<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/417">
    <dcterms:title><![CDATA[Ceahlău Massif Mountain Range]]></dcterms:title>
    <dcterms:description><![CDATA[The Ceahlău Massif is one of the most famous mountains of Romania. It is part of the Bistriţa Mountains range of the Eastern Carpathians division, in Neamţ County, in the Moldavia region. The two most important peaks are Toaca (1904 m altitude) and Ocolaşul Mare (1907 m altitude). ]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[17/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ma306@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[304]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/418">
    <dcterms:title><![CDATA[Danube Delta]]></dcterms:title>
    <dcterms:description><![CDATA[The waters of the Danube, which flow into the Black Sea, form the largest and best preserved of Europe's deltas. The Danube Delta hosts over 300 species of birds as well as 45 freshwater fish species in its numerous lakes and marshes. The 580,000 hectare delta is home to massive amounts of waterbirds of all kinds, most notably pelicans of two species, herons, storks, cormorants and terns. It is a favourite staging area for passage migrants and also wintering grounds for masses of migrating waterbirds from the steppes, the boreal forests and the tundras further north.]]></dcterms:description>
    <dcterms:date><![CDATA[2017:02:20 13:34:50]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/18/2021 12:10:37 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ma306@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,44.885084072794356,29.25577999127878;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/419">
    <dcterms:title><![CDATA[Danube Delta]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[2017:02:20 13:34:50]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/18/2021 12:15:50 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ma306@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,44.889023603112136,29.21101842941464;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/420">
    <dcterms:title><![CDATA[Danube Delta]]></dcterms:title>
    <dcterms:description><![CDATA[The waters of the Danube, which flow into the Black Sea, form the largest and best preserved of Europe's deltas. The Danube delta hosts over 300 species of birds as well as 45 freshwater fish species in its numerous lakes and marshes.The 580,000 hectare delta is home to massive amounts of waterbirds of all kinds, most notably pelicans of two species, herons, storks, cormorants and terns. It is a favourite staging area for passage migrants and also wintering grounds for masses of migrating waterbirds from the steppes, the boreal forests and the tundras further north.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[2017:02:20 13:34:50]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/18/2021 12:16:56 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ma306@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,44.85893255111711,29.208122350476895;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/421">
    <dcterms:title><![CDATA[Danube Delta]]></dcterms:title>
    <dcterms:description><![CDATA[The waters of the Danube, which flow into the Black Sea, form the largest and best preserved of Europe's deltas. The Danube delta hosts over 300 species of birds as well as 45 freshwater fish species in its numerous lakes and marshes.The 580,000 hectare delta is home to massive amounts of waterbirds of all kinds, most notably pelicans of two species, herons, storks, cormorants and terns. It is a favourite staging area for passage migrants and also wintering grounds for masses of migrating waterbirds from the steppes, the boreal forests and the tundras further north.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ma306@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[305]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/422">
    <dcterms:title><![CDATA[Retezat Mountains]]></dcterms:title>
    <dcterms:description><![CDATA[The Retezat Mountains (Romanian: Munții Retezat, Hungarian: Retyezát-hegység) are one of the highest massifs in Romania, being part of the Southern Carpathians. The highest peak is Peleaga (Vârful Peleaga), at an altitude of 2,509 metres (8,232 ft). Other important peaks are Păpușa (Vârful Păpușa, "the Doll Peak") and Retezat Peak (Vârful Retezat). The name means "cut off" in Romanian.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/18/2021 12:28:50 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ma306@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,45.30750875758899,22.794183462958877;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/423">
    <dcterms:title><![CDATA[Retezat Mountains]]></dcterms:title>
    <dcterms:description><![CDATA[The Retezat Mountains (Romanian: Munții Retezat, Hungarian: Retyezát-hegység) are one of the highest massifs in Romania, being part of the Southern Carpathians. The highest peak is Peleaga (Vârful Peleaga), at an altitude of 2,509 metres (8,232 ft). Other important peaks are Păpușa (Vârful Păpușa, "the Doll Peak") and Retezat Peak (Vârful Retezat). The name means "cut off" in Romanian.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ma306@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[306]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,45.31666584983693,22.776430703498242;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/424">
    <dcterms:title><![CDATA[xitang.jpg]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:dateSubmitted><![CDATA[05/18/2021 12:34:02 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Yuhui Hou]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,30.971720,120.640810;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/425">
    <dcterms:title><![CDATA[xitang-1.jpg]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[Yuhui Hou]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,30.97172,120.64081;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/426">
    <dcterms:title><![CDATA[ Xitang]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The ancient town Xitang is located in Jiashan County, Jiaxing City, Zhejiang Province, 11 kilometers away from the county seat of Jiashan. It is one of the six ancient towns south of the Yangtze River.Take the train from Shanghai to Jiashan after getting off, take the minibus to Xitang 3.5 yuan.Xitang is an ancient town with a history of one thousand years.As early as the Spring and Autumn Period and the Warring States Period, it was the intersecting place of Wu and Yue, so it was known as "Yue Jiao" and "Yue Jiao People's House".The Yuan Dynasty initially formed the market.The biggest difference between Xitang and other ancient water towns lies in the fact that all the riverside streets in the ancient town have corridors-nearly a kilometer in length, just like the long corridors-in the Summer Palace.Traveling in Xitang, you don't get wet in rainy days, and you don't get sunburnt in sunny days.]]></dcterms:description>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/05/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/18/2021 12:42:17 am]]></dcterms:>
    <dcterms:contributor><![CDATA[Yuhui Hou]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[307]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,30.97172,120.64081;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/427">
    <dcterms:title><![CDATA[Carcassonne Castle]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/18/2021 12:55:17 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[CharlesDBR]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/428">
    <dcterms:title><![CDATA[The Pyrenees]]></dcterms:title>
    <dcterms:description><![CDATA[The Pyrenees mountains in the south of France are one of the most beautiful and understated regions on the planet. From when they are covered in snow in the winter to when there are only small patches in the autumn these mountains delight all those who see them. The Pyrenees have succeeded in keeping a low profile compared to the Alps, the majority of the Pyrenees fall within national park limits, the home of over 50 brown bears, bearded vultures, lynxs, wolves and over 4000 other fascinating species. Pollution remains low, technological advancement lags behind the rest of Europe, and the culture is vibrant and joy inducing.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cd255@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[308]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,42.78607873040044,1.0750293731689455;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/429">
    <dcterms:title><![CDATA[Snowy Pyrenees]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/18/2021 05:56:31 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cd255@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/430">
    <dcterms:title><![CDATA[Changi War Museum]]></dcterms:title>
    <dcterms:description><![CDATA[This museum is a hugely important and informative museum documenting the happenings of the second world war in Singapore. It is built on the site of a Japanese prison during the Japanese occupation of Singapore. The history the museum imparts is truly both heart-breaking and fascinating as Singapore’s involvement as a British colony in the war is rarely mentioned or taught in Europe. Many Europeans and Americans as well as Singaporeans have ancestors who were in Singapore at the time, and a museum of such quality and intensity should be visited by all.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cd255@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[309]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,1.362136124898464,103.97396698594095;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/431">
    <dcterms:title><![CDATA[Changi Museum]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/18/2021 06:25:47 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cd255@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/432">
    <dcterms:title><![CDATA[Volubilis Satellite View]]></dcterms:title>
    <dcterms:source><![CDATA[isfiveoneonezero]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/18/2021 10:54:57 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pkal]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/433">
    <dcterms:title><![CDATA[Pillars.glb]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[pkal]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[text/plain Alias/WaveFront Object]]></dcterms:format>
    <dcterms:type><![CDATA[3D Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[Upload failed with error: {u'detail': u'Invalid API token'}]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/434">
    <dcterms:title><![CDATA[Giant Wild Goose Pagoda]]></dcterms:title>
    <dcterms:description><![CDATA[The Great Wild Goose Pagoda, also known as the Great Cien Temple Pagoda, is located in the southern suburb of Xi'an, Shaanxi Province, China, and is a masterpiece of Buddhist architecture from the Chinese Tang Dynasty. It is famous for the story of the Tang Monk (Xuan Zang) who came to India to collect the scriptures. Here he presided over the temple, led the translation of Buddhist scriptures and founded a Buddhist sect. It houses a number of Buddhist classics, including the Mahaparinirvana Sutra, as well as various precious Buddha statues and relics. The most famous and magnificent Buddhist temple in Chang'an City of the Tang Dynasty, Ci'en Temple was built by royal decree during the Tang Dynasty, and was a temple built under the auspices of the royal family, with a distinguished status and grand scale.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mc379]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[310]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,34.2192450819805,108.95956163294616;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/435">
    <dcterms:title><![CDATA[Giant Wild Goose Pagoda]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[2013:02:25 11:54:21]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/18/2021 03:25:03 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mc379]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34.219332924929205,108.95950032456314;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/436">
    <dcterms:title><![CDATA[The Toshodaiji Temple ]]></dcterms:title>
    <dcterms:description><![CDATA[It is located in Gojo-cho, Nara City, Nara Prefecture in Japan. The temple was built by the Chinese monk Kanzen in the Tang Dynasty and is known as a temple of Sino-Japanese friendship. It has been listed as a national treasure of Japan, and in 1998, it was listed as a World Heritage Site as part of the "Cultural Heritage of Nara, the ancient capital.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mc379]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[311]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,34.675583,135.784833;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/437">
    <dcterms:title><![CDATA[toshodaiji.jpeg]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/18/2021 03:38:37 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mc379]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34.67535981927972,135.78493630135202;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/438">
    <dcterms:title><![CDATA[The Potala Palace, Lhasa]]></dcterms:title>
    <dcterms:description><![CDATA[The Potala Palace, located on Mount Maburi in Lhasa, the capital of Tibet, is a magnificent fortress-style Tibetan Buddhist complex built in the early 7th century by the Tubo king Songtsen Gampo for his wife, Princess Wencheng from the Tang Dynasty of ancient China.' Potala' is the translation of the Sanskrit word 'potalaka', meaning 'island of light', and is the resident dojo of Bodhisattva Kuan Shi Yin in Buddhism. Potala Palace consists of three parts, the red palace in the center, the east connected to the white palace, the west connected to the Zha Xia, the three through each other. The palace in the plane is made up of many rectangular houses put together, the structure is very complex. The main colors of the palace are red, white and yellow, symbolizing majesty, tranquility and perfection, its color and style have distinctive Tibetan Buddhist characteristics.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[mc379]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[312]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29.65697255629125,91.11718090338401;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/439">
    <dcterms:title><![CDATA[potala_palace.jpeg]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[2013:08:23 08:58:27]]></dcterms:date>
    <dcterms:contributor><![CDATA[lw218]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29.656700176687718,91.11720858069022;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/440">
    <dcterms:title><![CDATA[Chac Mool]]></dcterms:title>
    <dcterms:description><![CDATA[One of the most advisable cenotes to visit is Chac Mool. It is located on Highway 307, also known as Ruta de los Cenotes, just 22 kilometers from Playa del Carmen. After having traveled through a dirt road, youe arrive at the main access of this ecological sanctuary.
In addition to being one of the places of greatest natural attraction in Quintana Roo and in general in the entire Yucatan peninsula, this cenote, whose name in the Mayan language means "Jaguar's Claw" stands out for its wild beauty, its enormous potential for diving and the enigma that emerges from its deep caves. To access this cenote, one of the most popular on the region, you descend a rock staircase.]]></dcterms:description>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/05/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/19/2021 12:17:01 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[kds4]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[313]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,20.512911302313306,-87.24703704401726;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/441">
    <dcterms:title><![CDATA[Suzhou Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Suzhou Museum, which is a marvelous combination of the modern and ancient style of architecture, designed by one of the world's most famous architects, Ieoh Ming Pei. This cultural heritage is precious not only result from those valuable relics preserved in this museum, but also from the impressive architecture itself created by the crystal of human wisdom. Founded in 1960, originally located in the former residence of Zhong Wang, an important general during the Taiping Rebellion. In 2006 the museum moved to its present location.  It is one of the most visited museums in the world, with 2,340,000 visitors in 2018.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/05/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/19/2021 01:14:48 am]]></dcterms:>
    <dcterms:contributor><![CDATA[jz87]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[314]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,31.325245334753088,120.62307000094737;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/442">
    <dcterms:title><![CDATA[Phoenix Hall]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Byodoin Temple was designated as a UNESCO World Heritage as one of the Historic Monuments of Ancient Kyoto in 1994. Being one of the World Heritage sites, the Byodoin Temple buildings and Buddha statues have a long history of about 1000 years. Phoenix Hall is the most famous building of this cultural heritage. It is a combination of paintings, architecture, artifacts, and sculpture that covers the arts and history, the design style still remains the beauty of Mogao Cave to exhibit an art style that originated in Tang Dynasty. Also, in order to commemorate the cultural significance behind this heritage, Japan displays its image on its 10 yen coin, and the 10,000 yen note also features the phoenix image.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[2010:12:12 02:20:35]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[18/05/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/19/2021 12:37:12 am]]></dcterms:>
    <dcterms:contributor><![CDATA[jz87]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[315]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,34.889242168153125,135.80766588487677;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/443">
    <dcterms:title><![CDATA[St Andrews Cathedral]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[In the past, it is regarded as the headquarters of the medieval Scottish Church, as the largest church to have been built in Scotland. The ruin of St Andrews Cathedral survived today and remained as a prominent, remarkable landmark that is still clearly visible from the sea. Visiting this miracle, you might be brought to 1560 to learn how this cathedral could dominate the Scottish religion and get up close to the imposing stories behind these medieval enclosures, relics, sculptures, and so on. This is a marvel by ancient people that the artifact done by our hand and mind could overcome natural invasion and lasts for hundreds of years and even further.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[18/05/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/19/2021 01:23:08 am]]></dcterms:>
    <dcterms:contributor><![CDATA[jz87]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[316]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.339787713056474,-2.7865111821847686;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/444">
    <dcterms:title><![CDATA[Phoenix Hall]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Byodoin Temple was designated as a UNESCO World Heritage as one of the Historic Monuments of Ancient Kyoto in 1994. Being one of the World Heritage sites, the Byodoin Temple buildings and Buddha statues have a long history of about 1000 years. Phoenix Hall is the most famous building of this cultural heritage. It is a combination of paintings, architecture, artifacts, and sculpture that covers the arts and history, the design style still remains the beauty of Mogao Cave to exhibit an art style that originated in Tang Dynasty. Also, in order to commemorate the cultural significance behind this heritage, Japan displays its image on its 10 yen coin, and the 10,000 yen note also features the phoenix image.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[2010:12:12 02:20:35]]></dcterms:date>
    <dcterms:contributor><![CDATA[jz87]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34.8892847036812,135.80759793519636;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/445">
    <dcterms:title><![CDATA[St Andrews Cathedral]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[In the past, it is regarded as the headquarters of the medieval Scottish Church, as the largest church to have been built in Scotland. The ruin of St Andrews Cathedral survived today and remained as a prominent, remarkable landmark that is still clearly visible from the sea. Visiting this miracle, you might be brought to 1560 to learn how this cathedral could dominate the Scottish religion and get up close to the imposing stories behind these medieval enclosures, relics, sculptures, and so on. This is a marvel by ancient people that the artifact done by our hand and mind could overcome natural invasion and lasts for hundreds of years and even further.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[jz87]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.339678195678594,-2.7864485979148412;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/446">
    <dcterms:title><![CDATA[Suzhou Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Suzhou Museum, which is a marvelous combination of the modern and ancient style of architecture, designed by one of the world's most famous architects, Ieoh Ming Pei. This cultural heritage is precious not only result from those valuable relics preserved in this museum, but also from the impressive architecture itself created by the crystal of human wisdom. Founded in 1960, originally located in the former residence of Zhong Wang, an important general during the Taiping Rebellion. In 2006 the museum moved to its present location.  It is one of the most visited museums in the world, with 2,340,000 visitors in 2018.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[jz87]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,31.325327818560588,120.62313795061758;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/447">
    <dcterms:title><![CDATA[Suzhou Museum2]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:dateSubmitted><![CDATA[05/19/2021 01:14:23 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jz87]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,31.325324763715777,1200.6230503320628;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/448">
    <dcterms:title><![CDATA[St Andrews Cathedral]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/19/2021 01:22:35 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jz87]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.33978771305647,-2.7865111821847686;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/449">
    <dcterms:title><![CDATA[Yinshan Rock Carving]]></dcterms:title>
    <dcterms:description><![CDATA[The Yinshan Mountain, located in the western part of Inner Mongolia, was the hub of Chinese northern nomadic culture in history. Not only has it witnessed the rise and fall of different ancient nomadic groups, but it reserved the trace of their living with their petroglyphs created through 10 historical stages. Among 50,000 paintings which have been found so far, the earliest one can be dated back to 10,000 years ago. The long history and rich content made it a valuable source for historical study. However, due to vandalism, natural erosion and a lack of continued protection, a lot of paintings are in peril.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[19/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ysl4]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[317]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.96343757952691,106.80152893066406;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/450">
    <dcterms:title><![CDATA[Yinshan Rock Carving]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/19/2021 09:03:12 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ysl4]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/451">
    <dcterms:title><![CDATA[Yinshan]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[ysl4]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/452">
    <dcterms:title><![CDATA[Chinese Shadow Art (from Wang's Shadow Museum)]]></dcterms:title>
    <dcterms:description><![CDATA[The Shadow puppetry is a form of theatrical performance with over 1000 years of history. The puppets used in performance are made from animal skins. The material is usually semi- transparent and dyed in multiple colours, so they would appear colourful when casted onto the screen. From Tang dynasty to Qing dynasty, the shadow puppetry remains one of the people’s favourite forms of art as it kept reinventing itself to survive. Although it has never disappeared from Chinese people’s life, it has lost the position as the popular way of entertainment nowadays.

As one of the major national intangible heritage, the shadow art has received sufficient funds and support from the government. Dedicated museums such as the Wang’s Shadow Museum has been established. Online performance and master classes are hosted on a regular basis. In 2020, the Google arts and culture started leveraging emergent technologies such as the TensorFlow to enable users to experience the art more interactively using gestures. Digital exhibition has also been curated, drawing people’s attention to the old form of art with creative communication. Videos posted on video-sharing platforms received positive feedbacks, with one being viewed by more than 1 million users.
]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[19/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ysl4]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[318]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,31.575482568363512,105.96955060958864;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/453">
    <dcterms:title><![CDATA[Performing]]></dcterms:title>
    <dcterms:contributor><![CDATA[ysl4]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/454">
    <dcterms:title><![CDATA[Shadow Puppet]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[ysl4]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/455">
    <dcterms:title><![CDATA[Designing]]></dcterms:title>
    <dcterms:contributor><![CDATA[ysl4]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-NonCommercial-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/456">
    <dcterms:title><![CDATA[chaac_mool_cenote.jpg]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/19/2021 12:18:59 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kds4]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/457">
    <dcterms:title><![CDATA[chaac_mool_cenote-1.jpg]]></dcterms:title>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/19/2021 12:24:31 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kds4]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/458">
    <dcterms:title><![CDATA[Chac Mool]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:contributor><![CDATA[kds4]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/459">
    <dcterms:title><![CDATA[Day of the Dead]]></dcterms:title>
    <dcterms:description><![CDATA[The Calaveras Festival is one of the most important attractions in Aguascalientes. Year after year, in late October and early November, the city turns into a colorful celebration of the deceased.

This colorful Festival arises with the aim of rescuing and preserving the traditions of the Day of the Dead and within its festive framework, it pays tribute to one of the plastic artists with worldwide recognition: José Guadalupe Posada, illustrious engraver and draftsman born in Aguascalientes. Posada is the creator of the "Calavera Garbancera" - which Diego Rivera would later name "La Catrina" -, a figure that adorns this festival and is a symbol of the festive tradition of death in Mexico.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[19/05/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/21/2021 05:48:20 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[kds4]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[319]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,21.880691115911,-102.29598426871236;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/460">
    <dcterms:title><![CDATA[Day of the Dead Festival]]></dcterms:title>
    <dcterms:contributor><![CDATA[kds4]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/461">
    <dcterms:title><![CDATA[Humberstone]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:date><![CDATA[2009:02:13 19:21:50]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/19/2021 03:53:48 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jcbo1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,-20.209035,-69.795849;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/462">
    <dcterms:title><![CDATA[Humberstone and Santa Laura Saltpeter Works]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Santiago Humberstone and Santa Laura are two old Saltpeter Works administered by the Corporation Museo del Salitre and declared National Monuments and Cultural Heritage of Humanity. They are located in Pozo Almonte, Tarapacá Region, in Chile.

Located 48.1 kilometers east of Iquique city, they are national monuments and, since July 17, 2005, they have been UNESCO World Heritage Sites. Both Saltpeter Works, although originally operated separately, are nowadays the main reflection of the period of splendor and contrasts that the region experienced between the end of the 19th century and the beginning of the 20th century. Santa Laura, in its best period, had a population of 425 inhabitants, while Humberstone surpassed 3700 inhabitants.

Both Saltpeter Works had theaters, churches, swimming pools, tennis courts, small houses, medical clinics, and bars that guaranteed a “normal” life for the workers and their families beyond the factory.]]></dcterms:description>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[19th Century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[19/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jcbo1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[320]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-20.209035,-69.795849;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/463">
    <dcterms:title><![CDATA[AhuTongariki15Moais]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[November 12, 2016]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/19/2021 04:28:17 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jcbo1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,-27.12595935,-109.349576422058;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/464">
    <dcterms:title><![CDATA[Rapa Nui National Park]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Much has been written about what is considered "the most island island", due to its remote location in the Pacific Ocean. The gigantic volcanic stone statues, known as moai, the still undeciphered writing of the Rongo Rongo symbols, and the history of some inhabitants who were about to disappear, have originated the myth of Easter Island.

The island was discovered on Easter Sunday in 1722, and taken over by Chile in 1888. Its fame and World Heritage status arise from the 887 extant stone statues known by the name "moai", whose creation is attributed to the early Rapa Nui people who inhabited the island around 300 AD. The moai in the park are of varying height from 2 to 20 meters (6 to 65 ft). The volcanic rock formations quarried for sculpting are a distinctive yellow-brown volcanic tuff found only at the Ranu Raraku on the southeast side of the island. Some of the moai were also carved from red scoria. The ceremonial shrines where they are erected for offering worship are known as "ahu". Of impressive size and form, they are normally built close to the coast and parallel to it.]]></dcterms:description>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[19/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jcbo1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[321]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-27.12595935,-109.349576422058;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/465">
    <dcterms:title><![CDATA[Valparaiso]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:dateSubmitted><![CDATA[05/19/2021 05:55:10 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jcbo1]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,-33.045559,-71.619423;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/466">
    <dcterms:title><![CDATA[Valpara&iacute;so]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Valparaíso is a port city on the coast of Chile. It is known for its towering funiculars and its colorful houses on cliffs. La Sebastiana, which used to be the flamboyant home of Chilean Nobel Prize poet Pablo Neruda, now functions as a museum and offers expansive views of the Pacific. During the 19th century, a large influx of European immigrants left their mark on the city's architecture and cultural institutions. Most of these buildings are around Plaza Sotomayor, located in the center of the city.

Due to its architectural wealth developed mainly at the end of the 19th century, 6 in 2003 its historic center was declared a World Heritage Site by Unesco. Many of the neighboring sectors of the port are inaccessible by means of collective transport and the funicular lifts fulfill the task of connecting the upper part of the city with the plan, in addition to being tourist references. The first, which was powered by steam, was built on Cerro Concepción in 1883 and on Cerro Cordillera, in 1887.]]></dcterms:description>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[1536]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[19/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jcbo1]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[322]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-33.045559,-71.619423;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/467">
    <dcterms:title><![CDATA[Burns Cottage]]></dcterms:title>
    <dcterms:description><![CDATA[TEST ]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[19/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pm244]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[323]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.432799900980875,-4.633920192281949;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/468">
    <dcterms:title><![CDATA[Robert Burns Birthplace Museum]]></dcterms:title>
    <dcterms:description><![CDATA[Robert Burns - born in Alloway, Ayrshire, Scotland in 1759 - is considered the national poet of Scotland and was voted "The Greatest Scot" of all time in 2009. The small, traditional cottage he was born and raised in is an important landmark for the village of Alloway and is visited by many fans and admirers of Burns. The cottage museum contains over 5,000 Burns artefacts including his handwritten manuscripts. Tourists can walk in the footsteps of the great poet, celebrate his legacy, and eat traditional Scottish food such as haggis, neeps and tatties in the museum café. Using the cottage museum as a base point, visitors can explore throughout the village of Alloway and view important village landmarks in the life of Burns along the way. ]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[19/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pm244]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[324]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.4328191771637,-4.633873701204721;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/469">
    <dcterms:title><![CDATA[Volubilis, Morocco]]></dcterms:title>
    <dcterms:description><![CDATA[Volubilis is an ancient archaeological site in Morocco and a UNESCO World Heritage site. It is one of the largest and most important sites in Morocco as it’s ruins date back to 3BC and were inhabited for over ten centuries. According to World Monuments Fund, the city was extremely wealthy due to its production of agricultural products such as grain and olive oil. However, the Romans who occupied it abandoned a portion of Volubilis in 285. It was then inhabited by the founder of Fez, Idris I, who was the first Islamic ruler in Morocco. This helped Volubilis gain momentum and reach the potential it once had. Not long after, it was abandoned again and has been managed by various archaeologists since.
About two decades ago, the World Monuments Fund offered financial assistance through the Robert W. Wilson Challenge Program to establish a database to consolidate all available research into a multilingual, multimedia archive. Conservation initiatives have been conducted with a view of focusing on main elements such as mosaics.
A monitoring process to examine soil conditions, activity and relative humidity levels has been developed. An architectural survey was carried out and photographed by students at the National Institute of Archaeology and Heritage of Morocco.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[19/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pkal]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[325]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,34.072779989162186,-5.554230585694314;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/470">
    <dcterms:title><![CDATA[coverimage2-2.jpeg]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/19/2021 11:48:26 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pkal]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/471">
    <dcterms:title><![CDATA[Reconstruction of 3,000-year-old Ceramic Lion]]></dcterms:title>
    <dcterms:description><![CDATA[The Semitic Museum at Harvard University used 3D printers and 3D scanning technology to reconstruct a ceramic lion that was shattered around 3,000 years ago when Assyrians destroyed Nuzi, an ancient Mesopotamian city situated in modern Iraq.
The Harvard team shot sculpture fragments from hundreds of angles to create 3D reproductions of each artefact, then combined them to shape a partially complete 3D image of the original artefact. The process is known as "photogrammetry" which is a photo modelling technique commonly used to create 3D reproductions of buildings, artefacts and objects. This technique is particularly useful to the digital preservation of cultural heritage as historical sites and artefacts are often damaged. The digital version was assessed and compared to scanned versions of complete artefacts found in the same environment. Any holes were identified, and absent fragments and support systems were meticulously fabricated from 3D prints and CNC carved foam. The images show the complete lion and fragments of the Nuzi lion during the photo modelling process.
]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[19/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pkal]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[326]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,36.67557848857605,43.010787963867195;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/472">
    <dcterms:title><![CDATA[Reconstruction of 3,000-year-old Ceramic Lion]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/19/2021 11:51:08 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pkal]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/473">
    <dcterms:title><![CDATA[Lights Show in Rome]]></dcterms:title>
    <dcterms:description><![CDATA[An increasing amount of tourist attractions in Rome are using multiple methods of digital preservation and promotion. The excavated spaces now contain modern technology including high-resolution projectors which supplement the existing remains with meticulously precise light displays that highlight interesting features that are long gone. This has outlined and restored significant missing details of buildings, paintings, mosaics and frescoes as reported in the Apollo Magazine.
Amongst the tourist attractions, the ruins of ancient Roman houses discovered under Palazzo Valentini have been publicly exhibited, contributing to Rome's extremely extensive historical and cultural legacy. As stated on the Palazzo Valentini website, a team of art historians, archaeologists, and architects from the Provincial Administration, collaborated on a project to study, preserve, and publicly display these excavations. Glimmering
lights fill the marble bathtub of the ancient home in the cellar, bringing light and vibrant colours back to what was, until recently, a gloomy underground environment. The history of "Domus" has been recreated by an expert team of specialists using interactive replications and reconstructions, graphics, and video clips projected onto old buildings that once belonged to rich families. Various elaborate mosaics, wall decorations, relics, paving stones, and other items were included in the houses.
Other sites use VR and AR reconstructions which immerse the viewer in a constructed 3D model of the existing ruin using headsets. To provide the feeling of complete immersion in the 3D reconstruction, a couple of stereoscopic screens and motion sensors are used to map and refresh the view to create a seamless experience. The digital restoration of Trajan's column allows visitors to look closely at bas-reliefs which explain the history of Trajan's military campaign: the liberation of Dacia, now in Romania.
This is a perfect example of how cultural heritage can be regenerated and transformed by careful and intentional digital preservation and promotion to enrich and educate all visitors through modern methods.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[19/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pkal]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[327]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.893843994902234,12.48476028442383;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/474">
    <dcterms:title><![CDATA[lightsshow.jpeg]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/19/2021 11:55:49 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pkal]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/475">
    <dcterms:title><![CDATA[Robert Burns Birthplace Museum]]></dcterms:title>
    <dcterms:date><![CDATA[2018:02:23 01:21:27]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/20/2021 12:01:09 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pm244]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://en.wikipedia.org/wiki/Burns_Cottage]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,55.432743333333335,-4.6332933333333335;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/476">
    <dcterms:title><![CDATA[Geylang township, Singapore]]></dcterms:title>
    <dcterms:description><![CDATA[
Geylang is a township and planning region in the tiny Asian island state of Singapore. Geylang as a place is a contradiction because it represents many of the quintessential things which makes Singapore Sinagpore. However, it also represents things which are totally at odds with most people’s perception of Singapore. For example, it is home to one of the earliest Malay settlements on the island; Geylang Serai. Malay, Indian, and Chinese entrepreneurs set up business here in the 19th century, and the area today is famous for its excellent food and wonderfully preserved traditional ‘shophouse’ architecture. Therefore, it is important historically and reflects the ethnic diversity of the current population. However, it is also a red-light district and considered to be one of the seediest areas of the otherwise sterile state. 
]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[20/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pm244]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[328]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,1.3129372580569554,103.88778805754558;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/477">
    <dcterms:title><![CDATA[Geylang_Road_Shophouses.jpg]]></dcterms:title>
    <dcterms:date><![CDATA[2006:08:20 01:21:08]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/20/2021 12:22:14 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pm244]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/478">
    <dcterms:title><![CDATA[Geylang Road Shophouses]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[2006:08:20 01:21:08]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/20/2021 12:38:00 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pm244]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Geylang_Road_Shophouses.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/479">
    <dcterms:title><![CDATA[The Roman Baths of Bath]]></dcterms:title>
    <dcterms:description><![CDATA[The Roman Baths - which gives name to the city of Bath, Somerset, England - are an architectural marvel and one of the most well-preserved ‘thermae’ outside of Rome. A ‘thermae’ is an ancient Roman Bath house, and the one found in the city of Bath was built by the rulers of Roman Britain sometime during the first century. The baths reflect the, at times tremulous, history of the island, as the original baths were left in ruins when the Roman Empire collapsed in the 5th century. However, they would go on to be redeveloped several times in the Middle Ages, which reflects the resurgence of interest in the classic world that was developing throughout Europe during this time period. ]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[20/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pm244]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[329]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,51.38100878089556,-2.35960721882293;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/480">
    <dcterms:title><![CDATA[1034px-Roman_Baths_in_Bath_Spa__England_-_July_2006.jpg]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/20/2021 01:00:50 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pm244]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://upload.wikimedia.org/wikipedia/commons/0/08/Roman_Baths_in_Bath_Spa%2C_England_-_July_2006.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/481">
    <dcterms:title><![CDATA[Geylang township, Singapore]]></dcterms:title>
    <dcterms:description><![CDATA[Geylang is a township and planning region in the tiny Asian island state of Singapore. Geylang as a place is a contradiction because it represents many of the quintessential things which makes Singapore Sinagpore. However, it also represents things which are totally at odds with most people’s perception of Singapore. For example, it is home to one of the earliest Malay settlements on the island; Geylang Serai. Malay, Indian, and Chinese entrepreneurs set up business here in the 19th century, and the area today is famous for its excellent food and wonderfully preserved traditional ‘shophouse’ architecture. Therefore, it is important historically and reflects the ethnic diversity of the current population. However, it is also a red-light district and considered to be one of the seediest areas of the otherwise sterile state. ]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[20/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pm244]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[330]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,1.3178998249499785,103.88740539550783;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/482">
    <dcterms:title><![CDATA[Geylang township, Singapore]]></dcterms:title>
    <dcterms:description><![CDATA[Geylang is a township and planning region in the tiny Asian island state of Singapore. Geylang as a place is a contradiction because it represents many of the quintessential things which makes Singapore Sinagpore. However, it also represents things which are totally at odds with most people’s perception of Singapore. For example, it is home to one of the earliest Malay settlements on the island; Geylang Serai. Malay, Indian, and Chinese entrepreneurs set up business here in the 19th century, and the area today is famous for its excellent food and wonderfully preserved traditional ‘shophouse’ architecture. Therefore, it is important historically and reflects the ethnic diversity of the current population. However, it is also a red-light district and considered to be one of the seediest areas of the otherwise sterile state. ]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[20/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pm244]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[331]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,1.3178998249499785,103.88740539550783;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/483">
    <dcterms:title><![CDATA[Geylang_Road_Shophouses-2.jpg]]></dcterms:title>
    <dcterms:date><![CDATA[2006:08:20 01:21:08]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/20/2021 01:04:32 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pm244]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/484">
    <dcterms:title><![CDATA[Zhangjiajie National Forest Park]]></dcterms:title>
    <dcterms:description><![CDATA[Zhangjiajie National Forest Park is a national forest park located in Zhangjiajie, Hunan Province, China. It is one of several national parks within the Wulingyuan Scenic Area. Wulingyuan's unique quartz sandstone peaks are rare at home and abroad and are known as the "Three Thousand Strange Peaks". In the core scenic area of 217.2 square kilometres, there are 3103 quartz sandstone peaks, which are distributed between 500 and 1100 metres above sea level, ranging from a few tens of metres to 400 metres in height. The peaks are shaped like people, gods, immortals, birds, beasts and things, with many variations, and these abrupt rocky peaks and rocks stretch for thousands of hectares. Whenever the weather is clear or rainy, the valley is filled with clouds and mist, and the sea of clouds is sometimes thick and sometimes light, with the rocky peaks appearing and disappearing.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[20/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cy36]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[332]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,29°07′01″N, 110°28′44″E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/485">
    <dcterms:title><![CDATA[Zhangjiajie National Forest Park]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/20/2021 01:13:33 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cy36]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/486">
    <dcterms:title><![CDATA[-1.xml]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/20/2021 01:14:48 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[cy36]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/487">
    <dcterms:title><![CDATA[Geylang township, Singapore]]></dcterms:title>
    <dcterms:description><![CDATA[Geylang is a township and planning region in the tiny Asian island state of Singapore. Geylang as a place is a contradiction because it represents many of the quintessential things which makes Singapore Sinagpore. However, it also represents things which are totally at odds with most people’s perception of Singapore. For example, it is home to one of the earliest Malay settlements on the island; Geylang Serai. Malay, Indian, and Chinese entrepreneurs set up business here in the 19th century, and the area today is famous for its excellent food and wonderfully preserved traditional ‘shophouse’ architecture. Therefore, it is important historically and reflects the ethnic diversity of the current population. However, it is also a red-light district and considered to be one of the seediest areas of the otherwise sterile state. ]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[20/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pm244]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[333]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,1.3176710019032403,103.88780593522826;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/488">
    <dcterms:title><![CDATA[The Forbidden City ]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[The Forbidden City]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/20/2021 10:09:29 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yl241@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,39.915671457895236,116.39076726438363;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/489">
    <dcterms:title><![CDATA[Zhangjiajie National Forest Park]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/20/2021 10:21:36 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[missyicong@gmail.com]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29°07′01″N, 110°28′44″E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/490">
    <dcterms:title><![CDATA[The chime bells of Marquis Yi of Zeng]]></dcterms:title>
    <dcterms:contributor><![CDATA[ww52]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/491">
    <dcterms:title><![CDATA[The chime bells of Marquis Yi of Zeng]]></dcterms:title>
    <dcterms:description><![CDATA[Bianzhong (pronounced [pi̯ɛ́n t͡ʂʊ́ŋ]) is an ancient Chinese musical instrument consisting of a set of bronze bells, played melodically. China is the earliest country to manufacture and use musical chimes. They are also called Chime Bells.[1] These sets of chime bells were used as polyphonic musical instruments and some of these bells have been dated at between 2,000 to 3,600 years old. They were hung in a wooden frame and struck with a mallet. Using a wooden hammer and a rod to beat the bronze bell can make different pitch. Along with the stone chimes called bianqing, they were an important instrument in China's ritual and court music going back to ancient times.
The chime bells of Marquis Yi of Zeng are the most numerous, the largest, the best preserved, the most complete and the widest musical instruments in the ancient chime bells discovered so far. It proves that in the spring and Autumn period and the Warring States period (5th century BC), China already had the concept of seven sound scales and absolute pitch, indicating that the culture and technology of the Zhou Dynasty had reached a very high level.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[20/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ww52]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[334]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,30.564124734707374,114.35899091418834;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/492">
    <dcterms:title><![CDATA[Zhangjiajie National Forest Park]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/20/2021 10:23:44 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[missyicong@gmail.com]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,29°07′01″N, 110°28′44″E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/493">
    <dcterms:title><![CDATA[Fujian tulou]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Fujian Tulou consist of 46 ancient buildings scattered in Fujian and Guangzhou Province of China. Tulou is a particular circle or triangle shape building that originated from the Song and Yuan dynasty. It was developed and fully built during the Ming and the republic of China period. The oldest Tulou is over 600 years old, and the youngest Tulou is only 30 years since it built. In Chinese, "Tu" means soil, and "Lou" means building. The material of Tulou is based on stone and soil-applied with bamboo woods. Ancient people built it around the rice field and tea field. The usage of Tulou is as a dwelling house, for a single Tulou will allow around 800 residents to live in. Besides, it is also acting as a protection mechanism from the bandits. The solid walls and the circle shape without too many windows outside will perfectly protect residents from the bullets attack. Now Tulou is still a  life circle for the local residents, the culture and the tradition inside of Tulou are still alive.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[15th century]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[20/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ls306@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://whc.unesco.org/en/list/1113/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[UNESCO]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[335]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,24.710586949563297,117.41324618216939;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/494">
    <dcterms:title><![CDATA[ 祈年殿 the Hall of Prayer for Good Harvest]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:date><![CDATA[2018:01:18 11:43:37]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/20/2021 10:30:08 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yl241@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,39.879312808069955,116.40469551086427;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/495">
    <dcterms:title><![CDATA[THE]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[20/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yl241@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[336]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/496">
    <dcterms:title><![CDATA[Image of Fujian Tulou]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Image of Fujian Tulou]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[05/20/2021 10:39:51 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ls306@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:medium><![CDATA[https://www.google.com/maps/place/%E4%B8%AD%E5%9B%BD%E7%A6%8F%E5%BB%BA%E7%9C%81%E6%BC%B3%E5%B7%9E%E5%B8%82%E5%8D%97%E9%9D%96%E5%8E%BF%E5%9C%9F%E6%A5%BC/@24.708834,117.413418,3a,75y/data=!3m8!1e2!3m6!1sAF1QipP0Iw10LShgXSWHRUetdxnOR93fZBOGWubU8oAG!2e10!3e12!6shttps:%2F%2Flh5.googleusercontent.com%2Fp%2FAF1QipP0Iw10LShgXSWHRUetdxnOR93fZBOGWubU8oAG%3Dw111-h86-k-no!7i960!8i742!4m13!1m7!3m6!1s0x341411adcb8a8461:0xef5875d7d2637ea4!2z5Lit5Zu956aP5bu655yB5ryz5bee5biC5Y2X6Z2W5Y6_5Zyf5qW8!3b1!8m2!3d24.708834!4d117.413418!3m4!1s0x341411adcb8a8461:0xef5875d7d2637ea4!8m2!3d24.708834!4d117.413418]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,24,117;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/497">
    <dcterms:title><![CDATA[The Temple of heaven]]></dcterms:title>
    <dcterms:description><![CDATA[The temple of heaven is the place for emperors of Ming and Qing Dynasties to "worship heaven" and "pray for Valley", which is located in the east of Zhengyang gate. The altar is round in the north and square in the south, implying that "the sky is round and the place is square". The whole altar is divided into two parts, the inner altar and the outer altar, with a total area of 273 hectares.
The temple of heaven was first built in 1420, the 18th year of Yongle in Ming Dynasty. It was added and rebuilt by Jiajing in Ming Dynasty and Qianlong in Qing Dynasty. After the founding of new China, the state invested a lot of money in the protection and maintenance of the temple of heaven. With its profound cultural connotation and magnificent architectural style, the temple of heaven has become a portrayal of the ancient oriental civilization.
The temple of heaven is a collection of architectural skills of the Ming and Qing Dynasties. It is a treasure of ancient Chinese architecture and the world's largest architectural complex for worshiping heaven. In 1998, it was recognized as "world cultural heritage" by UNESCO.]]></dcterms:description>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer,the temple of heaven,the temple of heaven]]></dcterms:source>
    <dcterms:date><![CDATA[1420]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[20/05/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/21/2021 07:09:57 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[yl241@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[http://www.tiantanpark.com/]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[http://www.tiantanpark.com/contents/6/4076.html]]></dcterms:medium>
    <dcterms:language><![CDATA[chinese]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[337]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.879720884550395,116.40268296876458;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/498">
    <dcterms:title><![CDATA[the Temple of heaven - the Hall of Prayer for Good Harvest]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[the vedio of the Hall of Prayer for Good Harvest，the temple of heaven]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[05/20/2021 11:38:14 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yl241@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[video/mp4]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,39.87977386983169,116.40269994735719;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/499">
    <dcterms:title><![CDATA[ditan.jpeg]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Ditan, also known as Fangze altar, is the second largest of the five altars in the ancient capital of Beijing. It was built in the ninth year of Jiajing (1530 A.D.) in the Ming Dynasty. It is located on the east side of Andingmen gate, corresponding to the temple of heaven, and across the river from Yonghe palace, Confucius Temple and Guozijian. Ditan is a solemn, simple and elegant royal temple. It is the place where the emperors of Ming and Qing Dynasties worship the God "huangdizhi". It is also the largest existing altar in China. With a total area of 37.4 hectares, the altar is square in shape. The whole building is simple, dignified and unique. From the whole to the part, it is designed in accordance with the traditions and symbolic legends of ancient China, such as "round sky and place", "green sky and yellow earth", "south and north sky", "dragon and phoenix" and "heaven and earth". There are many ancient buildings in Ditan, such as fangzetan, huangzhishi, Zaishu Pavilion, zhaigong, shenku and so on.]]></dcterms:description>
    <dcterms:source><![CDATA[ditan park]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/20/2021 12:08:19 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yl241@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://image.baidu.com/search/detail?ct=503316480&z=9&ipn=d&word=%E5%9C%B0%E5%9D%9B%E5%85%AC%E5%9B%AD&step_word=&hs=0&pn=89&spn=0&di=3190&pi=0&rn=1&tn=baiduimagedetail&is=0%2C0&istype=0&ie=utf-8&oe=utf-8&in=&cl=2&lm=-1&st=undefined&cs=3213613756%2C1062259013&os=449585583%2C2487646817&simid=4130710736%2C697115003&adpicid=0&lpn=0&ln=1867&fr=&fmq=1621508309900_R&fm=&ic=undefined&s=undefined&hd=undefined&latest=undefined&copyright=undefined&se=&sme=&tab=0&width=0&height=0&face=undefined&ist=&jit=&cg=&bdtype=0&oriquery=&objurl=https%3A%2F%2Fgimg2.baidu.com%2Fimage_search%2Fsrc%3Dhttp%3A%2F%2Fattach.bbs.miui.com%2Fforum%2F201802%2F26%2F183205xwvu86e3b543asvc.jpg%26refer%3Dhttp%3A%2F%2Fattach.bbs.miui.com%26app%3D2002%26size%3Df9999%2C10000%26q%3Da80%26n%3D0%26g%3D0n%26fmt%3Djpeg%3Fsec%3D1624100400%26t%3D40aa8a1e66f35048d44f24ca114e828c&fromurl=ippr_z2C%24qAzdH3FAzdH3Fj4kj1_z%26e3Bkkf_z%26e3B4t7t_z%26e3Bv54AzdH3Fpi6jw1-8dbmdlda-8-8_z%26e3Bip4s&gsm=5a&rpstart=0&rpnum=0&islist=&querylist=&force=undefined]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,39.95308439569941,116.40889732814686;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/500">
    <dcterms:title><![CDATA[Ditan Park]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Ditan, also known as Fangze altar, is the second largest of the five altars in the ancient capital of Beijing. It was built in the ninth year of Jiajing (1530 A.D.) in the Ming Dynasty. It is located on the east side of Andingmen gate, corresponding to the temple of heaven, and across the river from Yonghe palace, Confucius Temple and Guozijian. Ditan is a solemn, simple and elegant royal temple. It is the place where the emperors of Ming and Qing Dynasties worship the God "huangdizhi". It is also the largest existing altar in China. With a total area of 37.4 hectares, the altar is square in shape. The whole building is simple, dignified and unique. From the whole to the part, it is designed in accordance with the traditions and symbolic legends of ancient China, such as "round sky and place", "green sky and yellow earth", "south and north sky", "dragon and phoenix" and "heaven and earth". There are many ancient buildings in Ditan, such as fangzetan, huangzhishi, Zaishu Pavilion, zhaigong, shenku and so on.]]></dcterms:description>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer,ditan park]]></dcterms:source>
    <dcterms:date><![CDATA[1530]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[20/05/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/21/2021 07:03:10 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[yl241@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[338]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.95310179174879,116.40896797383905;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/501">
    <dcterms:title><![CDATA[Yungang Grottoes]]></dcterms:title>
    <dcterms:description><![CDATA[Yungang Grottoes is located at the southern foot of Wuzhou Mountain, about 16 kilometers west of Datong City, Shanxi Province, China. With a history of 1,500 years, Yungang Grottoes is the first Buddhist art treasure house carved by a nation and a dynasty into an imperial style after Buddhism art was spread to China. It is a historical monument of the integration of Chinese and Western cultures in the 5th century. The Yungang Grottoes were inscribed on the World Cultural Heritage List by the United Nations in 2001.
The Yungang Grottoes were built between the 2nd year of Xing 'an (453) and the 19th year of Taihe (495) of the Northern Wei Dynasty, and were the first large-scale grottoes in China to be excavated under the leadership of an imperial dignitary. The grottoes are excavated from the mountain. There are more than 1,100 Buddhas and more than 51,000 Buddhas, the largest of which is 17 meters high and the smallest of which is only 2 centimeters high. It represents the great achievements of Buddhist art in China during the 5th and 6th centuries. It was the first peak of the development history of Chinese Buddhist art.]]></dcterms:description>
    <dcterms:source><![CDATA[isfiveoneonezero]]></dcterms:source>
    <dcterms:date><![CDATA[2010:11:11 21:10:23]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/20/2021 12:38:44 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zh44]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40 06 35,113 07 20;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/502">
    <dcterms:title><![CDATA[Yungang Grottoes]]></dcterms:title>
    <dcterms:description><![CDATA[Yungang Grottoes is located at the southern foot of Wuzhou Mountain, about 16 kilometers west of Datong City, Shanxi Province, China. With a history of 1,500 years, Yungang Grottoes is the first Buddhist art treasure house carved by a nation and a dynasty into an imperial style after Buddhism art was spread to China. It is a historical monument of the integration of Chinese and Western cultures in the 5th century. The Yungang Grottoes were inscribed on the World Cultural Heritage List by the United Nations in 2001.
The Yungang Grottoes were built between the 2nd year of Xing 'an (453) and the 19th year of Taihe (495) of the Northern Wei Dynasty, and were the first large-scale grottoes in China to be excavated under the leadership of an imperial dignitary. The grottoes are excavated from the mountain. There are more than 1,100 Buddhas and more than 51,000 Buddhas, the largest of which is 17 meters high and the smallest of which is only 2 centimeters high. It represents the great achievements of Buddhist art in China during the 5th and 6th centuries. It was the first peak of the development history of Chinese Buddhist art.]]></dcterms:description>
    <dcterms:source><![CDATA[isfiveoneonezero]]></dcterms:source>
    <dcterms:date><![CDATA[2010:11:11 21:10:23]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/20/2021 12:38:52 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zh44]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40 06 35,113 07 20;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/503">
    <dcterms:title><![CDATA[Yungang Grottoes]]></dcterms:title>
    <dcterms:description><![CDATA[Yungang Grottoes is located at the southern foot of Wuzhou Mountain, about 16 kilometers west of Datong City, Shanxi Province, China. With a history of 1,500 years, Yungang Grottoes is the first Buddhist art treasure house carved by a nation and a dynasty into an imperial style after Buddhism art was spread to China. It is a historical monument of the integration of Chinese and Western cultures in the 5th century. The Yungang Grottoes were inscribed on the World Cultural Heritage List by the United Nations in 2001.
The Yungang Grottoes were built between the 2nd year of Xing 'an (453) and the 19th year of Taihe (495) of the Northern Wei Dynasty, and were the first large-scale grottoes in China to be excavated under the leadership of an imperial dignitary. The grottoes are excavated from the mountain. There are more than 1,100 Buddhas and more than 51,000 Buddhas, the largest of which is 17 meters high and the smallest of which is only 2 centimeters high. It represents the great achievements of Buddhist art in China during the 5th and 6th centuries. It was the first peak of the development history of Chinese Buddhist art.]]></dcterms:description>
    <dcterms:source><![CDATA[isfiveoneonezero]]></dcterms:source>
    <dcterms:date><![CDATA[2010:11:11 21:10:23]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/20/2021 12:38:56 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zh44]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40 06 35,113 07 20;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/504">
    <dcterms:title><![CDATA[Ritan Park]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer,ritan park]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/20/2021 01:33:13 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yl241@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[origin,39.914163626779455,116.43738627433778;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/505">
    <dcterms:title><![CDATA[Kumbum Monastery]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/20/2021 01:35:26 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ww52]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/506">
    <dcterms:title><![CDATA[Kumbum Monastery]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/20/2021 01:35:30 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ww52]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/507">
    <dcterms:title><![CDATA[Ritan Park]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Ritan Park, also known as ‘chaoritan’, is located in the southeast of Chaoyang Gate in Beijing. It is the place where the emperors of Ming and Qing Dynasties offered sacrifices to the sun, the God of Ming Dynasty. It was originally built by Xiao Yingdi of the royal guards of Ming Dynasty in 1530. To the west of the altar, a square platform is made of white stone. The surface of the altar is red glazed in the Ming Dynasty to symbolize the sun. Due to its use and history, Ritan Park is an indispensable part of China's cultural heritage.]]></dcterms:description>
    <dcterms:source><![CDATA[isfiveoneonezero,worldheritagelayer,ritan park]]></dcterms:source>
    <dcterms:date><![CDATA[1530]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[20/05/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/21/2021 07:02:11 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[yl241@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://baike.baidu.com/item/%E6%97%A5%E5%9D%9B%E5%85%AC%E5%9B%AD/8617015?fr=aladdin]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://baike.baidu.com/item/%E6%97%A5%E5%9D%9B%E5%85%AC%E5%9B%AD/8617015?fr=aladdin]]></dcterms:medium>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[339]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,39.91414716860219,116.43737554550172;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/508">
    <dcterms:title><![CDATA[Butter Sculpture]]></dcterms:title>
    <dcterms:contributor><![CDATA[ww52]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/509">
    <dcterms:title><![CDATA[Mural]]></dcterms:title>
    <dcterms:contributor><![CDATA[ww52]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/510">
    <dcterms:title><![CDATA[Pile Embroidery]]></dcterms:title>
    <dcterms:contributor><![CDATA[ww52]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/511">
    <dcterms:title><![CDATA[Kumbum Monastery]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Intangible Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[Kumbum Monastery is also called Ta'er Temple (Tibetan: སྐུ་འབམ་ྱམསཔགིང་) is located in lushar Town, Huangzhong County, 25 km southwest of Xining City, Qinghai Province, China. Founded in 1560, it is one of the six temples of Gelu sect in Tibetan Buddhism and the birthplace of zongkaba, the founder of Gelu sect. It is the activity center of Tibetan Buddhism in Northwest China, and enjoys a high reputation in China and Southeast Asia. The central government of all dynasties highly praised the religious status of Ta'er temple.
Butter flower, murals and embroidery are known as the "three unique arts of Ta'er Temple". In addition, many Buddhist classics and academic monographs on history, literature, philosophy, medicine and legislation are also collected in the temple. The Buddhist activities held every year "four Dharma meetings" are more lively and extraordinary. The tular temple is also vivid and famous for its crispy sculpture.]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[20/05/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/20/2021 01:44:23 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[ww52]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[340]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,36.49259947924305,101.57748531550172;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/512">
    <dcterms:title><![CDATA[Yungang Grottoes 1]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Yungang Grottoes is located at the southern foot of Wuzhou Mountain, about 16 kilometers west of Datong City, Shanxi Province, China. With a history of 1,500 years, Yungang Grottoes is the first Buddhist art treasure house carved by a nation and a dynasty into an imperial style after Buddhism art was spread to China. It is a historical monument of the integration of Chinese and Western cultures in the 5th century. The Yungang Grottoes were inscribed on the World Cultural Heritage List by the United Nations in 2001.
The Yungang Grottoes were built between the 2nd year of Xing 'an (453) and the 19th year of Taihe (495) of the Northern Wei Dynasty, and were the first large-scale grottoes in China to be excavated under the leadership of an imperial dignitary. The grottoes are excavated from the mountain. There are more than 1,100 Buddhas and more than 51,000 Buddhas, the largest of which is 17 meters high and the smallest of which is only 2 centimeters high. It represents the great achievements of Buddhist art in China during the 5th and 6th centuries. It was the first peak of the development history of Chinese Buddhist art.]]></dcterms:description>
    <dcterms:date><![CDATA[2010:11:11 21:10:23]]></dcterms:date>
    <dcterms:contributor><![CDATA[ah373@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,40,113;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/513">
    <dcterms:title><![CDATA[Sword of Goujian]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[05/20/2021 01:59:17 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ww52]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/514">
    <dcterms:title><![CDATA[Sword of Goujian]]></dcterms:title>
    <dcterms:description><![CDATA[Goujian sword, the king of Yue in the spring and Autumn period, is a bronze weapon of Yue in the late spring and Autumn period. It was made about 2500 years ago. It is a first-class cultural relic in China. It was unearthed from tomb 1 of Wangshan Chu tomb group in Jiangling County, Jingzhou City, Hubei Province in 1965 and is now collected in Hubei Provincial Museum.
In the spring and Autumn period, the sword of Goujian, king of Yue, is 55.7 cm long, 8.4 cm long and 4.6 cm wide. The head of the sword is turned out into a hoop shape, with 11 concentric circles with an interval of only 0.2 mm cast inside. The body of the sword is covered with regular black diamond pattern. There is a bird seal inscription of "Yue Wang Jiu (Gou) shallow (Jian) self acting sword" near the front. The front of the sword case is inlaid with blue glass, The back is inlaid with turquoise.
Goujian sword, the king of Yue in the spring and Autumn period, embodies the highest level of short weapon manufacturing at that time. It is known as "the first sword in the world". It is a treasure in bronze weapons. It is of great value to study the history of Yue and understand the bronze casting technology and characters in ancient China]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[20/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ww52]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[341]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,30.03538843367649,112.41335928440095;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/515">
    <dcterms:title><![CDATA[Yungang Grottoes]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture,Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[    Yungang Grottoes is located at the southern foot of Wuzhou Mountain, about 16 kilometers west of Datong City, Shanxi Province, China. With a history of 1,500 years, Yungang Grottoes is the first Buddhist art treasure house carved by a nation and a dynasty into an imperial style after Buddhism art was spread to China. It is a historical monument of the integration of Chinese and Western cultures in the 5th century. The Yungang Grottoes were inscribed on the World Cultural Heritage List by the United Nations in 2001.
The Yungang Grottoes were built between the 2nd year of Xing 'an (453) and the 19th year of Taihe (495) of the Northern Wei Dynasty, and were the first large-scale grottoes in China to be excavated under the leadership of an imperial dignitary. The grottoes are excavated from the mountain. There are more than 1,100 Buddhas and more than 51,000 Buddhas, the largest of which is 17 meters high and the smallest of which is only 2 centimeters high. It represents the great achievements of Buddhist art in China during the 5th and 6th centuries. It was the first peak of the development history of Chinese Buddhist art.
]]></dcterms:description>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[20/05/2021]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/20/2021 02:44:30 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[zh44]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[342]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,40.1097131,113.1222082;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/516">
    <dcterms:title><![CDATA[Dongting Lake]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[20/05/2021]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[co64@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[343]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,113,29.5;]]></dcterms:spatial>
</rdf:Description></rdf:RDF>