Sugar Painting

Dublin Core

Title

Sugar Painting

Subject

Intangible Heritage

Description

Chengdu sugar painting is a unique traditional handicraft that integrates folk arts and crafts with cuisine. It is mainly popular in Chengdu, Sichuan Province and its surrounding areas. In the past, it was also called inverted sugar cake, sugar baba and sugar lantern shadow in Sichuan. Painting with melted sugar juice was widely popular in Chengdu, Sichuan Province and the surrounding cities and villages. Sugar painting originated around the 16th century. In the court custom of the Ming Dynasty, when offering sacrifices to ancestors in the New Year, the families of senior officials often used molds to print sugar lions, sugar tigers and famous scholars and warriors as sacrifices. Later, this skill was introduced to the people and gradually evolved into sugar painting. During the creation process, the artist sits in front of a sugar painting, holding a spoon in his hand. After a short thought, the artist quickly sprinkles the liquid sugar in the spoon onto the marble slab, which is as smooth as a mirror. The coagulated liquid sugar forms magical pictures of animals, flowers, insects, dramatic characters... When the fresh sugar paintings solidified, the artist used a bamboo skewer to glue each piece of work and pick it up to complete a piece of work. It is both ornamental and edible, integrated material and spiritual culture enjoyment into one.

Creator

jl384

Source

is51102023

Date

17/04/23

Contributor

jl384

Language

English

Type

Intangible

Identifier

628

Date Submitted

17/04/2023

References

https://en.wikipedia.org/wiki/Sugar_painting

Extent

cm x cm x cm

Medium

https://www.facebook.com/Lisaschinesekitchen/photos/a.100225561781931/487067719764378/?type=3&locale=hi_IN

Spatial Coverage

current,30.65560138022011,104.06360626453535;

Europeana

Object

https://en.wikipedia.org/wiki/Sugar_painting

Europeana Type

TEXT

Intangible Item Type Metadata

History

Sugar painting may have originated during the Ming dynasty when aristocratic families or government officials molded small animals made of sugar for religious rituals. This art form then became popular. After that period, as techniques improved, Chinese folk artists combined the molded sugar with other arts, like shadow play and paper cutting, to create a more diverse range of patterns. In Sichuan, during the Qing dynasty, further developments were made in production seeing the replacement of the molds with the now-common small ladle.

Prim Media

1202

Citation

jl384, “Sugar Painting,” STAGE, accessed December 13, 2025, https://stage.openvirtualworlds.org/omeka/items/show/1203.

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