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<rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3434">
    <dcterms:title><![CDATA[Mogao Mural]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This image shows a mural exhibit from the Mogao Caves in Dunhuang, on display at the National Art Museum of China. The original mural is part of a vast collection of Buddhist wall paintings created between the 4th and 14th centuries, located in grottoes carved into the cliffs along the ancient Silk Road. These artworks reflect the spiritual and artistic exchanges between Chinese, Central Asian, and Indian cultures.

The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2008:03:09 12:27:08]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 02:05:25 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr (Creative Commons)]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.0450, 94.8092;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3435">
    <dcterms:title><![CDATA[Mogao Mural]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This image shows a mural exhibit from the Mogao Caves in Dunhuang, on display at the National Art Museum of China. The original mural is part of a vast collection of Buddhist wall paintings created between the 4th and 14th centuries, located in grottoes carved into the cliffs along the ancient Silk Road. These artworks reflect the spiritual and artistic exchanges between Chinese, Central Asian, and Indian cultures.

The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2008:03:09 12:27:08]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 02:05:29 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr (Creative Commons)]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.0450, 94.8092;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3436">
    <dcterms:title><![CDATA[Mogao Mural]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This image shows a mural exhibit from the Mogao Caves in Dunhuang, on display at the National Art Museum of China. The original mural is part of a vast collection of Buddhist wall paintings created between the 4th and 14th centuries, located in grottoes carved into the cliffs along the ancient Silk Road. These artworks reflect the spiritual and artistic exchanges between Chinese, Central Asian, and Indian cultures.

The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2008:03:09 12:27:08]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 02:05:34 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr (Creative Commons)]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.0450, 94.8092;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3437">
    <dcterms:title><![CDATA[Mogao Mural]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This image shows a mural exhibit from the Mogao Caves in Dunhuang, on display at the National Art Museum of China. The original mural is part of a vast collection of Buddhist wall paintings created between the 4th and 14th centuries, located in grottoes carved into the cliffs along the ancient Silk Road. These artworks reflect the spiritual and artistic exchanges between Chinese, Central Asian, and Indian cultures.

The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2008:03:09 12:27:08]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 02:05:40 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr (Creative Commons)]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.0450, 94.8092;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3438">
    <dcterms:title><![CDATA[Mogao Mural]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This image shows a mural exhibit from the Mogao Caves in Dunhuang, on display at the National Art Museum of China. The original mural is part of a vast collection of Buddhist wall paintings created between the 4th and 14th centuries, located in grottoes carved into the cliffs along the ancient Silk Road. These artworks reflect the spiritual and artistic exchanges between Chinese, Central Asian, and Indian cultures.

The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2008:03:09 12:27:08]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 02:05:45 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr (Creative Commons)]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.0450, 94.8092;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3439">
    <dcterms:title><![CDATA[Mogao Mural]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This image shows a mural exhibit from the Mogao Caves in Dunhuang, on display at the National Art Museum of China. The original mural is part of a vast collection of Buddhist wall paintings created between the 4th and 14th centuries, located in grottoes carved into the cliffs along the ancient Silk Road. These artworks reflect the spiritual and artistic exchanges between Chinese, Central Asian, and Indian cultures.

The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2008:03:09 12:27:08]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 02:05:50 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr (Creative Commons)]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.0450, 94.8092;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3440">
    <dcterms:title><![CDATA[Mogao Mural]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This image shows a mural exhibit from the Mogao Caves in Dunhuang, on display at the National Art Museum of China. The original mural is part of a vast collection of Buddhist wall paintings created between the 4th and 14th centuries, located in grottoes carved into the cliffs along the ancient Silk Road. These artworks reflect the spiritual and artistic exchanges between Chinese, Central Asian, and Indian cultures.

The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2008:03:09 12:27:08]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 02:05:55 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr (Creative Commons)]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.0450, 94.8092;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3441">
    <dcterms:title><![CDATA[Tang Dynasty Mural Painting Techniques]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Tang Dynasty mural painting techniques represent one of the highest achievements of ancient Chinese art. Originating during the 7th to 9th centuries, these murals are known for their fluid lines, vibrant mineral-based pigments, and lifelike depictions of court ladies, Buddhist figures, and daily life. The painting process involved multiple meticulous steps, including wall preparation, sketching, line drawing, coloring, and detailing — all done by highly skilled artisans. These techniques reflect not only aesthetic values but also deep cultural, religious, and philosophical meanings. The image provided shows a typical example from the Famen Temple, capturing the elegance and craftsmanship of Tang court murals. Though the murals themselves are tangible, the artistic knowledge, materials, and painting processes passed down through generations embody a unique form of intangible cultural heritage.]]></dcterms:description>
    <dcterms:creator><![CDATA[Unknown Tang Dynasty Artisans]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[7th–9th Century (Tang Dynasty)]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lw286@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[Gao, J. (2008). The underground chamber of the Famensi Pagoda: Its date, background, and historical significance. Cahiers d'Extrême-Asie, 193-216.]]></dcterms:references>
    <dcterms:extent><![CDATA[120cm x 80cm x 3cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Famen Temple, Fufeng County, Shaanxi Province, China]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1330]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[origin,34.43831,107.90112;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3442">
    <dcterms:title><![CDATA[Tang Dynasty Mural Painting Techniques]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Tang Dynasty mural painting techniques represent one of the highest achievements of ancient Chinese art. Originating during the 7th to 9th centuries, these murals are known for their fluid lines, vibrant mineral-based pigments, and lifelike depictions of court ladies, Buddhist figures, and daily life. The painting process involved multiple meticulous steps, including wall preparation, sketching, line drawing, coloring, and detailing — all done by highly skilled artisans. These techniques reflect not only aesthetic values but also deep cultural, religious, and philosophical meanings. The image provided shows a typical example from the Famen Temple, capturing the elegance and craftsmanship of Tang court murals. Though the murals themselves are tangible, the artistic knowledge, materials, and painting processes passed down through generations embody a unique form of intangible cultural heritage.]]></dcterms:description>
    <dcterms:creator><![CDATA[Unknown Tang Dynasty Artisans]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[7th–9th Century (Tang Dynasty)]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lw286@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[Gao, J. (2008). The underground chamber of the Famensi Pagoda: Its date, background, and historical significance. Cahiers d'Extrême-Asie, 193-216.]]></dcterms:references>
    <dcterms:extent><![CDATA[120cm x 80cm x 3cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Famen Temple, Fufeng County, Shaanxi Province, China]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1331]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[origin,34.43831,107.90112;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3443">
    <dcterms:title><![CDATA[Mogao Mural]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This image shows a mural exhibit from the Mogao Caves in Dunhuang, on display at the National Art Museum of China. The original mural is part of a vast collection of Buddhist wall paintings created between the 4th and 14th centuries, located in grottoes carved into the cliffs along the ancient Silk Road. These artworks reflect the spiritual and artistic exchanges between Chinese, Central Asian, and Indian cultures.

The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[9 March 2008]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 02:11:38 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr (Creative Commons)]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.0450, 94.8092;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3444">
    <dcterms:title><![CDATA[Tang Dynasty Mural Painting Techniques]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Tang Dynasty mural painting techniques represent one of the highest achievements of ancient Chinese art. Originating during the 7th to 9th centuries, these murals are known for their fluid lines, vibrant mineral-based pigments, and lifelike depictions of court ladies, Buddhist figures, and daily life. The painting process involved multiple meticulous steps, including wall preparation, sketching, line drawing, coloring, and detailing — all done by highly skilled artisans. These techniques reflect not only aesthetic values but also deep cultural, religious, and philosophical meanings. The image provided shows a typical example from the Famen Temple, capturing the elegance and craftsmanship of Tang court murals. Though the murals themselves are tangible, the artistic knowledge, materials, and painting processes passed down through generations embody a unique form of intangible cultural heritage.]]></dcterms:description>
    <dcterms:creator><![CDATA[Unknown Tang Dynasty Artisans]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[7th–9th Century (Tang Dynasty)]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lw286@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[Gao, J. (2008). The underground chamber of the Famensi Pagoda: Its date, background, and historical significance. Cahiers d'Extrême-Asie, 193-216.]]></dcterms:references>
    <dcterms:extent><![CDATA[120cm x 80cm x 3cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Famen Temple, Fufeng County, Shaanxi Province, China]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1332]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[origin,34.43831,107.90112;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3445">
    <dcterms:title><![CDATA[Tang Dynasty Mural Painting Techniques]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Tang Dynasty mural painting techniques represent one of the highest achievements of ancient Chinese art. Originating during the 7th to 9th centuries, these murals are known for their fluid lines, vibrant mineral-based pigments, and lifelike depictions of court ladies, Buddhist figures, and daily life. The painting process involved multiple meticulous steps, including wall preparation, sketching, line drawing, coloring, and detailing — all done by highly skilled artisans. These techniques reflect not only aesthetic values but also deep cultural, religious, and philosophical meanings. The image provided shows a typical example from the Famen Temple, capturing the elegance and craftsmanship of Tang court murals. Though the murals themselves are tangible, the artistic knowledge, materials, and painting processes passed down through generations embody a unique form of intangible cultural heritage.]]></dcterms:description>
    <dcterms:creator><![CDATA[Unknown Tang Dynasty Artisans]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[7th–9th Century (Tang Dynasty)]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lw286@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[Gao, J. (2008). The underground chamber of the Famensi Pagoda: Its date, background, and historical significance. Cahiers d'Extrême-Asie, 193-216.]]></dcterms:references>
    <dcterms:extent><![CDATA[120cm x 80cm x 3cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Famen Temple, Fufeng County, Shaanxi Province, China]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1333]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[origin,34.43831,107.90112;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3446">
    <dcterms:title><![CDATA[Mogao Mural]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This mural is a replica exhibit based on the original Buddhist wall paintings found in the Mogao Caves, also known as the Thousand Buddha Grottoes, located near Dunhuang, China.
The original murals were created between the 4th and 14th centuries, featuring rich iconography of Buddhist narratives, devotional figures, and multicultural artistic influences from the Silk Road.
This replica was produced for educational and exhibition purposes to promote awareness of Dunhuang’s cultural significance. While the physical replica is movable, the original artworks are considered immovable cultural heritage and are part of a UNESCO World Heritage Site.]]></dcterms:description>
    <dcterms:creator><![CDATA[Generations of Buddhist monks and artisans along the Silk Road]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[4th to 14th century CE]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[25/03/2025]]></dcterms:>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Mogao_Caves]]></dcterms:references>
    <dcterms:extent><![CDATA[300cm x 80cm x 0cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Dunhuang Research Academy]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[1334]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.0450,94.8092;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3447">
    <dcterms:title><![CDATA[Tang Dynasty Mural Painting Techniques]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Tang Dynasty mural painting techniques represent one of the highest achievements of ancient Chinese art. Originating during the 7th to 9th centuries, these murals are known for their fluid lines, vibrant mineral-based pigments, and lifelike depictions of court ladies, Buddhist figures, and daily life. The painting process involved multiple meticulous steps, including wall preparation, sketching, line drawing, coloring, and detailing — all done by highly skilled artisans. These techniques reflect not only aesthetic values but also deep cultural, religious, and philosophical meanings. The image provided shows a typical example from the Famen Temple, capturing the elegance and craftsmanship of Tang court murals. Though the murals themselves are tangible, the artistic knowledge, materials, and painting processes passed down through generations embody a unique form of intangible cultural heritage.]]></dcterms:description>
    <dcterms:creator><![CDATA[Unknown Tang Dynasty Artisans]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[7th–9th Century (Tang Dynasty)]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lw286@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[Gao, J. (2008). The underground chamber of the Famensi Pagoda: Its date, background, and historical significance. Cahiers d'Extrême-Asie, 193-216.]]></dcterms:references>
    <dcterms:extent><![CDATA[120cm x 80cm x 3cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Famen Temple, Fufeng County, Shaanxi Province, China]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1335]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[origin,34.43831,107.90112;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3448">
    <dcterms:title><![CDATA[Tang Dynasty Mural Painting Techniques]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Tang Dynasty mural painting techniques represent one of the highest achievements of ancient Chinese art. Originating during the 7th to 9th centuries, these murals are known for their fluid lines, vibrant mineral-based pigments, and lifelike depictions of court ladies, Buddhist figures, and daily life. The painting process involved multiple meticulous steps, including wall preparation, sketching, line drawing, coloring, and detailing — all done by highly skilled artisans. These techniques reflect not only aesthetic values but also deep cultural, religious, and philosophical meanings. The image provided shows a typical example from the Famen Temple, capturing the elegance and craftsmanship of Tang court murals. Though the murals themselves are tangible, the artistic knowledge, materials, and painting processes passed down through generations embody a unique form of intangible cultural heritage.]]></dcterms:description>
    <dcterms:creator><![CDATA[Unknown Tang Dynasty Artisans]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[7th–9th Century (Tang Dynasty)]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lw286@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[Gao, J. (2008). The underground chamber of the Famensi Pagoda: Its date, background, and historical significance. Cahiers d'Extrême-Asie, 193-216.]]></dcterms:references>
    <dcterms:extent><![CDATA[120cm x 80cm x 3cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Famen Temple, Fufeng County, Shaanxi Province, China]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1336]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[origin,34.43831,107.90112;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3449">
    <dcterms:title><![CDATA[Mogao Mural]]></dcterms:title>
    <dcterms:subject><![CDATA[Movable Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This image shows a mural exhibit from the Mogao Caves in Dunhuang, on display at the National Art Museum of China. The original mural is part of a vast collection of Buddhist wall paintings created between the 4th and 14th centuries, located in grottoes carved into the cliffs along the ancient Silk Road. These artworks reflect the spiritual and artistic exchanges between Chinese, Central Asian, and Indian cultures.

The mural shown here is a replica or display version, curated for public exhibition and educational outreach. As such, it is categorized as “Movable Cultural Heritage”, whereas the original site of the Mogao Caves constitutes “Immovable Cultural Heritage”. This distinction is crucial in heritage documentation and digital preservation. The image was uploaded as part of a cultural heritage mapping project for academic and non-commercial use.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[9 March 2008]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 02:21:41 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Flickr (Creative Commons)]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40.0450, 94.8092;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3450">
    <dcterms:title><![CDATA[Tang Dynasty Mural Painting Techniques]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Tang Dynasty mural painting techniques represent one of the highest achievements of ancient Chinese art. Originating during the 7th to 9th centuries, these murals are known for their fluid lines, vibrant mineral-based pigments, and lifelike depictions of court ladies, Buddhist figures, and daily life. The painting process involved multiple meticulous steps, including wall preparation, sketching, line drawing, coloring, and detailing — all done by highly skilled artisans. These techniques reflect not only aesthetic values but also deep cultural, religious, and philosophical meanings. The image provided shows a typical example from the Famen Temple, capturing the elegance and craftsmanship of Tang court murals. Though the murals themselves are tangible, the artistic knowledge, materials, and painting processes passed down through generations embody a unique form of intangible cultural heritage.]]></dcterms:description>
    <dcterms:creator><![CDATA[Unknown Tang Dynasty Artisans]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[7th–9th Century (Tang Dynasty)]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lw286@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[Gao, J. (2008). The underground chamber of the Famensi Pagoda: Its date, background, and historical significance. Cahiers d'Extrême-Asie, 193-216.]]></dcterms:references>
    <dcterms:extent><![CDATA[120cm x 80cm x 3cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Famen Temple, Fufeng County, Shaanxi Province, China]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1337]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[origin,34.43831,107.90112;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3451">
    <dcterms:title><![CDATA[Tang Dynasty Mural Painting Techniques]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Tang Dynasty mural painting techniques represent one of the highest achievements of ancient Chinese art. Originating during the 7th to 9th centuries, these murals are known for their fluid lines, vibrant mineral-based pigments, and lifelike depictions of court ladies, Buddhist figures, and daily life. The painting process involved multiple meticulous steps, including wall preparation, sketching, line drawing, coloring, and detailing — all done by highly skilled artisans. These techniques reflect not only aesthetic values but also deep cultural, religious, and philosophical meanings. The image provided shows a typical example from the Famen Temple, capturing the elegance and craftsmanship of Tang court murals. Though the murals themselves are tangible, the artistic knowledge, materials, and painting processes passed down through generations embody a unique form of intangible cultural heritage.]]></dcterms:description>
    <dcterms:creator><![CDATA[Unknown Tang Dynasty Artisans]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[7th–9th Century (Tang Dynasty)]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lw286@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[Gao, J. (2008). The underground chamber of the Famensi Pagoda: Its date, background, and historical significance. Cahiers d'Extrême-Asie, 193-216.]]></dcterms:references>
    <dcterms:extent><![CDATA[120cm x 80cm x 3cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Famen Temple, Fufeng County, Shaanxi Province, China]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1338]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[origin,34.43831,107.90112;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3452">
    <dcterms:title><![CDATA[Exterior view of the Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The exterior shots of the Meridian Gate of the Palace Museum reflect the magnificent architecture and royal grandeur of the Palace Museum, which is a world cultural heritage.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 02:43:04 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Photo by creator]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,116.4 east longitude,39.9 north latitude;origin,116.4 east longitude,39.9 north latitude;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3453">
    <dcterms:title><![CDATA[Exterior view of the Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The exterior shots of the Meridian Gate of the Palace Museum reflect the magnificent architecture and royal grandeur of the Palace Museum, which is a world cultural heritage.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 02:43:25 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Photo by creator]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,116.4 east longitude,39.9 north latitude;origin,116.4 east longitude,39.9 north latitude;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3454">
    <dcterms:title><![CDATA[The Palace Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The main entrance to the Palace Museum in Beijing, China.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023-09-02]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 02:48:47 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[954194294@qq.com]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.90900214831215,-243.6088914864013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3455">
    <dcterms:title><![CDATA[The Palace Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The main entrance to the Palace Museum in Beijing, China.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023-09-02]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 02:48:54 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[954194294@qq.com]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.90900214831215,-243.6088914864013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3456">
    <dcterms:title><![CDATA[The Palace Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The main entrance to the Palace Museum in Beijing, China.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023-09-02]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 02:49:00 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[954194294@qq.com]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.90900214831215,-243.6088914864013;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3457">
    <dcterms:title><![CDATA[ The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Located in the center of Beijing, China, the Palace Museum was built in 1420. It was the royal palace of the Ming and Qing dynasties and the largest and best-preserved wooden palace complex in the world. The Palace Museum not only has a spectacular royal complex, but also has more than 1.8 million precious collections, which contain China's rich historical and cultural connotations and craftsmanship wisdom. The application of digital technology, such as virtual reality guided tours, online museums and 3D cultural relics scanning, helps to improve the public's understanding of cultural heritage and strengthen cultural inheritance.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:references><![CDATA[ UNESCO World Heritage Centre]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[ UNESCO]]></dcterms:medium>
    <dcterms:language><![CDATA[Chinese, English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1339]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[State-owned]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3458">
    <dcterms:title><![CDATA[The _Palace _Museum_]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum, located in the center of Beijing, China, is the imperial palace of the Ming and Qing dynasties in China. It is now the largest and best preserved ancient wooden structure complex in the world. Built in 1406, it has more than 9,000 palaces and is the pinnacle of traditional Chinese architecture. Today, it is open to the public as a museum with a collection of more than 1.8 million artifacts and is a gathering place of world-class cultural heritage and artistic treasures. Digital displays and virtual Tours allow a global audience to learn about its profound historical and cultural values.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[954194294@qq.com]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Chinese/English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1340]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.90896758405825,116.39119219675196;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3459">
    <dcterms:title><![CDATA[Night view of a street adorned with neon signs in Hong Kong]]></dcterms:title>
    <dcterms:description><![CDATA[The use of neon signs as an advertising method for shops increased post-war in the 1950s, alongside a boom in incoming migration and setting up of shops and stores. As business owners typically planned for their businesses to be passed on through generations, they were known to ‘invest a lot in getting a sign commissioned’ as it carried a lot of significance and identity. As the economy prospered in the later half of the 20th century, the signs became de rigueur in the urban cityscape – an icon in its own right, and inspiring many cultural references in movies and media. 

In the above image, neon signs adorn a street (Portland Street) in Hong Kong.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[13 January 2007]]></dcterms:date>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[English Wikipedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,114.16873483961649,22.31919;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3460">
    <dcterms:title><![CDATA[HK Portland Street Night]]></dcterms:title>
    <dcterms:description><![CDATA[Neon signs adorn a street (Portland Street) in Hong Kong]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[13 January 2007]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 03:25:27 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[English Wikipedia]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,114.16873483961649,22.31919;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3461">
    <dcterms:title><![CDATA[The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420. It is the royal palace of the emperors of the Ming and Qing dynasties and is also the largest and most intact wooden palace complex in the world. The Palace Museum not only has a spectacular royal building complex, but also has more than 1.8 million precious collections, which contain China's rich historical and cultural connotations and craftsmanship wisdom. Through digital technologies such as virtual reality guided tours, online museums, and 3D cultural relics scanning, it can effectively enhance the public's cultural awareness and sense of participation, while protecting this precious cultural heritage of mankind.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 03:30:13 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.9163,116.3972;origin,39.9163,116.3972;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3462">
    <dcterms:title><![CDATA[The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420. It is the royal palace of the emperors of the Ming and Qing dynasties and is also the largest and most intact wooden palace complex in the world. The Palace Museum not only has a spectacular royal building complex, but also has more than 1.8 million precious collections, which contain China's rich historical and cultural connotations and craftsmanship wisdom. Through digital technologies such as virtual reality guided tours, online museums, and 3D cultural relics scanning, it can effectively enhance the public's cultural awareness and sense of participation, while protecting this precious cultural heritage of mankind.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 03:30:19 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.9163,116.3972;origin,39.9163,116.3972;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3463">
    <dcterms:title><![CDATA[The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420. It is the royal palace of the emperors of the Ming and Qing dynasties and is also the largest and most intact wooden palace complex in the world. The Palace Museum not only has a spectacular royal building complex, but also has more than 1.8 million precious collections, which contain China's rich historical and cultural connotations and craftsmanship wisdom. Through digital technologies such as virtual reality guided tours, online museums, and 3D cultural relics scanning, it can effectively enhance the public's cultural awareness and sense of participation, while protecting this precious cultural heritage of mankind.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 03:30:28 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3464">
    <dcterms:title><![CDATA[The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420. It is the royal palace of the emperors of the Ming and Qing dynasties and is also the largest and most intact wooden palace complex in the world. The Palace Museum not only has a spectacular royal building complex, but also has more than 1.8 million precious collections, which contain China's rich historical and cultural connotations and craftsmanship wisdom. Through digital technologies such as virtual reality guided tours, online museums, and 3D cultural relics scanning, it can effectively enhance the public's cultural awareness and sense of participation, while protecting this precious cultural heritage of mankind.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 03:30:34 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3465">
    <dcterms:title><![CDATA[The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420. It is the royal palace of the emperors of the Ming and Qing dynasties and is also the largest and most intact wooden palace complex in the world. The Palace Museum not only has a spectacular royal building complex, but also has more than 1.8 million precious collections, which contain China's rich historical and cultural connotations and craftsmanship wisdom. Through digital technologies such as virtual reality guided tours, online museums, and 3D cultural relics scanning, it can effectively enhance the public's cultural awareness and sense of participation, while protecting this precious cultural heritage of mankind.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 03:30:40 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3466">
    <dcterms:title><![CDATA[The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420. It is the royal palace of the emperors of the Ming and Qing dynasties and is also the largest and most intact wooden palace complex in the world. The Palace Museum not only has a spectacular royal building complex, but also has more than 1.8 million precious collections, which contain China's rich historical and cultural connotations and craftsmanship wisdom. Through digital technologies such as virtual reality guided tours, online museums, and 3D cultural relics scanning, it can effectively enhance the public's cultural awareness and sense of participation, while protecting this precious cultural heritage of mankind.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 03:30:48 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.925535281697286,116.42486572265626;origin,39.9163,116.3972;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3467">
    <dcterms:title><![CDATA[The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420. It is the royal palace of the emperors of the Ming and Qing dynasties and is also the largest and most intact wooden palace complex in the world. The Palace Museum not only has a spectacular royal building complex, but also has more than 1.8 million precious collections, which contain China's rich historical and cultural connotations and craftsmanship wisdom. Through digital technologies such as virtual reality guided tours, online museums, and 3D cultural relics scanning, it can effectively enhance the public's cultural awareness and sense of participation, while protecting this precious cultural heritage of mankind.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 03:30:55 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.925535281697286,116.42486572265626;origin,39.9163,116.3972;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3468">
    <dcterms:title><![CDATA[The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420. It is the royal palace of the emperors of the Ming and Qing dynasties and is also the largest and most intact wooden palace complex in the world. The Palace Museum not only has a spectacular royal building complex, but also has more than 1.8 million precious collections, which contain China's rich historical and cultural connotations and craftsmanship wisdom. Through digital technologies such as virtual reality guided tours, online museums, and 3D cultural relics scanning, it can effectively enhance the public's cultural awareness and sense of participation, while protecting this precious cultural heritage of mankind.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 03:31:01 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3469">
    <dcterms:title><![CDATA[The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Located in the center of Beijing, China, the Palace Museum was built in 1420. It was the royal palace of the Ming and Qing dynasties and the largest and best-preserved wooden palace complex in the world. The Palace Museum not only has a spectacular royal complex, but also has more than 1.8 million precious collections, which contain China's rich historical and cultural connotations and craftsmanship wisdom. The application of digital technology, such as virtual reality guided tours, online museums and 3D cultural relics scanning, helps to improve the public's understanding of cultural heritage and strengthen cultural inheritance.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:references><![CDATA[UNESCO World Heritage Centre]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[UNESCO World Heritage Centre]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1341]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.91727415127369,116.39076948165895;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[State-owned]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3470">
    <dcterms:title><![CDATA[Neon Signs in Hong Kong]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The linked media shows a 2007 street view of Hong Kong at night along Portland street, with a plethora of signs: some LED, some neon. 

Neon signs enjoyed its heyday in Hong Kong during the later part of the 20th century, with most businesses using as a form of identity and advertisement. Estimates put an average of 120,000 signs at the end of 2010.  After 2010, due to tightening government regulations ordering removal of signs that did not "meet government regulations", their numbers have plummeted to less than 400. 

After the city’s handover to China in 1997, there have been tightening regulations on ‘unauthorized’ neon signs and enhanced safety regulations, with removal orders issued spiking in 2017-2021. As paperwork to appeal for authorization of the signs is complicated and upkeep of the signs get more expensive, more shopkeepers have elected to remove the signs in favor of switching to cheaper LED alternatives. ]]></dcterms:description>
    <dcterms:creator><![CDATA[gnlw]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[25 March 2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[26/03/2025]]></dcterms:>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Portland_Street#/media/File:HK_Portland_Street_Night.jpg]]></dcterms:references>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1342]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,114.168,22.319;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3471">
    <dcterms:title><![CDATA[Neon Signs in Hong Kong]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A 2007 street view of Hong Kong at night along Portland street shows a plethora of signs: some LED, some neon. 

Neon signs enjoyed its heyday in Hong Kong during the later part of the 20th century, with most businesses using as a form of identity and advertisement. Estimates put an average of 120,000 signs at the end of 2010.  After 2010, due to tightening government regulations ordering removal of signs that did not "meet government regulations", their numbers have plummeted to less than 400. ]]></dcterms:description>
    <dcterms:creator><![CDATA[gnlw]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[25 March 2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Portland_Street#/media/File:HK_Portland_Street_Night.jpg]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1343]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,114.168,22.319;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3472">
    <dcterms:title><![CDATA[Neon Signs in Hong Kong]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A 2007 street view of Hong Kong at night along Portland street shows a plethora of signs: some LED, some neon. 

Neon signs enjoyed its heyday in Hong Kong during the later part of the 20th century, with most businesses using as a form of identity and advertisement. Estimates put an average of 120,000 signs at the end of 2010.  After 2010, due to tightening government regulations ordering removal of signs that did not "meet government regulations", their numbers have plummeted to less than 400. ]]></dcterms:description>
    <dcterms:creator><![CDATA[gnlw]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[25 March 2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Portland_Street#/media/File:HK_Portland_Street_Night.jpg]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1344]]></dcterms:identifier>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3473">
    <dcterms:title><![CDATA[Sichuan Giant Panda Sanctuaries]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Sichuan Giant Panda Sanctuary is located in Sichuan Province, China, and includes the Wolong, Siguniang Mountain and Jiajin Mountain areas. This area is ecologically diverse and is one of the largest and most important giant panda habitats in the world. This area is of great significance to maintaining global biodiversity and environmental stability. Through digital monitoring, intelligent wildlife tracking and data analysis, we can more effectively protect endangered species and the ecological environment and enhance the public's ecological awareness.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023:07:09 12:13:03]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 03:44:04 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3474">
    <dcterms:title><![CDATA[Sichuan Giant Panda Sanctuaries]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Sichuan Giant Panda Sanctuary is located in Sichuan Province, China, and includes the Wolong, Siguniang Mountain and Jiajin Mountain areas. This area is ecologically diverse and is one of the largest and most important giant panda habitats in the world. This area is of great significance to maintaining global biodiversity and environmental stability. Through digital monitoring, intelligent wildlife tracking and data analysis, we can more effectively protect endangered species and the ecological environment and enhance the public's ecological awareness.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023:07:09 12:13:03]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 03:44:10 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3475">
    <dcterms:title><![CDATA[Sichuan Giant Panda Sanctuaries]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Sichuan Giant Panda Sanctuary is located in Sichuan Province, China, and includes the Wolong, Siguniang Mountain and Jiajin Mountain areas. This area is ecologically diverse and is one of the largest and most important giant panda habitats in the world. This area is of great significance to maintaining global biodiversity and environmental stability. Through digital monitoring, intelligent wildlife tracking and data analysis, we can more effectively protect endangered species and the ecological environment and enhance the public's ecological awareness.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023:07:09 12:13:03]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 03:44:15 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3476">
    <dcterms:title><![CDATA[Sichuan Giant Panda Sanctuaries]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Sichuan Giant Panda Sanctuary is located in Sichuan Province, China, and includes the Wolong, Siguniang Mountain and Jiajin Mountain areas. This area is ecologically diverse and is one of the largest and most important giant panda habitats in the world. This area is of great significance to maintaining global biodiversity and environmental stability. Through digital monitoring, intelligent wildlife tracking and data analysis, we can more effectively protect endangered species and the ecological environment and enhance the public's ecological awareness.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023:07:09 12:13:03]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 03:44:21 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3477">
    <dcterms:title><![CDATA[Sichuan Giant Panda Sanctuaries]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Sichuan Giant Panda Sanctuary is located in Sichuan Province, China, and includes the Wolong, Siguniang Mountain and Jiajin Mountain areas. This area is ecologically diverse and is one of the largest and most important giant panda habitats in the world. This area is of great significance to maintaining global biodiversity and environmental stability. Through digital monitoring, intelligent wildlife tracking and data analysis, we can more effectively protect endangered species and the ecological environment and enhance the public's ecological awareness.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023:07:09 12:13:03]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 03:44:27 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3478">
    <dcterms:title><![CDATA[Sichuan Giant Panda Sanctuaries]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Sichuan Giant Panda Sanctuary is located in Sichuan Province, China, and includes the Wolong, Siguniang Mountain and Jiajin Mountain areas. This area is ecologically diverse and is one of the largest and most important giant panda habitats in the world. This area is of great significance to maintaining global biodiversity and environmental stability. Through digital monitoring, intelligent wildlife tracking and data analysis, we can more effectively protect endangered species and the ecological environment and enhance the public's ecological awareness.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023:07:09 12:13:03]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 03:44:32 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,30.735703416711978,104.14396405220033;origin,30.735703416711978,104.14396405220033;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3479">
    <dcterms:title><![CDATA[Sichuan Giant Panda Sanctuaries]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Sichuan Giant Panda Sanctuary is located in Sichuan Province, China, and includes the Wolong, Siguniang Mountain and Jiajin Mountain areas. This area is ecologically diverse and is one of the largest and most important giant panda habitats in the world. This area is of great significance to maintaining global biodiversity and environmental stability. Through digital monitoring, intelligent wildlife tracking and data analysis, we can more effectively protect endangered species and the ecological environment and enhance the public's ecological awareness.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023:07:09 12:13:03]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 03:44:38 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,30.735703416711978,104.14396405220033;origin,30.735703416711978,104.14396405220033;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3480">
    <dcterms:title><![CDATA[Sichuan Giant Panda Sanctuaries]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Sichuan Giant Panda Sanctuary is located in Sichuan Province, China, and includes the Wolong, Siguniang Mountain and Jiajin Mountain areas. This area is ecologically diverse and is one of the largest and most important giant panda habitats in the world. This area is of great significance to maintaining global biodiversity and environmental stability. Through digital monitoring, intelligent wildlife tracking and data analysis, we can more effectively protect endangered species and the ecological environment and enhance the public's ecological awareness.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023:07:09 12:13:03]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 03:44:45 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,30.735703416711978,104.14396405220033;origin,30.735703416711978,104.14396405220033;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3481">
    <dcterms:title><![CDATA[Sichuan Giant Panda Sanctuaries]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Sichuan Giant Panda Sanctuary is located in Sichuan Province, China, and includes the Wolong, Siguniang Mountain and Jiajin Mountain areas. This area is ecologically diverse and is one of the largest and most important giant panda habitats in the world. This area is of great significance to maintaining global biodiversity and environmental stability. Through digital monitoring, intelligent wildlife tracking and data analysis, we can more effectively protect endangered species and the ecological environment and enhance the public's ecological awareness.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023:07:09 12:13:03]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 03:44:52 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,30.735703416711978,104.14396405220033;origin,30.735703416711978,104.14396405220033;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3482">
    <dcterms:title><![CDATA[Sichuan Giant Panda Sanctuaries]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Sichuan Giant Panda Sanctuary is located in Sichuan Province, China, and includes the Wolong, Siguniang Mountain and Jiajin Mountain areas. This area is ecologically diverse and is one of the largest and most important giant panda habitats in the world. This area is of great significance to maintaining global biodiversity and environmental stability. Through digital monitoring, intelligent wildlife tracking and data analysis, we can more effectively protect endangered species and the ecological environment and enhance the public's ecological awareness.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023:07:09 12:13:03]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 03:44:58 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,30.735703416711978,104.14396405220033;origin,30.735703416711978,104.14396405220033;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3483">
    <dcterms:title><![CDATA[Neon Signs in Hong Kong]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A 2007 street view of Hong Kong at night along Portland street shows a plethora of signs: some LED, some neon. 

Neon signs enjoyed its heyday in Hong Kong during the later part of the 20th century, with most businesses using as a form of identity and advertisement. Estimates put an average of 120,000 signs at the end of 2010.  After 2010, due to tightening government regulations ordering removal of signs that did not "meet government regulations", their numbers have plummeted to less than 400. ]]></dcterms:description>
    <dcterms:creator><![CDATA[gnlw]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[25 March 2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Portland_Street#/media/File:HK_Portland_Street_Night.jpg]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1345]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,114.168,22.319;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3484">
    <dcterms:title><![CDATA[Neon Signs in Hong Kong]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A 2007 street view of Hong Kong at night along Portland street shows a plethora of signs: some LED, some neon. 

Neon signs enjoyed its heyday in Hong Kong during the later part of the 20th century, with most businesses using as a form of identity and advertisement. Estimates put an average of 120,000 signs at the end of 2010.  After 2010, due to tightening government regulations ordering removal of signs that did not "meet government regulations", their numbers have plummeted to less than 400. ]]></dcterms:description>
    <dcterms:creator><![CDATA[gnlw]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[25 March 2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Portland_Street#/media/File:HK_Portland_Street_Night.jpg]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1346]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,114.168,22.319;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3485">
    <dcterms:title><![CDATA[Sichuan Giant Panda Sanctuaries]]></dcterms:title>
    <dcterms:description><![CDATA[The Sichuan Giant Panda Sanctuary is located in Sichuan Province, China, and includes the Wolong, Siguniang Mountain and Jiajin Mountain areas. This area is ecologically diverse and is one of the largest and most important giant panda habitats in the world. This area is of great significance to maintaining global biodiversity and environmental stability. Through digital monitoring, intelligent wildlife tracking and data analysis, we can more effectively protect endangered species and the ecological environment and enhance the public's ecological awareness.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:references><![CDATA[UNESCO World Heritage Centre]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[UNESCO World Heritage Centre]]></dcterms:medium>
    <dcterms:language><![CDATA[Chinese, English/]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1347]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,30.743458637542574,104.13292407989503;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[State-owned]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3486">
    <dcterms:title><![CDATA[Neon Signs in Hong Kong]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A 2007 street view of Hong Kong at night along Portland street shows a plethora of signs: some LED, some neon. 

Neon signs enjoyed its heyday in Hong Kong during the later part of the 20th century, with most businesses using as a form of identity and advertisement. Estimates put an average of 120,000 signs at the end of 2010.  After 2010, due to tightening government regulations ordering removal of signs that did not "meet government regulations", their numbers have plummeted to less than 400. ]]></dcterms:description>
    <dcterms:creator><![CDATA[gnlw]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[25 March 2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[26/03/2025]]></dcterms:>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Portland_Street#/media/File:HK_Portland_Street_Night.jpg]]></dcterms:references>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1348]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,114.168,22.319;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3487">
    <dcterms:title><![CDATA[Abhainn An T Sluaigh &ndash; Traditional Scottish Gaelic Song]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This video features the traditional Scottish Gaelic song "Abhainn An T Sluaigh", which translates as "The Crowded River". It is a folk melody rooted in Celtic oral traditions, reflecting the linguistic and musical heritage of the Highlands.

Although the video is only 22 seconds long, it captures the essence of Gaelic musical identity — meditative, poetic, and deeply tied to the landscape. Its preservation and dissemination contribute to safeguarding intangible cultural heritage, aligned with SDG 11.4.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2021-05-17]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 03:53:02 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:medium><![CDATA[YouTube (iiPy channel)]]></dcterms:medium>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,57.2535,-6.3331;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3488">
    <dcterms:title><![CDATA[Neon Signs in Hong Kong]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A 2007 street view of Hong Kong at night along Portland street shows a plethora of signs: some LED, some neon. 

Neon signs enjoyed its heyday in Hong Kong during the later part of the 20th century, with most businesses using as a form of identity and advertisement. Estimates put an average of 120,000 signs at the end of 2010.  After 2010, due to tightening government regulations ordering removal of signs that did not "meet government regulations", their numbers have plummeted to less than 400. ]]></dcterms:description>
    <dcterms:creator><![CDATA[gnlw]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[25 March 2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Portland_Street#/media/File:HK_Portland_Street_Night.jpg]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1349]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,114.168,22.319;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3489">
    <dcterms:title><![CDATA[Neon Signs in Hong Kong]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A 2007 street view of Hong Kong at night along Portland street shows a plethora of signs: some LED, some neon. 

Neon signs enjoyed its heyday in Hong Kong during the later part of the 20th century, with most businesses using as a form of identity and advertisement. Estimates put an average of 120,000 signs at the end of 2010.  After 2010, due to tightening government regulations ordering removal of signs that did not "meet government regulations", their numbers have plummeted to less than 400. ]]></dcterms:description>
    <dcterms:creator><![CDATA[gnlw]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[25 March 2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Portland_Street#/media/File:HK_Portland_Street_Night.jpg]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[English Wikipedia]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1350]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,114.168,22.319;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3490">
    <dcterms:title><![CDATA[Neon Signs in Hong Kong]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A 2007 street view of Hong Kong at night along Portland street shows a plethora of signs: some LED, some neon. 

Neon signs enjoyed its heyday in Hong Kong during the later part of the 20th century, with most businesses using as a form of identity and advertisement. Estimates put an average of 120,000 signs at the end of 2010.  After 2010, due to tightening government regulations ordering removal of signs that did not "meet government regulations", their numbers have plummeted to less than 400. ]]></dcterms:description>
    <dcterms:creator><![CDATA[gnlw]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[25 March 2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Portland_Street#/media/File:HK_Portland_Street_Night.jpg]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[English Wikipedia]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1351]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,114.168,22.319;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3491">
    <dcterms:title><![CDATA[Neon Signs in Hong Kong]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A 2007 street view of Hong Kong at night along Portland street shows a plethora of signs: some LED, some neon. 

Neon signs enjoyed its heyday in Hong Kong during the later part of the 20th century, with most businesses using as a form of identity and advertisement. Estimates put an average of 120,000 signs at the end of 2010.  After 2010, due to tightening government regulations ordering removal of signs that did not "meet government regulations", their numbers have plummeted to less than 400. ]]></dcterms:description>
    <dcterms:creator><![CDATA[gnlw]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[25 March 2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Portland_Street#/media/File:HK_Portland_Street_Night.jpg]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[English Wikipedia]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1352]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,114.168,22.319;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3492">
    <dcterms:title><![CDATA[Scottish Gaelic Song: &Ograve;ran M&ograve;r]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Òran Mòr ("Great Song") refers to a body of traditional Scottish Gaelic songs passed down through oral tradition for centuries in the Highlands and Islands. These songs reflect the emotional, social, and historical identity of Gaelic-speaking communities. They range from laments to love songs, work chants to epic ballads, often sung unaccompanied or with minimal instrumentation.

Today, organizations and cultural initiatives actively work to record, perform, and teach these songs to younger generations. This intangible cultural heritage contributes to the preservation of the endangered Scottish Gaelic language and the revitalization of Highland identity in Scotland.]]></dcterms:description>
    <dcterms:creator><![CDATA[Scottish Gaelic-speaking communities]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[c. 17th century - present]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://ich.unesco.org/en/what-is-intangible-heritage-00003]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[UNESCO Intangible Cultural Heritage resources; Historic Environment Scotland]]></dcterms:medium>
    <dcterms:language><![CDATA[Scottish Gaelic]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1353]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,57.2535,-6.1976;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3493">
    <dcterms:title><![CDATA[The  Palace Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum, located in the center of Beijing, China, is the imperial palace of the Ming and Qing dynasties in China. It is now the largest and best preserved ancient wooden structure complex in the world. Built in 1406, it has more than 9,000 palaces and is the pinnacle of traditional Chinese architecture. Today, it is open to the public as a museum with a collection of more than 1.8 million artifacts and is a gathering place of world-class cultural heritage and artistic treasures. Digital displays and virtual Tours allow a global audience to learn about its profound historical and cultural values.
SDG 4: Quality education
Enhance public literacy and history education through digital displays and global online access.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 04:03:50 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xl201@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.90899309652459,-243.60880994791845;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3494">
    <dcterms:title><![CDATA[Neon Signs in Hong Kong]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A 2007 street view of Hong Kong at night along Portland street shows a plethora of signs: some LED, some neon. 

Neon signs enjoyed its heyday in Hong Kong during the later part of the 20th century, with most businesses using as a form of identity and advertisement. Estimates put an average of 120,000 signs at the end of 2010.  After 2010, due to tightening government regulations ordering removal of signs that did not "meet government regulations", their numbers have plummeted to less than 400. ]]></dcterms:description>
    <dcterms:creator><![CDATA[gnlw]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[25 March 2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Portland_Street#/media/File:HK_Portland_Street_Night.jpg]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[English Wikipedia]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1354]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,114.168,22.319;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3495">
    <dcterms:title><![CDATA[The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum, also known as the Forbidden City, is located in the center of Beijing, China. It was the royal palace of the Ming and Qing dynasties (1420-1912) and one of the largest and most complete existing wooden palace complexes in the world. The Forbidden City represents the pinnacle of traditional Chinese architectural art and court culture. It houses more than 1.8 million precious cultural relics, which are of immeasurable value for the study of Chinese history, art and traditional crafts.
Related Sustainable Development Goals (SDGs):
Goal 11: Make cities and human settlements inclusive, safe, resilient and sustainable
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 04:05:13 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.91724946512752,116.39073729515077;origin,39.9163,116.3972;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3496">
    <dcterms:title><![CDATA[Neon Signs in Hong Kong]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A 2007 street view of Hong Kong at night along Portland street shows a plethora of signs: some LED, some neon. 

Neon signs enjoyed its heyday in Hong Kong during the later part of the 20th century, with most businesses using as a form of identity and advertisement. Estimates put an average of 120,000 signs at the end of 2010.  After 2010, due to tightening government regulations ordering removal of signs that did not "meet government regulations", their numbers have plummeted to less than 400. ]]></dcterms:description>
    <dcterms:creator><![CDATA[gnlw]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[25 March 2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Portland_Street#/media/File:HK_Portland_Street_Night.jpg]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[English Wikipedia]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1355]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,114.168,22.319;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3497">
    <dcterms:title><![CDATA[The Palace Museum (Forbidden City)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Palace Museum was built in 1420 as the imperial palace of the Ming and Qing dynasties. It is the largest and most complete imperial wooden structure complex in the world, housing more than 1.8 million precious cultural relics and an important symbol of Chinese culture.
Goal 11: Build inclusive, safe, resilient and sustainable cities and human settlements]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1356]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[State-owned (China)]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3498">
    <dcterms:title><![CDATA[Neon Signs in Hong Kong]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A 2007 street view of Hong Kong at night along Portland street shows a plethora of signs: some LED, some neon. 

Neon signs enjoyed its heyday in Hong Kong during the later part of the 20th century, with most businesses using as a form of identity and advertisement. Estimates put an average of 120,000 signs at the end of 2010.  After 2010, due to tightening government regulations ordering removal of signs that did not "meet government regulations", their numbers have plummeted to less than 400. ]]></dcterms:description>
    <dcterms:creator><![CDATA[gnlw]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[25 March 2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Portland_Street#/media/File:HK_Portland_Street_Night.jpg]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[English Wikipedia]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1357]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,114.168,22.319;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3499">
    <dcterms:title><![CDATA[The_Palace_Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The main gate of The Palace Museum]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023-09-02]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 04:11:49 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xl201@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.90899227281281,116.39117073989839;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3500">
    <dcterms:title><![CDATA[Neon Signs in Hong Kong]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A 2007 street view of Hong Kong at night along Portland street shows a plethora of signs: some LED, some neon. 

Neon signs enjoyed its heyday in Hong Kong during the later part of the 20th century, with most businesses using as a form of identity and advertisement. Estimates put an average of 120,000 signs at the end of 2010.  After 2010, due to tightening government regulations ordering removal of signs that did not "meet government regulations", their numbers have plummeted to less than 400. ]]></dcterms:description>
    <dcterms:creator><![CDATA[gnlw]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[25 March 2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Portland_Street#/media/File:HK_Portland_Street_Night.jpg]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[English Wikipedia]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1358]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,114.168,22.319;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3501">
    <dcterms:title><![CDATA[Neon Signs in Hong Kong]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A 2007 street view of Hong Kong at night along Portland street shows a plethora of signs: some LED, some neon. 

Neon signs enjoyed its heyday in Hong Kong during the later part of the 20th century, with most businesses using as a form of identity and advertisement. Estimates put an average of 120,000 signs at the end of 2010.  After 2010, due to tightening government regulations ordering removal of signs that did not "meet government regulations", their numbers have plummeted to less than 400. ]]></dcterms:description>
    <dcterms:creator><![CDATA[gnlw]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[25 March 2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Portland_Street#/media/File:HK_Portland_Street_Night.jpg]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[English Wikipedia]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1359]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,114.168,22.319;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3502">
    <dcterms:title><![CDATA[(The Palace Museum / Forbidden City）]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420 and was the royal palace of the emperors of the Ming and Qing dynasties. It is also the largest and best-preserved wooden palace complex in the world.
Goal 11: Make cities and human settlements inclusive, safe, resilient and sustainable]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Chinese, English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1360]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[UNESCO World Heritage Centre]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3503">
    <dcterms:title><![CDATA[The_Palace_Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum, located in the center of Beijing, China, is the imperial palace of the Ming and Qing dynasties in China. It is now the largest and best preserved ancient wooden structure complex in the world. Built in 1406, it has more than 9,000 palaces and is the pinnacle of traditional Chinese architecture. Today, it is open to the public as a museum with a collection of more than 1.8 million artifacts and is a gathering place of world-class cultural heritage and artistic treasures. Digital displays and virtual Tours allow a global audience to learn about its profound historical and cultural values.
SDG 4: Quality education
Enhance public literacy and history education through digital displays and global online access.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xl201@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Chinese/English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1361]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.90900050227012,116.39116001089862;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3504">
    <dcterms:title><![CDATA[Ta Moko: Māori Traditional Tattooing]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Ta Moko is the traditional tattooing practice of the Māori people of Aotearoa (New Zealand), distinguished by intricate spiral patterns carved into the skin. Unlike decorative tattoos, Ta Moko is deeply symbolic, representing one's genealogy, social status, tribal affiliations, and personal achievements.

Historically, the practice involved chiseling the skin with uhi (carving tools), leaving textured grooves. While Ta Moko declined during colonization, it has seen cultural revival since the late 20th century, especially among younger Māori reclaiming their identity.

Today, Ta Moko is considered a living expression of Indigenous knowledge, cultural resilience, and ancestral storytelling.]]></dcterms:description>
    <dcterms:creator><![CDATA[Māori tattoo artists (Tohunga Ta Moko)]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[Before 14th century – present]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[25/03/2025]]></dcterms:>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Tā_moko]]></dcterms:references>
    <dcterms:medium><![CDATA[Wikipedia; Te Papa Tongarewa – Museum of New Zealand]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1362]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-41.2865,174.7762;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3505">
    <dcterms:title><![CDATA[d7cb6ae71d9780fce9fb5c7cb7a800d-7.jpg]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 04:30:56 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xl201@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.90897252168429,116.39117717792034;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3506">
    <dcterms:title><![CDATA[The Sichuan Panda Sanctuary]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Sichuan Giant Panda Sanctuary is located in Sichuan Province, China, including the Wolong, Siguniang Mountain and Jiajin Mountain areas. This area is ecologically diverse and is one of the largest and most important giant panda habitats in the world. The area is of great significance to maintaining global biodiversity and environmental stability.
Related Sustainable Development Goals (SDGs)
Goal 15: Protect, restore and promote sustainable use of terrestrial ecosystems, manage forests, combat desertification, curb land degradation and halt biodiversity loss]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023:07:09 12:13:03]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 04:34:06 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,30.743679942649553,104.13219451904298;origin,30.743679942649553,104.13219451904298;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3507">
    <dcterms:title><![CDATA[Sichuan Panda Sanctuaries]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Chinese, English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1363]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3508">
    <dcterms:title><![CDATA[The Palace Museum]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 04:35:50 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xl201@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.908979105352586,116.39117288579658;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3509">
    <dcterms:title><![CDATA[The Palace Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum, located in the center of Beijing, China, is the imperial palace of the Ming and Qing dynasties in China. It is now the largest and best preserved ancient wooden structure complex in the world. Built in 1406, it has more than 9,000 palaces and is the pinnacle of traditional Chinese architecture. Today, it is open to the public as a museum with a collection of more than 1.8 million artifacts and is a gathering place of world-class cultural heritage and artistic treasures. Digital displays and virtual Tours allow a global audience to learn about its profound historical and cultural values.
SDG 4: Quality education
Enhance public literacy and history education through digital displays and global online access.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xl201@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Chinese/English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1364]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3510">
    <dcterms:title><![CDATA[(the palace museum/forbidden city)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420. It is the royal palace of the emperors of the Ming and Qing dynasties and is also the largest and best-preserved wooden palace complex in the world. The Palace Museum not only has a spectacular royal building complex, but also has more than 1.8 million precious collections, which contain rich historical and cultural connotations and craftsmanship wisdom.
Related Sustainable Development Goals (SDGs):
Goal 11: Build inclusive, safe, resilient and sustainable cities and human settlements]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 04:40:53 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.91725769384391,116.39076948165895;origin,39.91725769384391,116.39076948165895;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3511">
    <dcterms:title><![CDATA[(the palace museum/forbidden city)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420. It is the royal palace of the emperors of the Ming and Qing dynasties and is also the largest and best-preserved wooden palace complex in the world. The Palace Museum not only has a spectacular royal building complex, but also has more than 1.8 million precious collections, which contain rich historical and cultural connotations and craftsmanship wisdom.
Related Sustainable Development Goals (SDGs):
Goal 11: Build inclusive, safe, resilient and sustainable cities and human settlements]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 04:40:59 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.91725769384391,116.39076948165895;origin,39.91725769384391,116.39076948165895;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3512">
    <dcterms:title><![CDATA[Yixian Ancient Street during Lantern Festival]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The ancient streets of Yixian County, located in Anhui Province, China, come alive every year with a vibrant Lantern Festival that illuminates the historic Huizhou-style buildings. During the festival, hundreds of handmade lanterns—crafted in traditional forms and materials—are displayed along narrow stone-paved streets, transforming the town into a glowing corridor of cultural expression. These lanterns carry deep symbolic meaning, representing prosperity, reunion, and ancestral respect, while embodying the artistic craftsmanship passed down through generations.

The festival fuses tangible and intangible heritage: the fixed architectural setting of Yixian’s grey-walled, tile-roofed buildings and the living cultural practice of lantern-making, storytelling, and communal celebration. Digital heritage tools—such as nighttime 360° mapping, oral history recordings, and augmented reality projections—can capture the multi-sensory experience of this event and ensure its transmission to younger audiences.

This project supports SDG 11: Sustainable Cities and Communities, as it promotes local identity, heritage-based tourism, and the preservation of community traditions.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2025-01-14]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 04:41:03 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lw286@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Photo taken by myself]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,29.9258,117.9336;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3513">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1365]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3514">
    <dcterms:title><![CDATA[The Palace Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum, located in the center of Beijing, China, is the imperial palace of the Ming and Qing dynasties in China. It is now the largest and best preserved ancient wooden structure complex in the world. Built in 1406, it has more than 9,000 palaces and is the pinnacle of traditional Chinese architecture. Today, it is open to the public as a museum with a collection of more than 1.8 million artifacts and is a gathering place of world-class cultural heritage and artistic treasures. Digital displays and virtual Tours allow a global audience to learn about its profound historical and cultural values.
SDG 4: Quality education
Enhance public literacy and history education through digital displays and global online access.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023-09-02]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 04:50:06 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xl201@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.9117178979136,116.39100122523817;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3515">
    <dcterms:title><![CDATA[Maori Chief with Ta Moko (1784)]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This image depicts a traditional Maori chief with full-face Ta Moko, created by Sydney Parkinson in 1784. It represents the sacred and social identity of Maori individuals and is a valuable visual record of early Maori tattoo traditions.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[1784]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 04:51:18 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zhangdi]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikipedia (Creative Commons)]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-41.2865,174.7762;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3516">
    <dcterms:title><![CDATA[The Palace Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum, located in the center of Beijing, China, is the imperial palace of the Ming and Qing dynasties in China. It is now the largest and best preserved ancient wooden structure complex in the world. Built in 1406, it has more than 9,000 palaces and is the pinnacle of traditional Chinese architecture. Today, it is open to the public as a museum with a collection of more than 1.8 million artifacts and is a gathering place of world-class cultural heritage and artistic treasures. Digital displays and virtual Tours allow a global audience to learn about its profound historical and cultural values.
SDG 4: Quality education
Enhance public literacy and history education through digital displays and global online access.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xl201@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Chinese/English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1366]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3517">
    <dcterms:title><![CDATA[Yixian Lantern Festival Cultural Landscape]]></dcterms:title>
    <dcterms:description><![CDATA[The ancient streets of Yixian County, located in Anhui Province, China, come alive every year with a vibrant Lantern Festival that illuminates the historic Huizhou-style buildings. During the festival, hundreds of handmade lanterns—crafted in traditional forms and materials—are displayed along narrow stone-paved streets, transforming the town into a glowing corridor of cultural expression. These lanterns carry deep symbolic meaning, representing prosperity, reunion, and ancestral respect, while embodying the artistic craftsmanship passed down through generations.

The festival fuses tangible and intangible heritage: the fixed architectural setting of Yixian’s grey-walled, tile-roofed buildings and the living cultural practice of lantern-making, storytelling, and communal celebration. Digital heritage tools—such as nighttime 360° mapping, oral history recordings, and augmented reality projections—can capture the multi-sensory experience of this event and ensure its transmission to younger audiences.

This project supports SDG 11: Sustainable Cities and Communities, as it promotes local identity, heritage-based tourism, and the preservation of community traditions.

]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2025-01-14]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 04:53:21 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lw286@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Photo taken by myself]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,29.9258,117.9336;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3518">
    <dcterms:title><![CDATA[Yixian Lantern Festival Cultural Landscape]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Located in the heart of Yixian County in Anhui Province, the historic ancient street is a living embodiment of traditional Huizhou culture. Especially captivating at night, the street transforms into a glowing corridor of lanterns—delicate, pink-hued lights that hang rhythmically from traditional Anhui-style grey-tiled buildings. These lanterns are more than decorative; they symbolize peace, reunion, and the continuity of local traditions. The street layout, architectural style, and community life remain largely preserved, reflecting centuries of Hui merchant culture and Confucian values. Digital documentation through photography, virtual night tours, and 3D mapping can preserve the night-time ambiance of this street for future generations. The project contributes to SDG 11: Sustainable Cities and Communities by promoting cultural identity, safeguarding living heritage, and encouraging responsible tourism.]]></dcterms:description>
    <dcterms:creator><![CDATA[Lei Wang]]></dcterms:creator>
    <dcterms:date><![CDATA[2025-01-14]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[25/03/2025]]></dcterms:>
    <dcterms:contributor><![CDATA[lw286@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:medium><![CDATA[Photo taken by myself]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1367]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[origin,29.9258,117.9336;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3519">
    <dcterms:title><![CDATA[Yixian Lantern Festival Cultural Landscape]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Located in the heart of Yixian County in Anhui Province, the historic ancient street is a living embodiment of traditional Huizhou culture. Especially captivating at night, the street transforms into a glowing corridor of lanterns—delicate, pink-hued lights that hang rhythmically from traditional Anhui-style grey-tiled buildings. These lanterns are more than decorative; they symbolize peace, reunion, and the continuity of local traditions. The street layout, architectural style, and community life remain largely preserved, reflecting centuries of Hui merchant culture and Confucian values. Digital documentation through photography, virtual night tours, and 3D mapping can preserve the night-time ambiance of this street for future generations. The project contributes to SDG 11: Sustainable Cities and Communities by promoting cultural identity, safeguarding living heritage, and encouraging responsible tourism.]]></dcterms:description>
    <dcterms:creator><![CDATA[Lei Wang]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2025-01-14]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lw286@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Photo taken by myself]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1368]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[origin,29.9258,117.9336;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3520">
    <dcterms:title><![CDATA[Neon Signs in Hong Kong]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[A 2007 street view of Hong Kong at night along Portland street shows a plethora of signs: some LED, some neon. 

Neon signs enjoyed its heyday in Hong Kong during the later part of the 20th century, with most businesses using as a form of identity and advertisement. Estimates put an average of 120,000 signs at the end of 2010.  After 2010, due to tightening government regulations ordering removal of signs that did not "meet government regulations", their numbers have plummeted to less than 400. ]]></dcterms:description>
    <dcterms:creator><![CDATA[gnlw]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[25 March 2025]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[gnlw1]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Portland_Street#/media/File:HK_Portland_Street_Night.jpg]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[English Wikipedia]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1369]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,114.168,22.319;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3521">
    <dcterms:title><![CDATA[The Palace Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum, located in the center of Beijing, China, is the imperial palace of the Ming and Qing dynasties in China. It is now the largest and best preserved ancient wooden structure complex in the world. Built in 1406, it has more than 9,000 palaces and is the pinnacle of traditional Chinese architecture. Today, it is open to the public as a museum with a collection of more than 1.8 million artifacts and is a gathering place of world-class cultural heritage and artistic treasures. Digital displays and virtual Tours allow a global audience to learn about its profound historical and cultural values.
SDG 4: Quality education
Enhance public literacy and history education through digital displays and global online access.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023-09-02]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 05:01:38 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xl201@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.9114084731738,116.39097762084933;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3522">
    <dcterms:title><![CDATA[Cantonese Opera]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Cantonese opera is a traditional opera widely popular in Guangdong, Hong Kong, Macao and other regions of China. It is famous for its graceful singing, gorgeous costumes and exquisite performance art. It has been listed as a masterpiece of the intangible cultural heritage of humanity by UNESCO.
Related Sustainable Development Goals (SDGs):
Goal 4: Ensure inclusive and equitable quality education and lifelong learning opportunities for all
Goal 11: Make cities and human settlements inclusive, safe, resilient and sustainable]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 05:03:26 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,23.14,113.32;origin,23.14,113.32;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3523">
    <dcterms:title><![CDATA[Cantonese Opera]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Cantonese opera is a traditional opera widely popular in Guangdong, Hong Kong, Macao and other regions of China. It is famous for its graceful singing, gorgeous costumes and exquisite performance art. It has been listed as a masterpiece of the intangible cultural heritage of humanity by UNESCO.
Related Sustainable Development Goals (SDGs):
Goal 4: Ensure inclusive and equitable quality education and lifelong learning opportunities for all
Goal 11: Make cities and human settlements inclusive, safe, resilient and sustainable]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 05:03:33 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,23.14,113.32;origin,23.14,113.32;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3524">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum, located in the center of Beijing, China, is the imperial palace of the Ming and Qing dynasties in China. It is now the largest and best preserved ancient wooden structure complex in the world. Built in 1406, it has more than 9,000 palaces and is the pinnacle of traditional Chinese architecture. Today, it is open to the public as a museum with a collection of more than 1.8 million artifacts and is a gathering place of world-class cultural heritage and artistic treasures. Digital displays and virtual Tours allow a global audience to learn about its profound historical and cultural values.
SDG 4: Quality education
Enhance public literacy and history education through digital displays and global online access.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xl201@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Chinese/English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1370]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.9114084731738,116.39097762084933;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3525">
    <dcterms:title><![CDATA[Yixian Lantern Festival Cultural Landscape]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Located in the heart of Yixian County in Anhui Province, the historic ancient street is a living embodiment of traditional Huizhou culture. Especially captivating at night, the street transforms into a glowing corridor of lanterns—delicate, pink-hued lights that hang rhythmically from traditional Anhui-style grey-tiled buildings. These lanterns are more than decorative; they symbolize peace, reunion, and the continuity of local traditions. The street layout, architectural style, and community life remain largely preserved, reflecting centuries of Hui merchant culture and Confucian values. Digital documentation through photography, virtual night tours, and 3D mapping can preserve the night-time ambiance of this street for future generations. The project contributes to SDG 11: Sustainable Cities and Communities by promoting cultural identity, safeguarding living heritage, and encouraging responsible tourism.]]></dcterms:description>
    <dcterms:creator><![CDATA[Lei Wang]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2025-01-14]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lw286@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Photo taken by myself]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1371]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[origin,29.9258,117.9336;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3526">
    <dcterms:title><![CDATA[Cantonese Opera]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Cantonese opera is a traditional opera widely popular in Guangdong, Hong Kong, Macao and other regions of China. It is famous for its graceful singing, gorgeous costumes and exquisite performance art. It has been listed as a masterpiece of the intangible cultural heritage of humanity by UNESCO.
Related Sustainable Development Goals (SDGs):
Goal 4: Ensure inclusive and equitable quality education and lifelong learning opportunities for all
Goal 11: Make cities and human settlements inclusive, safe, resilient and sustainable]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1372]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,23.14,113.32;origin,23.14,113.32;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3527">
    <dcterms:title><![CDATA[Yixian Lantern Festival Cultural Landscape]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The ancient streets of Yixian County, located in Anhui Province, China, come alive every year with a vibrant Lantern Festival that illuminates the historic Huizhou-style buildings. During the festival, hundreds of handmade lanterns—crafted in traditional forms and materials—are displayed along narrow stone-paved streets, transforming the town into a glowing corridor of cultural expression. These lanterns carry deep symbolic meaning, representing prosperity, reunion, and ancestral respect, while embodying the artistic craftsmanship passed down through generations.

The festival fuses tangible and intangible heritage: the fixed architectural setting of Yixian’s grey-walled, tile-roofed buildings and the living cultural practice of lantern-making, storytelling, and communal celebration. Digital heritage tools—such as nighttime 360° mapping, oral history recordings, and augmented reality projections—can capture the multi-sensory experience of this event and ensure its transmission to younger audiences.

This project supports SDG 11: Sustainable Cities and Communities, as it promotes local identity, heritage-based tourism, and the preservation of community traditions.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2025-01-14]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 05:15:28 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lw286@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Photo taken by myself]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,29.9258,117.9336;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3528">
    <dcterms:title><![CDATA[The Palace Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum, located in the center of Beijing, China, is the imperial palace of the Ming and Qing dynasties in China. It is now the largest and best preserved ancient wooden structure complex in the world. Built in 1406, it has more than 9,000 palaces and is the pinnacle of traditional Chinese architecture. Today, it is open to the public as a museum with a collection of more than 1.8 million artifacts and is a gathering place of world-class cultural heritage and artistic treasures. Digital displays and virtual Tours allow a global audience to learn about its profound historical and cultural values.
SDG 4: Quality education
Enhance public literacy and history education through digital displays and global online access.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2023-09-02]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 05:15:39 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xl201@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,39.91152039372874,116.39097118266365;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3529">
    <dcterms:title><![CDATA[Yixian Lantern Festival Cultural Landscape]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lw286@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1373]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3530">
    <dcterms:title><![CDATA[The Palace Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The Palace Museum, located in the center of Beijing, China, is the imperial palace of the Ming and Qing dynasties in China. It is now the largest and best preserved ancient wooden structure complex in the world. Built in 1406, it has more than 9,000 palaces and is the pinnacle of traditional Chinese architecture. Today, it is open to the public as a museum with a collection of more than 1.8 million artifacts and is a gathering place of world-class cultural heritage and artistic treasures. Digital displays and virtual Tours allow a global audience to learn about its profound historical and cultural values.
SDG 4: Quality education
Enhance public literacy and history education through digital displays and global online access.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xl201@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[Chinese/English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1374]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.91152039372874,116.39097118266365;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3531">
    <dcterms:title><![CDATA[Yixian Old Town Lantern Festival]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The ancient streets of Yixian County, located in Anhui Province, China, come alive every year with a vibrant Lantern Festival that illuminates the historic Huizhou-style buildings. During the festival, hundreds of handmade lanterns—crafted in traditional forms and materials—are displayed along narrow stone-paved streets, transforming the town into a glowing corridor of cultural expression. These lanterns carry deep symbolic meaning, representing prosperity, reunion, and ancestral respect, while embodying the artistic craftsmanship passed down through generations.

The festival fuses tangible and intangible heritage: the fixed architectural setting of Yixian’s grey-walled, tile-roofed buildings and the living cultural practice of lantern-making, storytelling, and communal celebration. Digital heritage tools—such as nighttime 360° mapping, oral history recordings, and augmented reality projections—can capture the multi-sensory experience of this event and ensure its transmission to younger audiences.

This project supports SDG 11: Sustainable Cities and Communities, as it promotes local identity, heritage-based tourism, and the preservation of community traditions.

]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2025-01-14]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 05:32:51 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lw286@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Photo taken by myself]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,29.9258,117.9336;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3532">
    <dcterms:title><![CDATA[(The Palace Museum / Forbidden City)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Palace Museum is located in the center of Beijing, China. It was built in 1420. It is the royal palace of the emperors of the Ming and Qing dynasties and is also the largest and best-preserved wooden palace complex in the world. The Palace Museum not only has a spectacular royal building complex, but also has more than 1.8 million precious collections, which contain rich historical and cultural connotations and craftsmanship wisdom.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2024:01:09 15:37:00]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 05:32:56 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Shumeng]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3533">
    <dcterms:title><![CDATA[Yixian Lantern Festival Cultural Landscape]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:creator><![CDATA[Lei Wang]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2025-01-14]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[25/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lw286@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Photo taken by myself]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[1375]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[origin,29.9258,117.9336;]]></dcterms:spatial>
</rdf:Description></rdf:RDF>