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&#13;
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The project's overall objective is to develop new business opportunities in the cultural and cultural heritage sector around the North Sea, to reinforce the economic position, competitiveness and social cohesion of local rural communities in areas with a declining population. CUPIDO intends to strengthen a viable and sustainable future economy, based on the social historic role and core qualities and values of the involved regions, cities and local communities. CUPIDO is co-funded by the North Sea Region Programme 2014-2020. The partnership has 14 partners from 7 regions in 6 countries around the North Sea. All in regions with an ageing population, due to both urbanisation and changing demography, and with municipalities that struggle to maintain a basic level of services and common functions. The new approach is to lift forward culture as a driver in local &amp; regional development policies and to explore its potential. Culture in the context of CUPIDO is cultural activities (art, dance, music) as well as cultural heritage. The project's overall objective is to develop new business opportunities in the cultural and cultural heritage sector around the North Sea, to reinforce the economic position, competitiveness and social cohesion of local rural communities in areas with a declining population. The project intends to strengthen a viable and sustainable future economy, based on the social historic role and core qualities and values of the involved regions, cities and local communities. CUPIDO is mainly about the commercialisation of the cultural sector that contributes towards creating vibrant, sustainable rural municipalities/communities that attract people to live, work and enjoy life. The project offers its partners an opportunity to jointly share resources, knowledge and expertise to commercialise the cultural sector. It enables insight into new business approaches, stimulates the development of products and services, and aims at an average of five new start-ups per area and support to existing SME's. Follow CUPIDO in social media #cupidoNSR.</text>
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&#13;
&#13;
The new digital representation of Market Street was inspired by a combination of evidence from the remarkable sixteenth-century Geddy Map (now held in the National Library of Scotland) and information from early property records (held in the University of St Andrews Library’s Special Collections). Original historical research by Dr Bess Rhodes, Dr Chelsea Reutcke and Peryn Westerhof Nyman was compared with findings from archaeological work undertaken by Fife Council during the 2011 resurfacing of Market Street. The extensive task of digitally modelling the numerous buildings which lined the historic street was undertaken by Sarah Kennedy.&#13;
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The Market Street reconstruction forms part of the Open Virtual Worlds Team’s response to the COVID-19 pandemic, and is part of a wider effort to develop digital representations of heritage and support for virtual museums. Dr Alan Miller from Smart History and the University’s School of Computer Science said that: “Creating digital reconstructions, and making them available as exhibits in virtual museums, offers new ways of exploring the past that are immersive, engaging and interactive. Live events offer... virtual time travel in the company of experts from the fields of history and archaeology. What better way to discover the story of Market Street?” - Dr Bess Rhodes.</text>
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&#13;
The reconstruction was created by Smart History and the Open Virtual Worlds Team at the University of St Andrews. It is part of an ongoing project to represent digitally the burgh of St Andrews at the time of the Scottish Reformation.&#13;
&#13;
During the Middle Ages, Market Street was a place where residents met to exchange goods, gossip, and watch the punishment of wrongdoers.&#13;
&#13;
Funding for the Market Street reconstruction was provided by the St Andrews Community Trust and the University of St Andrews’ Covid-19 Restarting Research Funding Scheme.&#13;
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This work was funded as part of 'Enabling Heritage Response to COVID-19 through Virtual Reality Exhibits, Virtual Museum Infrastructure and Capacity Building'.&#13;
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