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    <dcterms:spatial><![CDATA[current,36.38591277287654,109.37988281250001;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1155">
    <dcterms:title><![CDATA[Chinese shadow play]]></dcterms:title>
    <dcterms:description><![CDATA[Chinese shadow play]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[14.08.2006]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/03/2023 10:17:03 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yl279@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:OFB-Qianlongsatz03-Krieger.JPG]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,36.38591277287654,109.37988281250001;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1159">
    <dcterms:title><![CDATA[Chinese shadow play]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Chinese shadow puppetry, formerly known as "shadow puppetry" or "lantern play", is a folk drama in which silhouettes of people made of animal skins or cardboard are illuminated by light sources such as candles or burning alcohol to perform stories. It involves a number of steps such as selecting the skin, making the skin, drawing, over-drafting, engraving, applying colour, ironing and embellishing. Shadow puppetry is used for entertainment, educational, historical and religious purposes and is associated with the promotion of positive moral values. For its contribution to the development of the world's performing arts, shadow puppetry was recognised by UNESCO as an intangible cultural heritage of humanity in 2011.]]></dcterms:description>
    <dcterms:creator><![CDATA[Working People of China ]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[Thirteenth Century Yuan Dynasty]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/04/2023]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[20/04/2023]]></dcterms:>
    <dcterms:contributor><![CDATA[yl279]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.wikipedia.org/wiki/Shadow_play]]></dcterms:references>
    <dcterms:medium><![CDATA[wps.org]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[603]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,34.70549341022547,108.89648437500001;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/931">
    <dcterms:title><![CDATA[Chinese Shadow puppets]]></dcterms:title>
    <dcterms:description><![CDATA[This Chinese shadow puppet is illustrative of the ornate detail that goes into the figures.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[2011:10:25 11:56:16]]></dcterms:date>
    <dcterms:contributor><![CDATA[dy28]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:The_Childrens_Museum_of_Indianapolis_-_Han_shadow_puppet.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,34.4993,109.503;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/981">
    <dcterms:title><![CDATA[Chinese Shadow puppets]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Shadow puppets is one of the oldest Chinese opera genres, and was inscribed on the Intangible Cultural Heritage of Humanity list in 2011.
The main features of shadow puppetry are white curtains, dolls made of animal skins and scene props.
The shadow puppets are manipulated with wooden poles behind a white curtain, and the light shines through the translucent curtain to create a dynamic image, accompanied by music and singing, mostly in folk dialects, to tell local stories.
The shadow-making process is extremely complex, with many folk craft techniques involved, from selecting and making the skin to carving and colouring it. The hand-carved shadows are not only props for performances, but also a beautiful piece of art. There are eight steps in the making of a shadow: selecting the skin, making the skin, drawing, carving, colouring, dehydrating, oiling and mounting. A beautifully crafted shadow requires more than 3,000 strokes of carving, making the process extremely complex.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[1000 BC]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[10/05/2022]]></dcterms:>
    <dcterms:contributor><![CDATA[dy28]]></dcterms:contributor>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[538]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,34,109;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/983">
    <dcterms:title><![CDATA[Chinese Shadow puppets]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Shadow puppets is one of the oldest Chinese opera genres, and was inscribed on the Intangible Cultural Heritage of Humanity list in 2011.
The main features of shadow puppetry are white curtains, dolls made of animal skins and scene props.
The shadow puppets are manipulated with wooden poles behind a white curtain, and the light shines through the translucent curtain to create a dynamic image, accompanied by music and singing, mostly in folk dialects, to tell local stories.
The shadow-making process is extremely complex, with many folk craft techniques involved, from selecting and making the skin to carving and colouring it. The hand-carved shadows are not only props for performances, but also a beautiful piece of art. There are eight steps in the making of a shadow: selecting the skin, making the skin, drawing, carving, colouring, dehydrating, oiling and mounting. A beautifully crafted shadow requires more than 3,000 strokes of carving, making the process extremely complex.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[1000 BC]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[10/05/2022]]></dcterms:>
    <dcterms:contributor><![CDATA[dy28]]></dcterms:contributor>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:The_Childrens_Museum_of_Indianapolis_-_Han_shadow_puppet.jpg]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Intangible]]></dcterms:type>
    <dcterms:identifier><![CDATA[540]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,35.739,107.632;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1583">
    <dcterms:title><![CDATA[Chinese tea ceremony]]></dcterms:title>
    <dcterms:description><![CDATA[Chinese tea ceremony is an intangible culture heritage. China is the homeland of tea and
the birthplace of tea ceremony around the world. Rooted in the rich social practices of the
Chinese people, tea culture was fully formed during the Tang Dynasty and has become an
important part of traditional Chinese culture after more than a thousand years of
development and changes. Tea culture has nurtured the lifestyle and cultural character of
the Chinese people, promoted the integration and cultural identity of the Chinese nation,
and profoundly influenced the development pattern of tea culture around the world. Those
particularly highlights the social and cultural value of tea ceremony. It also has many values,
for examples, sustainability value: Chinese tea ceremony places great importance on the
natural environment and the growing and processing of tea leaves. It emphasizes the
importance of respecting and protecting the natural world, and the cultivation of tea as a
sustainable and harmonious practice.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2023 08:23:33 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xw70@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,30.63318556699761,104.04052734375;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1585">
    <dcterms:title><![CDATA[Chinese tea ceremony]]></dcterms:title>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[xw70@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[738]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1081">
    <dcterms:title><![CDATA[Christo de redentor]]></dcterms:title>
    <dcterms:description><![CDATA[Christ the Redeemer is an Art Deco statue of Jesus Christ in Rio de Janeiro, Brazil, created by French sculptor Paul Landowski and built by Brazilian.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[jl388@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[591]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-19.973348786110602,-41.48437500000001;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4047">
    <dcterms:title><![CDATA[Church Doorway]]></dcterms:title>
    <dcterms:description><![CDATA[The doorway into the church would have been elaborately carved and painted, and may have looked something like this.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/24/2025 02:57:17 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,64.18633301367117,-21.618733406066898;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3591">
    <dcterms:title><![CDATA[Church of La&ccedil;]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[26/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Diana]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1403]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3966">
    <dcterms:title><![CDATA[Church of the Good Shepherd Photo]]></dcterms:title>
    <dcterms:date><![CDATA[2018:08:21 01:38:25]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/26/2025 11:17:17 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Church_of_the_Good_Shepherd,_Robben_Island_(2018).jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,-33.80554669228998,18.37661862455207;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3967">
    <dcterms:title><![CDATA[Church of the Good Shepherd, Robben Island]]></dcterms:title>
    <dcterms:description><![CDATA[A key, yet often forgotten part of Robben Island's history is its use as a general infirmary for the severely ill, primarily people suffering from leprosy and insanity (as it was referred to at the time). Numerous churches of different denominations were constructed during this time, including this one built by patients of the island, as designed by architect Sir Herbert Baker. 

Leprosy was deemed to be a 'black disease', and while both black and white patients were admitted on the island, they were segregated by race - even when not being used as a political prison, racism was still prevelant on the island.

In the 1930s, after all leprosy patients had been removed from the island back to the mainland, all the wards were burnt down and destroyed over concerns that the disease remained in the buildings and would spread. This means that this church, and the graveyard surrounding it containing the graves of leprosy patients who died, are the main remains marking this era of the island. ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[1895]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[26/04/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ec349@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://www.robben-island.org.za/infirmary-1890-1931/, https://www.robben-island.org.za/infirmary-1862-1892/. https://www.robben-island.org.za/religion-1846-now/, https://www.cape-town-heritage.co.za/heritage-site/robben-island-leper-church.html]]></dcterms:references>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1484]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,-33.80559661648449,18.37654781236779;]]></dcterms:spatial>
    <dcterms:provenance><![CDATA[Anglican Church of the Province of South Africa]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4003">
    <dcterms:title><![CDATA[Churchill]]></dcterms:title>
    <dcterms:source><![CDATA[tours]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/16/2025 02:43:17 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[museums@eu-lac.org]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution License]]></dcterms:license>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Tour]]></dcterms:type>
    <dcterms:identifier><![CDATA[1518]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,58.7679639,-94.1696832;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2469">
    <dcterms:title><![CDATA[Cinque Terre]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage,Tourism]]></dcterms:subject>
    <dcterms:description><![CDATA[The five villages of the Cinque Terre are spread out along the rugged coastline, with ancient stone walls supporting the villages and the surrounding terraces, which together with the traditional farming methods reflect the region's centuries-old harmony with the natural environment. In addition, the villages are connected to each other by footpaths, while maintaining traditional Ligurian architecture, providing a rich cultural experience and visual treat for the visitor. As a result, Cinque Terre is not only a major tourist attraction in Italy, but also one of the most important cultural heritages in the world.
The conservation of the Cinque Terre as a cultural heritage site helps to maintain traditional architectural styles and farming methods, which not only preserve the historical and cultural identity of the area, but also enhance the visitor experience and contribute to the local economy. This corresponds to SDG 11.4: Strive for the protection and conservation of the world cultural and natural heritage.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[04/05/2024]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/05/2024 11:23:09 am]]></dcterms:>
    <dcterms:contributor><![CDATA[yx65@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1116]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,44.1,9.7;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2507">
    <dcterms:title><![CDATA[Cinque Terre - timelapse from Italy (Monterosso, Vernazza, Corniglia, Manarola, Riomaggiore)]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Very complete video showing the beauty of Cinque Terre!]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/05/2024 11:22:59 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yx65@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,44.1°N,9.7°E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2637">
    <dcterms:title><![CDATA[Classic Gardens in Suzhou]]></dcterms:title>
    <dcterms:description><![CDATA[The Suzhou Classical Gardens are a series of meticulously designed gardens dating back to the 11th century, showcasing the traditional Chinese art of garden design. These gardens are renowned for their harmonious blend of natural elements, architecture, and poetic symbolism, reflecting the philosophical principles of Confucianism, Taoism, and Buddhism. Each garden within the Suzhou complex, such as the Humble Administrator's Garden and the Lingering Garden, offers a unique interpretation of classical Chinese landscape aesthetics, featuring pavilions, bridges, rockeries, and water features that evoke a sense of serenity and tranquility.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Xinru]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1146]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,31.2989° N,120.5853° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2638">
    <dcterms:title><![CDATA[Classic Gardens in Suzhou]]></dcterms:title>
    <dcterms:description><![CDATA[The Suzhou Classical Gardens are a series of meticulously designed gardens dating back to the 11th century, showcasing the traditional Chinese art of garden design. These gardens are renowned for their harmonious blend of natural elements, architecture, and poetic symbolism, reflecting the philosophical principles of Confucianism, Taoism, and Buddhism. Each garden within the Suzhou complex, such as the Humble Administrator's Garden and the Lingering Garden, offers a unique interpretation of classical Chinese landscape aesthetics, featuring pavilions, bridges, rockeries, and water features that evoke a sense of serenity and tranquility.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/05/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Xinru]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[1147]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,31.2989° N,120.5853° E;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/932">
    <dcterms:title><![CDATA[Classical Gardens of Suzhou]]></dcterms:title>
    <dcterms:description><![CDATA[Pavilion of Surging Waves of Classical Gardens of Suzhou]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[06.06.2021]]></dcterms:date>
    <dcterms:contributor><![CDATA[lw218]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,31° 17′ 49.3″,120° 37′ 16.1″;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/937">
    <dcterms:title><![CDATA[Classical Gardens of Suzhou]]></dcterms:title>
    <dcterms:description><![CDATA[Suzhou is located in the water town of the south of the Yangtze River, and the Classical Gardens of Suzhou, China are collectively known as Suzhou Classical Gardens. Many of these gardens are included in the World Heritage Site. Whether they were designed and built by literati or dignitaries, the gardens were meticulously designed and constructed with great care and skill. These factors greatly contributed to the development of Suzhou's gardens. In terms of the survival of Suzhou's gardens, from the magnificent Liuzheng Garden and Humble Administrator's Garden to the small gardens of a hill and a ravine, there are not only a large number of gardens, but also a good number of them. Most of these gardens are located in the city, especially in the area between Gate of Heaven and Guanqian Street, followed by Northeast Street. Among the remaining gardens in Suzhou, private gardens account for almost 90% of the total number of gardens, except for the Pavilion of Surging Waves, a famous pavilion, a few ancestral halls and Buddhist temples. The Pavilion of Surging Waves dates back to the middle of the Northern Song Dynasty, the Lion Grove to the end of the Yuan Dynasty, and the rest, such as the Humble Administrator's Garden and the Art Garden, to the middle and end of the Ming Dynasty. What really impresses people about Suzhou's classical gardens is not only the beauty of the mountains, water, plants and buildings themselves, but also their relationship with each other.]]></dcterms:description>
    <dcterms:source><![CDATA[wordlheritage2022]]></dcterms:source>
    <dcterms:date><![CDATA[514 BC]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[10/05/2022]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[05/10/2022 06:38:22 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[lw218]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
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    <dcterms:identifier><![CDATA[532]]></dcterms:identifier>
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    <dcterms:title><![CDATA[Classical Gardens of Suzhou]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Classical Gardens of Suzhou exemplify ancient Chinese garden art, merging aesthetic design with cultural depth and architectural skill. These gardens embody Chinese philosophical, literary, and artistic traditions, demonstrating an integration of natural beauty and humanistic values.
To preserve and showcase these gardens, the Suzhou Classical Garden Database was established, cataloging over 5,000 elements from 19 gardens. Additionally, the "Digital Gardens" online platform provides interactive digital models, enhancing accessibility and engagement globally.
The conservation of these gardens supports Sustainable Development Goals, particularly Goal 11 (Sustainable Cities and Communities) by protecting cultural diversity and natural heritage. Under Goal 4 (Quality Education), digital tools promote educational opportunities, allowing broad access to the gardens' rich historical and cultural narratives, thereby encouraging lifelong learning and appreciation of cultural heritage.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yh82@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
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    <dcterms:identifier><![CDATA[1002]]></dcterms:identifier>
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    <dcterms:title><![CDATA[Classical Gardens of Suzhou]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Classical Gardens of Suzhou exemplify ancient Chinese garden art, merging aesthetic design with cultural depth and architectural skill. These gardens embody Chinese philosophical, literary, and artistic traditions, demonstrating an integration of natural beauty and humanistic values.
To preserve and showcase these gardens, the Suzhou Classical Garden Database was established, cataloging over 5,000 elements from 19 gardens. Additionally, the "Digital Gardens" online platform provides interactive digital models, enhancing accessibility and engagement globally.
The conservation of these gardens supports Sustainable Development Goals, particularly Goal 11 (Sustainable Cities and Communities) by protecting cultural diversity and natural heritage. Under Goal 4 (Quality Education), digital tools promote educational opportunities, allowing broad access to the gardens' rich historical and cultural narratives, thereby encouraging lifelong learning and appreciation of cultural heritage.]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[29/04/2024]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yh82@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:references><![CDATA[https://en.m.wikipedia.org/wiki/Classical_Gardens_of_Suzhou]]></dcterms:references>
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    <dcterms:identifier><![CDATA[1003]]></dcterms:identifier>
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    <dcterms:title><![CDATA[Classical Gardens of suzhou]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/27/2025 07:05:57 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[zyyyyyyyyy]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikipedia]]></dcterms:medium>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3816">
    <dcterms:title><![CDATA[Classical Gardens of SuZhou]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Classical Gardens of Suzhou, located in Jiangsu Province, China, are a renowned collection of traditional Chinese gardens that exemplify the highest achievements of Chinese landscape architecture. Dating back to the 11th to 19th centuries, these gardens were built by scholars, officials, and artists as private retreats, reflecting Confucian, Taoist, and Buddhist principles. They are known for their harmonious design, where architecture, water features, rocks, and vegetation are meticulously arranged to evoke natural landscapes in miniature.

Nine of the finest examples including the Humble Administrator’s Garden and the Master of the Nets Garden are inscribed as a UNESCO World Heritage Site for their cultural and aesthetic significance. Digitally representing these gardens through immersive technologies such as virtual tours or interactive 3D models can support SDG 4: Quality Education by making classical Chinese culture, philosophy, and design accessible to learners worldwide. It also aligns with SDG 11: Sustainable Cities and Communities by promoting heritage conservation and allowing broader access without physical impact on the historic sites, helping to preserve them for future generations.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[27/03/2025]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[04/25/2025 08:15:38 pm]]></dcterms:>
    <dcterms:contributor><![CDATA[zyyyyyyyyy]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Wikipedia]]></dcterms:medium>
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    <dcterms:identifier><![CDATA[1430]]></dcterms:identifier>
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    <dcterms:title><![CDATA[Classical Gardens of Suzhou_Humble Administrators Garden]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Xiangzhou of Humble Administrators Garden Suzhou]]></dcterms:description>
    <dcterms:source><![CDATA[is51102024]]></dcterms:source>
    <dcterms:date><![CDATA[23 October 2009]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/29/2024 06:23:04 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[yh82@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[https://commons.wikimedia.org/wiki/File:Xiangzhou_of_Zhuozhengyuan_Suzhou_4th_Aug_2006.jpg]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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    <dcterms:title><![CDATA[Clay Biggings of the Tay Landscape]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[This report was written as part of the Tay Landscape Partnership’s project to understand, conserve and celebrate our vernacular clay buildings. The Tay Landscape stretches from west of Dundee to Perth and then south of the Tay as far as Newburgh. More information about the project can found at www.tlp.org ]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2016]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/29/2025 11:13:13 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:medium><![CDATA[Perth and Kinross Heritage Trust]]></dcterms:medium>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.37504239229617,-3.285813331604004;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4101">
    <dcterms:title><![CDATA[Clay Biggings of the Tay Landscape Vol2]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[This report was written as part of the Tay Landscape Partnership’s project to understand, conserve and celebrate our vernacular clay buildings. The Tay Landscape stretches from West of Dundee to Perth and then south of the Tay as far as Newburgh. More information on the project can be found at www.tlp.org 
]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[2017]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[07/29/2025 11:48:51 am]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[application/pdf]]></dcterms:format>
    <dcterms:medium><![CDATA[Perth and Kinross Heritage Trust]]></dcterms:medium>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
    <dcterms:spatial><![CDATA[current,56.37542262330902,-3.2856416702270512;]]></dcterms:spatial>
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    <dcterms:title><![CDATA[Close_up_of_Barnhill_-_geograph.org.uk_-_801912-2.jpg]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/24/2025 07:02:54 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Haiyin XU]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/262">
    <dcterms:title><![CDATA[Collaborations Map Key]]></dcterms:title>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/231">
    <dcterms:title><![CDATA[Collaborators]]></dcterms:title>
    <dcterms:source><![CDATA[collaborations]]></dcterms:source>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Map]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2906">
    <dcterms:title><![CDATA[Colloseum]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[02/24/2025 01:49:33 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-ShareAlike License]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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    <dcterms:title><![CDATA[Colloseum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[The Colloseum  is a World Heritage site, one of the most important buildings from the Roman era]]></dcterms:description>
    <dcterms:creator><![CDATA[Romans]]></dcterms:creator>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[24/02/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[1232]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,41.889923,12.494687;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3767">
    <dcterms:title><![CDATA[Colosseum]]></dcterms:title>
    <dcterms:subject><![CDATA[Immovable Culture Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Home of spectacular gladiatorial battles and spectacles, this structure is a reminder of the power of imperial Rome. Despite being damaged, ransacked and looted throughout time, the Colosseum still stands as one of the 7 wonders of the world and one of the most popular tourist destinations at that.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[26/03/2025]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[kae4@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[https://www.flickr.com/photos/picmasta/7489265488]]></dcterms:medium>
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    <dcterms:identifier><![CDATA[1412]]></dcterms:identifier>
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    <dcterms:provenance><![CDATA[picmasta]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1643">
    <dcterms:title><![CDATA[Columnar basalt used in a wall built by in a header-stretcher technique Nandowas Isle]]></dcterms:title>
    <dcterms:date><![CDATA[01/01/2012]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[05/06/2023 09:28:12 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sc428]]></dcterms:contributor>
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    <dcterms:medium><![CDATA[https://whc.unesco.org/en/documents/141513]]></dcterms:medium>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2867">
    <dcterms:title><![CDATA[COMET Global Innovation]]></dcterms:title>
    <dcterms:source><![CDATA[collaborations]]></dcterms:source>
    <dcterms:extent><![CDATA[x x]]></dcterms:extent>
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    <dcterms:spatial><![CDATA[current,41.3977707,2.1571831;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3315">
    <dcterms:title><![CDATA[Composition for &quot;Jazz&quot;]]></dcterms:title>
    <dcterms:subject><![CDATA[Intangible Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[Composition for "Jazz"  is a 1915 painting by the French artist, theorist and writer Albert Gleizes. The painting is in the permanent collection of the Solomon R. Guggenheim Museum in New York City.]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:date><![CDATA[1915]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[03/25/2025 12:53:54 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[lb370@st-andrews.ac.uk]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Public Domain (no conditions)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Wikimedia]]></dcterms:medium>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/2868">
    <dcterms:title><![CDATA[Consorzio Delle Residenze Reali Sabaude]]></dcterms:title>
    <dcterms:source><![CDATA[collaborations]]></dcterms:source>
    <dcterms:extent><![CDATA[x x]]></dcterms:extent>
    <dcterms:type><![CDATA[Museum]]></dcterms:type>
    <dcterms:identifier><![CDATA[1193]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1525">
    <dcterms:title><![CDATA[Coral City Camera, Miami Reef]]></dcterms:title>
    <dcterms:description><![CDATA[The Coral City Camera is an underwater camera streaming live from an urban reef environment in Miami, Florida. It is located along the shoreline at the east end of PortMiami in about 9’ (3m) of water. It was deployed in late 2019 by Coral Morphologic as a hybrid art-science research project produced with Bridge Initiative and Bas Fisher Invitational and initially funded through grants awarded by a Knight Arts Challenge grant from the John S. and James L. Knight Foundation, and an Art Works grant from the National Endowment for the Arts.]]></dcterms:description>
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    <dcterms:medium><![CDATA[https://www.youtube.com/watch?v=7i8ARjIeM2k]]></dcterms:medium>
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    <dcterms:title><![CDATA[Coral Reef]]></dcterms:title>
    <dcterms:subject><![CDATA[Underwater Cultural Heritage]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a photo of a coral Reef at a Dive Site in Roatan, Honduras]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:date><![CDATA[2022:06:10 16:56:06]]></dcterms:date>
    <dcterms:dateSubmitted><![CDATA[04/15/2023 03:01:20 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ch324]]></dcterms:contributor>
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    <dcterms:title><![CDATA[Coral Reefs off of Roatan, Honduras]]></dcterms:title>
    <dcterms:description><![CDATA[The reefs off of the small island of Roatan remain some of the best preserved reefs around the world. The fish life and coral thrive in these protected areas and provide some of the best scuba diving in the world. While they remain in good shape today, the threat of climate change looms still and threatens to destroy these fragile ecosystems. Along with various reefs, this island sports a few sunken ship wrecks that add more intriguing dive sites to the area. It is an important part of the natural world that is under direct threat from climate change. ]]></dcterms:description>
    <dcterms:dateSubmitted><![CDATA[15/04/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ch324]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
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    <dcterms:identifier><![CDATA[621]]></dcterms:identifier>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/1194">
    <dcterms:title><![CDATA[Coral Reefs off of Roatan, Honduras]]></dcterms:title>
    <dcterms:description><![CDATA[The reefs off of the small island of Roatan remain some of the best preserved reefs around the world. The fish life and coral thrive in these protected areas and provide some of the best scuba diving in the world. While they remain in good shape today, the threat of climate change looms still and threatens to destroy these fragile ecosystems. Along with various reefs, this island sports a few sunken ship wrecks that add more intriguing dive sites to the area. It is an important part of the natural world that is under direct threat from climate change. (re uploaded because I forgot to include the right layer)]]></dcterms:description>
    <dcterms:source><![CDATA[is51102023]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[15/04/2023]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[ch324]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[622]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,16.3024286125374,-86.59269332885742;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/4108">
    <dcterms:title><![CDATA[Cost of English Military Campaigns]]></dcterms:title>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[07/29/2025 05:25:34 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[sarah]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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    <dcterms:type><![CDATA[Text]]></dcterms:type>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/153">
    <dcterms:title><![CDATA[Cottown Clay House]]></dcterms:title>
    <dcterms:description><![CDATA[Buildings that were “made out of the ground upon which they stood” were once the most common vernacular structures in parts of Scotland.]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[23/12/2020]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[140]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.3785152,-3.2813317;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/152">
    <dcterms:title><![CDATA[Cottown Clay House - 1850]]></dcterms:title>
    <dcterms:subject><![CDATA[Culture]]></dcterms:subject>
    <dcterms:description><![CDATA[Earth houses have a long history in the British Isles. Today many people still admire the picturesque mudwall or ‘cob’ cottages of Devon and Somerset. However, earth was also a popular building material in parts of Scotland, with mudwall dwellings once being common in Dumfriesshire, Angus, and the Carse of Gowrie (beside the River Tay).

In the Carse of Gowrie local clays were used for building from pre-historic times through to the nineteenth century. Today about forty clay buildings survive in the Carse of Gowrie. The former school house at Cottown is a particularly fine example of the type of clay building that was once common in the Carse.

The Cottown School House was begun in the mid-eighteenth century. However, like many vernacular buildings its form evolved over time. The University of St Andrews’ Open Virtual Worlds team and Smart History collaborated with the Tay Landscape Partnership and Perth and Kinross Heritage Trust on a representation of the buildings at Cottown as they may have appeared in the nineteenth century. 

The Cottown School House is now cared for by the National Trust for Scotland.]]></dcterms:description>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:date><![CDATA[2016]]></dcterms:date>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Reconstruction]]></dcterms:type>
    <dcterms:identifier><![CDATA[181]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,56.37969448055998,-3.2812423723176334;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/64">
    <dcterms:title><![CDATA[County Mayo Municipality]]></dcterms:title>
    <dcterms:description><![CDATA[County Mayo is a county in Ireland. In the West of Ireland, in the province of Connacht, it is named after the village of Mayo, now generally known as Mayo Abbey. Mayo County Council is the local authority. The population was 130,507 at the 2016 census. The boundaries of the county, which was formed in 1585, reflect the Mac William Íochtar lordship at that time.]]></dcterms:description>
    <dcterms:source><![CDATA[collaborations]]></dcterms:source>
    <dcterms:extent><![CDATA[x x]]></dcterms:extent>
    <dcterms:type><![CDATA[Museum]]></dcterms:type>
    <dcterms:identifier><![CDATA[64]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,53.9507699,-9.3034658;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/470">
    <dcterms:title><![CDATA[coverimage2-2.jpeg]]></dcterms:title>
    <dcterms:source><![CDATA[worldheritagelayer]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[05/19/2021 11:48:26 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[pkal]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/jpeg]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/102">
    <dcterms:title><![CDATA[Covesea Lighthouse]]></dcterms:title>
    <dcterms:source><![CDATA[collaborations]]></dcterms:source>
    <dcterms:extent><![CDATA[x x]]></dcterms:extent>
    <dcterms:type><![CDATA[Museum]]></dcterms:type>
    <dcterms:identifier><![CDATA[102]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,57.7241043,-3.3385463;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/199">
    <dcterms:title><![CDATA[Cowgate]]></dcterms:title>
    <dcterms:source><![CDATA[reconstructions]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[29/12/2020]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[cm x cm x cm]]></dcterms:extent>
    <dcterms:type><![CDATA[Site]]></dcterms:type>
    <dcterms:identifier><![CDATA[163]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[current,55.9485149768054,-3.189377188682556;]]></dcterms:spatial>
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    <dcterms:title><![CDATA[craft]]></dcterms:title>
    <dcterms:description><![CDATA[hahahahhahahaha]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 01:18:50 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[qqqq]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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    <dcterms:title><![CDATA[craft]]></dcterms:title>
    <dcterms:description><![CDATA[hahahahhahahaha]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 01:18:55 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[qqqq]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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    <dcterms:title><![CDATA[craft]]></dcterms:title>
    <dcterms:description><![CDATA[hahahahhahahaha]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 01:19:01 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[qqqq]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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    <dcterms:title><![CDATA[craft]]></dcterms:title>
    <dcterms:description><![CDATA[hahahahhahahaha]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 01:19:07 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[qqqq]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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    <dcterms:title><![CDATA[craft]]></dcterms:title>
    <dcterms:description><![CDATA[hahahahhahahaha]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 01:29:12 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[qqqq]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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    <dcterms:title><![CDATA[craft]]></dcterms:title>
    <dcterms:description><![CDATA[hahahahhahahaha]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 01:29:17 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[qqqq]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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    <dcterms:title><![CDATA[craft]]></dcterms:title>
    <dcterms:description><![CDATA[hahahahhahahaha]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 01:29:24 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[qqqq]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3686">
    <dcterms:title><![CDATA[craft]]></dcterms:title>
    <dcterms:description><![CDATA[hahahahhahahaha]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 01:29:31 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[qqqq]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
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    <dcterms:title><![CDATA[craft]]></dcterms:title>
    <dcterms:description><![CDATA[hahahahhahahaha]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 01:29:35 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[qqqq]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
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    <dcterms:title><![CDATA[craft]]></dcterms:title>
    <dcterms:description><![CDATA[hahahahhahahaha]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 01:29:41 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[qqqq]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
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</rdf:Description><rdf:Description rdf:about="https://stage.openvirtualworlds.org/omeka/items/show/3689">
    <dcterms:title><![CDATA[craft]]></dcterms:title>
    <dcterms:description><![CDATA[hahahahhahahaha]]></dcterms:description>
    <dcterms:source><![CDATA[is51102025]]></dcterms:source>
    <dcterms:dateSubmitted><![CDATA[03/26/2025 01:29:46 pm]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[qqqq]]></dcterms:contributor>
    <dcterms:license><![CDATA[In Copyright (InC)]]></dcterms:license>
    <dcterms:format><![CDATA[image/png]]></dcterms:format>
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</rdf:Description></rdf:RDF>