25 100 4036 https://stage.openvirtualworlds.org/omeka/files/original/657069818676793dbf486034e5bf67e9.pdf ba55d27f4d1a46b4c4c745855e1f65ab Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Author sarah Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://stage.openvirtualworlds.org/galleries/upload/Dig_Plans-1.pdf Europeana Type The Europeana material type of the resource. TEXT Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Plans Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 08/14/2025 01:21:52 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource sarah Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource Text Spatial Coverage Spatial characteristics of the resource. current,39.76368622264342,22.854309082031254; Date A point or period of time associated with an event in the lifecycle of the resource 2014 https://stage.openvirtualworlds.org/omeka/files/original/0f3b136255543db297de530e7ec60f50.png 507b0a23b2425ea6919ba067f040f65a Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author sarah Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Playground Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 08/12/2025 04:05:28 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource sarah Format The file format, physical medium, or dimensions of the resource image/png Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,56.34037196545175,-2.8082299232482915; Date A point or period of time associated with an event in the lifecycle of the resource 2024/25 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Open Virtual Worlds Team University of St Andrews https://stage.openvirtualworlds.org/omeka/files/original/5ae6580721012f27a4ada06580a9926c.jpg 353ed8f5857beb18131a637f15acf024 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author sarah DescriptionEN English Description 3D Visualisation of planned Poets Neuk Garden. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Poets Neuk 1 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 07/25/2025 10:56:28 am Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource sarah Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,56.340477516462116,-2.7991667389869694; Description An account of the resource 3D Visualisation of planned Poets Neuk Garden. Date A point or period of time associated with an event in the lifecycle of the resource 2018 Subject The topic of the resource Culture,Tourism Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Smart History/Open Virtual Worlds Team University of St Andrews Future garden standrews https://stage.openvirtualworlds.org/omeka/files/original/4ada91077dccf24725a8b80aa57de6a3.jpeg fb9fdc80818f452579611a950aec5ef1 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author sarah DescriptionEN English Description 3D Visualisation of planned Poets Neuk Garden. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Poets Neuk 2 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 07/25/2025 10:58:17 am Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource sarah Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,56.34048940951543,-2.7991855144500732; Description An account of the resource 3D Visualisation of planned Poets Neuk Garden. Date A point or period of time associated with an event in the lifecycle of the resource 2018 Subject The topic of the resource Culture,Tourism Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Smart History/Open Virtual Worlds Team University of St Andrews Classical Gardens of Suzhou furture standrews https://stage.openvirtualworlds.org/omeka/files/original/49ebeb3643ae8534c99d6a28ccfc2f1d.png 8ebd195948d383957539baeb2e944821 https://stage.openvirtualworlds.org/omeka/files/original/6a82bc868aaa9c0e719f00ea084182da.jpg 5f1b27bceb33930b77a48f4e79338b8e https://stage.openvirtualworlds.org/omeka/files/original/2af3874185892c6feeec323c3086d193.jpg 5f1b27bceb33930b77a48f4e79338b8e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: St Andrews Garden Identifier An unambiguous reference to the resource within a given context 205 Reconstruction Advisers Sarah Kennedy (University of St Andrews) Authors Sarah Kennedy, Alan Miller Date Represented Future How The Garden was created within UNREAL Engine 4. A Small bronze statue of Mary Queen of Scots was digitally scanned, imported and scaled within the scene. Evidence The plot of land was once part of a larger piece of land gifted to the town by Mary, Queen of Scots, where Greyfriars Monastery and gardens once stood. To commemorate this piece of history, a bronze statue of Mary, Queen of Scots, has been designed, which we have scanned and can be seen within the 3D visualisation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Poets’ Neuk – St Andrews Source A related resource from which the described resource is derived reconstructions Format The file format, physical medium, or dimensions of the resource image/png Type The nature or genre of the resource Reconstruction Identifier An unambiguous reference to the resource within a given context 217 Date A point or period of time associated with an event in the lifecycle of the resource 2018 Spatial Coverage Spatial characteristics of the resource. current,56.340413297947116,-2.799044730251861; Description An account of the resource In 2018, we collaborated with Bill Borthwick from the St Andrews Preservation Trust on a virtual representation of Poets’ Neuk, Mary Queen of Scots Memorial Garden, an abandoned plot on the corner of St Mary's Place and Greyfriars Garden in St Andrews. A Community Body known as Poets' Neuk had Scottish Government approval to register an interest under the Community Right to Buy legislation, and 3D visuals were needed to support their proposal. Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://player.vimeo.com/video/307236033 Is Shown At An unambiguous URL reference to the digital object on the provider’s web site in its full information context. https://www.openvirtualworlds.org/st-andrews-garden/ Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Smart History Cultural>Site Future Urban Settlement Museum Represents a museum Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Politecnico di Torino Source A related resource from which the described resource is derived collaborations Identifier An unambiguous reference to the resource within a given context 1222 Type The nature or genre of the resource Museum Spatial Coverage Spatial characteristics of the resource. current,45.0632477,7.6599862; Extent The size or duration of the resource. x x Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://www.polito.it/ Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Politecnico di Torino https://stage.openvirtualworlds.org/omeka/files/original/e3ad6d662567f5b3f63d72bd2925ce96.jpeg 3bc327e2295767780ca9a444addf5456 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: IS5110 2025 Identifier An unambiguous reference to the resource within a given context 2856 Site Represents a site. End Date 79 Stewardship Parco Archeologico di Pompei Contact cw333@st-andrews.ac.uk Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Archaeological Place The town or city Via Villa dei Misteri, 2, 80045 Pompei NA, Italy Prim Media 3819 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pompeii Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Italian Government Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cw333@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 1431 Type The nature or genre of the resource Site Spatial Coverage Spatial characteristics of the resource. current,40.7484,14.484; Medium The material or physical carrier of the resource. https://pompeiisites.org Description An account of the resource The ancient city of Pompeii, located in modern-day Italy, is one of the most significant archaeological sites in the world. It was buried under volcanic ash during Mount Vesuvius' eruption in 79 AD, preserving buildings, artifacts and human remains in exceptional detail. This unique preservation provides an invaluable glimpse into ancient Roman life. Recognized as a UNESCO World Heritage Site, Pompeii continues to be a key resource for historians and archaeologists, offering insights into Roman architecture, urban planning and society. Pompeii has embraced digital technologies to enhance its conservation and visitor experience. 3D scanning and photogrammetry have been used to digitally map the city's ruins, allowing for precise documentation and virtual reconstructions (Monego et al., 2019). Additionally, augmented reality (AR) and virtual reality (VR) allow remote visitors to experience Pompeii as it was before the eruption, reconstructing streets, villas and public spaces based on historical evidence (MagnenatThalmann et al., 2007). These digital innovations enhance both academic research and public engagement, ensuring that Pompeii’s history remains accessible to future generations. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 28/03/2025 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. MagnenatThalmann, N., Enrico, F.A., Papagiannakis, G. and CadiYazli, N. (2007). Real Time Animation and Illumination in Ancient Roman Sites. Int. J. Virtual Real., 6(1), pp.11–24. Monego, M., Previato, C., Bernardi, L., Menin, A. and Achilli, V. (2019). Investigating Pompeii: Application of 3D geomatic techniques for the study of the Sarno Baths. Journal of Archaeological Science: Reports, 24, pp.445–462. doi:https://doi.org/10.1016/j.jasrep.2019.02.009. Extent The size or duration of the resource. cm x cm x cm Date A point or period of time associated with an event in the lifecycle of the resource -600 Subject The topic of the resource Immovable Culture Heritage Date Modified Date on which the resource was changed. 03/28/2025 10:52:01 am Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://pompeiisites.org Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Pompeii Europeana Type The Europeana material type of the resource. TEXT #Pompeii #Roman Architecture #Ruins #SDG11 #SDG4 #SDG9 #Vesuvius https://stage.openvirtualworlds.org/omeka/files/original/fdcec6c3319d54464c8f3950a9108510.jpg c0e0e0d890488cc43f100ffa4657cc01 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: IS5110 2025 Identifier An unambiguous reference to the resource within a given context 2856 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cw333@st-andrews.ac.uk Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://unsplash.com/photos/brown-village-arch-during-daytime-h5cYy5OHDWM Europeana Provider Name of the organization that delivers data to Europeana. https://unsplash.com/@andyjh07 Europeana Type The Europeana material type of the resource. IMAGE Is Shown At An unambiguous URL reference to the digital object on the provider’s web site in its full information context. https://unsplash.com/photos/brown-village-arch-during-daytime-h5cYy5OHDWM Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Andy Holmes Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. Creative Commons Zero Title A name given to the resource Pompeii Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/28/2025 10:50:09 am Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cw333@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Medium The material or physical carrier of the resource. https://unsplash.com/photos/brown-village-arch-during-daytime-h5cYy5OHDWM Date A point or period of time associated with an event in the lifecycle of the resource July 10, 2018 Subject The topic of the resource Immovable Culture Heritage https://stage.openvirtualworlds.org/omeka/files/original/0821b42889eaf04615147b922a59864f.jpg c0e0e0d890488cc43f100ffa4657cc01 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: IS5110 2025 Identifier An unambiguous reference to the resource within a given context 2856 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cw333@st-andrews.ac.uk Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://unsplash.com/photos/brown-village-arch-during-daytime-h5cYy5OHDWM Europeana Provider Name of the organization that delivers data to Europeana. https://unsplash.com/@andyjh07 Europeana Type The Europeana material type of the resource. IMAGE Is Shown At An unambiguous URL reference to the digital object on the provider’s web site in its full information context. https://unsplash.com/photos/brown-village-arch-during-daytime-h5cYy5OHDWM Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Andy Holmes Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. Creative Commons Zero Title A name given to the resource Pompeii Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/28/2025 10:50:15 am Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cw333@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Medium The material or physical carrier of the resource. https://unsplash.com/photos/brown-village-arch-during-daytime-h5cYy5OHDWM Date A point or period of time associated with an event in the lifecycle of the resource July 10, 2018 Subject The topic of the resource Immovable Culture Heritage Museum Represents a museum Wiki A link to a wiki entry about this item. https://stage.openvirtualworlds.org/wiki/index.php/Pop_In_the_City Place The town or city St andrews Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pop In the City Source A related resource from which the described resource is derived collaborations Identifier An unambiguous reference to the resource within a given context 115 Type The nature or genre of the resource Museum Spatial Coverage Spatial characteristics of the resource. current,56.340496358670606,-2.7986159662842636; Extent The size or duration of the resource. x x Europeana Specific elements of the Europeana Semantic Elements. Country The name of the country of the data provider or “Europe” in the case of Europe-wide projects. UK Europeana Type The Europeana material type of the resource. TEXT Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Pop In the City https://stage.openvirtualworlds.org/omeka/files/original/c1e53bf0a65b87f07ff7f30c296f2c27.jpg 69aa9ad5610a3ed74badc3f3f451ff66 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author hs277@st-andrews.ac.uk DescriptionEN English Description Shot on iPhone 12 Pro Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Porta Praetoria Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/29/2025 12:48:41 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource hs277@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,45.73791912357663,7.3235044644239675; Description An account of the resource Shot on iPhone 12 Pro Europeana Specific elements of the Europeana Semantic Elements. Europeana Provider Name of the organization that delivers data to Europeana. harrystansfield.com Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Henry Stansfield Site Represents a site. Prim Media 3859 Stewardship Italian government Contact hs277@st-andrews.ac.uk Status public Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Building Place The town or city Piazza Porta Pretoria, 11100 Aosta AO, Italy Condition 1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Porta Praetoria Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource hs277@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 1443 Type The nature or genre of the resource Site Spatial Coverage Spatial characteristics of the resource. current,45.73790751705519,7.323361337103053; Medium The material or physical carrier of the resource. https://www.lovevda.it/en/database/8/roman-architecture/aosta/porta-praetoria/730 Description An account of the resource Built in 25 B.C., this monument was the main entrance to the city of Augusta Praetoria in modern-day Aosta. It has three openings, one for carriages and two for pedestrians. astern façade still has some of the marble slabs which originally covered the entire structure. Originally, there were four entrances to the town, but Porta Praetoria is the only one fully preserved. This promotes SDG 4: quality education. It serves as an educational resource for those studying Roman architecture and history. However, detail about Porta Praetoria on the internet is somewhat sparse, and those who want to explore the monument have to either travel to Aosta or stick to viewing 2D images. By using photographs to create a 3D model of the monument, we could let people explore the heritage from classrooms across the world and view it from multiple angles, promoting SDG:4 further. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 29/03/2025 Extent The size or duration of the resource. cm x cm x cm Date A point or period of time associated with an event in the lifecycle of the resource 25 B.C Europeana Specific elements of the Europeana Semantic Elements. Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Porta Praetoria Europeana Type The Europeana material type of the resource. TEXT https://stage.openvirtualworlds.org/omeka/files/original/ab0e8e72e7028172030f06b61aa4c672.jpeg 6bf2eab1d038a79d0b65b2f0dc6262bf Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author mvuf1@st-andrews.ac.uk Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Portobelo-1.jpeg Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/30/2023 08:26:20 pm Contributor An entity responsible for making contributions to the resource mvuf1@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://stage.openvirtualworlds.org/omeka/files/original/9d56a6f0e107be394e9b96a7170186cf.jpeg 6bf2eab1d038a79d0b65b2f0dc6262bf Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author mvuf1@st-andrews.ac.uk Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Portobelo.jpeg Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/21/2023 10:03:28 pm Contributor An entity responsible for making contributions to the resource mvuf1@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,9.436308919862842,-79.77112594060601; Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://stage.openvirtualworlds.org/omeka/files/original/512488290ca53e35b3fb17a0ecc3b6bb.jpeg c3225773c1d8349dfac1659bf0b22543 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author yuqi2022 DescriptionEN English Description Former police station on Joffre Street. Former French concession. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Title A name given to the resource Poste de Police Joffre Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 04/16/2022 11:14:59 pm Source A related resource from which the described resource is derived wordlheritage2022 Contributor An entity responsible for making contributions to the resource yuqi2022 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,31° 11' 57.7716",121° 25' 41.502"; Medium The material or physical carrier of the resource. Self-photographed Description An account of the resource Former police station on Joffre Street. Former French concession. Date A point or period of time associated with an event in the lifecycle of the resource 2015:12:06 22:52:25 Subject The topic of the resource Immovable Culture Heritage Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Is Shown At An unambiguous URL reference to the digital object on the provider’s web site in its full information context. https://upload.wikimedia.org/wikipedia/commons/8/8f/Poste_de_Police_Joffre.jpg Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Fayhoo https://stage.openvirtualworlds.org/omeka/files/original/ecc372f87c5272ff0e1666c7173d53db.jpg 2011bd5d61b39f2b79fb8a00b6b04bbd Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author sarah DescriptionEN English Description Poster for exhibit 2019. St Andrews Photography Festival. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Poster from Seeing the Past Exhibit Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 07/24/2025 12:05:39 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource sarah Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,56.339236158637505,-2.7955913543701176; Description An account of the resource Poster for exhibit 2019. St Andrews Photography Festival. Date A point or period of time associated with an event in the lifecycle of the resource 2019:09:30 15:39:24 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: IS5110 2021 Identifier An unambiguous reference to the resource within a given context 216 Site Represents a site. Contact mw283@st-andrews.ac.uk Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Building Condition 1 Prim Media 319 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Potala Palace Source A related resource from which the described resource is derived isfiveoneonezero,worldheritagelayer Contributor An entity responsible for making contributions to the resource mw283@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 257 Type The nature or genre of the resource Site Spatial Coverage Spatial characteristics of the resource. current,29.090976994322702,90.8339309692383; Description An account of the resource The Potala Palace, winter palace of the Dalai Lama since the 7th century, symbolizes Tibetan Buddhism and its central role in the traditional administration of Tibet. The complex, comprising the White and Red Palaces with their ancillary buildings, is built on Red Mountain in the centre of Lhasa Valley, at an altitude of 3,700m. Also founded in the 7th century, the Jokhang Temple Monastery is an exceptional Buddhist religious complex. Norbulingka, the Dalai Lama's former summer palace, constructed in the 18th century, is a masterpiece of Tibetan art. The beauty and originality of the architecture of these three sites, their rich ornamentation and harmonious integration in a striking landscape, add to their historic and religious interest. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 05/05/2021 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://whc.unesco.org/en/list/707/ Extent The size or duration of the resource. cm x cm x cm Subject The topic of the resource Immovable Culture Heritage,Tourism Date Modified Date on which the resource was changed. 05/05/2021 09:59:58 pm Europeana Specific elements of the Europeana Semantic Elements. Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Potala Palace Europeana Type The Europeana material type of the resource. TEXT https://stage.openvirtualworlds.org/omeka/files/original/8203d3b540ca82adfb11aa854789fe1f.png 7c84ee29ea6a7f65ad3a7ea4d02fe87a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: The Potala Palace in Lhasa Identifier An unambiguous reference to the resource within a given context 986 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author zz67@st-andrews.ac.uk DescriptionEN English Description The Potala Palace, an awe-inspiring architectural marvel, is situated on the Red Hill in Lhasa, the capital city of Tibet. With its majestic white and red facades, this UNESCO World Heritage Site dominates the skyline, emanating a sense of grandeur and spiritual significance. Built in the 7th century under the reign of King Songtsen Gampo, the palace was expanded during the 17th century by the Fifth Dalai Lama, transforming it into the winter residence for successive Dalai Lamas. Spanning over 13 hectares, the palace comprises two main sections, the White Palace (Potrang Karpo) and the Red Palace (Potrang Marpo), which are connected by a central courtyard. The White Palace houses the living quarters, offices, and ceremonial halls for the Dalai Lamas, while the Red Palace is dedicated to religious functions, comprising of sacred shrines, chapels, and tombs of the previous Dalai Lamas. A remarkable feature of Potala Palace is its harmonious blend of traditional Tibetan architecture and design, combined with influences from Chinese and Indian styles. The complex stands 13 stories high with more than 1,000 rooms, adorned with intricate murals, exquisite carvings, and priceless artifacts, reflecting the rich Tibetan culture and history. The palace, once the center of Tibetan government and Buddhism, is now a renowned museum and an important pilgrimage site for Buddhists from around the world. Visitors are left in awe by its magnificence, the sacred ambiance, and the breathtaking views of the surrounding mountains and Lhasa city from its lofty perch. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Potala palace Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 04/30/2023 04:01:23 pm Source A related resource from which the described resource is derived worldheritagelayer,is51102023 Contributor An entity responsible for making contributions to the resource zz67@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/png Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,29.6572° N,91.1169° E;origin,29.6572° N,91.1169° E; Medium The material or physical carrier of the resource. https://openai.com/product/dall-e-2 Description An account of the resource The Potala Palace, an awe-inspiring architectural marvel, is situated on the Red Hill in Lhasa, the capital city of Tibet. With its majestic white and red facades, this UNESCO World Heritage Site dominates the skyline, emanating a sense of grandeur and spiritual significance. Built in the 7th century under the reign of King Songtsen Gampo, the palace was expanded during the 17th century by the Fifth Dalai Lama, transforming it into the winter residence for successive Dalai Lamas. Spanning over 13 hectares, the palace comprises two main sections, the White Palace (Potrang Karpo) and the Red Palace (Potrang Marpo), which are connected by a central courtyard. The White Palace houses the living quarters, offices, and ceremonial halls for the Dalai Lamas, while the Red Palace is dedicated to religious functions, comprising of sacred shrines, chapels, and tombs of the previous Dalai Lamas. A remarkable feature of Potala Palace is its harmonious blend of traditional Tibetan architecture and design, combined with influences from Chinese and Indian styles. The complex stands 13 stories high with more than 1,000 rooms, adorned with intricate murals, exquisite carvings, and priceless artifacts, reflecting the rich Tibetan culture and history. The palace, once the center of Tibetan government and Buddhism, is now a renowned museum and an important pilgrimage site for Buddhists from around the world. Visitors are left in awe by its magnificence, the sacred ambiance, and the breathtaking views of the surrounding mountains and Lhasa city from its lofty perch. Date A point or period of time associated with an event in the lifecycle of the resource 30/04/2023 Subject The topic of the resource Immovable Culture Heritage Europeana Specific elements of the Europeana Semantic Elements. Europeana Provider Name of the organization that delivers data to Europeana. https://openai.com/product/dall-e-2 Europeana Type The Europeana material type of the resource. IMAGE Is Shown At An unambiguous URL reference to the digital object on the provider’s web site in its full information context. https://en.wikipedia.org/wiki/Potala_Palace Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Dalle2 China tibet https://stage.openvirtualworlds.org/omeka/files/original/be2a15278d042a646d5c760fd2ccbcd4.png 7c84ee29ea6a7f65ad3a7ea4d02fe87a Site Represents a site. End Date - Prim Media 319 Contact zz67@st-andrews.ac.uk Status public Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Building Condition 1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Potala Palace Contributor An entity responsible for making contributions to the resource zz67@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 678 Type The nature or genre of the resource Site Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 30/04/2023 Extent The size or duration of the resource. cm x cm x cm Date A point or period of time associated with an event in the lifecycle of the resource 7 century Europeana Specific elements of the Europeana Semantic Elements. Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Potala Palace Europeana Type The Europeana material type of the resource. TEXT Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: IS5110 2023 Identifier An unambiguous reference to the resource within a given context 1023 Site Represents a site. End Date - Prim Media 319 Stewardship PRC government Contact zz67@st-andrews.ac.uk Status public Social Media The social media links. twitter,none;facebook,none;instagram,none; Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Building Place The town or city Potala Palace No. 35 Gongqian Alley Beijing East Road Chengguan District, Lhasa Tibet, China Condition 1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Potala palace Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. PRC government Source A related resource from which the described resource is derived is51102023 Language A language of the resource Tibet Contributor An entity responsible for making contributions to the resource zz67@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 679 Type The nature or genre of the resource Site Spatial Coverage Spatial characteristics of the resource. current,34.3817° N,109.2532° E; Medium The material or physical carrier of the resource. https://openai.com/product/dall-e-2 Description An account of the resource The Potala Palace, an awe-inspiring architectural marvel, is situated on the Red Hill in Lhasa, the capital city of Tibet. With its majestic white and red facades, this UNESCO World Heritage Site dominates the skyline, emanating a sense of grandeur and spiritual significance. Built in the 7th century under the reign of King Songtsen Gampo, the palace was expanded during the 17th century by the Fifth Dalai Lama, transforming it into the winter residence for successive Dalai Lamas. Spanning over 13 hectares, the palace comprises two main sections, the White Palace (Potrang Karpo) and the Red Palace (Potrang Marpo), which are connected by a central courtyard. The White Palace houses the living quarters, offices, and ceremonial halls for the Dalai Lamas, while the Red Palace is dedicated to religious functions, comprising of sacred shrines, chapels, and tombs of the previous Dalai Lamas. A remarkable feature of Potala Palace is its harmonious blend of traditional Tibetan architecture and design, combined with influences from Chinese and Indian styles. The complex stands 13 stories high with more than 1,000 rooms, adorned with intricate murals, exquisite carvings, and priceless artifacts, reflecting the rich Tibetan culture and history. The palace, once the center of Tibetan government and Buddhism, is now a renowned museum and an important pilgrimage site for Buddhists from around the world. Visitors are left in awe by its magnificence, the sacred ambiance, and the breathtaking views of the surrounding mountains and Lhasa city from its lofty perch. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 30/04/2023 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://en.wikipedia.org/wiki/Potala_Palace Extent The size or duration of the resource. Height 4,606 " x Width 13,800 " x Length 11,808 " Date A point or period of time associated with an event in the lifecycle of the resource 7 century Subject The topic of the resource Immovable Culture Heritage Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. http://www.gov.cn/test/2006-03/28/content_238356.htm Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Potala palace Europeana Type The Europeana material type of the resource. TEXT Ancient China https://stage.openvirtualworlds.org/omeka/files/original/6defed7e15f8419ceed626d926bd1797.png 7c84ee29ea6a7f65ad3a7ea4d02fe87a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: IS5110 2023 Identifier An unambiguous reference to the resource within a given context 1023 Site Represents a site. End Date Still exist Prim Media 319 Notes The Potala Palace, an awe-inspiring architectural marvel, is situated on the Red Hill in Lhasa, the capital city of Tibet. With its majestic white and red facades, this UNESCO World Heritage Site dominates the skyline, emanating a sense of grandeur and spiritual significance. Built in the 7th century under the reign of King Songtsen Gampo, the palace was expanded during the 17th century by the Fifth Dalai Lama, transforming it into the winter residence for successive Dalai Lamas. Spanning over 13 hectares, the palace comprises two main sections, the White Palace (Potrang Karpo) and the Red Palace (Potrang Marpo), which are connected by a central courtyard. The White Palace houses the living quarters, offices, and ceremonial halls for the Dalai Lamas, while the Red Palace is dedicated to religious functions, comprising of sacred shrines, chapels, and tombs of the previous Dalai Lamas. A remarkable feature of Potala Palace is its harmonious blend of traditional Tibetan architecture and design, combined with influences from Chinese and Indian styles. The complex stands 13 stories high with more than 1,000 rooms, adorned with intricate murals, exquisite carvings, and priceless artifacts, reflecting the rich Tibetan culture and history. The palace, once the center of Tibetan government and Buddhism, is now a renowned museum and an important pilgrimage site for Buddhists from around the world. Visitors are left in awe by its magnificence, the sacred ambiance, and the breathtaking views of the surrounding mountains and Lhasa city from its lofty perch. Stewardship PRC government Contact zz67@st-andrews.ac.uk Status public Social Media The social media links. twitter,none;facebook,none; Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Building Place The town or city Potala Palace No. 35 Gongqian Alley Beijing East Road Chengguan District, Lhasa Tibet, China Condition 1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Potala palace Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. PRC government Source A related resource from which the described resource is derived is51102023 Language A language of the resource Tibet Contributor An entity responsible for making contributions to the resource zz67@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 683 Type The nature or genre of the resource Site Spatial Coverage Spatial characteristics of the resource. current,29.6572° N,91.1169° E; Medium The material or physical carrier of the resource. https://openai.com/product/dall-e-2 Description An account of the resource The Potala Palace, an awe-inspiring architectural marvel, is situated on the Red Hill in Lhasa, the capital city of Tibet. With its majestic white and red facades, this UNESCO World Heritage Site dominates the skyline, emanating a sense of grandeur and spiritual significance. Built in the 7th century under the reign of King Songtsen Gampo, the palace was expanded during the 17th century by the Fifth Dalai Lama, transforming it into the winter residence for successive Dalai Lamas. Spanning over 13 hectares, the palace comprises two main sections, the White Palace (Potrang Karpo) and the Red Palace (Potrang Marpo), which are connected by a central courtyard. The White Palace houses the living quarters, offices, and ceremonial halls for the Dalai Lamas, while the Red Palace is dedicated to religious functions, comprising of sacred shrines, chapels, and tombs of the previous Dalai Lamas. A remarkable feature of Potala Palace is its harmonious blend of traditional Tibetan architecture and design, combined with influences from Chinese and Indian styles. The complex stands 13 stories high with more than 1,000 rooms, adorned with intricate murals, exquisite carvings, and priceless artifacts, reflecting the rich Tibetan culture and history. The palace, once the center of Tibetan government and Buddhism, is now a renowned museum and an important pilgrimage site for Buddhists from around the world. Visitors are left in awe by its magnificence, the sacred ambiance, and the breathtaking views of the surrounding mountains and Lhasa city from its lofty perch. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 30/04/2023 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://en.wikipedia.org/wiki/Potala_Palace Extent The size or duration of the resource. Height 4,606 " x Width 13,800 " x Length 11,808 " Date A point or period of time associated with an event in the lifecycle of the resource 7 century Subject The topic of the resource Immovable Culture Heritage Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. http://www.gov.cn/test/2006-03/28/content_238356.htm Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Potala palace Europeana Type The Europeana material type of the resource. TEXT China https://stage.openvirtualworlds.org/omeka/files/original/f78b53b301c3e7d0497c98f6e8179b36.jpg 04b65fff9304cf7b4889df8cb26a370d Site Represents a site. Contact yx65@st-andrews.ac.uk Status public Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Building Condition 1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Potala Palace Source A related resource from which the described resource is derived is51102024 Contributor An entity responsible for making contributions to the resource yx65@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 1078 Type The nature or genre of the resource Site Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 04/05/2024 Extent The size or duration of the resource. cm x cm x cm Date A point or period of time associated with an event in the lifecycle of the resource 2009:09:12 17:25:08 Europeana Specific elements of the Europeana Semantic Elements. Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Potala Palace Europeana Type The Europeana material type of the resource. TEXT https://stage.openvirtualworlds.org/omeka/files/original/f806e96ebb27dba5887456ed9b4e75c6.jpg 04b65fff9304cf7b4889df8cb26a370d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: IS5110 2024 Identifier An unambiguous reference to the resource within a given context 1801 Site Represents a site. Contact yx65@st-andrews.ac.uk Status public Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Building Condition 1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Potala Palace Source A related resource from which the described resource is derived is51102024 Contributor An entity responsible for making contributions to the resource yx65@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 1079 Type The nature or genre of the resource Site Spatial Coverage Spatial characteristics of the resource. current,29.6578°,91.1169° ; Description An account of the resource Located in Lhasa, Tibet Autonomous Region of China, the Potala Palace is a palace complex of great historical, religious and cultural value. It was built in the 7th century A.D. and has been expanded over the years to become the winter palace of the Tibetan king and an important centre of Buddhism in Tibet. The Potala Palace is not only the most famous landmark and tourist attraction in Tibet, but also an important place for religious activities. As one of the UNESCO World Heritage Sites, the Potala Palace is internationally protected for its unique architectural art, religious significance, and its importance in Tibetan culture and history. Due to its location and structure, the Potala Palace is an immovable heritage site, meaning that it is closely associated with its location and cannot be relocated. The palace and the artefacts, artefacts, murals and libraries it contains are part of its cultural heritage and together they tell the story of the history and spiritual life of Tibet and its people. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 04/05/2024 Extent The size or duration of the resource. cm x cm x cm Subject The topic of the resource Immovable Culture Heritage Europeana Specific elements of the Europeana Semantic Elements. Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Potala Palace Europeana Type The Europeana material type of the resource. TEXT https://stage.openvirtualworlds.org/omeka/files/original/1b9ad0d2f135009ae6d4a7008357d715.jpg 04b65fff9304cf7b4889df8cb26a370d https://stage.openvirtualworlds.org/omeka/files/original/ad5dc7b2840bfd4d4b09255468df6322.jpg 04b65fff9304cf7b4889df8cb26a370d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: IS5110 2024 Identifier An unambiguous reference to the resource within a given context 1801 Site Represents a site. Contact yx65@st-andrews.ac.uk Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Building Prim Media 2649 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Potala Palace Source A related resource from which the described resource is derived is51102024 Contributor An entity responsible for making contributions to the resource yx65@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 1080 Type The nature or genre of the resource Site Spatial Coverage Spatial characteristics of the resource. current,29.6578,91.1169; Description An account of the resource Located in Lhasa, Tibet Autonomous Region of China, the Potala Palace is a palace complex of great historical, religious and cultural value. It was built in the 7th century A.D. and has been expanded over the years to become the winter palace of the Tibetan king and an important centre of Buddhism in Tibet. The Potala Palace is not only the most famous landmark and tourist attraction in Tibet, but also an important place for religious activities. As a UNESCO World Heritage Site, the protection and conservation of the Potala Palace meets the requirements of SDG 11.4, which is to strengthen the protection and conservation of global cultural and natural heritage. The conservation of the Potala Palace concerns not only the building itself and the artefacts contained therein, but also its historical documents and the cultural activities associated with it, which are important components of cultural heritage. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 04/05/2024 Extent The size or duration of the resource. cm x cm x cm Date A point or period of time associated with an event in the lifecycle of the resource 2009:09:12 17:25:08 Subject The topic of the resource Immovable Culture Heritage Date Modified Date on which the resource was changed. 05/07/2024 08:22:53 pm Europeana Specific elements of the Europeana Semantic Elements. Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Potala Palace Europeana Type The Europeana material type of the resource. TEXT https://stage.openvirtualworlds.org/omeka/files/original/d7c480e86303d957637a7a2370cf31bb.jpeg ed81fd49d8d34c840f381ccea06905c3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: The Potala Palace, Lhasa Identifier An unambiguous reference to the resource within a given context 438 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Title A name given to the resource potala_palace.jpeg Source A related resource from which the described resource is derived worldheritagelayer Contributor An entity responsible for making contributions to the resource lw218 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,29.656700176687718,91.11720858069022; Date A point or period of time associated with an event in the lifecycle of the resource 2013:08:23 08:58:27 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Xiquinho Intangible Prim Media 1715 History Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pottery-Making Skills in Botswana Source A related resource from which the described resource is derived is51102023 Language A language of the resource English Contributor An entity responsible for making contributions to the resource bc209@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 797 Spatial Coverage Spatial characteristics of the resource. current,-23.1,24.68;origin,-23.1,24.68;find,-23.1,24.68; Medium The material or physical carrier of the resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Description An account of the resource Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Type The nature or genre of the resource Intangible Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 09/05/2023 Creator An entity primarily responsible for making the resource UNESCO References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Extent The size or duration of the resource. -cm x -cm x -cm Date A point or period of time associated with an event in the lifecycle of the resource 24/12/2012 Subject The topic of the resource Culture,Intangible Heritage Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 africa Intangible Prim Media 1715 History Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pottery-Making Skills in Botswana Source A related resource from which the described resource is derived is51102023 Language A language of the resource English Contributor An entity responsible for making contributions to the resource bc209@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 798 Spatial Coverage Spatial characteristics of the resource. current,-23.1,24.68;origin,-23.1,24.68;find,-23.1,24.68; Medium The material or physical carrier of the resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Description An account of the resource Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Type The nature or genre of the resource Intangible Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 09/05/2023 Creator An entity primarily responsible for making the resource UNESCO References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Extent The size or duration of the resource. -cm x -cm x -cm Date A point or period of time associated with an event in the lifecycle of the resource 24/12/2012 Subject The topic of the resource Culture,Intangible Heritage Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 africa Intangible Prim Media 1715 History Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pottery-Making Skills in Botswana Source A related resource from which the described resource is derived is51102023 Language A language of the resource English Contributor An entity responsible for making contributions to the resource bc209@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 799 Spatial Coverage Spatial characteristics of the resource. current,-23.1,24.68;origin,-23.1,24.68;find,-23.1,24.68; Medium The material or physical carrier of the resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Description An account of the resource Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Type The nature or genre of the resource Intangible Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 09/05/2023 Creator An entity primarily responsible for making the resource UNESCO References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Extent The size or duration of the resource. -cm x -cm x -cm Date A point or period of time associated with an event in the lifecycle of the resource 24/12/2012 Subject The topic of the resource Culture,Intangible Heritage Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 africa Intangible Prim Media 1715 History Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pottery-Making Skills in Botswana Source A related resource from which the described resource is derived is51102023 Language A language of the resource English Contributor An entity responsible for making contributions to the resource bc209@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 800 Spatial Coverage Spatial characteristics of the resource. current,-23.1,24.68;origin,-23.1,24.68;find,-23.1,24.68; Medium The material or physical carrier of the resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Description An account of the resource Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Type The nature or genre of the resource Intangible Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 09/05/2023 Creator An entity primarily responsible for making the resource UNESCO References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Extent The size or duration of the resource. -cm x -cm x -cm Date A point or period of time associated with an event in the lifecycle of the resource 24/12/2012 Subject The topic of the resource Culture,Intangible Heritage Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 africa Intangible Prim Media 1715 History Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pottery-Making Skills in Botswana Source A related resource from which the described resource is derived is51102023 Language A language of the resource English Contributor An entity responsible for making contributions to the resource bc209@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 801 Spatial Coverage Spatial characteristics of the resource. current,-23.1,24.68;origin,-23.1,24.68;find,-23.1,24.68; Medium The material or physical carrier of the resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Description An account of the resource Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Type The nature or genre of the resource Intangible Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 09/05/2023 Creator An entity primarily responsible for making the resource UNESCO References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Extent The size or duration of the resource. -cm x -cm x -cm Date A point or period of time associated with an event in the lifecycle of the resource 24/12/2012 Subject The topic of the resource Culture,Intangible Heritage Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 africa Intangible Prim Media 1715 History Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pottery-Making Skills in Botswana Source A related resource from which the described resource is derived is51102023 Language A language of the resource English Contributor An entity responsible for making contributions to the resource bc209@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 802 Spatial Coverage Spatial characteristics of the resource. current,-23.1,24.68;origin,-23.1,24.68;find,-23.1,24.68; Medium The material or physical carrier of the resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Description An account of the resource Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Type The nature or genre of the resource Intangible Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 09/05/2023 Creator An entity primarily responsible for making the resource UNESCO References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Extent The size or duration of the resource. -cm x -cm x -cm Date A point or period of time associated with an event in the lifecycle of the resource 24/12/2012 Subject The topic of the resource Culture,Intangible Heritage Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 africa Intangible Prim Media 1715 History Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pottery-Making Skills in Botswana Source A related resource from which the described resource is derived is51102023 Language A language of the resource English Contributor An entity responsible for making contributions to the resource bc209@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 804 Spatial Coverage Spatial characteristics of the resource. current,-23.1,24.68;origin,-23.1,24.68;find,-23.1,24.68; Medium The material or physical carrier of the resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Description An account of the resource Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Type The nature or genre of the resource Intangible Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 09/05/2023 Creator An entity primarily responsible for making the resource UNESCO References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Extent The size or duration of the resource. -cm x -cm x -cm Date A point or period of time associated with an event in the lifecycle of the resource 24/12/2012 Subject The topic of the resource Culture,Intangible Heritage Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 africa Intangible Prim Media 1715 History Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pottery-Making Skills in Botswana Source A related resource from which the described resource is derived is51102023 Language A language of the resource English Contributor An entity responsible for making contributions to the resource bc209@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 805 Spatial Coverage Spatial characteristics of the resource. current,-23.1,24.68;origin,-23.1,24.68;find,-23.1,24.68; Medium The material or physical carrier of the resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Description An account of the resource Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Type The nature or genre of the resource Intangible Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 09/05/2023 Creator An entity primarily responsible for making the resource UNESCO References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Extent The size or duration of the resource. -cm x -cm x -cm Date A point or period of time associated with an event in the lifecycle of the resource 24/12/2012 Subject The topic of the resource Culture,Intangible Heritage Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 africa Intangible Prim Media 1715 History Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pottery-Making Skills in Botswana Source A related resource from which the described resource is derived is51102023 Language A language of the resource English Contributor An entity responsible for making contributions to the resource bc209@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 806 Spatial Coverage Spatial characteristics of the resource. current,-23.1,24.68;origin,-23.1,24.68;find,-23.1,24.68; Medium The material or physical carrier of the resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Description An account of the resource Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Type The nature or genre of the resource Intangible Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 09/05/2023 Creator An entity primarily responsible for making the resource UNESCO References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Extent The size or duration of the resource. -cm x -cm x -cm Date A point or period of time associated with an event in the lifecycle of the resource 24/12/2012 Subject The topic of the resource Culture,Intangible Heritage Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 africa Intangible Prim Media 1715 History Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pottery-Making Skills in Botswana Source A related resource from which the described resource is derived is51102023 Language A language of the resource English Contributor An entity responsible for making contributions to the resource bc209@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 807 Spatial Coverage Spatial characteristics of the resource. current,-23.1,24.68;origin,-23.1,24.68;find,-23.1,24.68; Medium The material or physical carrier of the resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Description An account of the resource Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Type The nature or genre of the resource Intangible Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 09/05/2023 Creator An entity primarily responsible for making the resource UNESCO References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Extent The size or duration of the resource. -cm x -cm x -cm Date A point or period of time associated with an event in the lifecycle of the resource 24/12/2012 Subject The topic of the resource Culture,Intangible Heritage Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 africa Intangible Prim Media 1715 History Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pottery-Making Skills in Botswana Source A related resource from which the described resource is derived is51102023 Language A language of the resource English Contributor An entity responsible for making contributions to the resource bc209@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 808 Spatial Coverage Spatial characteristics of the resource. current,-23.1,24.68;origin,-23.1,24.68;find,-23.1,24.68; Medium The material or physical carrier of the resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Description An account of the resource Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Type The nature or genre of the resource Intangible Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 09/05/2023 Creator An entity primarily responsible for making the resource UNESCO References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Extent The size or duration of the resource. -cm x -cm x -cm Date A point or period of time associated with an event in the lifecycle of the resource 24/12/2012 Subject The topic of the resource Culture,Intangible Heritage Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 africa Intangible Prim Media 1715 History Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pottery-Making Skills in Botswana Source A related resource from which the described resource is derived is51102023 Language A language of the resource English Contributor An entity responsible for making contributions to the resource bc209@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 809 Spatial Coverage Spatial characteristics of the resource. current,-23.1,24.68;origin,-23.1,24.68;find,-23.1,24.68; Medium The material or physical carrier of the resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Description An account of the resource Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Type The nature or genre of the resource Intangible Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 09/05/2023 Creator An entity primarily responsible for making the resource UNESCO References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Extent The size or duration of the resource. -cm x -cm x -cm Date A point or period of time associated with an event in the lifecycle of the resource 24/12/2012 Subject The topic of the resource Culture,Intangible Heritage Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 africa Intangible Prim Media 1715 History Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pottery-Making Skills in Botswana Source A related resource from which the described resource is derived is51102023 Language A language of the resource English Contributor An entity responsible for making contributions to the resource bc209@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 810 Spatial Coverage Spatial characteristics of the resource. current,-23.1,24.68;origin,-23.1,24.68;find,-23.1,24.68; Medium The material or physical carrier of the resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Description An account of the resource Botswana ceramics are generally made by women in the Katelen district of southeastern Botswana, figure1 shows some of the classic ceramics(. The process of making pottery usually involves female potters designing and making pottery using natural materials such as clay, iron oxide, cow dung, grass and water. The pottery-making skills of the Kgatleng District of Botswana were inscribed on Urgent Safeguarding List on December 4, 2022. Pottery making in Botswana is important to human civilization and the diversity of world cultures. Jars were once an indispensable item in local life. In addition to being used as storage and cooking containers, the pottery was also used for ancestral rituals and traditional healing ceremonies. The shapes, design styles, and uses of pottery reflect the daily lives of the people in the community, local traditional rituals, and regional religious beliefs Type The nature or genre of the resource Intangible Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 09/05/2023 Creator An entity primarily responsible for making the resource UNESCO References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 Extent The size or duration of the resource. -cm x -cm x -cm Date A point or period of time associated with an event in the lifecycle of the resource 24/12/2012 Subject The topic of the resource Culture,Intangible Heritage Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://ich.unesco.org/en/USL/earthenware-pottery-making-skills-in-botswanas-kgatleng-district-00753 africa https://stage.openvirtualworlds.org/omeka/files/original/178cd055a3010faab53eaeb2e0f07e42.pdf 133a2c237b516008231d65c0541579b1 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Author sarah DescriptionEN English Description Architectural setting for pyayers for the dead in later Medieval Scotland. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://stage.openvirtualworlds.org/galleries/upload/prayers_for_the_dead.pdf Europeana Type The Europeana material type of the resource. TEXT Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Richard Fawcett Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Prayers for the Dead Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 08/27/2025 12:34:19 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource sarah Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource Text Spatial Coverage Spatial characteristics of the resource. current,56.34003032799946,-2.786904349923134; Description An account of the resource Architectural setting for pyayers for the dead in later Medieval Scotland. #medievalart https://stage.openvirtualworlds.org/omeka/files/original/2746103a24b7e52d057572c3a1f814ed.pdf 133a2c237b516008231d65c0541579b1 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Author sarah DescriptionEN English Description Architectural setting for pyayers for the dead in later Medieval Scotland. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://stage.openvirtualworlds.org/galleries/upload/prayers_for_the_dead-1.pdf Europeana Type The Europeana material type of the resource. TEXT Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Richard Fawcett Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Prayers for the Dead Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 08/27/2025 12:34:39 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource sarah Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource Text Spatial Coverage Spatial characteristics of the resource. current,56.34003032799946,-2.786904349923134; Description An account of the resource Architectural setting for pyayers for the dead in later Medieval Scotland. #medievalart https://stage.openvirtualworlds.org/omeka/files/original/c8eadd2ffa11704018201bcc837d5a43.jpg 281c355ff3b6facd278b22af34388208 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author spanayotti DescriptionEN English Description Prehistoric cave painting from the Lascaux cave within the Prehistoric Sites and Decorated Caves of the Vézère Valley Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. Creative Commons Attribution-ShareAlike License Title A name given to the resource Prehistoric Sites and Decorated Caves of the Vézère Valley Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 04/21/2022 02:37:47 pm Source A related resource from which the described resource is derived wordlheritage2022 Contributor An entity responsible for making contributions to the resource spanayotti Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,45.057500,1.170000; Medium The material or physical carrier of the resource. https://upload.wikimedia.org/wikipedia/commons/f/f8/Prehistoric_Sites_and_Decorated_Caves_of_the_V%C3%A9z%C3%A8re_Valley-108435.jpg Description An account of the resource Prehistoric cave painting from the Lascaux cave within the Prehistoric Sites and Decorated Caves of the Vézère Valley Date A point or period of time associated with an event in the lifecycle of the resource 30/06/2006 Subject The topic of the resource Culture,Immovable Culture Heritage Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE Is Shown At An unambiguous URL reference to the digital object on the provider’s web site in its full information context. https://commons.wikimedia.org/wiki/File:Prehistoric_Sites_and_Decorated_Caves_of_the_V%C3%A9z%C3%A8re_Valley-108435.jpg Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Francesco Bandarin Cultural Site Cultural>Site immovable cultural heritage prehistoric tangible heritage UNESCO HERITAGE SITE Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: IS5110 2022 Identifier An unambiguous reference to the resource within a given context 594 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 627 Material Panel Painting in Tempera Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Primavera Language A language of the resource English Contributor An entity responsible for making contributions to the resource Avneet Kaur Identifier An unambiguous reference to the resource within a given context 393 Medium The material or physical carrier of the resource. Wikipedia Description An account of the resource The Primavera is a tempera painting created by Sandro Botticelli in 1482. It is one of the most representative artwork of the Italian Renaissance and symbol of the prosperity of Florence during the Medici rule. It is one of the most popular paintings of the Western World. Along with the Birth of Venus, the Primavera succeeds in demonstrating the expertise of Botticelli in the use of colour, lines and shaded forms. The meaning of the Primavera is still unknown. However, art experts have attempted at guessing it. Originally, the painting was created in the honour of the wedding of Lorenzo di Pierfrancesco, Lorenzo de Medici's cousin. Nevertheless, the painting is not only a mere celebration of a wedding as it is demonstrated by the presence of numerous allegories and metaphor that link to the Greek and Roman mythology. For example, two Roman gods, Venus and Mercury, are depicted. This painting succeeds in showing Botticelli's great knowledge of classical literature and philosophy. Type The nature or genre of the resource Physical Object Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 15/04/2022 Creator An entity primarily responsible for making the resource Sandro Botticelli References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://commons.wikimedia.org/wiki/File:Botticelli-primavera.jpg Date A point or period of time associated with an event in the lifecycle of the resource 1482 Subject The topic of the resource Movable Cultural Heritage Spatial Coverage Spatial characteristics of the resource. current,43.7678,11.2553; Date Modified Date on which the resource was changed. 08/05/2022 Source A related resource from which the described resource is derived wordlheritage2022 Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Allegories Botticelli Greek Medici Mythology Renaissance UffiziMuseum https://stage.openvirtualworlds.org/omeka/files/original/4315342b7f713397d9772d8c5f2723dd.jpeg b6e72336c9d0311a0fd071846c98682b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author Avneet Kaur Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://commons.wikimedia.org/wiki/File:Botticelli-primavera.jpg Europeana Provider Name of the organization that delivers data to Europeana. http://www.googleartproject.com/collection/uffizi-gallery/artwork/la-primavera-spring-botticelli-filipepi/331460/ Europeana Type The Europeana material type of the resource. IMAGE Is Shown At An unambiguous URL reference to the digital object on the provider’s web site in its full information context. https://commons.wikimedia.org/wiki/File:Botticelli-primavera.jpg Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Google Art Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Primavera Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 04/15/2022 01:41:07 pm Source A related resource from which the described resource is derived wordlheritage2022 Contributor An entity responsible for making contributions to the resource Avneet Kaur Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,43°46′04.03″N ,11°15′19.12″E; Medium The material or physical carrier of the resource. Wikimedia Date A point or period of time associated with an event in the lifecycle of the resource 1482 Subject The topic of the resource Movable Cultural Heritage Botticelli Florence Italy Medici Renaissance https://stage.openvirtualworlds.org/omeka/files/original/a9021c58fab3fab367f3487ad45d2255.jpeg b6e72336c9d0311a0fd071846c98682b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author Avneet Kaur Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://commons.wikimedia.org/wiki/File:Botticelli-primavera.jpg Europeana Provider Name of the organization that delivers data to Europeana. http://www.googleartproject.com/collection/uffizi-gallery/artwork/la-primavera-spring-botticelli-filipepi/331460/ Europeana Type The Europeana material type of the resource. IMAGE Is Shown At An unambiguous URL reference to the digital object on the provider’s web site in its full information context. https://commons.wikimedia.org/wiki/File:Botticelli-primavera.jpg Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Google Art Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Primavera Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 04/15/2022 01:41:10 pm Source A related resource from which the described resource is derived wordlheritage2022 Contributor An entity responsible for making contributions to the resource Avneet Kaur Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,43°46′04.03″N ,11°15′19.12″E; Medium The material or physical carrier of the resource. Wikimedia Date A point or period of time associated with an event in the lifecycle of the resource 1482 Subject The topic of the resource Movable Cultural Heritage Botticelli Florence Italy Medici Renaissance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: IS5110 2022 Identifier An unambiguous reference to the resource within a given context 594 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Prim Media 630 Material Panel Painting in Tempera Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Primavera Source A related resource from which the described resource is derived wordlheritage2022 Language A language of the resource English Contributor An entity responsible for making contributions to the resource Avneet Kaur Identifier An unambiguous reference to the resource within a given context 394 Spatial Coverage Spatial characteristics of the resource. current,43°46′04.03″N ,11°15′19.12″E; Medium The material or physical carrier of the resource. Wikipedia Description An account of the resource The Primavera is a tempera painting created by Sandro Botticelli in 1482. It is one of the most representative artwork of the Italian Renaissance and symbol of the prosperity of Florence during the Medici rule. It is one of the most popular paintings of the Western World. Along with the Birth of Venus, the Primavera succeeds in demonstrating the expertise of Botticelli in the use of colour, lines and shaded forms. The meaning of the Primavera is still unknown. However, art experts have attempted at guessing it. Originally, the painting was created in the honour of the wedding of Lorenzo di Pierfrancesco, Lorenzo de Medici's cousin. Art experts believe that the painting is not only a mere celebration of the wedding, even though the Medici family is depicted, but it is an acknowledgement of Sandro Botticelli's vast knowledge of the Greek and Roman mythology, classic literature and philosophy. For example, Venus and Mercury, two Roman gods, are depicted. Type The nature or genre of the resource Physical Object Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 15/04/2022 Creator An entity primarily responsible for making the resource Sandro Botticelli References A related resource that is referenced, cited, or otherwise pointed to by the described resource. https://commons.wikimedia.org/wiki/File:Botticelli-primavera.jpg Extent The size or duration of the resource. 314cm x 203cm x cm Date A point or period of time associated with an event in the lifecycle of the resource 1482 Subject The topic of the resource Movable Cultural Heritage Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Allegories Florence Italy Medici Renaissance UffiziMuseum https://stage.openvirtualworlds.org/omeka/files/original/46d399c6eddd1e5cf29c2eccf809b9d8.png 98c7d4023431ac3e6822903c1e688711 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: IS5110 2022 Identifier An unambiguous reference to the resource within a given context 594 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author yuqi2022 DescriptionEN English Description A variation of the Royal Stuart tartan. Tartan of the trews worn by the 72nd Regiment, Duke of Albany's Own Highlanders, 1823-1881. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. Creative Commons Attribution-NonCommercial-ShareAlike License Title A name given to the resource Prince Charles Edward Stuart Tartan Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 04/16/2022 08:22:12 pm Source A related resource from which the described resource is derived wordlheritage2022 Contributor An entity responsible for making contributions to the resource yuqi2022 Format The file format, physical medium, or dimensions of the resource image/png Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,57.4596° N,4.2264° W; Medium The material or physical carrier of the resource. https://commons.wikimedia.org/wiki/File:Prince_Charles_Edward_Stuart_tartan.png Description An account of the resource A variation of the Royal Stuart tartan. Tartan of the trews worn by the 72nd Regiment, Duke of Albany's Own Highlanders, 1823-1881. Date A point or period of time associated with an event in the lifecycle of the resource 24 March 2021 Subject The topic of the resource Movable Cultural Heritage Europeana Specific elements of the Europeana Semantic Elements. Europeana Provider Name of the organization that delivers data to Europeana. https://commons.wikimedia.org/wiki/File:Prince_Charles_Edward_Stuart_tartan.png Europeana Type The Europeana material type of the resource. IMAGE Is Shown At An unambiguous URL reference to the digital object on the provider’s web site in its full information context. https://commons.wikimedia.org/wiki/File:Prince_Charles_Edward_Stuart_tartan.png Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Hsq7278 United Kingdom Site Represents a site. Contact yh62@st-andrews.ac.uk Status public Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Building Condition 1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Prince Kung's Mansion Contributor An entity responsible for making contributions to the resource Yuhui Hou Identifier An unambiguous reference to the resource within a given context 296 Type The nature or genre of the resource Site Spatial Coverage Spatial characteristics of the resource. current,39,116; Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 17/05/2021 Extent The size or duration of the resource. cm x cm x cm Europeana Specific elements of the Europeana Semantic Elements. Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Prince Kung's Mansion Europeana Type The Europeana material type of the resource. TEXT Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: IS5110 2021 Identifier An unambiguous reference to the resource within a given context 216 Site Represents a site. Prim Media 403 Contact yh62@st-andrews.ac.uk Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Building Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Prince Kung's Mansion Contributor An entity responsible for making contributions to the resource Yuhui Hou Identifier An unambiguous reference to the resource within a given context 298 Type The nature or genre of the resource Site Spatial Coverage Spatial characteristics of the resource. current,39.93687,116.38638; Description An account of the resource Prince Gong Mansion is a first-class museum of guogaijia in China and a national AAAAAA tourist attraction. It is the largest palace complex in the Qing Dynasty, and its predecessor was the residence of Heshen, an official of the Qianlong Dynasty in the Qing Dynasty, and the residence of Yonglin, brother of Emperor Jiaqing in the Qing Dynasty. As the mansions of the princes of the Qing Dynasty, Prince Gong Mansion has neat architectural layout, excellent craftsmanship and staggered pavilions, which fully reflects the magnificent and rich style of the royal family and the simple and elegant charm of the folk Qing Dynasty. Prince Gong Mansion composed by mansion and garden two parts, north and south grow about 330 meters, thing width more than 180 meters, cover an area of an area of about 61120 square meter, among them mansion covers an area of 32260 square meter, the garden covers an area of 28860 square meter. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 17/05/2021 Extent The size or duration of the resource. cm x cm x cm Subject The topic of the resource Immovable Culture Heritage Date Modified Date on which the resource was changed. 05/17/2021 11:05:15 pm Source A related resource from which the described resource is derived isfiveoneonezero,worldheritagelayer Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://www.chinaeducationaltours.com/guide/beijing-prince-gongs-mansion.htm Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Prince Kung's Mansion Europeana Type The Europeana material type of the resource. TEXT https://stage.openvirtualworlds.org/omeka/files/original/f60c8f5ad1859a4363d91d4a7b6725cc.mp4 9c8f9ac5a07cac44542407d2e12a2218 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Museum: IS5110 2025 Identifier An unambiguous reference to the resource within a given context 2856 Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. DescriptionEN English Description Audio recording of Prof Micheal Brown (University of St Andrews) Subject: Prior John Bissett of St Andrews Cathedral Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Prior John Bissett Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource eulac3d Format The file format, physical medium, or dimensions of the resource video/mp4 Type The nature or genre of the resource Moving Image Spatial Coverage Spatial characteristics of the resource. current,56.340028550988876,-2.787488400936127; Description An account of the resource Audio recording of Prof Micheal Brown (University of St Andrews) Subject: Prior John Bissett of St Andrews Cathedral Date A point or period of time associated with an event in the lifecycle of the resource 2014 Subject The topic of the resource Intangible Heritage Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. VIDEO Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Open Virtual Worlds Team University of St Andrews https://stage.openvirtualworlds.org/omeka/files/original/4ae54206d59d4545ceedea4a2721e081.png 37e4f8065034edf6285058d60df9c180 https://stage.openvirtualworlds.org/omeka/files/original/c7fd4b527a556e09f1de3f961992af2f.jpg 26523167fead18874cc7c4a24a0bad0a https://stage.openvirtualworlds.org/omeka/files/original/a19f153bac59f57f786156dbaae0a4b6.jpg 26523167fead18874cc7c4a24a0bad0a Reconstruction Advisers The Highlanders Museum Authors Sarah Kennedy, Alan Miller (University of St Andrews) How This reconstruction was built within Unreal Engine. Scenes were created and populated with appropriate objects, including furniture and artefacts. Landscapes populated with flora and fauna. Weather settings and atmospheric lighting. Artefacts from the Highlanders Museum collection were scanned and imported into the scenes. Evidence We were able to draw upon access to the extensive and rich collection of artefacts, documents, photos, and staff knowledge at the Highlanders Museum to enable us to create this reconstruction of what a Prisoner of War Camp may have looked like and scan and import appropriate artefacts into the scenes. The Highlanders Museum is located within the grounds of the historic Fort George, overseen by Historic Scotland. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Prisoner of War Camp Identifier An unambiguous reference to the resource within a given context 1529 Type The nature or genre of the resource Reconstruction Format The file format, physical medium, or dimensions of the resource image/png Description An account of the resource Part of the CUPIDO project. This is a collaboration between the Highlanders Museum, based within Fort George near Inverness, and the School of Computer Science at the University of St Andrews. CUPIDO (Culture power to inspire development in rural areas) is a cultural heritage project funded through the Interreg North Sea Region programme. Its overarching aim is to support social and economic development opportunities within the cultural sector – aiming to contribute towards creating vibrant, sustainable rural communities that attract people to live, work and visit. It’s also designed to help project partners share resources, knowledge and expertise to explore new business models, helping bring about economic benefits within the sector. The project runs from 2019 – 2022. Date A point or period of time associated with an event in the lifecycle of the resource 2021 Spatial Coverage Spatial characteristics of the resource. current,57.586926923355215,-4.054384231567384; Subject The topic of the resource Culture,Intangible Heritage Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. TEXT Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. https://player.vimeo.com/video/658950147 Site Represents a site. Contact cx27@st-andrews.ac.uk Institutional nature Museum, Ecomuseum, Extended Museum, Territorial Museum, Cultural Center, Memory House, e-Museum, etc Building Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Identifier An unambiguous reference to the resource within a given context 1270 Type The nature or genre of the resource Site Spatial Coverage Spatial characteristics of the resource. current,20.9152,-100.7452; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 18/03/2025 Extent The size or duration of the resource. cm x cm x cm Date Modified Date on which the resource was changed. 03/24/2025 05:19:34 pm Europeana Specific elements of the Europeana Semantic Elements. Europeana Data Provider The name or identifier of the organisation that contributes data to Europeana. Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Europeana Type The Europeana material type of the resource. TEXT https://stage.openvirtualworlds.org/omeka/files/original/2c8432bd2ec21a59ef7986f7c1f49755.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:39:47 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://stage.openvirtualworlds.org/omeka/files/original/ee8c63a2281fbc8b5a8d914ebc997995.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:39:52 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://stage.openvirtualworlds.org/omeka/files/original/f426a4d59a1aeb3b4dafdd08b672e53e.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:39:56 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://stage.openvirtualworlds.org/omeka/files/original/88a75aebd23780ce23b43761c0e90aab.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:40:00 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://stage.openvirtualworlds.org/omeka/files/original/13a113a5728bdc086d0b1ef26f877dd4.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:40:04 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://stage.openvirtualworlds.org/omeka/files/original/66ca8728ef0a9d92d43f16d7b491d9d9.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:40:09 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://stage.openvirtualworlds.org/omeka/files/original/9c03447bd342c9c8e12294b93baf688c.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:40:14 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://stage.openvirtualworlds.org/omeka/files/original/c2755b975d1542ca72af223a45c816e9.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:40:18 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://stage.openvirtualworlds.org/omeka/files/original/019bd02357b5454953b8cb7ee8ba0af9.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:40:23 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://stage.openvirtualworlds.org/omeka/files/original/99c5acfbe16a9db2518ebdac51101a63.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:40:27 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://stage.openvirtualworlds.org/omeka/files/original/4d2d5375c76e36df5e9946936c2a8fa2.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:40:31 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://stage.openvirtualworlds.org/omeka/files/original/4ba9c026d90254c879e99beb65b392b3.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:40:35 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://stage.openvirtualworlds.org/omeka/files/original/f311852e969e114b95cbc4bb74ab09cc.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:40:39 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Europeana Type The Europeana material type of the resource. IMAGE https://stage.openvirtualworlds.org/omeka/files/original/377f1a6340947fc4643e2e2389ca2aae.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:40:44 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. https://stage.openvirtualworlds.org/omeka/files/original/8f494335f6317d2103f8dac2f54d3dc8.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:40:48 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. https://stage.openvirtualworlds.org/omeka/files/original/c3b6b79dfaf21a8e3c32546a203cfc4e.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:40:53 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. https://stage.openvirtualworlds.org/omeka/files/original/66d3780bda2f3cdde4c9b5a3578d66fb.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:40:57 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. https://stage.openvirtualworlds.org/omeka/files/original/00cf55e3f1ce8ff51b03295c7e23f4e2.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:41:02 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. https://stage.openvirtualworlds.org/omeka/files/original/4f820deaeb440e7bb66cfacd876ecd85.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:41:07 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. https://stage.openvirtualworlds.org/omeka/files/original/ee5237f6cfa08ceb771d41c8d57c43fb.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:41:13 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. https://stage.openvirtualworlds.org/omeka/files/original/c958e5fbee11f68be4d40ccae6f3b0e6.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:41:17 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. https://stage.openvirtualworlds.org/omeka/files/original/71a00e11d08b4a335b642ca726204207.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:41:22 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. https://stage.openvirtualworlds.org/omeka/files/original/632377a2ea65bd11f1e97c8f9500c7d5.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:41:26 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. https://stage.openvirtualworlds.org/omeka/files/original/d70d57233b83fbe446c71f398b1c4403.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:41:30 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. https://stage.openvirtualworlds.org/omeka/files/original/3adbd947ce1abdd328c3a566bd1c768d.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:41:35 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. https://stage.openvirtualworlds.org/omeka/files/original/2f7736e903ac93d437970ff6ee268d73.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ko Hon Chiu Vincent Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:41:40 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. https://stage.openvirtualworlds.org/omeka/files/original/d43e8b093b07be8aa3305f8351768d2d.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ko Hon Chiu Vincent Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:41:44 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. https://stage.openvirtualworlds.org/omeka/files/original/8be32610913a69c8bb55cba0e03babbc.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ko Hon Chiu Vincent Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:41:48 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. https://stage.openvirtualworlds.org/omeka/files/original/72ebfa8a8f8fae515a103f38957d8448.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ko Hon Chiu Vincent Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:41:52 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. https://stage.openvirtualworlds.org/omeka/files/original/59a495a554d41087dd2f7d25dba84fdb.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ko Hon Chiu Vincent Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:41:57 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. https://stage.openvirtualworlds.org/omeka/files/original/280e3aec635c1f8960ed9e87d0d551e4.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ko Hon Chiu Vincent Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:42:00 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. https://stage.openvirtualworlds.org/omeka/files/original/453a26b786ffb1b33975a1583db8eacf.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ko Hon Chiu Vincent Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:42:05 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. https://stage.openvirtualworlds.org/omeka/files/original/d6f5f9434b98f6c22b0842f9bf08f658.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ko Hon Chiu Vincent Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:42:08 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. https://stage.openvirtualworlds.org/omeka/files/original/2dbb9a48bb6163a3bf47ba44bdfd9cd1.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ko Hon Chiu Vincent Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:42:12 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. https://stage.openvirtualworlds.org/omeka/files/original/2124daa7cd5fd43a3764745d7e5fc2ca.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ko Hon Chiu Vincent Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:42:16 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. https://stage.openvirtualworlds.org/omeka/files/original/e2b16c068ae55f857e47d1a2d2e8b090.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ko Hon Chiu Vincent Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:42:20 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. https://stage.openvirtualworlds.org/omeka/files/original/7346f7d03f190de626a5b739871ad829.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ko Hon Chiu Vincent Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:42:25 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. https://stage.openvirtualworlds.org/omeka/files/original/08058c6575b384c9802ce49f4677187c.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Provider Name of the organization that delivers data to Europeana. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ko Hon Chiu Vincent Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:42:29 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Subject The topic of the resource Immovable Culture Heritage,Tourism https://stage.openvirtualworlds.org/omeka/files/original/5afba040a1e1778910f98cfddb24c1fe.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Provider Name of the organization that delivers data to Europeana. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ko Hon Chiu Vincent Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:42:33 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Subject The topic of the resource Immovable Culture Heritage,Tourism https://stage.openvirtualworlds.org/omeka/files/original/b1624d8ee02657338afa86fccc6e0251.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Provider Name of the organization that delivers data to Europeana. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ko Hon Chiu Vincent Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:42:37 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Subject The topic of the resource Immovable Culture Heritage,Tourism https://stage.openvirtualworlds.org/omeka/files/original/6f7ce84f88f2f0083d4abb265b077f5c.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Provider Name of the organization that delivers data to Europeana. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ko Hon Chiu Vincent Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:42:42 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Subject The topic of the resource Immovable Culture Heritage,Tourism https://stage.openvirtualworlds.org/omeka/files/original/45473e3f5498455ab573761a1889e4ae.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Provider Name of the organization that delivers data to Europeana. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ko Hon Chiu Vincent Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:42:46 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Subject The topic of the resource Immovable Culture Heritage,Tourism https://stage.openvirtualworlds.org/omeka/files/original/9f217307df9d7d9fab6501866e731811.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Provider Name of the organization that delivers data to Europeana. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ko Hon Chiu Vincent Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:42:52 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Subject The topic of the resource Immovable Culture Heritage,Tourism https://stage.openvirtualworlds.org/omeka/files/original/40ea1edf05708e68562c2b69bfdf6727.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Provider Name of the organization that delivers data to Europeana. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ko Hon Chiu Vincent Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:42:56 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Subject The topic of the resource Immovable Culture Heritage,Tourism https://stage.openvirtualworlds.org/omeka/files/original/cc1e5bbeeff85b202867292a88c70201.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Provider Name of the organization that delivers data to Europeana. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ko Hon Chiu Vincent Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:43:04 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Subject The topic of the resource Immovable Culture Heritage,Tourism https://stage.openvirtualworlds.org/omeka/files/original/e0758d490a4be786e889a4b9ded02c98.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Provider Name of the organization that delivers data to Europeana. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ko Hon Chiu Vincent Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:43:08 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Subject The topic of the resource Immovable Culture Heritage,Tourism https://stage.openvirtualworlds.org/omeka/files/original/de8d8aadac969907d839504178723232.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Provider Name of the organization that delivers data to Europeana. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ko Hon Chiu Vincent Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:43:12 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Subject The topic of the resource Immovable Culture Heritage,Tourism https://stage.openvirtualworlds.org/omeka/files/original/28c57c3e0910b697c973713a0be4714f.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Provider Name of the organization that delivers data to Europeana. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ko Hon Chiu Vincent Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:43:16 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Subject The topic of the resource Immovable Culture Heritage,Tourism https://stage.openvirtualworlds.org/omeka/files/original/a2f2121feb31956784bd7fa3bc375653.jpg 299666d1d8d442a53cb935e3a0ffdd19 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Author cx27@st-andrews.ac.uk DescriptionEN English Description The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Europeana Specific elements of the Europeana Semantic Elements. Object The URL of a suitable source image in the best resolution available on the web site of the data provider from which small images could be generated for use in the portal. This will often be the same URL as given in europeana:isShownBy. whc.unesco.org/en/documents/136554 Europeana Provider Name of the organization that delivers data to Europeana. whc.unesco.org/en/documents/136554 Europeana Type The Europeana material type of the resource. IMAGE Europeana Rights Information about copyright of the digital object that is specified in isShownBy and isShownAt and, by extension, to the preview images used in the portal. Ko Hon Chiu Vincent Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. License A legal document giving official permission to do something with the resource. In Copyright (InC) Title A name given to the resource Protective Town of San Miguel and the Sanctuary of Jesús Nazareno de Atotonilco Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/24/2025 04:43:20 pm Source A related resource from which the described resource is derived is51102025 Contributor An entity responsible for making contributions to the resource cx27@st-andrews.ac.uk Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Spatial Coverage Spatial characteristics of the resource. current,20.9152° N,100.7452° W; Description An account of the resource The Protective Town of San Miguel de Allende and the Sanctuary of Jesús Nazareno de Atotonilco represent exceptional examples of 18th-century Mexican Baroque architecture and cultural fusion. Established in the 16th century along the Royal Route, San Miguel reached its zenith in the 18th century when its distinctive religious and civic buildings were constructed. Located 14 kilometers from the town, the Jesuit sanctuary of Atotonilco showcases remarkable Baroque art including oil paintings by Rodriguez Juárez and murals by Miguel Antonio Martínez de Pocasangre. The site embodies the cultural exchange between European and Latin American traditions, particularly reflecting the influence of Saint Ignacio de Loyola's doctrine. The architectural ensemble demonstrates the transition from Baroque to neoclassical styles while preserving the colonial urban layout. Today, this UNESCO World Heritage Site continues to serve as a living example of Spanish colonial influence and Mexican cultural identity. Subject The topic of the resource Immovable Culture Heritage,Tourism