visitors to sample the country’s rich heritage both for education and leisure. In addition to the museum, visitors are treated to a variety of shopping and dining facilities, as well as botanical gardens that offer a serene environment.]]></dcterms:description>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[22/04/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/22/2021 05:18:06 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[js458]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[243]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-1.292016725163837,36.82190729580168;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/269">
    <dcterms:title><![CDATA[Digital Giza]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A vitual environment endeavored to present the archaeological documentation of the largest collection of information, media, and research materials ever assembled about the Pyramids and related sites on Egypt’s Giza Plateau.]]></dcterms:description>
    <dcterms:contributor><![CDATA[Apeksha]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[video/x-jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Youtube]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/270">
    <dcterms:title><![CDATA[Mohenjo Daro]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Indus Valley Civilization]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[23/04/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[24/04/2021]]></dcterms:>
    <dcterms:contributor><![CDATA[Apeksha]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[244]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,27,68;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/271">
    <dcterms:title><![CDATA[The Great Pyramids Of Egypt]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Giza Pyramids, built to endure an eternity, have marvelled the world since 4,500 years. The monumental tombs are relics of Egypt's Old Kingdom era, remarking an incredible feat of engineering and well defined architectural achievements. Mysteries of the Pyramids have always fascinated visitors and scholars to explore the mythology that led the pharaohs construct these formidable structures, which proved to be the some of the most indestructible pieces of architecture, and the only intact wonder among the Seven Wonders of Ancient World. In these decorated tombs one can visualize the wonderful scenes of every aspect of life in ancient Egypt. Giza is not just about how Egyptians died but how they lived. Tomb art includes depictions of ancient farmers working their fields and tending livestock, fishing and fowling, carpentry, costumes, religious rituals, and burial practices. The unbelievable intelligence behind the architecture of these Pyramids makes these structures even more elegant. Some of the stone blocks used to build the pyramids weigh in excess of 70 tons i.e. more than an elephant. There are more than 100 pyramids spread over the Giza Plateau. Napolean Boneparte once claimed a wall around France can be built from the pyramids.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[23/04/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/24/2021 11:11:06 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[Apeksha]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[245]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29.9773,31.1325;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/272">
    <dcterms:title><![CDATA[The Sphinx and Pyramid of Giza]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA["The Sphinx and Pyramid of Giza" by Sam and Ian is licensed under CC BY-NC 2.0]]></dcterms:description>
    <dcterms:contributor><![CDATA[Apeksha]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/273">
    <dcterms:title><![CDATA[Giza Plateau]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[Apeksha]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[video/x-jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Youtube]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/274">
    <dcterms:title><![CDATA[Mystical Mohenjo Daro]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[Apeksha]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[video/x-jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Youtube]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/275">
    <dcterms:title><![CDATA[Mystical hertiage of Indus Valley Civilization : Mohenjo Daro]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:contributor><![CDATA[Apeksha]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[video/x-jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Youtube]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/276">
    <dcterms:title><![CDATA[Mystical Mohenjo Daro | Indus Valley Civilization]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A brief history of one of the oldest civilizations, the Indus Valley Civilization, which is well known for its mesmerizing and sophisticated urban architecture.]]></dcterms:description>
    <dcterms:source><![CDATA[collaborations,isfiveoneonezero,worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[Apeksha]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[video/x-jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Youtube]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,27° 19' 27.00" N,68° 08' 12.00" E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/277">
    <dcterms:title><![CDATA[Mohenjo Daro]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Mohenjo Daro is the best preserved city of the great ancient culture of Indus Valley Civilization. A miniature bronze statuette of a nude female, known as "The Dancing girl" artifact found in Mohenjo daro reveals that the Indus Valley civilization is more than 4500 years old, contemporaneous with Egyptian and Mesopotamian civilizations. On the UNESCO World Heritage List, Mohenjo Daro has been listed as an archaeological site of immense historical significance. A well-planned street grid and an elaborate drainage system hint that the occupants of the ancient Indus civilization city of Mohenjo Daro were skilled urban planners with a reverence for the control of water. The Great Bath of Mohenjo Daro is referred to as the "earliest public water tank of the ancient world". The awe-inspiring archaeological site of Mohenjo Daro is nothing less than an absolutely thrilling and amazing walk through the 5,000-year-old culture.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[24/04/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/01/2021 02:14:51 am]]></dcterms:>
    <dcterms:contributor><![CDATA[Apeksha]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[246]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,27,68;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/278">
    <dcterms:title><![CDATA[Macquarie Island]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Underwater Cultural Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Macquarie Island is a subantarctic island owned by Tasmania, Australia, lying in the Southwestern Pacific Ocean, about halfway between New Zealand and Antarctica. Macquarie is recognised as the only place in the world where rocks from Earth’s mantle are actively exposed above sea level (a result of geologic activity). The island is part of the ocean crust formed in water six kilometres deep at a spreading ridge (known as Macquarie Ridge) in Miocene times, probably 600,000 years ago, and raised to its present height by the pressure of the Indian-Australian plate against the Pacific plate. The island is home to large variety of flora and fauna, with huge congregations of penguins and seals. Astonishingly, the island is the breeding ground for the Royal Penguins, an endemic species. Macquarie Island and its outlying islets are one of the most aesthetically pleasing and geologically unique places in the world.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[24/04/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/25/2021 05:56:52 am]]></dcterms:>
    <dcterms:contributor><![CDATA[Apeksha]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[247]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-54.6208,158.8556;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/279">
    <dcterms:title><![CDATA[Views_of_Macquarie_Island.ppt]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Underwater Cultural Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[A visual representation of the Island]]></dcterms:description>
    <dcterms:contributor><![CDATA[Apeksha]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial License]]></dcterms:license>
    <dcterms:format><![CDATA[application/vnd.ms-powerpoint PPT]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-54.6208,158.8556;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/280">
    <dcterms:title><![CDATA[Views_of_Macquarie_Island-1.ppt]]></dcterms:title>
    <dcterms:description><![CDATA[A visual representation of the Island]]></dcterms:description>
    <dcterms:contributor><![CDATA[Apeksha]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial License]]></dcterms:license>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-54.6208,158.8556;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/281">
    <dcterms:title><![CDATA[Macquarie Island Australia]]></dcterms:title>
    <dcterms:description><![CDATA[Looking north at the isthmus on Macquarie Island.]]></dcterms:description>
    <dcterms:date><![CDATA[2016:02:08 18:39:33]]></dcterms:date>
    <dcterms:contributor><![CDATA[Apeksha]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-54.6208,158.8556;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/282">
    <dcterms:title><![CDATA[Macquarie Island Australia - 1]]></dcterms:title>
    <dcterms:description><![CDATA[Macquaire Island is the only place where rocks from the earth's mantle rise above the sea.]]></dcterms:description>
    <dcterms:contributor><![CDATA[Apeksha]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-54.6208,158.8556;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/283">
    <dcterms:title><![CDATA[The Roman theatre of Philippopolis]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Roman theatre of Philippopolis (Latin: Theatrum Trimontense; Bulgarian: Пловдивски античен театър) is one of the world's best-preserved ancient Roman theatres, located in the city centre of modern Plovdiv, Bulgaria. It was constructed in the 90s of the 1st century A. D., probably during the reign of Domitian. The theatre could host up to 7,000 spectators when it was built, but it is being used to this day for classical, pop and rock concerts, theatrical plays, and various other art performances.Ttoday its seating capacity is 3500 seats.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[The 90s of the 1st century A. D.]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[24/04/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/24/2021 10:15:15 am]]></dcterms:>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[248]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,42.14700707176356,24.751085489988327;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/284">
    <dcterms:title><![CDATA[The Roman theatre of Philippopolis]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/285">
    <dcterms:title><![CDATA[Ancient Stadium of Philipopolis]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/286">
    <dcterms:title><![CDATA[Ancient Stadium of Philipopolis]]></dcterms:title>
    <dcterms:description><![CDATA[The Stadium of Philippopolis is an ancient Roman Imperial Stadium, built by Emperor Hadrian in the beginning of the 2nd century AD, at the time Philippopolis was the capital of the Thracia Roman Province. Unfortunately, today the only uncovered and preserved part is the northern curved part of the stadium (sphendone), the rest lying buried under the city centre - main shopping and cultural districts.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[2nd century AD]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[24/04/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/24/2021 10:10:37 am]]></dcterms:>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[249]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,42.147667302878276,24.748096168041233;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/287">
    <dcterms:title><![CDATA[Ancient Stadium of Philipopolis 1]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/288">
    <dcterms:title><![CDATA[Ancient Stadium of Philipopolis 2]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[2012:04:28 12:10:15]]></dcterms:date>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/289">
    <dcterms:title><![CDATA[The Roman Theatre of Philippopolis 1]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/290">
    <dcterms:title><![CDATA[The Roman theatre of Philippopolis 2]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/291">
    <dcterms:title><![CDATA[The Roman theatre of Philippopolis 4]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/292">
    <dcterms:title><![CDATA[The Roman theatre of Philippopolis 5]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/293">
    <dcterms:title><![CDATA[Ch&acirc;teau de Chillon (Chillon Castle)]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[HISTORY:
Chillon Castle in its current form is the result of several centuries of construction and redevelopment.

The excavations carried out from the end of the 19th century, particularly those led by archaeologist Albert Naef (1862-1936), indicate that the site has been occupied since the Bronze Age.

The rocky island on which the castle sits constituted both a form of natural protection and a strategic positioning to control passage from the north to the south of Europe. The castle took on the oval shape of the genuine island upon which it was built. It is approximately 100m long and 50m wide. It also took its name from the rock; the word ‘Chillon’ meant ‘rocky platform’ in an ancient language.

The history of the castle is marked by three great periods: those of the Savoy family, the Bernese bailiffs and the Canton of Vaud.


COLLECTIONS:
As an exceptional heritage monument, Chillon Castle has around 300 items on display throughout. With the exception of the furniture, weapons and armour, all of the items exhibited here were found during the archaeological digs carried out at the castle from 1896 to 1903. The collections belong to the Cantonal Museum of Archaeology & History of Lausanne under the name ‘fonds Chillon’ (Chillon Collection).

In 1842, the Society for the History of Francophone Switzerland (SHSR) suggested setting up an antique museum in one of the castle halls. The Assocation for the Restoration of Chillon Castle was eventually founded in 1887. It put the society’s ideas into writing, building both the creation of a museum exhibiting the diverse periods of Vaudois history and the restoration of the castle into its statute. The state released funds for the purchase of various items for the collection. Ten years later, Chillon was literally stripped bare and archaeological excavations revealed hundreds of everyday objects dating from the Middle Ages to the 17th century.

These collections remained at the castle until 2007. A substantial inventory was then taken and a new visitor itinerary created. The Chillon Castle Foundation – to which the Association passed the baton in 2002 – made the decision to place the focus on the castle’s architecture. Most of the objects were repatriated into storage at the Cantonal Museum, but a small selection was kept on display as part of the visitor itinerary, with the aim of illustrating the castle’s history.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[Before 1005 AD]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[24/04/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/24/2021 12:21:50 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.chillon.ch/en/castle/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[250]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,46.41401630632257,6.927618831396104;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/294">
    <dcterms:title><![CDATA[Chillon Castle picture]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/295">
    <dcterms:title><![CDATA[Chillon1]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[2015:09:09 15:07:00]]></dcterms:date>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,46.41421006219252,6.927491426467984;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/296">
    <dcterms:title><![CDATA[Chillon2]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[2020:11:22 16:09:29]]></dcterms:date>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/297">
    <dcterms:title><![CDATA[Chillon3]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[2009:03:08 14:16:56]]></dcterms:date>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/298">
    <dcterms:title><![CDATA[Macquarie Island Views]]></dcterms:title>
    <dcterms:contributor><![CDATA[Apeksha]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-54.6208,158.8556;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/299">
    <dcterms:title><![CDATA[Views of Macquarie Island]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Underwater Cultural Heritage,Tourism]]></dcterms:subject>
    <dcterms:contributor><![CDATA[Apeksha]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-54.6208,158.8556;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/300">
    <dcterms:title><![CDATA[Views of Macquarie Island (Australia)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Underwater Cultural Heritage,Tourism]]></dcterms:subject>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[Apeksha]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,54.6208° S,158.8556° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/301">
    <dcterms:title><![CDATA[Views of Macquarie Island (Australia)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Underwater Cultural Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Views of the an oceanic island in the Southern Ocean, Macquarie Island, recognised as World Heritage by UNESCO]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[Apeksha]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial License]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/302">
    <dcterms:title><![CDATA[West Lake-img]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[ql27]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/303">
    <dcterms:title><![CDATA[West Lake]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[West Lake is a freshwater lake in Hangzhou, China. It has influenced poets and painters throughout Chinese history for its natural beauty and historic relics, and it has also been among the most important sources of inspiration for Chinese garden designers.
Over 2,000 years ago, West Lake was still a part of the Qiantang River. Due to soil sedimentation, the feet of Wu Mountain and Baoshi Mountains, the surrounding mountains on the northern and southern sides of the lake, gradually stretched to form shoal heads. Later, these sand spits slowly merged into a bank, to which a lagoon emerged to the west; this was the old West Lake of the Qin and Han dynasties. 
The renown west lake relies on the work of the poet and government official Bai Juyi in the Tang dynasty(785-804). He ordered the construction of a stronger and taller dyke, with a dam to control the flow of water, providing water for irrigation and mitigating the drought problem. He ordered the construction of a causeway named Baisha Causeway to allow crossing part of the lake on foot, instead of requiring the services of a boat. 
The scenery of the lake is further expended at the beginning of the Song dynasty(1086–1094). Another great poet, Su Shi, ordered dredging of the lake and piled up all the mud into another causeway, in the style of Bai Causeway, but much wider and nearly three times as long: he also planted willow trees along its banks. 
The Kangxi and Qianlong emperors of the Qing dynasty in 17-18th century toured South China and stopping by Hangzhou many times; which helped to expedite the revamping and rehabilitation of West Lake.  The Kangxi Emperor visited Hangzhou five times, and wrote the names of "Ten Scenic Spots of West Lake" selected in the Southern Song dynasty. The local governor then inscribed the emperor's handwriting onto stelae and built pavilions over them. The work created the spot we can see today.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[	Around 3rd century BC]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[26/04/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/26/2021 12:16:33 am]]></dcterms:>
    <dcterms:contributor><![CDATA[ql27]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[251]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,30.24034606785947,120.14172290134306;]]></dcterms:spatial>
</rdf:Description></rdf:RDF>