<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3583">
    <dcterms:title><![CDATA[The Mogao Caves]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Photo by Samuel Zhang on Unsplash.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[June 25, 2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 02:08:22 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[qg20@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Zero]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[unsplash]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.03722,94.80417;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3584">
    <dcterms:title><![CDATA[The Mogao Caves]]></dcterms:title>
    <dcterms:description><![CDATA[The Mogao Caves are located on cliffs near Dunhuang in Gansu Province, China. They form one of the largest collections of Buddhist art on the Silk Road, with 492 preserved grottoes containing over 2,000 painted sculptures and 45,000 square meters of murals. The site documents the development of Buddhist art and culture from the 4th to the 14th century, reflecting political, religious, and cultural changes across different dynasties. It also provides evidence of long-distance trade and cultural exchange, particularly through the Silk Road. The Mogao Caves are a UNESCO World Heritage Site recognised for their artistic innovation, religious significance, and historical value. Preservation is led by the Dunhuang Academy through digital projects such as high-resolution mural scanning, 3D modelling, virtual tours, and the Digital Dunhuang platform, which improves public access and educational outreach. These digital efforts support global awareness and help preserve the site for future generations. The Mogao Caves contribute to sustainable development by supporting quality education and promoting inclusive cultural and economic growth.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[26/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[qg20@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1401]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.03722,94.80417;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[People's Republic of China]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2069">
    <dcterms:title><![CDATA[The Mona Lisa]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Mona Lisa, arguably the most famous painting in the world, resides in the Louvre Museum in Paris, France. Painted by Leonardo da Vinci, this enigmatic portrait of Lisa Gherardini captivates viewers with her subtle smile and mysterious gaze.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[28/04/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/28/2024 06:24:21 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,48.8606°,2.3376°;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2070">
    <dcterms:title><![CDATA[The Mona Lisa]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Mona Lisa, arguably the most famous painting in the world, resides in the Louvre Museum in Paris, France. Painted by Leonardo da Vinci, this enigmatic portrait of Lisa Gherardini captivates viewers with her subtle smile and mysterious gaze.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[28/04/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/28/2024 06:24:39 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,48.8606°,2.3376°;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2071">
    <dcterms:title><![CDATA[The Mona Lisa]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Mona Lisa, arguably the most famous painting in the world, resides in the Louvre Museum in Paris, France. Painted by Leonardo da Vinci, this enigmatic portrait of Lisa Gherardini captivates viewers with her subtle smile and mysterious gaze. The painting's exquisite details, including its use of sfumato technique and lifelike portrayal, have earned it a revered status in the art world. Protected behind bulletproof glass and surrounded by throngs of admirers, the Mona Lisa continues to fascinate and inspire countless individuals from around the globe. 
Digital interpretation of the Mona Lisa addresses several Sustainable Development Goals (SDGs). By leveraging digital platforms, it promotes quality education (SDG 4) by offering insights into the artwork's historical context and artistic significance. Furthermore, it contributes to sustainable cities and communities (SDG 11) by reducing the need for physical travel to museums, thereby mitigating carbon emissions. Additionally, it supports industry, innovation, and infrastructure (SDG 9) by driving technological advancements in the cultural sector. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Leonardo da Vinci]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[Estimated around 1503-1506]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[28/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[28/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[Ruojing Hu]]></dcterms:contributor>
    <dcterms:extent><![CDATA[53cm x 77cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Leonardo da Vinci created the Mona Lisa during the Italian Renaissance]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[992]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,48.8606,2.3376;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2141">
    <dcterms:title><![CDATA[The Nanjing Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The Nanjing Museum, located in Nanjing, China, is one of the country's leading museums, renowned for its extensive collection of historical artifacts and cultural treasures. Established in 1933, it houses over 400,000 items, spanning China's rich history from ancient times to the present day. The museum's exhibits include exquisite ceramics, jade artifacts, bronze ware, calligraphy, paintings, and ancient manuscripts, offering a comprehensive overview of Chinese art and culture. Highlights of the collection include the famed "Zhongshan Wang" (the "Bell of Zhongshan"), a masterpiece of ancient Chinese bronze casting, and the "Silk Manuscripts of Mawangdui," remarkably preserved ancient texts dating back over 2,000 years. With its diverse and meticulously curated displays, the Nanjing Museum provides visitors with a fascinating journey through China's cultural heritage, making it a must-visit destination for history enthusiasts and art lovers alike.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[01/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/01/2024 04:17:43 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[xz84]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1027]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,32.04223716588705,118.81991314992774;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/36">
    <dcterms:title><![CDATA[The National Museum and Art Gallery of Trinidad and Tobago]]></dcterms:title>
    <dcterms:source><![CDATA[collaborations]]></dcterms:source>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:type><![CDATA[Museum]]></dcterms:type>
    <dcterms:identifier><![CDATA[36]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,10.6628006,-61.5105079;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2085">
    <dcterms:title><![CDATA[The Nok Terracota Sculptures]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Nok terracotta sculptures, discovered in Nigeria, represent one of the earliest known examples of African figurative art dating back to around 500 BCE to 200 CE. Crafted primarily from terracotta clay, these remarkable sculptures depict human figures, human heads and animals, offering valuable insights into the cultural and artistic traditions of ancient West Africa. Crafted with exquisite detail and finesse, the Nok terracotta sculptures showcase the advanced sculptural techniques and artistic prowess of their creators. The production process of these sculptures involved the shaping the clay by hand or using basic tools, followed by firing in kilns to harden the material. As archaeological treasures, the Nok terracotta sculptures serve as a testament to the rich artistic heritage of Nigeria.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[29/04/2024]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/29/2024 05:09:55 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cje5@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,9.7264° N,8.9107° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2086">
    <dcterms:title><![CDATA[The Nok Terracotta Heritage]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Nok Terracotta stands as a testament to the rich cultural heritage of the Nok people of Nigeria, dating back to 500 B.C.E. Crafted with clay, these sculptures represent a significant milestone in early pottery art within sub-Saharan Africa. These artefacts offer invaluable insights into the skilled craftsmanship and cultural traditions of the ancient 'Nok' city. These sculptures with distinct triangular or oval shapes on human faces have emerged as iconic symbols of Nok Art, showcasing the culture's unique stylistic elements. Digital interpretation efforts, including virtual reality experiences, immersive, and interactive learning, have provided unprecedented access to these artefacts for global audience, thereby fostering a deeper appreciation for cultural diversity, heritage preservation, and promoting sustainable development. This engagement advances SDG 4.7's goal of ensuring that all learners acquire the knowledge and skills needed to promote sustainable development. However, despite their historical significance, Nok Terracotta faces notable threats to its preservation. Factors such as environmental degradation, including erosion and climate change, pose significant risks to the integrity of these artefacts. Additionally, looting and illegal trade of cultural heritage items contribute to the loss and destruction of Nok Terracotta sculptures. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Nok People, Nigeria ]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[500 B.C.E.]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[29/04/2024]]></dcterms:>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:medium><![CDATA[Nok Culture, Nigeria]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[1001]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,9.7264,8.9107;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3311">
    <dcterms:title><![CDATA[The North Side of The Independence Hall]]></dcterms:title>
    <dcterms:description><![CDATA[Independence Hall, an important and notable site in American history, is the location of the adoption of both the Declaration of Independence in 1776 to establish independence from the British monarchy, and the U.S. Constitution in 1787, creating the early foundations of a new country.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[26 August 2019]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 12:42:27 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lb370@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.94887787748244,-75.15002938569525;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/735">
    <dcterms:title><![CDATA[The Odin Stone]]></dcterms:title>
    <dcterms:description><![CDATA[The Odin Stone was a 2.5m tall standing stone which had a hole in it and was placed in a field close to the Standing Stones of Stenness. It is thought to have been erected around 3000 BC, roughly around the same time that the Standing Stones of Stenness were erected.

The Odin Stone played an important part in the culture of the native Orcadian people. It was supposedly very common for young lovers to visit the stone and make their marriage vows binding and absolute by clasping hands through the hole and swearing the Oath of Odin. Additionally, it was also believed that the stone had healing powers and it was common for young people to stick their head through the hole to ensure good health. In the same vein, new-born babies were passed through the hole to ensure them a healthy future. There are stories of the Orcadians leaving offerings of food when visiting the stone and it seems that this stone was cherished by the Orcadian people. 

Unfortunately, the Odin Stone was demolished in 1814 by Captain W. MacKay, who had recently immigrated to Orkney and leased the land which the Odin Stone stood on. He was irritated as he felt that his land was being ruined by the influx of people visiting the Odin Stone and the other ancient sites around it. He set out and destroyed the Odin Stone and then went to the Stones of Stenness and toppled the fifth stone and destroyed the sixth stone. The native Orcadians were enraged by his actions and made various attempts to burn down his house. The law got involved and executed a “Sist and Suspension” against MacKay who then promised to stop destroying the stones. Unfortunately, it was too late for the destroyed stones but the Standing Stones of Stenness were passed into the care of the state in 1906 and the toppled stone was re-erected.]]></dcterms:description>
    <dcterms:source><![CDATA[standingstones]]></dcterms:source>
    <dcterms:date><![CDATA[Estimated 3000BC]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[22/04/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/26/2022 04:27:35 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[lj77]]></dcterms:contributor>
    <dcterms:references><![CDATA[http://www.orkneyjar.com/history/odinstone/index.html , http://www.orkneyjar.com/history/odinstone/tradition.htm , http://www.orkneyjar.com/history/odinstone/odwedd.htm]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[459]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.994996175093455,-3.208207368588774;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3910">
    <dcterms:title><![CDATA[The Old and New Towns of Edinburgh]]></dcterms:title>
    <dcterms:description><![CDATA[The old town of Edinburgh was dominated by a medieval fortress, while the new town, constructed between 1767 and 1890, exerted a far-reaching influence on European urban planning.The harmonious juxtaposition of these two contrasting historic areas clearly articulated urban planning phenomena. Furthermore, the contrast between the organic medieval Old Town and the planned Georgian New Town of Edinburgh, provides a clarity of urban structure unrivalled in Europe. Correspondingly, these phenomena shape the uniqueness of Edinburgh.
In 2017, researchers at the University of St Andrews conducted the new digital reconstruction of the lost townscape of sixteenth-century Edinburgh. It gave an overview of the townscape of the entire sixteenth-century city, with a particular focus on the Royal Mile – the historic spine of Edinburgh. In addition, the virtual time travel technology provided a unique window into the capital around the time of the birth of Mary Queen of Scots. Users could download the virtual reality app for mobiles and enjoy a top-down view of reconstructions of landmark present day sites such as St Giles’ Kirk, as well as long-lost landmarks such as the Nether Bow Port. This research project aligns with SDG 11 Sustainable Cities And Communities, strengthening efforts to protect and safeguard the world’s cultural and natural heritage.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[01/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Qianqian Zhang]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1463]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.949919421285195,-3.199373055278804;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3911">
    <dcterms:title><![CDATA[The Old and New Towns of Edinburgh]]></dcterms:title>
    <dcterms:description><![CDATA[The old town of Edinburgh was dominated by a medieval fortress, while the new town, constructed between 1767 and 1890, exerted a far-reaching influence on European urban planning.The harmonious juxtaposition of these two contrasting historic areas clearly articulated urban planning phenomena. Furthermore, the contrast between the organic medieval Old Town and the planned Georgian New Town of Edinburgh, provides a clarity of urban structure unrivalled in Europe. Correspondingly, these phenomena shape the uniqueness of Edinburgh.
In 2017, researchers at the University of St Andrews conducted the new digital reconstruction of the lost townscape of sixteenth-century Edinburgh. It gave an overview of the townscape of the entire sixteenth-century city, with a particular focus on the Royal Mile – the historic spine of Edinburgh. In addition, the virtual time travel technology provided a unique window into the capital around the time of the birth of Mary Queen of Scots. Users could download the virtual reality app for mobiles and enjoy a top-down view of reconstructions of landmark present day sites such as St Giles’ Kirk, as well as long-lost landmarks such as the Nether Bow Port. This research project aligns with SDG 11 Sustainable Cities And Communities, strengthening efforts to protect and safeguard the world’s cultural and natural heritage.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[01/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Qianqian Zhang]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1464]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.949919421285195,-3.199373055278804;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1612">
    <dcterms:title><![CDATA[The Old City of Jerusalem]]></dcterms:title>
    <dcterms:description><![CDATA[Jerusalem is the holy city of Judaism, Christianity and Islam, which covers an area of approximately 0.9 square kilometres and was founded in the 7th century, the architecture is rich in geometric and floral motifs. It includes four quarters which are Muslim, Christian, Armenian and Jewish. Jerusalem's three most famous monuments are the Dome of the Rock, the Wailing Wall and the Church of the Holy Sepulchre, which represents Muslims, Jews and Christians respectively. Besides the three most famous ones, It also has 226 monuments from all three religions, which is extremely significant for the religious development of the world, which is recognised as a religious shrine in the world.]]></dcterms:description>
    <dcterms:date><![CDATA[7th century B.C.]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ty43@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[744]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3976">
    <dcterms:title><![CDATA[The Old Fort, Fort William]]></dcterms:title>
    <dcterms:description><![CDATA[The site of the Fort of Fort William]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[08/07/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1493]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.8212503,-5.1075884;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2854">
    <dcterms:title><![CDATA[The Online Exhibition of the China National Silk Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Intangible Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[An online exhibition of the China National Silk Museum.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Tour]]></dcterms:type>
    <dcterms:identifier><![CDATA[1181]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,30.230594564932193,120.19866943359376;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1536">
    <dcterms:title><![CDATA[the palace museum]]></dcterms:title>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2023 10:57:11 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xw71]]></dcterms:contributor>
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    <dcterms:title><![CDATA[The Palace Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The Beijing Palace Museum is a world-famous museum in China, the imperial palace of the Ming and Qing dynasties. The climate of Beijing, where it is located, is warm-temperate and semi-humid, with four distinct seasons and large temperature differences, with an average annual temperature of about 12 degrees Celsius. Spring is dry and sandy, summer is hot and humid, autumn is dry and pleasant, and winter is cold and snowless. Climate change may also have an impact when it comes to the conservation and maintenance of the Palace Museum in Beijing. A warmer climate may lead to more severe heat and humidity in the summer, thereby increasing the risk of decay and metal corrosion of the wooden structures. In addition, a dry and windy spring may also lead to the accumulation of dust and sand, making conservation and maintenance of cultural relics difficult. At the same time, Beijing is also one of the more prominent cities in China in terms of environmental issues, and urbanization and industrialization may also have an impact on the conservation and maintenance of the Forbidden City in terms of air pollution and water pollution.]]></dcterms:description>
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    <dcterms:title><![CDATA[The Palace Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The main entrance to the Palace Museum in Beijing, China.]]></dcterms:description>
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    <dcterms:title><![CDATA[The Palace Museum]]></dcterms:title>
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    <dcterms:title><![CDATA[The Palace Museum]]></dcterms:title>
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    <dcterms:title><![CDATA[The Palace Museum]]></dcterms:title>
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    <dcterms:title><![CDATA[The Palace Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum, located in the center of Beijing, China, is the imperial palace of the Ming and Qing dynasties in China. It is now the largest and best preserved ancient wooden structure complex in the world. Built in 1406, it has more than 9,000 palaces and is the pinnacle of traditional Chinese architecture. Today, it is open to the public as a museum with a collection of more than 1.8 million artifacts and is a gathering place of world-class cultural heritage and artistic treasures. Digital displays and virtual Tours allow a global audience to learn about its profound historical and cultural values.
SDG 4: Quality education
Enhance public literacy and history education through digital displays and global online access.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
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    <dcterms:title><![CDATA[The Palace Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum, located in the center of Beijing, China, is the imperial palace of the Ming and Qing dynasties in China. It is now the largest and best preserved ancient wooden structure complex in the world. Built in 1406, it has more than 9,000 palaces and is the pinnacle of traditional Chinese architecture. Today, it is open to the public as a museum with a collection of more than 1.8 million artifacts and is a gathering place of world-class cultural heritage and artistic treasures. Digital displays and virtual Tours allow a global audience to learn about its profound historical and cultural values.
SDG 4: Quality education
Enhance public literacy and history education through digital displays and global online access.]]></dcterms:description>
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    <dcterms:title><![CDATA[The Palace Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum, located in the center of Beijing, China, is the imperial palace of the Ming and Qing dynasties in China. It is now the largest and best preserved ancient wooden structure complex in the world. Built in 1406, it has more than 9,000 palaces and is the pinnacle of traditional Chinese architecture. Today, it is open to the public as a museum with a collection of more than 1.8 million artifacts and is a gathering place of world-class cultural heritage and artistic treasures. Digital displays and virtual Tours allow a global audience to learn about its profound historical and cultural values.
SDG 4: Quality education
Enhance public literacy and history education through digital displays and global online access.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3521">
    <dcterms:title><![CDATA[The Palace Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum, located in the center of Beijing, China, is the imperial palace of the Ming and Qing dynasties in China. It is now the largest and best preserved ancient wooden structure complex in the world. Built in 1406, it has more than 9,000 palaces and is the pinnacle of traditional Chinese architecture. Today, it is open to the public as a museum with a collection of more than 1.8 million artifacts and is a gathering place of world-class cultural heritage and artistic treasures. Digital displays and virtual Tours allow a global audience to learn about its profound historical and cultural values.
SDG 4: Quality education
Enhance public literacy and history education through digital displays and global online access.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
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    <dcterms:title><![CDATA[The Palace Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum, located in the center of Beijing, China, is the imperial palace of the Ming and Qing dynasties in China. It is now the largest and best preserved ancient wooden structure complex in the world. Built in 1406, it has more than 9,000 palaces and is the pinnacle of traditional Chinese architecture. Today, it is open to the public as a museum with a collection of more than 1.8 million artifacts and is a gathering place of world-class cultural heritage and artistic treasures. Digital displays and virtual Tours allow a global audience to learn about its profound historical and cultural values.
SDG 4: Quality education
Enhance public literacy and history education through digital displays and global online access.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
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    <dcterms:title><![CDATA[The Palace Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum, located in the center of Beijing, China, is the imperial palace of the Ming and Qing dynasties in China. It is now the largest and best preserved ancient wooden structure complex in the world. Built in 1406, it has more than 9,000 palaces and is the pinnacle of traditional Chinese architecture. Today, it is open to the public as a museum with a collection of more than 1.8 million artifacts and is a gathering place of world-class cultural heritage and artistic treasures. Digital displays and virtual Tours allow a global audience to learn about its profound historical and cultural values.
SDG 4: Quality education
Enhance public literacy and history education through digital displays and global online access.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
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    <dcterms:title><![CDATA[The Palace Museum]]></dcterms:title>
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    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
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    <dcterms:title><![CDATA[The Palace Museum - Beijing]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Palace Museum in Beijing, located in the center of Beijing, China, is one of the largest palace complexes in the world, also known as the Forbidden City. It was the imperial palace of the emperors of the Ming and Qing dynasties and has a history of nearly 600 years. The Forbidden City is famous for its magnificent architecture, huge collections and profound cultural heritage. The museum has a large number of artworks, including paintings, calligraphy, ceramics, jade and other precious cultural relics, and is an important place for the study of Chinese history and culture. It attracts thousands of tourists every year and is one of the most important cultural ICONS in China.

digital interpretation can increase its digital process and promote the development of tourism in Beijing. This can effectively promote SDG8 - Decent work and economic growth & SDG9 - industry, innovation and infrastructure]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
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    <dcterms:title><![CDATA[The Palace Museum - Beijing]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum in Beijing, located in the center of Beijing, China, is one of the largest palace complexes in the world, also known as the Forbidden City. It was the imperial palace of the emperors of the Ming and Qing dynasties and has a history of nearly 600 years. The Forbidden City is famous for its magnificent architecture, huge collections and profound cultural heritage. The museum has a large number of artworks, including paintings, calligraphy, ceramics, jade and other precious cultural relics, and is an important place for the study of Chinese history and culture. It attracts thousands of tourists every year and is one of the most important cultural ICONS in China.

digital interpretation can increase its digital process and promote the development of tourism in Beijing. This can effectively promote SDG8 - Decent work and economic growth & SDG9 - industry, innovation and infrastructure]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
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    <dcterms:title><![CDATA[The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420. It is the royal palace of the emperors of the Ming and Qing dynasties and is also the largest and most intact wooden palace complex in the world. The Palace Museum not only has a spectacular royal building complex, but also has more than 1.8 million precious collections, which contain China's rich historical and cultural connotations and craftsmanship wisdom. Through digital technologies such as virtual reality guided tours, online museums, and 3D cultural relics scanning, it can effectively enhance the public's cultural awareness and sense of participation, while protecting this precious cultural heritage of mankind.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
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    <dcterms:title><![CDATA[The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420. It is the royal palace of the emperors of the Ming and Qing dynasties and is also the largest and most intact wooden palace complex in the world. The Palace Museum not only has a spectacular royal building complex, but also has more than 1.8 million precious collections, which contain China's rich historical and cultural connotations and craftsmanship wisdom. Through digital technologies such as virtual reality guided tours, online museums, and 3D cultural relics scanning, it can effectively enhance the public's cultural awareness and sense of participation, while protecting this precious cultural heritage of mankind.]]></dcterms:description>
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    <dcterms:title><![CDATA[The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420. It is the royal palace of the emperors of the Ming and Qing dynasties and is also the largest and most intact wooden palace complex in the world. The Palace Museum not only has a spectacular royal building complex, but also has more than 1.8 million precious collections, which contain China's rich historical and cultural connotations and craftsmanship wisdom. Through digital technologies such as virtual reality guided tours, online museums, and 3D cultural relics scanning, it can effectively enhance the public's cultural awareness and sense of participation, while protecting this precious cultural heritage of mankind.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
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    <dcterms:dateSubmitted><![CDATA[03/25/2025 03:30:28 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
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    <dcterms:title><![CDATA[The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420. It is the royal palace of the emperors of the Ming and Qing dynasties and is also the largest and most intact wooden palace complex in the world. The Palace Museum not only has a spectacular royal building complex, but also has more than 1.8 million precious collections, which contain China's rich historical and cultural connotations and craftsmanship wisdom. Through digital technologies such as virtual reality guided tours, online museums, and 3D cultural relics scanning, it can effectively enhance the public's cultural awareness and sense of participation, while protecting this precious cultural heritage of mankind.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
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    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
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    <dcterms:title><![CDATA[The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420. It is the royal palace of the emperors of the Ming and Qing dynasties and is also the largest and most intact wooden palace complex in the world. The Palace Museum not only has a spectacular royal building complex, but also has more than 1.8 million precious collections, which contain China's rich historical and cultural connotations and craftsmanship wisdom. Through digital technologies such as virtual reality guided tours, online museums, and 3D cultural relics scanning, it can effectively enhance the public's cultural awareness and sense of participation, while protecting this precious cultural heritage of mankind.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 03:30:40 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3466">
    <dcterms:title><![CDATA[The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420. It is the royal palace of the emperors of the Ming and Qing dynasties and is also the largest and most intact wooden palace complex in the world. The Palace Museum not only has a spectacular royal building complex, but also has more than 1.8 million precious collections, which contain China's rich historical and cultural connotations and craftsmanship wisdom. Through digital technologies such as virtual reality guided tours, online museums, and 3D cultural relics scanning, it can effectively enhance the public's cultural awareness and sense of participation, while protecting this precious cultural heritage of mankind.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 03:30:48 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3467">
    <dcterms:title><![CDATA[The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420. It is the royal palace of the emperors of the Ming and Qing dynasties and is also the largest and most intact wooden palace complex in the world. The Palace Museum not only has a spectacular royal building complex, but also has more than 1.8 million precious collections, which contain China's rich historical and cultural connotations and craftsmanship wisdom. Through digital technologies such as virtual reality guided tours, online museums, and 3D cultural relics scanning, it can effectively enhance the public's cultural awareness and sense of participation, while protecting this precious cultural heritage of mankind.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 03:30:55 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3468">
    <dcterms:title><![CDATA[The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420. It is the royal palace of the emperors of the Ming and Qing dynasties and is also the largest and most intact wooden palace complex in the world. The Palace Museum not only has a spectacular royal building complex, but also has more than 1.8 million precious collections, which contain China's rich historical and cultural connotations and craftsmanship wisdom. Through digital technologies such as virtual reality guided tours, online museums, and 3D cultural relics scanning, it can effectively enhance the public's cultural awareness and sense of participation, while protecting this precious cultural heritage of mankind.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 03:31:01 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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    <dcterms:title><![CDATA[The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Located in the center of Beijing, China, the Palace Museum was built in 1420. It was the royal palace of the Ming and Qing dynasties and the largest and best-preserved wooden palace complex in the world. The Palace Museum not only has a spectacular royal complex, but also has more than 1.8 million precious collections, which contain China's rich historical and cultural connotations and craftsmanship wisdom. The application of digital technology, such as virtual reality guided tours, online museums and 3D cultural relics scanning, helps to improve the public's understanding of cultural heritage and strengthen cultural inheritance.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:references><![CDATA[UNESCO World Heritage Centre]]></dcterms:references>
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    <dcterms:medium><![CDATA[UNESCO World Heritage Centre]]></dcterms:medium>
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    <dcterms:identifier><![CDATA[1341]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.91727415127369,116.39076948165895;]]></dcterms:spatial>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3495">
    <dcterms:title><![CDATA[The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum, also known as the Forbidden City, is located in the center of Beijing, China. It was the royal palace of the Ming and Qing dynasties (1420-1912) and one of the largest and most complete existing wooden palace complexes in the world. The Forbidden City represents the pinnacle of traditional Chinese architectural art and court culture. It houses more than 1.8 million precious cultural relics, which are of immeasurable value for the study of Chinese history, art and traditional crafts.
Related Sustainable Development Goals (SDGs):
Goal 11: Make cities and human settlements inclusive, safe, resilient and sustainable
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 04:05:13 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3497">
    <dcterms:title><![CDATA[The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Palace Museum was built in 1420 as the imperial palace of the Ming and Qing dynasties. It is the largest and most complete imperial wooden structure complex in the world, housing more than 1.8 million precious cultural relics and an important symbol of Chinese culture.
Goal 11: Build inclusive, safe, resilient and sustainable cities and human settlements]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
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    <dcterms:provenance><![CDATA[State-owned (China)]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2504">
    <dcterms:title><![CDATA[The Parthenon]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Parthenon, an architectural masterpiece atop the Acropolis of Athens, Greece, was built between 447 and 432 BCE during the Golden Age of Athens. Dedicated to Athena Parthenos, the temple exemplifies Doric order with 46 towering marble columns. Crafted by renowned sculptor Phidias, its friezes depict Greek mythology and history. Despite time's toll, the Parthenon endures as a symbol of Greek civilization's ingenuity and cultural dominance. Its harmonious design and narrative reliefs inspire awe and reverence, embodying the principles of Greek classical architecture.

User:
Visitors to the Parthenon can now engage with digital interpretation tools, such as virtual reality tours, interactive exhibits, and multimedia presentations, to enhance their experience and understanding of this ancient wonder. These digital platforms provide an immersive journey into the history and significance of the Parthenon, allowing users to explore its architectural details and learn about the stories depicted in its sculptures and reliefs.

Moreover, digital interpretation can address Sustainable Tourism (SDG 8), particularly target 8.9, which focuses on promoting sustainable tourism that creates jobs and promotes local culture and products. By educating visitors about the importance of conservation, promoting responsible travel, and fostering a deeper appreciation for local culture and heritage, digital interpretation contributes to sustainable tourism practices. Through these digital platforms, visitors can gain insights into initiatives aimed at preserving the Parthenon and its surrounding environment for future generations, aligning with the goals of sustainable development.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[ 438 BC]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/05/2024 06:01:21 am]]></dcterms:>
    <dcterms:contributor><![CDATA[bs251@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.thisisathens.org/antiquities/parthenon]]></dcterms:medium>
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    <dcterms:identifier><![CDATA[1121]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.97165533761645,23.726684409887667;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1680">
    <dcterms:title><![CDATA[The picture of Metropolitan Museum of Art]]></dcterms:title>
    <dcterms:description><![CDATA[This picture is from https://www.pexels.com.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 01:49:33 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[RUI ZHOU]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.pexels.com/photo/facade-of-famous-art-museum-with-columns-and-sculptures-5845467/]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.6723059714534,283.00158691406256;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1681">
    <dcterms:title><![CDATA[The picture of Metropolitan Museum of Art]]></dcterms:title>
    <dcterms:description><![CDATA[This picture is from https://www.pexels.com]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 01:53:08 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[RUI ZHOU]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.pexels.com/photo/facade-of-famous-art-museum-with-columns-and-sculptures-5845467/]]></dcterms:medium>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1695">
    <dcterms:title><![CDATA[The picture of Statue of Liberty]]></dcterms:title>
    <dcterms:description><![CDATA[This picture is from https://www.pexels.com/photo/new-york-statue-of-liberty-usa-monument-64271/]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/09/2023 11:10:12 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[RUI ZHOU]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.pexels.com/photo/new-york-statue-of-liberty-usa-monument-64271/]]></dcterms:medium>
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    <dcterms:spatial><![CDATA[current,40.5,-74.1;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1468">
    <dcterms:title><![CDATA[The potala palace]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Potala Palace is a historic palace located in Lhasa, Tibet Autonomous Region, China. It is one of the most famous landmarks in Tibet and is considered a symbol of Tibetan culture and history. The palace was originally built in the 7th century, but the current structure was constructed in the 17th century by the Fifth Dalai Lama. It served as the chief residence of the Dalai Lama for several centuries, and was the center of political and religious power in Tibet until the 14th Dalai Lama fled to India during the 1959 Tibetan uprising.

The Potala Palace is a massive structure that rises over 13 stories tall and covers an area of over 130,000 square meters. It is built on top of a hill, and its imposing white walls and red roofs can be seen from miles away. The palace is a complex of buildings and courtyards, and its many rooms and halls are filled with intricate murals, sculptures, and other works of art.

One of the most notable features of the Potala Palace is its Great West Hall, which houses the throne of the Dalai Lama and is considered the most important room in the palace. Other notable rooms include the Red Palace, which contains the private quarters of the Dalai Lama and is known for its beautiful murals and sculptures, and the White Palace, which was used for administrative purposes.

Today, the Potala Palace is a museum and a UNESCO World Heritage Site, and it attracts thousands of visitors each year. Despite the political and cultural changes that have taken place in Tibet over the past several decades, the Potala Palace remains a symbol of Tibetan heritage and a testament to the rich history and culture of the Tibetan people.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[7 century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[01/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zz67@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Potala_Palace]]></dcterms:references>
    <dcterms:extent><![CDATA[-" x -" x -"]]></dcterms:extent>
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    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[704]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29.6500° N,91.1333° E;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[PRC China government]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1469">
    <dcterms:title><![CDATA[The potala palace]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Potala Palace is a historic palace located in Lhasa, Tibet Autonomous Region, China. It is one of the most famous landmarks in Tibet and is considered a symbol of Tibetan culture and history. The palace was originally built in the 7th century, but the current structure was constructed in the 17th century by the Fifth Dalai Lama. It served as the chief residence of the Dalai Lama for several centuries, and was the center of political and religious power in Tibet until the 14th Dalai Lama fled to India during the 1959 Tibetan uprising.

The Potala Palace is a massive structure that rises over 13 stories tall and covers an area of over 130,000 square meters. It is built on top of a hill, and its imposing white walls and red roofs can be seen from miles away. The palace is a complex of buildings and courtyards, and its many rooms and halls are filled with intricate murals, sculptures, and other works of art.

One of the most notable features of the Potala Palace is its Great West Hall, which houses the throne of the Dalai Lama and is considered the most important room in the palace. Other notable rooms include the Red Palace, which contains the private quarters of the Dalai Lama and is known for its beautiful murals and sculptures, and the White Palace, which was used for administrative purposes.

Today, the Potala Palace is a museum and a UNESCO World Heritage Site, and it attracts thousands of visitors each year. Despite the political and cultural changes that have taken place in Tibet over the past several decades, the Potala Palace remains a symbol of Tibetan heritage and a testament to the rich history and culture of the Tibetan people.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[7 century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[01/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zz67@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Potala_Palace]]></dcterms:references>
    <dcterms:extent><![CDATA[-cm x -cm x -cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Potala_Palace]]></dcterms:medium>
    <dcterms:language><![CDATA[Chinese ]]></dcterms:language>
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    <dcterms:identifier><![CDATA[705]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29.6500,91.1333;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[PRC China government]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3262">
    <dcterms:title><![CDATA[The Potala Palace]]></dcterms:title>
    <dcterms:description><![CDATA[The Potala Palace]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 12:56:37 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[qz49@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
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    <dcterms:spatial><![CDATA[current,29.6570° N,91.1175° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3271">
    <dcterms:title><![CDATA[The Potala Palace]]></dcterms:title>
    <dcterms:description><![CDATA[The Potala Palace, situated in Lhasa, Tibet, is a monumental structure that served as the winter residence of the Dalai Lamas and a spiritual and administrative center of Tibetan Buddhism. Recognized as a UNESCO World Cultural Heritage Site, it stands as a symbol of Tibetan history, culture, and architectural brilliance. Digital preservation of the Potala Palace can support SDG 11 (Sustainable Cities and Communities) by facilitating interactive 3D reconstructions and virtual tours that educate global audiences about Tibetan heritage. High-resolution imaging and photogrammetry can capture the palace’s intricate details, while real-time monitoring systems help track environmental impacts.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/25/2025 01:27:09 am]]></dcterms:>
    <dcterms:contributor><![CDATA[qz49@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
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    <dcterms:identifier><![CDATA[1311]]></dcterms:identifier>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/984">
    <dcterms:title><![CDATA[The Potala Palace in Lhasa]]></dcterms:title>
    <dcterms:description><![CDATA[The Potala Palace is a dzong fortress in the Lhasa, Tibet, China. From Wikipedia]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2014:02:06 23:02:25]]></dcterms:date>
    <dcterms:contributor><![CDATA[lw218]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Potala_Palace_HR.jpg]]></dcterms:medium>
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    <dcterms:title><![CDATA[The Potala Palace in Lhasa]]></dcterms:title>
    <dcterms:description><![CDATA[The Potala Palace is a dzong fortress in the Lhasa, Tibet, China. From Wikipedia]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2014:02:06 23:02:25]]></dcterms:date>
    <dcterms:contributor><![CDATA[lw218]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Potala_Palace_HR.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29,91;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/986">
    <dcterms:title><![CDATA[The Potala Palace in Lhasa]]></dcterms:title>
    <dcterms:description><![CDATA[The majestic Potala Palace stands in Lhasa, Tibet, on the southwestern border of China. As an important representative of Chinese culture, the Potala Palace has survived the vicissitudes and witnessed the extraordinary history of interaction and intermingling of Chinese ethnic groups on the Tibetan plateau, and is a living museum of national treasures. The Potala Palace has collected and preserved many cultural relics reflecting Tibetan political and religious activities and folk activities of various ethnic groups, including murals, objects, buildings, inscriptions, etc. These treasures, rich in connotation, carry the profound history of interactions and exchanges among various ethnic groups. The Potala Palace is the epitome of Tibetan architectural art, a concentrated embodiment of Tibetan architectural craftsmanship, a comprehensive architectural complex integrating Tibetan monastic architecture, palaces, dzongsan, gardens and residential architecture. Potala Palace from the Tubo period to the present has a history of a thousand years, from its overall design ideas and building specific implementation, all strongly reflect the religious and political colors of Tibetan society. From the building site layout, external decoration to the internal furnishings, all show the Tibetan craftsmen's superb architectural techniques and aesthetic sensibilities, is the collection of ancient Tibetan architectural art.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[640 BC]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/10/2022 06:50:47 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[lw218]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[541]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29,91;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/438">
    <dcterms:title><![CDATA[The Potala Palace, Lhasa]]></dcterms:title>
    <dcterms:description><![CDATA[The Potala Palace, located on Mount Maburi in Lhasa, the capital of Tibet, is a magnificent fortress-style Tibetan Buddhist complex built in the early 7th century by the Tubo king Songtsen Gampo for his wife, Princess Wencheng from the Tang Dynasty of ancient China.' Potala' is the translation of the Sanskrit word 'potalaka', meaning 'island of light', and is the resident dojo of Bodhisattva Kuan Shi Yin in Buddhism. Potala Palace consists of three parts, the red palace in the center, the east connected to the white palace, the west connected to the Zha Xia, the three through each other. The palace in the plane is made up of many rectangular houses put together, the structure is very complex. The main colors of the palace are red, white and yellow, symbolizing majesty, tranquility and perfection, its color and style have distinctive Tibetan Buddhist characteristics.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mc379]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[312]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29.65697255629125,91.11718090338401;]]></dcterms:spatial>
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    <dcterms:title><![CDATA[The Potala Palace2]]></dcterms:title>
    <dcterms:description><![CDATA[The Potala Palace]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 01:03:08 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[qz49@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29.6570° N,91.1175° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3268">
    <dcterms:title><![CDATA[The Potala Palace3]]></dcterms:title>
    <dcterms:description><![CDATA[The Potala Palace]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 01:09:27 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[qz49@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29.6570° N,91.1175° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2094">
    <dcterms:title><![CDATA[The Pyramids of Giza]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Great Pyramid of Giza is the largest Egyptian pyramid and served as the tomb of pharaoh Khufu, who ruled during the Fourth Dynasty of the Old Kingdom. Built in the early 26th century BC, over a period of about 27 years, The Pyramid is the oldest of the Seven Wonders of the Ancient World and the only one that has remained largely intact. It symbolizes the spiritual beliefs of the Egyptians and serves as a pathway to the afterlife for pharaohs. 
The digital initiatives surrounding the Pyramids align with SDG 4 (Quality Education). Virtual accessibility ensures a wider reach, promoting global cultural exchange and understanding. Targets
4.4 and 4.7 emphasize skills development and knowledge acquisition for sustainable development. By utilizing digital platforms, the Pyramids contribute to achieving these targets, providing relevant skills and promoting a culture of peace and non-violence. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[Early 26th century BC]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/29/2024 11:47:11 am]]></dcterms:>
    <dcterms:contributor><![CDATA[Lizhi Wang]]></dcterms:contributor>
    <dcterms:references><![CDATA[[1]Pavlidis, G., Koutsoudis, A., Arnaoutoglou, F., Tsioukas, V., & Chamzas, C. (2007). Methods for 3D digitization of Cultural Heritage. Journal of Cultural Heritage, 8, 93-98. https://doi.org/10.1016/J.CULHER.2006.10.007. [2]Mustafa, M. (2021). Cultural Heritage: A Tourism Product of Egypt under Risk. Journal of Environmental Management and Tourism. https://doi.org/10.14505/JEMT.V12.1(49).21. [3]Tallet, Pierre (2017). Les Papyrus de la Mer Rouge I: Le Journal de Merer. Institut français d'archéologie orientale. ISBN 978-2724707069.]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1006]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29.979157602862095,31.13419899447569;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2096">
    <dcterms:title><![CDATA[The pyramids of Giza, just outside Cairo.]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[a group of people walking around a pyramid
The pyramids of Giza, just outside Cairo.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[September 14, 2022]]></dcterms:date>
    <dcterms:contributor><![CDATA[Lizhi Wang]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://creativecommons.org/licenses/by-nc/4.0/?ref=chooser-v1]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29.979157602862095,31.13419899447569;origin,39.914163626779455,116.43738627433778;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/428">
    <dcterms:title><![CDATA[The Pyrenees]]></dcterms:title>
    <dcterms:description><![CDATA[The Pyrenees mountains in the south of France are one of the most beautiful and understated regions on the planet. From when they are covered in snow in the winter to when there are only small patches in the autumn these mountains delight all those who see them. The Pyrenees have succeeded in keeping a low profile compared to the Alps, the majority of the Pyrenees fall within national park limits, the home of over 50 brown bears, bearded vultures, lynxs, wolves and over 4000 other fascinating species. Pollution remains low, technological advancement lags behind the rest of Europe, and the culture is vibrant and joy inducing.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cd255@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[308]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,42.78607873040044,1.0750293731689455;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/106">
    <dcterms:title><![CDATA[The Queens &amp; PWRR Regimental Museum]]></dcterms:title>
    <dcterms:source><![CDATA[collaborations]]></dcterms:source>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:type><![CDATA[Museum]]></dcterms:type>
    <dcterms:identifier><![CDATA[106]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.1273297,1.3212978;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/775">
    <dcterms:title><![CDATA[The Red Cloud Golden Peak of the mount fanjinshan ]]></dcterms:title>
    <dcterms:description><![CDATA[The scenery of Moutain Fanjing]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:contributor><![CDATA[ah373@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/File:%E6%A2%B5%E6%B7%A8%E5%B1%B1%E7%B4%85%E9%9B%B2%E9%87%91%E9%A0%82%EF%BC%88%E6%96%B0%E9%87%91%E9%A0%82%EF%BC%89.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,27.9202771,108.681523;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/796">
    <dcterms:title><![CDATA[The Remaining Standing Stones of Stenness]]></dcterms:title>
    <dcterms:description><![CDATA[Image taken in 2014 of the Standing Stones of Stenness, showing three out of four of the remaining stones. ]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2014:08:05 13:38:37]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/03/2022 11:05:53 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lj77]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Standing_Stones_of_Stenness,_Aug_2014.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,58.99403,-3.20803;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/729">
    <dcterms:title><![CDATA[The Ring of Brodgar]]></dcterms:title>
    <dcterms:description><![CDATA[The Ring of Brodgar is a stone circle and henge located about six miles north-east of Stromness on Mainland in Orkney, Scotland. It is located 1.3 miles from the Standing Stones of Stenness and it is estimated to have been erected around 500-1000 years after the Standing Stones of Stenness were erected. It is thought that the Ring of Brodgar was erected around 2500 - 2000 BC. The Ring of Brodgar was built as a true circle and has a diameter of 103.6m, making it the third largest stone circle in the British Isles. 
Today, there are 27 remaining stones and is it is thought that were originally 60 stones in total. While there are accounts of some stones falling over time, there is currently no evidence of there being 60 stones in total.

There are legends which link the Ring of Brodgar with the Standing Stones of Stenness. One legend involves the Ring of Brodgar as a symbolic area for the dead, whilst the Standing Stones of Stenness as a symbolic area for the living. The journey of life can therefore be represented by walking from the Standing Stones of Stenness to the Ring of Brodgar. There are other legends that reference the Ring of Brodgar as the temple of the sun and the Standing Stones of Stenness as the temple of the moon. 

It is possible that The Ring of Brodgar was built as an astronomical observatory. Professor Alexander Thom, a Scottish engineer who studied stones circles and their meanings for decades, speculated that stone circles were built to be used as astronomical observatories. He asserted that the Ring of Brodgar is a perfect example of a megalithic lunar observatory. However, Professor Thom thought that it could additionally be used as a sacred or magical ceremonial centre. The Ring of Brodgar is huge and it’s possible that it could have housed the entire local population, meaning it could have been used as a meeting place for ceremonies or events.

It is also possible that great stone circles such as the Ring of Brodgar may not have been built to serve a particular purpose after their construction. Professor Colin Richards suggests that the act of building the monuments and 
erecting the stones was what may have been ritually significant for the people who did it.
]]></dcterms:description>
    <dcterms:source><![CDATA[standingstones]]></dcterms:source>
    <dcterms:date><![CDATA[Estimated 2500 - 2000 BC]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[22/04/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/26/2022 04:50:22 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[lj77]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.visitscotland.com/info/see-do/ring-of-brodgar-p669061 , http://www.orkneyjar.com/history/brodgar/index.html , http://www.orkneyjar.com/archaeology/dhl/papers/cr/index.html http://www.orkneyjar.com/history/brodgar/brodgar3.htm , http://www.orkneyjar.com/history/brodgar/temples.htm]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.visitscotland.com/info/see-do/ring-of-brodgar-p669061 , http://www.orkneyjar.com/history/brodgar/index.html , http://www.orkneyjar.com/history/brodgar/brodgar3.htm , http://www.orkneyjar.com/history/brodgar/temples.htm , http://www.orkneyjar.com/archaeology/dhl/papers/cr/index.html]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[458]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,59.00149,-3.22969;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4083">
    <dcterms:title><![CDATA[The Roman Bathhouse]]></dcterms:title>
    <dcterms:description><![CDATA[John Lawson, Edinburgh City Archaeologist, tells us about the Roman Bathhouse at Cramond.]]></dcterms:description>
    <dcterms:source><![CDATA[collaborations,is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2015]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/28/2025 02:28:44 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,55.979153006314384,-3.299310207366944;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4084">
    <dcterms:title><![CDATA[The Roman Bathhouse]]></dcterms:title>
    <dcterms:description><![CDATA[John Lawson, Edinburgh City Archaeologist, tells us about the Roman Bathhouse at Cramond.]]></dcterms:description>
    <dcterms:source><![CDATA[collaborations,is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2015]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/28/2025 02:28:47 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,55.979153006314384,-3.299310207366944;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3968">
    <dcterms:title><![CDATA[The Roman Baths]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Roman Baths in south-west England is a site of great cultural heritage.  With the site's first being built on by the Romans in the 1st century to capture the natural hot springs of Bath, the landscape provides historical evidence of advanced engineering, public health practices, and community life in ancient times. It is a recognised part of the City of Bath UNESCO World Heritage Site, and is known to have religious, social, and architectural significance (UNESCO World Heritage Centre, 1987).  Today, it is run by the local council as a tourist museum, and receives over a million visitors a year.]]></dcterms:description>
    <dcterms:source><![CDATA[tristanbrown]]></dcterms:source>
    <dcterms:date><![CDATA[70 AD]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[26/06/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Tristan]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1485]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/479">
    <dcterms:title><![CDATA[The Roman Baths of Bath]]></dcterms:title>
    <dcterms:description><![CDATA[The Roman Baths - which gives name to the city of Bath, Somerset, England - are an architectural marvel and one of the most well-preserved ‘thermae’ outside of Rome. A ‘thermae’ is an ancient Roman Bath house, and the one found in the city of Bath was built by the rulers of Roman Britain sometime during the first century. The baths reflect the, at times tremulous, history of the island, as the original baths were left in ruins when the Roman Empire collapsed in the 5th century. However, they would go on to be redeveloped several times in the Middle Ages, which reflects the resurgence of interest in the classic world that was developing throughout Europe during this time period. ]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[20/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pm244]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[329]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.38100878089556,-2.35960721882293;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/283">
    <dcterms:title><![CDATA[The Roman theatre of Philippopolis]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Roman theatre of Philippopolis (Latin: Theatrum Trimontense; Bulgarian: Пловдивски античен театър) is one of the world's best-preserved ancient Roman theatres, located in the city centre of modern Plovdiv, Bulgaria. It was constructed in the 90s of the 1st century A. D., probably during the reign of Domitian. The theatre could host up to 7,000 spectators when it was built, but it is being used to this day for classical, pop and rock concerts, theatrical plays, and various other art performances.Ttoday its seating capacity is 3500 seats.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[The 90s of the 1st century A. D.]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[24/04/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/24/2021 10:15:15 am]]></dcterms:>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[248]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,42.14700707176356,24.751085489988327;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/284">
    <dcterms:title><![CDATA[The Roman theatre of Philippopolis]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/289">
    <dcterms:title><![CDATA[The Roman Theatre of Philippopolis 1]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/290">
    <dcterms:title><![CDATA[The Roman theatre of Philippopolis 2]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/291">
    <dcterms:title><![CDATA[The Roman theatre of Philippopolis 4]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/292">
    <dcterms:title><![CDATA[The Roman theatre of Philippopolis 5]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[sis1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/941">
    <dcterms:title><![CDATA[The Royal and Ancient Clubhouse]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The Royal and Ancient Clubhouse is a historic building located in St Andrews that serves as the headquarters of the Royal and Ancient Golf Club of St Andrews (R&A). The foundation stone for the building was laid on the 13th of July 1853 by R&A member John Whyte Melville, and the building was completed 11 months later in 1854. The clubhouse overlooks the 1st tee and the 18th green of the iconic Old Course at St Andrews. The famous balcony near the top of the building is the site of the infamous past Open Champions gathering event that occurs when the Open Championship is hosted by St Andrews. For many years, the R&A clubhouse has been an iconic structure for the game of golf and it will continue to be revered by golfers for many years to come.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[1854]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[JosephCameron]]></dcterms:contributor>
    <dcterms:extent><![CDATA[2500cm x 1500cm x 1500cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.randa.org/heritage/the-club-house/the-royal-and-ancient-clubhouse]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[534]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.3435829640951,-2.802334427833557;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[The Royal and Ancient Golf Club of St Andrews]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/940">
    <dcterms:title><![CDATA[The Royal and Ancient Clubhouse Front View]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[This image depicts the front view of the Royal and Ancient clubhouse at St Andrews.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2021:10:03 17:12:39]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/10/2022 12:34:57 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[JosephCameron]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.343158333333335,-2.804586111111111;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2066">
    <dcterms:title><![CDATA[The Rwanda Ethnographic Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The Rwanda Ethnographic Museum Image]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[04/27/2024 04:38:17 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lt99@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1786">
    <dcterms:title><![CDATA[The Scottish Association for Marine Science ]]></dcterms:title>
    <dcterms:description><![CDATA[The Scottish Association for Marine Science (SAMS) is a prominent research institution in Oban, Scotland, focusing on marine science, biodiversity, and ecosystem dynamics. With interdisciplinary research spanning marine biology, oceanography, and environmental science, SAMS collaborates nationally and internationally to provide insights into marine ecosystems, biodiversity, and human impact on oceans. SAMS contributes significantly to marine conservation, sustainable resource management, and policy decisions.]]></dcterms:description>
    <dcterms:source><![CDATA[c]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/08/2023]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[08/23/2023 12:10:20 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[yz240]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[841]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.45115°,-5.5210;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/73">
    <dcterms:title><![CDATA[The Scottish Malawi Foundation]]></dcterms:title>
    <dcterms:source><![CDATA[collaborations]]></dcterms:source>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:type><![CDATA[Museum]]></dcterms:type>
    <dcterms:identifier><![CDATA[73]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.9502275,-3.1903917;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1790">
    <dcterms:title><![CDATA[The Scottish Oceans Institute]]></dcterms:title>
    <dcterms:description><![CDATA[
The Scottish Oceans Institute (SOI) is a renowned research institute based at the University of St Andrews, Scotland. SOI specializes in multidisciplinary marine research, and conducts cutting-edge studies on marine ecosystems, biodiversity, and the impacts of environmental changes. Through collaborations and partnerships, SOI contributes valuable insights into the complex interactions within oceans, advancing scientific understanding and supporting the conservation of marine environments.]]></dcterms:description>
    <dcterms:source><![CDATA[c]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/08/2023]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[08/23/2023 12:14:20 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[Peiwei Li]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[843]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.3387100, -2.7990200;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/18">
    <dcterms:title><![CDATA[The Scottish Seabird Centre]]></dcterms:title>
    <dcterms:source><![CDATA[collaborations]]></dcterms:source>
    <dcterms:extent><![CDATA[ x  x ]]></dcterms:extent>
    <dcterms:type><![CDATA[Museum]]></dcterms:type>
    <dcterms:identifier><![CDATA[18]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.06138365125546,-2.7174176202377254;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3009">
    <dcterms:title><![CDATA[The Secret Garden (Huwon, 후원)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Secret Garden (Huwon, 후원), now famous for its stunning autumn scenery, is a royal garden inside Changdeokgung Palace in Seoul, South Korea. Built in the early 15th century during the Joseon Dynasty, it served as a hideaway for the royal family, featuring pavilions, lotus ponds, and even areas for reading and farming. Unlike typical royal gardens, which were often lavish and heavily ornamented, Huwon was designed to emphasize harmony with nature. Instead of reshaping the land, its structures were carefully built around the existing landscape—preserving hills, waterways, and ancient trees that still stand today.

As part of a UNESCO World Heritage Site, entry to the garden is strictly controlled, requiring reservations and limiting visitor numbers to prevent over-tourism. This aligns with SDG 11 (Sustainable Cities & Communities) by prioritizing preservation over mass tourism. However, digital interpretation remains limited beyond basic photos and descriptions. Virtual tours and AR experiences could offer visitors access to restricted areas without harming fragile ecosystems, further supporting SDG 15 (Life on Land) while making the site more accessible to global audiences.
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[17/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[03/25/2025 01:28:16 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[ypc1@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1262]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,37.58227671838873,126.99320075378186;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2503">
    <dcterms:title><![CDATA[The Serengeti]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Serengeti, spanning 30,000 square kilometers across Tanzania and Kenya, is a biodiversity hotspot and UNESCO World Heritage Site. Its annual wildebeest migration, showcasing over two million wildebeest, zebras, and gazelles, is a global wildlife spectacle. With diverse landscapes, from savannas to rocky outcrops, it offers thrilling safari adventures.

Indigenous tribes like the Maasai, practicing nomadic pastoralism, contribute to its cultural richness. To address Sustainable Development Goal 8.9 of Sustainable Tourism, digital interpretation tools like VR tours and interactive exhibits are vital. They educate visitors on conservation, promote responsible travel, and showcase local culture and wildlife.

Digital platforms also highlight indigenous traditions and encourage support for local artisans and businesses. By embracing sustainable tourism practices, the Serengeti preserves its natural beauty and cultural heritage while creating employment opportunities. Through digital interpretation, it fosters a deeper understanding of the importance of conservation and responsible travel, ensuring the sustainable development of this iconic natural site.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/05/2024 06:04:24 am]]></dcterms:>
    <dcterms:contributor><![CDATA[bs251@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.serengeti.com/]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1120]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-2.385403729910527,34.69619750976563;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3693">
    <dcterms:title><![CDATA[The Sichuan giant panda habitat(The Wolong National Nature Reserve)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Sichuan Giant Panda Habitat consists of seven nature reserves and nine scenic parks in Sichuan Province, China. Wolong National Nature Reserve, located in Wenchuan County, is one of them. It was established in 1963 to protect giant pandas and forest ecosystems. The Sichuan Giant Panda Habitat was inscribed as a UNESCO World Natural Heritage Site on July 12, 2006. More than 30% of the world’s wild giant pandas live here, and the region boasts rich biodiversity — not only giant pandas, but also Sichuan golden monkeys, snow leopards, and other endangered species.
In the Sichuan panda habitat, digital technology has been widely applied to support biodiversity conservation, contributing to the achievement of United Nations Sustainable Development Goal 15: Life on Land. The Sichuan Provincial Forestry and Grassland Bureau, together with Huawei and other partners, has developed a real-time forest and grassland fire monitoring system based on the Huawei Cloud platform. This system covers the province’s forest ecosystem, including the Giant Panda National Park. It has significantly improved the accuracy of fire warnings and monitoring, playing a vital role in protecting the panda habitat.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2019:11:07 10:47:06]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 01:35:58 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wj31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/w/index.php?curid=531560]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,31.0330,103.0830;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3694">
    <dcterms:title><![CDATA[The Sichuan giant panda habitat(The Wolong National Nature Reserve)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Sichuan Giant Panda Habitat consists of seven nature reserves and nine scenic parks in Sichuan Province, China. Wolong National Nature Reserve, located in Wenchuan County, is one of them. It was established in 1963 to protect giant pandas and forest ecosystems. The Sichuan Giant Panda Habitat was inscribed as a UNESCO World Natural Heritage Site on July 12, 2006. More than 30% of the world’s wild giant pandas live here, and the region boasts rich biodiversity — not only giant pandas, but also Sichuan golden monkeys, snow leopards, and other endangered species.
In the Sichuan panda habitat, digital technology has been widely applied to support biodiversity conservation, contributing to the achievement of United Nations Sustainable Development Goal 15: Life on Land. The Sichuan Provincial Forestry and Grassland Bureau, together with Huawei and other partners, has developed a real-time forest and grassland fire monitoring system based on the Huawei Cloud platform. This system covers the province’s forest ecosystem, including the Giant Panda National Park. It has significantly improved the accuracy of fire warnings and monitoring, playing a vital role in protecting the panda habitat.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2019:11:07 10:47:06]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 01:36:03 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wj31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/w/index.php?curid=531560]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3695">
    <dcterms:title><![CDATA[The Sichuan giant panda habitat(The Wolong National Nature Reserve)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Sichuan Giant Panda Habitat consists of seven nature reserves and nine scenic parks in Sichuan Province, China. Wolong National Nature Reserve, located in Wenchuan County, is one of them. It was established in 1963 to protect giant pandas and forest ecosystems. The Sichuan Giant Panda Habitat was inscribed as a UNESCO World Natural Heritage Site on July 12, 2006. More than 30% of the world’s wild giant pandas live here, and the region boasts rich biodiversity — not only giant pandas, but also Sichuan golden monkeys, snow leopards, and other endangered species.
In the Sichuan panda habitat, digital technology has been widely applied to support biodiversity conservation, contributing to the achievement of United Nations Sustainable Development Goal 15: Life on Land. The Sichuan Provincial Forestry and Grassland Bureau, together with Huawei and other partners, has developed a real-time forest and grassland fire monitoring system based on the Huawei Cloud platform. This system covers the province’s forest ecosystem, including the Giant Panda National Park. It has significantly improved the accuracy of fire warnings and monitoring, playing a vital role in protecting the panda habitat.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2019:11:07 10:47:06]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 01:36:08 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wj31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/w/index.php?curid=531560]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,31.0330,103.0830;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3696">
    <dcterms:title><![CDATA[The Sichuan giant panda habitat(The Wolong National Nature Reserve)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Sichuan Giant Panda Habitat consists of seven nature reserves and nine scenic parks in Sichuan Province, China. Wolong National Nature Reserve, located in Wenchuan County, is one of them. It was established in 1963 to protect giant pandas and forest ecosystems. The Sichuan Giant Panda Habitat was inscribed as a UNESCO World Natural Heritage Site on July 12, 2006. More than 30% of the world’s wild giant pandas live here, and the region boasts rich biodiversity — not only giant pandas, but also Sichuan golden monkeys, snow leopards, and other endangered species.
In the Sichuan panda habitat, digital technology has been widely applied to support biodiversity conservation, contributing to the achievement of United Nations Sustainable Development Goal 15: Life on Land. The Sichuan Provincial Forestry and Grassland Bureau, together with Huawei and other partners, has developed a real-time forest and grassland fire monitoring system based on the Huawei Cloud platform. This system covers the province’s forest ecosystem, including the Giant Panda National Park. It has significantly improved the accuracy of fire warnings and monitoring, playing a vital role in protecting the panda habitat.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2019:11:07 10:47:06]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 01:36:13 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wj31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/w/index.php?curid=531560]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,31.0330,103.0830;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3697">
    <dcterms:title><![CDATA[The Sichuan giant panda habitat(The Wolong National Nature Reserve)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Sichuan Giant Panda Habitat consists of seven nature reserves and nine scenic parks in Sichuan Province, China. Wolong National Nature Reserve, located in Wenchuan County, is one of them. It was established in 1963 to protect giant pandas and forest ecosystems. The Sichuan Giant Panda Habitat was inscribed as a UNESCO World Natural Heritage Site on July 12, 2006. More than 30% of the world’s wild giant pandas live here, and the region boasts rich biodiversity — not only giant pandas, but also Sichuan golden monkeys, snow leopards, and other endangered species.
In the Sichuan panda habitat, digital technology has been widely applied to support biodiversity conservation, contributing to the achievement of United Nations Sustainable Development Goal 15: Life on Land. The Sichuan Provincial Forestry and Grassland Bureau, together with Huawei and other partners, has developed a real-time forest and grassland fire monitoring system based on the Huawei Cloud platform. This system covers the province’s forest ecosystem, including the Giant Panda National Park. It has significantly improved the accuracy of fire warnings and monitoring, playing a vital role in protecting the panda habitat.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2019:11:07 10:47:06]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 01:37:07 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wj31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
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    <dcterms:title><![CDATA[The Sichuan giant panda habitat(The Wolong National Nature Reserve)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Sichuan Giant Panda Habitat consists of seven nature reserves and nine scenic parks in Sichuan Province, China. Wolong National Nature Reserve, located in Wenchuan County, is one of them. It was established in 1963 to protect giant pandas and forest ecosystems. The Sichuan Giant Panda Habitat was inscribed as a UNESCO World Natural Heritage Site on July 12, 2006. More than 30% of the world’s wild giant pandas live here, and the region boasts rich biodiversity — not only giant pandas, but also Sichuan golden monkeys, snow leopards, and other endangered species.
In the Sichuan panda habitat, digital technology has been widely applied to support biodiversity conservation, contributing to the achievement of United Nations Sustainable Development Goal 15: Life on Land. The Sichuan Provincial Forestry and Grassland Bureau, together with Huawei and other partners, has developed a real-time forest and grassland fire monitoring system based on the Huawei Cloud platform. This system covers the province’s forest ecosystem, including the Giant Panda National Park. It has significantly improved the accuracy of fire warnings and monitoring, playing a vital role in protecting the panda habitat.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2019:11:07 10:47:06]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 01:37:11 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wj31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/w/index.php?curid=531560]]></dcterms:medium>
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    <dcterms:title><![CDATA[The Sichuan giant panda habitat(The Wolong National Nature Reserve)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Sichuan Giant Panda Habitat consists of seven nature reserves and nine scenic parks in Sichuan Province, China. Wolong National Nature Reserve, located in Wenchuan County, is one of them. It was established in 1963 to protect giant pandas and forest ecosystems. The Sichuan Giant Panda Habitat was inscribed as a UNESCO World Natural Heritage Site on July 12, 2006. More than 30% of the world’s wild giant pandas live here, and the region boasts rich biodiversity — not only giant pandas, but also Sichuan golden monkeys, snow leopards, and other endangered species.
In the Sichuan panda habitat, digital technology has been widely applied to support biodiversity conservation, contributing to the achievement of United Nations Sustainable Development Goal 15: Life on Land. The Sichuan Provincial Forestry and Grassland Bureau, together with Huawei and other partners, has developed a real-time forest and grassland fire monitoring system based on the Huawei Cloud platform. This system covers the province’s forest ecosystem, including the Giant Panda National Park. It has significantly improved the accuracy of fire warnings and monitoring, playing a vital role in protecting the panda habitat.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2019:11:07 10:47:06]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 01:37:16 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wj31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/w/index.php?curid=531560]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3724">
    <dcterms:title><![CDATA[The Sichuan giant panda habitat(The Wolong National Nature Reserve)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Sichuan Giant Panda Habitat consists of seven nature reserves and nine scenic parks in Sichuan Province, China. Wolong National Nature Reserve, located in Wenchuan County, is one of them. It was established in 1963 to protect giant pandas and forest ecosystems. The Sichuan Giant Panda Habitat was inscribed as a UNESCO World Natural Heritage Site on July 12, 2006. More than 30% of the world’s wild giant pandas live here, and the region boasts rich biodiversity — not only giant pandas, but also Sichuan golden monkeys, snow leopards, and other endangered species.
In the Sichuan panda habitat, digital technology has been widely applied to support biodiversity conservation, contributing to the achievement of United Nations Sustainable Development Goal 15: Life on Land. The Sichuan Provincial Forestry and Grassland Bureau, together with Huawei and other partners, has developed a real-time forest and grassland fire monitoring system based on the Huawei Cloud platform. This system covers the province’s forest ecosystem, including the Giant Panda National Park. It has significantly improved the accuracy of fire warnings and monitoring, playing a vital role in protecting the panda habitat.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[26/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[wj31@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/w/index.php?curid=531560]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1406]]></dcterms:identifier>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3506">
    <dcterms:title><![CDATA[The Sichuan Panda Sanctuary]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Sichuan Giant Panda Sanctuary is located in Sichuan Province, China, including the Wolong, Siguniang Mountain and Jiajin Mountain areas. This area is ecologically diverse and is one of the largest and most important giant panda habitats in the world. The area is of great significance to maintaining global biodiversity and environmental stability.
Related Sustainable Development Goals (SDGs)
Goal 15: Protect, restore and promote sustainable use of terrestrial ecosystems, manage forests, combat desertification, curb land degradation and halt biodiversity loss]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023:07:09 12:13:03]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 04:34:06 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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    <dcterms:title><![CDATA[The Site Of Palmyra]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Site Of Palmyra	The ancient city of Palmyra, located in central Syria, is an archaeological site full of historical charm. The city was an important hub of ancient trade and cultural exchange, connecting the Roman and Persian empires. Palmyra is famous for its magnificent temples, magnificent colonnaded streets and unique architectural style. The ruins show a mix of cultures, including Greco-Roman architecture and Persian art. Due to its unique historical and cultural values, Palmyra is listed as a World Cultural Heritage Site. In recent years, however, war and destruction have seriously threatened these precious cultural heritages. digital interpretation can increase the visibility Of the Site Of Palmyra, promote local economic development, This can effectively promote SDG8 - Decent work and economic growth and SDG 11- Sustainable cities and communities.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:contributor><![CDATA[yj42]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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    <dcterms:spatial><![CDATA[current,34.5,38.2;]]></dcterms:spatial>
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    <dcterms:title><![CDATA[The Site Of Palmyra]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Site Of Palmyra The ancient city of Palmyra, located in central Syria, is an archaeological site full of historical charm. The city was an important hub of ancient trade and cultural exchange, connecting the Roman and Persian empires. Palmyra is famous for its magnificent temples, magnificent colonnaded streets and unique architectural style. The ruins show a mix of cultures, including Greco-Roman architecture and Persian art. Due to its unique historical and cultural values, Palmyra is listed as a World Cultural Heritage Site. In recent years, however, war and destruction have seriously threatened these precious cultural heritages. digital interpretation can increase the visibility Of the Site Of Palmyra, promote local economic development, This can effectively promote SDG8 - Decent work and economic growth and SDG 11- Sustainable cities and communities.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[12/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/12/2024 12:12:46 am]]></dcterms:>
    <dcterms:contributor><![CDATA[yj42]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
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    <dcterms:identifier><![CDATA[1177]]></dcterms:identifier>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1101">
    <dcterms:title><![CDATA[The Skye Boat Song]]></dcterms:title>
    <dcterms:contributor><![CDATA[Ching-Ying, Ho]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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    <dcterms:title><![CDATA[The Skye Boat Song]]></dcterms:title>
    <dcterms:description><![CDATA[The Skye Boat Song is a traditional Scottish folk song that tells the story of Bonnie Prince Charlie's escape to the Isle of Skye after his defeat in the Jacobite uprising of 1746. The song is also known as "Over the Sea to Skye" and was written in the late 19th century by Sir Harold Boulton. The lyrics describe the Prince's journey across the sea to the Isle of Skye with Flora MacDonald, a faithful supporter. The melody is slow and melancholic, reflecting the sadness and hope of leaving behind one's homeland but also the determination to carry on the fight for Scottish independence. The Skye Boat Song is a beloved part of Scottish folk music and has been popularized by numerous artists over the years.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[27/04/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ching-Ying, Ho]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[660]]></dcterms:identifier>
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    <dcterms:title><![CDATA[The Skye Boat Song]]></dcterms:title>
    <dcterms:description><![CDATA[The Skye Boat Song is a traditional Scottish folk song that tells the story of Bonnie Prince Charlie's escape to the Isle of Skye after his defeat in the Jacobite uprising of 1746. The song is also known as "Over the Sea to Skye" and was written in the late 19th century by Sir Harold Boulton. The lyrics describe the Prince's journey across the sea to the Isle of Skye with Flora MacDonald, a faithful supporter. The melody is slow and melancholic, reflecting the sadness and hope of leaving behind one's homeland but also the determination to carry on the fight for Scottish independence. The Skye Boat Song is a beloved part of Scottish folk music and has been popularized by numerous artists over the years.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
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    <dcterms:><![CDATA[27/04/2023]]></dcterms:>
    <dcterms:contributor><![CDATA[Ching-Ying, Ho]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[662]]></dcterms:identifier>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1287">
    <dcterms:title><![CDATA[The Skye Boat Song]]></dcterms:title>
    <dcterms:description><![CDATA[The Skye Boat Song is a traditional Scottish folk song that tells the story of Bonnie Prince Charlie's escape to the Isle of Skye after his defeat in the Jacobite uprising of 1746. The song is also known as "Over the Sea to Skye" and was written in the late 19th century by Sir Harold Boulton. The lyrics describe the Prince's journey across the sea to the Isle of Skye with Flora MacDonald, a faithful supporter. The melody is slow and melancholic, reflecting the sadness and hope of leaving behind one's homeland but also the determination to carry on the fight for Scottish independence. The Skye Boat Song is a beloved part of Scottish folk music and has been popularized by numerous artists over the years.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
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    <dcterms:contributor><![CDATA[Ching-Ying, Ho]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1291">
    <dcterms:title><![CDATA[The Skye Boat Song]]></dcterms:title>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/27/2023 09:18:16 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ching-Ying, Ho]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/272">
    <dcterms:title><![CDATA[The Sphinx and Pyramid of Giza]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA["The Sphinx and Pyramid of Giza" by Sam and Ian is licensed under CC BY-NC 2.0]]></dcterms:description>
    <dcterms:contributor><![CDATA[Apeksha]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4131">
    <dcterms:title><![CDATA[The St Kildan Blackhouse 1830]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[St Kilda is an isolated archipelago 64 kilometres west-northwest of North Uist in the North Atlantic Ocean. It contains the westernmost islands of the Outer Hebrides of Scotland.



St Kilda is a National Trust for Scotland UNESCO World Heritage Site.



Views and sounds from St Kilda with an animation detailing the construction of an 1830s Blackhouse roof from St Kilda.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[08/01/2025 10:23:41 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
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